Bridge The Atlantic

Bridge The Atlantic

United States

Hosted by singer/songwriter Marcio Novelli (Toronto, Canada) and web designer Ross Barber (Glasgow, Scotland), Bridge the Atlantic is a humorous and insightful exploration of the creative industries, directly from those who are working within it. With a varied range of guests including musicians, filmmakers, actors, artists and other creative professionals, Bridge the Atlantic is an entertaining mix of funny “WTF” moments, career defining experiences and industry advice. New episodes every Tuesday!

Episodes

Pam Lewis Rudden: Sync Licensing, Music Publishing & Placements  

Joining us this week from London, is sync licensing specialist Pam Lewis Rudden. Pam is the founder of Plutonic Group Syncs, a boutique third-party licensing agency specialising in music placement for Television, Films, Advertising, Gaming and Trailers productions that require music with character and individuality. As a sync licensing specialist, Pam represents artists, songwriters and premium vintage music catalogues along with music publishing companies globally. In this interview, Pam tells us about the difference between sync licensing and publishing, what the role of a sync licensing specialist is, and offers some advice for artists seeking music placements. Highlights: - Ross once kept Pam on a call just to hear her laugh - Pam explains why they started Plutonic Group Syncs, and what a sync licensing specialist does - We hear how Pam learned about the sync process through attending conferences - Pam explains the difference between sync and master rights - “The sync agent is the middleman between the artist and the music supervisor” - Pam Lewis Rudden - Pam explains why most music getting placed is from independent artists - “It’s important for independent artists to understand what the majors are doing” - Pam Lewis Rudden - We about the appeal of independent music vs major for sync and licensing - Pam iterates the importance of making sure you read the fine print in any publishing or management agreement - Pam explains the difference between sync licensing and publishing - In sync licensing, you are getting the permission from the master and publishing owners to use the tracks on a media platform - “Let me be your dedicated tentacle!” - Pam Lewis Rudden - Pam explains the difference between “one stop” and “easy clear” in terms of licensing - “Sync should be part of your marketing strategy, but not the be-all and end-all” - Pam Lewis Rudden Advice: - If you want your music placed, do your research on the shows you would like your music placed in - Work with a sync agency who already have the relationships with the music supervisors - Placements don’t happen overnight - you have to be realistic - Follow submission guidelines closely when submitting your music - they’re there for a reason! Guest Links - Website: http://plutonicgroup.com - Facebook: /plutonicgroupsyncs - Twitter: @plutonicgrpsync - Instagram: @plutonicgrpsync Sponsors: - Chris Keaton @ Chris Keaton Presents - Christine Infanger @ Thirty Roses - Joe Settineri - Music Launch Hub - Buck Naked Soap Company --- For more episodes, visit http://bridge-the-atlantic.com Follow us on Twitter: http://twitter.com/bridge_atlantic Subscribe on iTunes: http://bridge-the-atlantic.com/itunes Support us on Patreon: http://patreon.com/bridgetheatlantic

Kevin Porter: Production, Collaboration & Following Opportunities  

Our guest this week is producer/engineer and founder of Flashgrove Music, Kevin Porter. Kevin has more than a decade of professional experience working alongside the top producers, recording engineers, mixers, and songwriters the music industry has to offer. He has lent his ears, production, and engineering expertise to Gold and Platinum-selling albums, as well as GRAMMY award-winning projects. Kevin has engineered for some of the most successful music producers, artists, and songwriters on the planet, including Ryan Tedder, Mutt Lange, Ne-Yo, and Skylar Grey. Flashgrove Music was built with the mission to empower artists to realize their vision, reach professional goals, and achieve personal success. Highlights: - We hear how Kevin moved to LA to follow the opportunities he was being presented with - “Only 12 notes in western music, with endless possibilities” - Kevin Porter - Kevin shares with us what he believes his biggest weakness is - “If a song doesn’t make it off your hard drive, are you really a music producer?” - Kevin Porter - Kevin shares what he learned from working with experienced engineers early in his career - “You have to be one - or four - steps ahead of everyone else!” - Kevin Porter - “Assistant engineers who are incredible almost always go on to be amazing engineers” - Kevin Porter - “There is such magic in the collaborative process” - Kevin Porter - Kevin shares how he loves having some creative license when producing for artists - If you love making music, you can still make a career in the industry - Kevin tells us why he always grabs coffee with anyone before he works with them - Trust is so important when working with others in the business, especially as music is so personal - Marcio “treats” us to his pilot impression Advice: - When looking for a producer, make sure they have an understanding of your project - Credits and names are not everything - find a producer who understands your genre and vision - It’s important to find a producer who understands how to serve the song - If you want to be a producer, you have to be dedicated and live the life Guest Links: - Website: http://flashgrovemusic.com - Facebook: /flashgrovemusic - Twitter: @flashgrovemusic - Instagram: @flashgrovemusic Sponsors: - Chris Keaton @ Chris Keaton Presents - Christine Infanger @ Thirty Roses - Joe Settineri - Music Launch Hub - Buck Naked Soap Company

