Episoder
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During his less than stellar acting career Michael Goldfarb spent a lot of time watching from the wings waiting to go on for his single scene. In this series, he talks about the plays he appeared in, their histories, and the lives of the actors who performed them.
In this essay, he's understudying in K2: a play about two climbers trapped on an ice ledge, having fallen on their way down from the summit of the mountain. It wasn't a very good play but had an amazing set with the capacity for near cinematic feats of climbing and falling.
The play made it to Broadway for a brief Tony-winning run and Michael talks about performing in a show where a huge Styrofoam mountain was the star and the jostling for supremacy among actors, directors and set designers.
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Preparation for a performance on stage goes beyond just memorising lines, learning blocking and hoping it will be alright on the night. A diligent actor studies the history of the period of the play, learns about the intentions of the playwright, and absorbs from older colleagues knowledge of how the play has been done in the past.
In his less than stellar career as an actor, Michael Goldfarb went through this process many times.
In this essay, Michael recalls his admiration for John Gielgud. He remembers The Motive and the Cue, the play about John Gielgud directing Richard Burton in Hamlet. He also had a chance meeting with the legendary actor at the stage door of the Apollo theatre in London when Gielgud was starring in David Storey's 'Home'.
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Manglende episoder?
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Preparation for a performance on stage goes beyond just memorising lines, learning blocking and hoping it will be alright on the night. A diligent actor studies the history of the period of the play, learns about the intentions of the playwright, and absorbs from older colleagues knowledge of how the play has been done in the past.
In his less than stellar career as an actor, Michael Goldfarb went through this process many times.
In this episode, it's the story of The Count of Monte Cristo, as performed by James O'Neill, father of playwright Eugene O'Neill. It was the play that made him rich and his family miserable, as depicted in Long Day's Journey Into Night. Nearly fifty years ago, it was revived by the Jean Cocteau Repertory Theatre, located on the Bowery in New York. The Cocteau was the only rotating rep theatre in New York and Michael Goldfarb was part of the company.
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Preparation for a performance on stage goes beyond just memorising lines, learning blocking and hoping it will be alright on the night. A diligent actor studies the history of the period of the play, learns about the intentions of the playwright, and absorbs from older colleagues knowledge of how the play has been done in the past.
In his less than stellar career as an actor, Michael Goldfarb went through this process many times.
In this essay, he appears in Maxim Gorki's Summerfolk, a play about the Russian upper-middle classes at their summer homes, as their country teeters on the brink of revolutionary catastrophe. He remembers Russian theatre, theatrical friendships and after-show drinking.
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Preparation for a performance on stage goes beyond just memorising lines, learning blocking and hoping it will be alright on the night. A diligent actor studies the history of the period of the play, learns about the intentions of the playwright, and absorbs from older colleagues knowledge of how the play has been done in the past.
In his less than stellar career as an actor, Michael Goldfarb went through this process many times. He recalls meeting John Gielgud at the theatre door and understudying in a play where a huge Styrofoam mountain was the star of the show.
In this essay: theatrical superstition says you shouldn’t mention the play Macbeth, by name. But how else to speak of the play on which Michael finally got his equity card?
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Gold sequins, silk and vibrant colour threads might not be what you expect to find in a sampler stitched by a Quaker girl in the seventeenth century. New Generation Thinker Isabella Rosner has studied examples of embroidered nutmegs and decorated shell shadow boxes found in London and Philadelphia which present a more complicated picture of Quaker attitudes and the decorated objects they created as part of a girl's education.
Dr Isabella Rosner is a textile historian and curator at the Royal School of Needlework on the New Generation Thinker scheme run by the BBC and the Arts and Humanities Research Council to highlight new research. You can hear more from her in Free Thinking episodes called Stitching stories and A lively Tudor world
Producer: Ruth Watts
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Who's Holding the Baby? was the title of an exhibition organised to highlight a lack of childcare provision in East London in the 1970s. Was this feminist art? Bobby Baker, Sonia Boyce, Rita Keegan and members of the photography collective Hackney Flashers are some of the artists who've been taking part in an oral history project with New Generation Thinker Ana Baeza Ruiz. Her essay presents some of their reflections on what it means to make art and call yourself a feminist.
Dr Ana Baeza Ruiz is the Research Associate for the project Feminist Art Making Histories (FAMH) at Loughborough University and a New Generation Thinker on the scheme run by the BBC and the AHRC to showcase new research into the humanities. You can hear her in Free Thinking episodes on Portraits and Women, art and activism available as an Arts & Ideas podcast.
Producer: Ruth Watts
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Canvey Island: cradle of innovation for gas heating and home to music makers Dr Feelgood, who drew inspiration from the Mississippi Delta. New Generation Thinker Sam Johnson-Schlee is an author and geographer based at London South Bank University. His essay remembers the influence of Parker Morris standards on heating in the home, songs written by Wilko Johnson and the impact of central heating on teenage bedrooms, record listening and playing instruments.