Benji Rogers: Pledge Music, Superfans & The Power of Email Lists  

Our guest this week is Benji Rogers, British-born, New York-based entrepreneur, technologist, musician, and the founder of Pledge Music. As an early pioneer of the direct artist-to-fan model of distributing music, Benji founded Pledge Music based on the belief that artists should share the process of their artistic output, not just the finished product. In addition to his work with Pledge, Benji is also the co-founder of the Dot Blockchain Music Project, an attempt to create a decentralized global registry of music rights using blockchain technology that will overhaul the commercialization and movement of music online. We had a great chat with Benji about Pledge Music, the importance of superfans, and the advice he'd offer to musicians and music industry entrepreneurs. Highlights: - Benji schools us with a Michael Bolton related Office Space quote - Marcio shares his personal experience of Pledge Music with Benji - Benji shares how the team are the key to Pledge Music’s success - “Technology is a huge piece of Pledge Music, but it’s the humans behind the technology that make it work” - Benji tells us why he started Pledge Music - “If all music is crowdfunded by fans, what difference does it make WHEN people pay for it?” - Benji Rogers - There’s a percentage of music fans who want to pay more - and we have to give them this option - Benji shares how it’s more about attracting the right fans, rather than a huge number of fans - “The way artists interact with their superfans will be the difference between those who make it and those who don’t” - Benji Rogers - “Fans don’t need more ways to consume music - they need reasons” - Benji Rogers - Benji talks about how the internet has enabled for direct interaction between artist and fan - Benji shares that he believes that moving forward, artists will start measuring Return on Attention rather than Return on Investment - We talk about the power of your mailing list, and Benji shares tips for growing your list - Benji shares his advice for musicians and music industry entrepreneurs Advice: - When crowdfunding, be honest about why you’re doing this and why - Offer an experience that is better than what they can get on YouTube or streaming services Guest Links: - Pledge Music: http://pledgemusic.com - Dot Blockchain: http://dotblockchainmusic.com - Twitter: @benjikrogers - Instagram: @benjikrogers Sponsors: - Chris Keaton @ Chris Keaton Presents - Christine Infanger @ Thirty Roses - Joe Settineri - Music Launch Hub - Buck Naked Soap Company --- For more episodes, visit http://bridge-the-atlantic.com Follow us on Twitter: http://twitter.com/bridge_atlantic Subscribe on iTunes: http://bridge-the-atlantic.com/itunes Support us on Patreon: http://patreon.com/bridgetheatlantic

Melissa Cross: The Authentic Voice, Vocal Technique & the Zen of Screaming  

Joining us this week is vocal instructor Melissa Cross out of New York City. Melissa is a highly in-demand voice teacher and creator of the acclaimed “Zen of Screaming” instructional DVD. Her approach to singing is rooted in passion and authenticity, and the techniques she teaches are all about allowing artists to be themselves. She’s worked with some of the biggest bands and artists in the business. Her client list includes vocalists of bands such as Sleeping with Sirens, Halestorm, Senses Fail, Taking Back Sunday, Circa Survive, and even Kevin Bacon. Highlights: - Melissa believes she is here on this Earth to help people - Melissa is a sucker for talent - it’s one of the main things she looks for in a partner! - We hear how Melissa developed the vocal technique she now teaches - Melissa shares how classical vocal techniques aren’t necessarily applicable to non-classical music - “We need to take the resonant strategy of classical music and apply it to the spoken tone” - Melissa Cross - Melissa tells us how the authenticity in the metal scene of the 80s/90s made her want to be part of the community - Ross and Marcio tell Melissa how they’ve used her Zen of Screaming exercises in the past - Melissa tells us about her upcoming Zen of Screaming website, featuring animation to help singers develop their technique - We talk about visualisation in terms of singing - Melissa tells us how artists can find their authentic voice, and sing like “themselves” - The idea of imagination rather than judgment and listening is at the basis of Melissa’s technique - Melissa shares some advice for artists on taking care of their voice Advice: - You need to know the material as if you’re sloppy, you may overwork your voice - Warming up your voice is so important - Your voice is not invincible - respect it - You have to love your voice - if you’re doing it for money, you’re in it for the wrong reason - Singing professionally is only for people who couldn’t survive doing anything else Guest Links: - Website: http://melissacross.com - Twitter: @melissacross - Instagram: @zenofscreaming Sponsors: - Chris Keaton @ Chris Keaton Presents - Christine Infanger @ Thirty Roses - Joe Settineri - Music Launch Hub - Buck Naked Soap Company --- For more episodes, visit http://bridge-the-atlantic.com Follow us on Twitter: http://twitter.com/bridge_atlantic Subscribe on iTunes: http://bridge-the-atlantic.com/itunes Support us on Patreon: http://patreon.com/bridgetheatlantic

Brendan Brown: Wheatus, Management & Learning from Experience  

Our guest this week is Brendan Brown of Wheatus. Wheatus are perhaps best known for their hit “Teenage Dirtbag” but their story goes far deeper. The band have remained unsigned & unmanaged for the last 8 years, and continue to write, record, and tour 15 years after their inception. The band are in the process of releasing Volumes 1-8 of Pop, Songs & Death, a series of EPs available exclusively from wheatus.com as multi-format “pay-what-you-want” digital downloads. With a band biography that includes lawsuits, lineup changes, interstate art heist investigations and more, Brendan shares his experiences of the music industry and the advice he'd offer to his fellow musicians. Highlights: - Our introduction for Brendan is outdated, but for once it isn’t completely Ross’s fault! - “We are still stubbornly obsessed with making records in an analog format” - Brendan B Brown - Brendan wants to buy an artifact from Ross’s music geek childhood - Brendan tells us about Wheatus’s major label experience and why they have remained unsigned since - We hear how Wheatus were excited about Napster as it enabled more people to have their music than just outside their local scene - Brendan tells us how the label wanted to change his appearance, and he wasn’t comfortable with that - We hear how Brendan and Wheatus juggle all the different tasks that need to be done as an unmanaged band - We talk about the pros and cons of having a manager, and some of the challenges Wheatus have faced - “Everything goes into your experience basket and you use it to be positive in the future, so you don’t fuck up again” - Brendan Brown - Brendan shares a story about a legal battle involving their former manager - “If a manager is not doing the job and bringing that percentage in, they’re an unaffordable cost” - Brendan Brown - “Your manager has to be a member of the family, and has to be truly trusted” - Brendan Brown - Ross and Marcio accidentally create some new social networks through getting tongue tied Advice: - Conventionality is the danger - you have to find your own way, built on mistakes and the unexpected - You have to let go of the things you thought would happen, and go with what comes your way - Learn how to use the broken version of your dreams Guest Links: - Website: http://wheatus.com - Facebook: /wheatus - Twitter: @wheatus - Instagram: @wheatusofficial Sponsors: - Chris Keaton @ Chris Keaton Presents - Christine Infanger @ Thirty Roses - Joe Settineri - Music Launch Hub - Buck Naked Soap Company --- For more episodes, visit http://bridge-the-atlantic.com Follow us on Twitter: http://twitter.com/bridge_atlantic Subscribe on iTunes: http://bridge-the-atlantic.com/itunes Support us on Patreon: http://patreon.com/bridgetheatlantic

Courage My Love: Synthesia, Horror Movies & Fan Connection  

Joining us this week are twins Mercedes and Phoenix Arn-Horn of Canadian pop-punk group Courage My Love. The band formed in 2009, were discovered at a battle of the bands in Ontario in early 2010 and were soon signed to Warner Music Canada. Since then, they’ve released 4 EPs and 1 full length album, with their new album “Synthesia” due for release in February 2017. They were nominated for 'Best breakthrough group of the year' in the 2014 Juno Awards, and were named one of the Top 100 Bands You Need to Know in 2012 by Alternative Press Magazine. In this interview, we hear more about their upcoming album, and the advice they'd offer to their fellow musicians. Highlights: - We hear how Mercedes and Phoenix work together - Mercedes and Phoenix want us to know that homeschooled children aren’t always sociopathic weirdos! - We hear about the benefits and opportunities Courage My Love have had through their label support - We hear about Courage My Love’s upcoming record “Synthesia” - Mercedes and Phoenix tell us how they had a much clearer vision for the new album than previously - Phoenix tell us how she’s been more involved in the programming of Courage My Love’s upcoming album - We hear about the influence of 80s horror movies on the band’s new music videos - “We’ve found a sound we really like and can go ahead with in the future” - We hear about the producers Courage My Love worked with on “Synthesia” and the recording approach they took - Mercedes and Phoenix tell us about some of their personal career highlights so far, including Warped Tour - Mercedes tells us what she describes as “the worst joke of all time” - Celine Dion is “the crown jewel of Canada” - We talk about the importance of having a strong connection with your fans Advice: - Too many bands quit early - you have to stick with it - It takes time to get anywhere notable and to make things happen - Even overnight successes have been putting in years of work - Stay true to yourself and create music that you like and believe in - People will care more about you and your music if you make a personal connection Guest Links: - Website: http://ilovecouragemylove.com - Facebook: /ilovecouragemylove - Twitter: @couragemylove /@mercedesarnhorn / @phoenixarnhorn - Instagram: @couragemylove Sponsors: - Chris Keaton @ Chris Keaton Presents - Christine Infanger @ Thirty Roses - Joe Settineri - Music Launch Hub - Buck Naked Soap Company --- For more episodes, visit http://bridge-the-atlantic.com Follow us on Twitter: http://twitter.com/bridge_atlantic Subscribe on iTunes: http://bridge-the-atlantic.com/itunes Support us on Patreon: http://patreon.com/bridgetheatlantic

Mike Ziemer: So What!? Music Festival, Work Ethic & Relationships  

Our guest this week is Mike Ziemer, out of Los Angeles, Calfornia. Mike is the founder of the So What?! Music Festival, which will enter it's 10th year in 2017. He’s also the creator of Unsilent Night Music Festival. As a promoter, Ziemer has booked everyone from A Day To Remember, Sleeping With Sirens, All Time Low, Underoath, Pierce The Veil, Taking Back Sunday and The Used to G-Eazy, RiFF RAFF, Steve Aoki, and more. Aside from promoting, Ziemer also runs an artist management company called Evolve Management, and a record label called Third String Records. As a successful entrepreneur of over a decade, Mike also brings his knowledge to conferences and schools across the US. In addition, he offers one-on-one mentoring sessions with individuals interested in seeking advice and guidance as well as bands looking for help finding the proper next steps to turn their passion into a career. Highlights: - Ross shares an embarrassing story where he accidentally invited himself on a date with Mike - Mike tells us how the So What!? music festival began, and how it continues to grow - “The fans are the key to the festival’s success” - Mike Ziemer, 2016 - “The most important thing in music is networking” - Mike Ziemer, 2016 - Mike shares how it’s important to be a likeable person in order to grow your network - Mike shares how the relationships are EVERYTHING in the music business - We hear the most common questions that Mike gets asked when mentoring and consulting, and answers it for us - Mike tells us how one of his volunteers has become the marketing director for his festival - “Anyone can say they want to work in music, but you have to be willing to put in the work” - Mike Ziemer, 2016 - Mike tells us how he finds bands to book for his shows and tells bands what not to do when applying - Mike shares what he would have done differently when he first started Advice: - Don’t spend money on an expensive school to figure out what it is you want to do - it’s a waste of time and money - Internships or work experience placements can help you decide what lane you want to be in - Volunteering is one of the best ways to get your foot in the door - If you’re willing to help out, that goes a long way Guest Links: - Website: mikeziemer.com - Twitter: @MikeZiemer - Facebook: /mikeziemer - Instagram: @mikeziemer Sponsors: - Chris Keaton @ Chris Keaton Presents - Christine Infanger @ Thirty Roses - Joe Settineri - The Rock/Star Advocate - Music Launch Hub - Buck Naked Soap Company - Wendy Donaldson --- For more episodes, visit http://bridge-the-atlantic.com Follow us on Twitter: http://twitter.com/bridge_atlantic Subscribe on iTunes: http://bridge-the-atlantic.com/itunes Support us on Patreon: http://patreon.com/bridgetheatlantic