Producer: Julian Siddle
You can hear more from Sam in Free Thinking episodes exploring Dust and Sound, Conflict and Central HeatingNew Generation Thinkers is a scheme run by the BBC and the Arts and Humanities Research Council to put research on radio
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Gold sequins, silk and vibrant colour threads might not be what you expect to find in a sampler stitched by a Quaker girl in the seventeenth century. New Generation Thinker Isabella Rosner has studied examples of embroidered nutmegs and decorated shell shadow boxes found in London and Philadelphia which present a more complicated picture of Quaker attitudes and the decorated objects they created as part of a girl's education.
Dr Isabella Rosner is a textile historian and curator at the Royal School of Needlework on the New Generation Thinker scheme run by the BBC and the Arts and Humanities Research Council to highlight new research. You can hear more from her in Free Thinking episodes called Stitching stories and A lively Tudor world
Producer: Ruth Watts
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A 1660s board game made by a Jesuit missionary sent to the Mohawk Valley in North America is the subject of New Generation Thinker Gemma Tidman's essay. This race game, a little like Snakes and Ladders, depicts the path of a Christian life and afterlife. Gemma explores what the game tells us about how powerful people have long turned to play, images, and other persuasive means to secure converts and colonial subjects. Dr Gemma Tidman is a Leverhulme Early Career Fellow at Queen Mary University London and a New Generation Thinker on the scheme run by the BBC and the Arts and Humanities Research Council to put research on radio. You can hear more from her in Free Thinking discussions about Game-playing, and Sneezing, smells and noses.
Producer: Torquil MacLeod
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The A13 runs from the City of London past Tilbury Docks and the site of the Dagenham Ford factory to Benfleet and the Wat Tyler Country Park. As he travels along it, talking to residents about their ideas of community and change, New Generation Thinker Dan Taylor reflects on the history of the area and different versions of hopes for the future.
Dr Dan Taylor lectures in social and political thought at the Open University and is a New Generation Thinker on the scheme run by the BBC and the AHRC to share insights from academic research on radio. You can hear him in Free Thinking discussions about Essex, and discussing medieval bestiaries in Beast and Animals. He is also the author of a book Island Story: Journeys Through Unfamiliar Britain and you can hear him in a Free Thinking episode discussing the county Essex.
Producer: Torquil MacLeod
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From 1922, between 10-30,000 women and girls are thought to have been incarcerated at the Magdalene laundries which operated in Ireland. New Generation Thinker Louise Brangan has been reading the testimonies of many of the girls who survived these institutions. As the Irish state tries to come to terms with this history, how should it be spoken about? Is a language of legal blame and guilt enough to make sense of this history?
Dr Louise Brangan is a Senior Lecturer in Criminology at the University of Strathclyde and is a New Generation Thinker on the scheme run by the BBC and the Arts and Humanities Research Council (part of UKRI) to put research on radio. You can find her contributing to Free Thinking discussion episodes looking at Ireland's hidden histories and secret stories
Producer in Salford: Olive Clancy
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Two years living at sea taught New Generation Thinker Kerry McInerney values which she wants to apply to the development of AI. Her Essay explores the "sustainable AI" movement and looks at visions of the future in novels including Waste Tide by Chen Qiufan and Larissa Lai’s Salt Fish Girl. Dr McInerney is a Research Associate at the Leverhulme Centre for the Future of Intelligence at the University of Cambridge and a New Generation Thinker on the scheme run by the BBC and the AHRC to put academic research on radio.
Producer: Julian Siddle
You can hear more from Kerry in Free Thinking and New Thinking episodes available as Arts & Ideas podcasts called AI, feminism, human/machines and Yellowface, AI and Asian stereotypes.
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Why do babies say "daddy" earlier and what might it mean when a baby does call for "mum" or "anne"? Dr Rebecca Woods, from Newcastle University, calls upon her training in linguistics and observations from her own home to trace the way children’s experiences shape their first words and the names they use for their parents.
Rebecca Woods is a New Generation Thinker on the scheme run by the BBC and the Arts and Humanities Research Council to put academic research on radio.
Producer: Ruth Watts
You can hear more from Rebecca Woods in a Free Thinking discussion about childhood and play when Young V&A opened - it's available from the programme website and as an Arts & Ideas podcast
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Canvey Island: cradle of innovation for gas heating and home to music makers Dr Feelgood, who drew inspiration from the Mississippi Delta. New Generation Thinker Sam Johnson-Schlee is an author and geographer based at London South Bank University. His essay remembers the influence of Parker Morris standards on heating in the home, songs written by Wilko Johnson and the impact of central heating on teenage record listening and playing instruments.