Lucy Spraggan: Independent Success, Support Slots & Mental Health  

Joining us this week is Manchester based singer/songwriter Lucy Spraggan. Lucy became a household name in the UK after appearing on the 2012 season of X Factor, and since has found chart success, with many of her singles reaching the top 20 in the UK charts. Her fourth album ‘I Hope You Don’t Mind Me Writing…’ is released on 27th January, through her own label CTRL Records. In this interview, we hear more about the new record, Lucy's X Factor experience, why she completely changed her management team recently, and more! Highlights: - Lucy tells us about her X Factor experience - We hear how Lucy believes that the music industry is less appearance focused than it was a few years ago - Lucy shares why it’s important for musicians to raise awareness of mental health issues - We hear how Lucy isn’t writing to please the major labels anymore - Lucy tells us about her new album and what we can expect from it - On her new album: “I don’t care if the radio don’t like it” - We hear how Lucy completely changed her management and the team around her - We talk about the importance of having the right team around you - Ironically, now that Lucy is no longer trying to please the radio, the radio LOVE her new single! - “You guys aged yourselves with Michael Bolton!” - Lucy believes musicians supporting each other is crucial to the fellowship of music - Lucy shares how so many support slots are buy-ons now, and how she doesn’t agree with that - We need more people like Lucy in the music industry - because she’s awesome - “Everyone could tell I was gay when I walked on that stage by the way I walked and what I was wearing!” - Lucy Spraggan - Lucy is great at leaving sassy comments on Facebook - you should check them out Advice: - Write music and then get out and play in local clubs and open mic nights - Support slots are crucial in the live scene - As an artist, be open and transparent about your sexuality only if YOU want to be Guest Links: - Website: http://lucyspraggan.com - Twitter: @LSpraggan - Facebook: /lucyspraggan - Instagram: @LSpraggan Sponsors: - Chris Keaton @ Chris Keaton Presents - Christine Infanger @ Thirty Roses - Joe Settineri - The Rock/Star Advocate - Music Launch Hub - Buck Naked Soap Company - Wendy Donaldson -- For more episodes, visit http://bridge-the-atlantic.com Follow us on Twitter: http://twitter.com/bridge_atlantic Subscribe on iTunes: http://bridge-the-atlantic.com/itunes Support us on Patreon: http://patreon.com/bridgetheatlantic

Ryan Kairalla: Record Label Contracts & Trademarks  

Joining us this week out of Miami, Florida is Ryan Kairalla. Ryan is a lawyer, writer, podcaster, and teacher. He advises clients in the music industry on a wide range of entertainment and business matters including recording agreements, publishing agreements, management agreements, music licensing, media appearances, live performances, entertainment litigation, copyright and trademark counseling, and corporate matters. Ryan mostly focuses on advising independent musicians on their legal and business issues. His work as an “indie music lawyer” also extends to his writing and podcasting. His new book Break the Business: Declaring Your Independence and Achieving True Success in the Music Industry shines a light on the pitfalls that arise from record label contracts, and provides artists with helpful guidance on achieving music industry success on their own terms. Highlights: -Ryan explains that today an indie music lawyer needs to be an expert in a lot of different fields - The new music industry gives creators an unforeseen amount of control - A lot of things artists used to be able to defer to others, are now in their hands - knowledge is key! - “If you’re serious about a career in the music industry, you HAVE to get informed” - Ryan Kairalla - Marcio has a question for Ryan about the legality of trademarking your own name as your artist name - “Where it’s cheaper to record, distribute, fund and promote your music, it raises the question about why artists would sign a record deal” - Ryan Kairalla - Ryan shares how there seems to be a “cocktail bragging right” along with being signed to a label - Being signed or unsigned isn’t a reflection of how good or bad an artist is - Ryan shares some ways that artists are making money in today’s industry without selling recorded music - Patreon = a game changing platform - “Intellectual property is the most important property in the music industry” - Ryan Kairalla - Ryan debunks the most common myth around copyright in the music business - As soon as something is on a tangible medium, it is copyrighted - but that doesn’t mean it’s protected - Ryan shares some of the red flags he sees in record label contracts, and things artists need to be aware of - Ryan tells us what artists can do if they can’t afford a lawyer Guest Links: - Website: http://breakthebusiness.com - Twitter: @RyanKair Sponsors: - Chris Keaton @ Chris Keaton Presents - Christine Infanger @ Thirty Roses - Joe Settineri - The Rock/Star Advocate - Music Launch Hub - Buck Naked Soap Company - Wendy Donaldson -- For more episodes, visit http://bridge-the-atlantic.com Follow us on Twitter: http://twitter.com/bridge_atlantic Subscribe on iTunes: http://bridge-the-atlantic.com/itunes Support us on Patreon: http://patreon.com/bridgetheatlantic

Garth Richardson: Choosing A Producer, Mixing Advice & Tales of Revenge  

Joining us this week out of Vancouver is music producer and engineer, Garth Richardson. Garth’s worked with some of the biggest names in rock, including Rage Against the Machine, Red Hot Chilli Peppers, Nickelback, Trapt, Biffy Clyro, Rise Against, and even Taylor Swift. Garth is also the co-founder of the Nimbus School of Recording Arts, a private technical music production institute, and is the owner of The Farm Studios. In this interview, we hear the advice Garth would offer to musicians looking to work with a producer, as well as aspiring producers themselves. He also shares some funny stories about revenge with us, as well as the best advice he received from his dad. Enjoy! Highlights: - Rock and Roll does not start at 8am - When producing, the song is the most important thing - The three things Garth looks for when producing are the songs, the singer, and the drive - Today the artist is more responsible for themselves than ever - “Put down your phone, get off your laptop, and write songs!” - Garth Richardson, 2016 - “Use your engin-EAR, not your engin-EYE” - Garth tells us about the record he worked on with Big Wreck, and how it was all mixed manually - We (semi-jokingly) talk about limiting the number of revisions artists should be allowed - Garth shares a story about telling a band any revisions would be extra to try and make them think more carefully - “The biggest ego in the room should be the song” - Garth Richarson - Musicians shouldn’t comment on their own parts, they should be commenting on the song as a whole - Garth tells us how they teach students about mixing at the Nimbus School of Recording - “Mixing starts from the first sound that you get” - Garth Richardson, 2016 - Everyone starts out pretty green and naive, but Nimbus wants to teach producers to be great - The first person who tells us how many times Ross and Marcio have won the #RossOrMarcio question gets a free t-shirt! - Garth shares the best advice his father gave him about producing: “Good songs sell. Bad songs don’t.” - “Producing music is about telling a story with a song, and making someone feel something” - Garth Richardson - Garth is the revenge king - we learn why you shouldn’t get on his bad side! Advice: - A producer is there to help you make your record, not their own record - Make sure you’re rehearsed and ready to go in the studio before you go to record - Producers getting started - show up hungry and offer to work for free to build your portfolio - When choosing a mixing engineer, you want to make sure you find someone who makes it sound good for radio Guest Links: - Website: http://www.gggarth.com/ - Twitter: @gggarthfader - Facebook: /TheFarmStudios - Instagram: @gggarthhoser Sponsors: - Chris Keaton @ Chris Keaton Presents - Christine Infanger @ Thirty Roses - Joe Settineri - The Rock/Star Advocate - Music Launch Hub - Buck Naked Soap Company - Wendy Donaldson --- For more episodes, visit http://bridge-the-atlantic.com Follow us on Twitter: http://twitter.com/bridge_atlantic Subscribe on iTunes: http://bridge-the-atlantic.com/itunes Support us on Patreon: http://patreon.com/bridgetheatlantic

Justin Pierre: Motion City Soundtrack, Drinking & Longevity  

This week we’re excited to be joined by Justin Pierre out of Minnesota. Justin was the co-founder and lead vocalist of Motion City Soundtrack, and with them released 6 albums between 1997 and 2015. The band’s songs gave thoughtful perspectives on mental health and self-doubt, and they recently wrapped up a farewell tour...but hopefully it’s not the end! Justin’s known for his very personal lyrics, trademark sideburns and glasses, and he also hosts a podcast with his wife called Book Narcs. He also makes short films and directs music videos, with some of his credits including work for Limbeck and Sing It Loud. In this interview, Justin talks about Motion City Soundtrack's longevity, overcoming his drinking problem, and why he believes it's important to support other musicians. Enjoy! Highlights: - Justin shares what he believes the secret to Motion City Soundtrack’s longevity is - Justin shares how MCS dealt with some big issues in the band early on - We hear how understanding and respecting each other is a big part of keeping a band together - “Being in Motion City Soundtrack has been one of the best experiences of my life” - Justin Pierre - Justin shares how the live performance was the hardest part of being in MCS as he never felt good enough - “The only person who can really deal with a problem is that person” - Justin Pierre - Justin shares how his drinking affected the band, and how they managed to overcome it - We hear how Justin has decided to start listening to his gut feeling, instead of stuffing it away - “For years I’ve been stuffing my feelings down, and I’m just discovering them for the first time” - Justin Pierre - Justin shares how with sobriety, as an artist, he has different things to say - “I like music to hurt!” - Justin Pierre - We hear about Justin’s plans for a solo record, and how he wants to approach it - “Support the art you love” - Justin Pierre - Justin shares how he supports the artists he loves (and wins our hearts in the process) Guest Links: Bandcamp: https://justincourtneypierre.bandcamp.com Facebook: /justincourtneypierre Twitter: @jcpmcs / @motioncitymusic Instagram: @jcpmcs / @motioncitysoundtrack Sponsors: Chris Keaton @ Chris Keaton Presents Christine Infanger @ Thirty Roses Joe Settineri The Rock/Star Advocate Music Launch Hub Buck Naked Soap Company Wendy Donaldson --- For more episodes, visit http://bridge-the-atlantic.com Follow us on Twitter: http://twitter.com/bridge_atlantic Subscribe on iTunes: http://bridge-the-atlantic.com/itunes Support us on Patreon: http://patreon.com/bridgetheatlantic

100 Episode Holiday Spectacular: Part 2  

We've passed the 100 episode milestone, and wanted to do something a little different to celebrate! This 100 Episode Holiday Spectacular is a look back at the past 2 years, with some fun games with recent guests thrown in. In part two of our holiday spectacular, we've also got two games of "Two Truths and a Lie" with record producer Garth Richardson, and music lawyer Ryan Kairalla. Enjoy, and happy holidays! -Ross & Marcio --- Sponsors: Chris Keaton @ Chris Keaton Presents Christine Infanger @ Thirty Roses Joe Settineri The Rock/Star Advocate Music Launch Hub Bob Baker Buck Naked Soap Company Wendy Donaldson --- For more episodes, visit http://bridge-the-atlantic.com Follow us on Twitter: http://twitter.com/bridge_atlantic Subscribe on iTunes: http://bridge-the-atlantic.com/itunes Support us on Patreon: http://patreon.com/bridgetheatlantic

100 Episode Holiday Spectacular (Part One)  

We've passed the 100 episode milestone, and wanted to do something a little different to celebrate! This 100 Episode Holiday Spectacular is a look back at the past 2 years, with some fun games with recent guests thrown in. In this episode, we talk about some of our favourite moments over the past 100+ episodes, as well as some of the challenges and struggles that come with running a podcast alongside other commitments. We also play "Two Truths and a Lie" with Famous Last Words' JT Tollas and Finch/Private Lives' Nate Barcalow. The past couple of years have been filled with ups and downs, and so many amazing guests. We hope this episode gives you an insight into what it's been like, as well as a reminder of past episodes you enjoyed, or want to go and check out! Sponsors: Chris Keaton @ Chris Keaton Presents Christine Infanger @ Thirty Roses Joe Settineri The Rock/Star Advocate Music Launch Hub Bob Baker Buck Naked Soap Company Wendy Donaldson --- For more episodes, visit http://bridge-the-atlantic.com Follow us on Twitter: http://twitter.com/bridge_atlantic Subscribe on iTunes: http://bridge-the-atlantic.com/itunes Support us on Patreon: http://patreon.com/bridgetheatlantic

Phillip Ryan Block: Independent Ear, Community & Diversity  

Joining us this week is Phillip Ryan Block out of Illinois, founder of Independent Ear. Independent Ear form the team of management, recording, branding, and booking that pushes the hardest working artists ahead to their full journey’s end. Independent Ear is built on the pillars of cooperation, motivation, inspiration and community - and Ryan himself is a true example of what can be achieved through collaboration, relationship building and perseverance. In this interview, we talk about the importance of community, what Independent Ear offers artists, and some advice for artists who are wanting to approach a label. Highlights: - We talk with Ryan about the importance of having a community around you in the music industry - “If you don’t have community, it’s impossible to build something with importance” - Ryan Block, 2016 - Talking to people is the best way to build relationships in the music industry - Ryan talks about the partnership Independent Ear has created with the ILS Group - Ryan says that the ILS Group partnership helps make what he has built more packable - Ryan shares why he believes diversity is an advantage in a label roster - “Diversity in music is what makes music as impactful as it is” - Ryan Block, 2016 - Diversity allows relationships to be created first, rather than pushing product first - Ryan tells us more about what Independent Ear can offer artists as a label - Ryan shares what he hopes the partnership with ILS Group will enable Independent Ear to achieve - We hear how Ryan would like to bring street teams back into the forefront of music promotion - Ross gets stuck in the “Bolt Zone” and we propose that as a name for Michael Bolton’s street team - Ross & Marcio send out a heartfelt plea to Michael Bolton to appear on the show (again) - “I’ve made mistakes, and I own them” - Ryan Block, 2016 - Ryan expects his artists to work their asses off (as they should!) Advice: - Have a human element to your music and building your fanbase - You need to have an engaged social media following for labels to be interested in you - Know your value - not in monetary value, but in what you can bring to the relationship - Any business relationship needs to be mutually beneficial - “You need the losses to appreciate the wins” - Ryan Block, 2016 Guest Links: -Website: http://independentear.com - Facebook: /independentear - Twitter: @p_ryanblock / @independentear - Instagram: @phillipryanblock / @independentearofficial Sponsors: - Chris Keaton @ Chris Keaton Presents - Christine Infanger @ Thirty Roses - Joe Settineri - The Rock/Star Advocate - Music Launch Hub - Bob Baker - Buck Naked Soap Company - Wendy Donaldson

JT Tollas: Famous Last Words, Concept Albums & Making Mistakes  

This week we’re joined by Famous Last Words vocalist JT. Famous Last Words recently signed to past guest Shawn Milke’s label, Revival Recordings, and released their new album “The Incubus” in September. Since forming in 2009, the band has released 3 concept albums and 3 EPs, and toured the US extensively. In this interview, we chat with JT about what to look for in a record deal, concept albums, and why it's important to make mistakes. Highlights: - We hear about the influence JT’s education has had on the art he creates with Famous Last Words - JT tells us how he balances fatherhood and being in a touring band - “Creativity, if you have multiple passions, why hold yourself back?” - Marcio Novelli - JT tells us how his daughter always reminds him to never give up - We talk about the importance of signing to a label where the relationship is mutually beneficial - JT tells us about why they chose Revival Recordings over other labels - “I’ll spend a million dollars to make sure the art is up to par, even if it leaves me in the red - everytime” - JT Tollas - We talk about Famous Last Words’ decision to release concept albums vs EPs - JT tells us how he likes to tell stories through music - “Every time I make a mistake, I learn from that mistake” - JT Tollas Advice: - When signing to a label, know what your non-negotiables going to be - Get a lawyer to look over any record label contracts - the language is confusing for a reason - Make sure there is an exit clause in your contract so if promises aren’t being kept, you are protected - “Make sure you’re protected, even if you 100% trust the person you are working with” - JT Tollas Guest Links: - Facebook:/famouslastwordsmusic - Twitter: @JT_Tollas / @FLW_Music - Instagram: @jtflw / @famouslastwordsband - Merch: famouslastwords.merchnow.com Sponsors: - Chris Keaton @ Chris Keaton Presents - Christine Infanger @ Thirty Roses - Joe Settineri - The Rock/Star Advocate - Music Launch Hub - Bob Baker - Buck Naked Soap Company - Wendy Donaldson --- For more episodes, visit http://bridge-the-atlantic.com Follow us on Twitter: http://twitter.com/bridge_atlantic Subscribe on iTunes: http://bridge-the-atlantic.com/itunes Support us on Patreon: http://patreon.com/bridgetheatlantic

Nate Barcalow: Finch Breakup, Private Lives & Exploring Genres  

Joining us this week is Nate Barcalow, vocalist of Finch, Earthbound Ghost, Reverend Crow, and now, Private Lives. With Finch, Nate released 3 EPs and 3 studio albums, with “What It Is To Burn” considered by many as one of the most influential post-hardcore records of the 2000s. Nate has most recently embarked on a new project with Kenny Finn called Private Lives, and in this interview we hear more about what they're working on, Nate's side of the story in relation to Finch's breakup, and the advice he'd offer to his fellow musicians. Highlights: - We talk about Nate’s latest project Private Lives, and the songs they’ve released so far - We hear how Nate’s been surprised by people’s reactions to some of the Private Lives songs - “Do what makes you happy and if people like it, then great!” - Nate Barcalow - Nate shares how he had a specific idea of how he wanted Private Lives to sound - Nate shares how he’s interested in exploring different sounds and what he is capable of - We talk about the importance of not being limited to one genre, both as an artist, and as a fan - Nate shares how the expectations are different with a new band compared to an existing band - We talk about how you can’t just create the same album over and over again - Nate shares the irony of his band being called Private Lives, yet having to use social media as a promotional tool - “No-one really has a private life anymore - it’s all out in the open” - Nate Barcalow - Ross and Marcio plead their cases in the 20 Questions section - We hear Nate’s side of the story in relation to Finch’s breakup - Being in a band is like a marriage - sometimes things just don’t work out Advice: - If you’re having issues within your band, you have to be real and talk about it - Not all problems can be worked out, but you have to try and make it work Guest Links: - Bandcamp: http://privatelives1.bandcamp.com - Facebook: /privatelivesband - Twitter: @ourprivatelives - Instagram: @organsinorbit / @privatelivesband Sponsors: - Chris Keaton @ Chris Keaton Presents - Christine Infanger @ Thirty Roses - Joe Settineri - The Rock/Star Advocate - Music Launch Hub - Bob Baker - Buck Naked Soap Company - Wendy Donaldson --- For more episodes, visit http://bridge-the-atlantic.com Follow us on Twitter: http://twitter.com/bridge_atlantic Subscribe on iTunes: http://bridge-the-atlantic.com/itunes Support us on Patreon: http://patreon.com/bridgetheatlantic

Shawn Milke: Alesana, Integrity & Revival Recordings  

Joining us this week is lead singer of post-hardcore band Alesana and founder of Revival Recordings, Shawn Milke. To date, Alesana have released 2 EPs and 5 full length albums, and have recently brought out a novella - Annabel, which is what inspired their Annabel Trilogy. With Revival Recordings, the message is clear: it’s all about art and the people who create it. The team and artists signed to the label are a community where creative and artistic integrity are paramount. It's not just music, it’s good music by good people - and this is why we think Shawn is a perfect guest for the show. In this interview, we talk about Shawn's work with Alesena, the advice he'd offer to artists who want to sign to a label, and the importance of integrity in the music business. Highlights: - Shawn is ambitious and follows through on his ambitions - “When you first start out, you make decisions based on where you hope to go” - Shawn Milke - Shawn shares the tough decisions that Alesana had to make in the beginning - “We wanted to have artistic success, and if that ended up being commercial success, then great” - Shawn Milke - Shawn shares how dedicated the fans of Alesana are - We hear about some of the opportunities that Alesana was presented with, and how they handled those - “We made the decisions we wanted to make, which has benefitted our art and our fanbase” - Shawn Milke - We talk about the importance of maintaining your integrity - Shawn shares how he loves crazy challenges and has always wanted to offer more than just the music to Alesana’s fans - “Our fans’ devotion to what we’ve created has inspired me to keep giving it to them” - Shawn Milke - We talk about the importance of having a supportive team around you - Shawn shares how it was tough to be taken seriously as a label owner in the beginning - Shawn shares how being an artist has helped him earn the trust of the artists they sign - Shawn tells us what he looks at when considering signing an artist to his label - “The industry could use a lot more honesty” - Shawn Milke - “Our mistakes are just as important as our successes” - Shawn Milke Advice: - If you want to be signed by a label, you have to consider yourself a professional band - You can’t sell your product when your product isn’t finished - A label’s job isn’t to make your band good, it’s to give your band exposure - Social media is great, but going back to the grassroots is also very important - Fans want that real person interaction - be real, and physically interact with them Guest Links: - Website: http://www.revivalrecs.com - Facebook: Alesana / Revival Recordings - Twitter: @ShawnTheMilke / @Alesana / @RevivalRecs - Instagram: @Mr.MilkeRevival / @AlesanaOfficialIG / @RevivalRecordings Sponsors: - Chris Keaton @ Chris Keaton Presents - Christine Infanger @ Thirty Roses - Joe Settineri - The Rock/Star Advocate - Music Launch Hub - Bob Baker - Buck Naked Soap Company - Wendy Donaldson --- For more episodes, visit http://bridge-the-atlantic.com Follow us on Twitter: http://twitter.com/bridge_atlantic Subscribe on iTunes: http://bridge-the-atlantic.com/itunes Support us on Patreon: http://patreon.com/bridgetheatlantic

Jason Paige: Pokemon Go & Living a Creative Life  

Joining us this week is singer, writer and actor, Jason Paige. You may not know his name, but you’ve almost definitely heard his voice - Jason is the voice behind the Pokemon theme, and he’s also recorded hundreds of jingles for brands such as Mountain Dew and Subway. He’s performed with Blood Sweat and Tears, Aerosmith and Michael Jackson, among many others, and he’s collaborated on #1 hits and co-written 2 musicals. In the world of theatre, Jason starred in “Rent” at the Hollywood Bowl directed by Neil Patrick Harris, “Godspell” and the 25th anniversary National tour of “Hair”. He’s done way too much to mention in this intro! We’re excited to learn from his vast experience, hear about his one man show “The Jason Paige Show” and when it comes to Pokemon, if he’s managed to catch ‘em all. Highlights: - In this episode you'll hear an intro unlike any other, courtesy of Jason Paige! - "Music is meant to be spontaenous" - Jason Paige - Jason shares how everyone's voice is unique and the character of our voices is what makes them recognisable - We hear how Jason is very involved in creative community building - Jason tells us about how he became the voice behind the Pokémon theme - We get some behind the scenes examples of the process behind Jason's Pokémon theme performance - Jason talks about the impact Pokémon has had on his career and also the people who love the show - Jason shares why he never really stepped forward as "the voice" of the Pokémon theme at risk of being pigeonholed - "Specialization is the killer of creativity" - Jason Paige - "Like Pokémon, we need to find the things that make us evolve and take us to the next level" - Jason Paige - Jason tells us about the experience of working with Michael Jackson - Jason does some killer impressions of Martin Scorsese, Samuel L Jackson and our favourite, Michael Bolton Advice: - Make up your own commercials or put music to existing commercials to create examples - Success = where preparation and opportunity collide - Hurry up and be wrong, so you can be more right - The creative process is all about not being afraid to be wrong Guest Links: - Website: http://jasonpaige.com - Facebook: /jasonpaigeshow - Twitter: @jasonpaigeshow - Instagram: @jasonpaige Sponsors: - Chris Keaton @ Chris Keaton Presents - Christine Infanger @ Thirty Roses - Joe Settineri - The Rock/Star Advocate - Music Launch Hub - Bob Baker - Buck Naked Soap Company - Wendy Donaldson --- For more episodes, visit http://bridge-the-atlantic.com Follow us on Twitter: http://twitter.com/bridge_atlantic Subscribe on iTunes: http://bridge-the-atlantic.com/itunes Support us on Patreon: http://patreon.com/bridgetheatlantic

Chris Athens: Music Mastering & Caring For Your Fans  

Joining us this week is mastering engineer Chris Athens out of Austin, Texas. You’ve most likely heard his work as he’s worked on some of the biggest records out there; including artists such as Drake, Coldplay, PVRIS, Ben Folds and Wiz Khalifa. Chris was a senior mastering engineer at Sterling Sound, one of the world’s premier mastering facilities, before branching out on his own to start Chris Athens Masters. In this interview, Chris explains what mastering is and why it's important, how he got started in the music industry, and what to avoid when mixing your music. Highlights: - Ross and Marcio try to help Chris through his caffeine comedown - We hear how Chris started out in the music industry and progressed to mastering - Chris tells us how he came to the job he wanted late in life - We hear how Chris always said yes to everything and felt like he was working from behind everyone else - We hear how Chris moving to Sterling Sound was a step back from what he was doing at Sony, but a good opportunity nonetheless - Chris tells us about the role of a mastering engineer and how it’s changed over the years - Mastering is the final creative step before manufacturing or delivery of music - A mastering engineer is the final trusted set of ears before an artist’s music goes out in the world - Chris tells us about mastering singles vs mastering an album as a whole - A mastering engineer helps ensure the vibe and feel is consistent across a record - “With an album, an artist makes an artistic statement” - Chris Athens - “90% of what I do is for 10% of the people” - Chris Athens - Chris is concerned about the artist, whereas the artist is concerned with the audience - “Even my PC is a Mac, so I think I’m a little confused” - Chris Athens Advice: - “Care about your fans and give them what they want” - Don’t distort your mixes! Almost everything else can be compensated for. Guest Links: - Website: http://chrisathensmasters.com - Facebook: /chrisathensmasters - Twitter: @athensmasters Sponsors: - Chris Keaton @ Chris Keaton Presents - Christine Infanger @ Thirty Roses - Joe Settineri - The Rock/Star Advocate - Music Launch Hub - Buck Naked Soap Company - Wendy Donaldson --- For more episodes, visit http://bridge-the-atlantic.com Follow us on Twitter: http://twitter.com/bridge_atlantic Subscribe on iTunes: http://bridge-the-atlantic.com/itunes Support us on Patreon: http://patreon.com/bridgetheatlantic

0:00/0:00
Video player is in betaClose