Producer: Julian Siddle
You can hear more from Sam in Free Thinking episodes exploring Dust and Sound, Conflict and Central HeatingNew Generation Thinkers is a scheme run by the BBC and the Arts and Humanities Research Council to put research on radio
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Two years living at sea taught New Generation Thinker Kerry McInerney values which she wants to apply to the development of AI. Her Essay explores the "sustainable AI" movement and looks at visions of the future in novels including Waste Tide by Chen Qiufan and Larissa Lai’s Salt Fish Girl. Dr McInerney is a Research Associate at the Leverhulme Centre for the Future of Intelligence at the University of Cambridge and a New Generation Thinker on the scheme run by the BBC and the AHRC to put academic research on radio.
Producer: Julian Siddle
You can hear more from Kerry in Free Thinking and New Thinking episodes available as Arts & Ideas podcasts called AI, feminism, human/machines and Yellowface, AI and Asian stereotypes
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Looking at the way human and animal bodies were treated in death and used in rituals prompts New Generation Thinker and archaeologist Marianne Hem Eriksen, from the University of Leicester, to ask questions about the way humans, animals and spirit worlds were understood. Her Essay shares stories from a research project called Body-Politics’: presenting worlds where elite men could shape-shift into animals — and some people’s bones ended up in rubbish pits.
This Essay is part of the BBC/AHRC New Generation Thinkers scheme which puts academic research on radio.
Producer: Luke Mulhall
You can hear Marianne discussing insights from her research in episodes of Free Thinking called The Kitchen and in one broadcasting next week looking at Attitudes towards death.
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Amalia Holst's defence of female education, published in 1802, was the first work by a woman in Germany to challenge the major philosophers of the age, including Jean-Jacques Rousseau and Immanuel Kant. Unlike Mary Wollstonecraft writing in England, Holst failed to make headway with her arguments. New Generation Thinker Andrew Cooper teaches in the philosophy department at the University of Warwick. His essay explores the publishing of Holst's book On The Vocation of Woman to Higher Intellectual Education.
Andrew Cooper is a New Generation Thinker on the scheme run by the BBC and the Arts and Humanities Research Council, part of UKRI.
Producer: Luke Mulhall
You can hear more from Andrew in a Free Thinking discussion about The Sorrows of Young Werther by Goethe available as an Arts & Ideas podcast and on BBC Sounds.
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Why do babies say "daddy" earlier and what might it mean when a baby does call for "mum" or "anne"? Dr Rebecca Woods, from Newcastle University, calls upon her training in linguistics and observations from her own home to trace the way children’s experiences shape their first words and the names they use for their parents.
Rebecca Woods is a New Generation Thinker on the scheme run by the BBC and the Arts and Humanities Research Council to put academic research on radio.
Producer: Ruth Watts
You can hear more from Rebecca Woods in a Free Thinking discussion about childhood and play when Young V&A opened - it's available from the programme website and as an Arts & Ideas podcast
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Traditional Variety has been a lifelong fascination for poet and playwright Amanda Dalton. She grew up in a family that included several amateur and professional entertainers and from an early age the world of Variety Theatre was ‘in her blood’... During WW2, her dad organised and performed in a night of entertainment at King Farouk’s palace in Cairo, She recalls her mum tap dancing in the kitchen as the dinner burnt. One of her most precious and prized possessions is a poster, retrieved from her uncle’s home, for a variety show at the New Hippodrome, Darlington in 1938 - acts including Waldini’s Famous Gypsy Band, Billy Brown Upside Down and his wonderful dog Lady and her uncle himself, Barry Phelps. With Idina Scott Gatty, Entertainer. As a child, Amanda never missed Sunday Night at the London Palladium or the Good Old Days on TV. Variety shows were her parents’ favourites - her obsession with them is perhaps not surprising.
The acts that have always most fascinated her are those ‘speciality’ acts that disturb even as they entertain, designed to bamboozle the audience and mess with the mind. These essays will explore Amanda’s relationship with the different kinds of acts that thrived as UK Variety emerged from the embers of Music Hall (1930s – 1950s). Listeners are introduced to some of the key performers, a fascinating collection of unusual and striking characters with extraordinary skills and showmanship.
Essay 5: How Did They Do That? Magic and Mesmerism
In this final essay, Amanda explores the world of magicians and hypnotists - the blurred line between acts of illusion and the apparently paranormal, the moment when the solidity of our logical, rational narrative of the world starts to fall away and we enter a state of bewilderment. The essay springs from Amanda’s memories of her own childhood fascination with magic and her desire for it to be ‘real’, despite her terror of psychic phenomena - a fascination that is still with her today and continues to inform her writing. “That’s entertainment??” asks the essay, as it ponders the connections between amusement, thrill, escapism and fear.
Writer and reader, Amanda DaltonProducer, Polly ThomasExec Producer, Eloise Whitmore
A Naked Production for BBC Radio 3.
BiogAmanda Dalton is poet, playwright and essayist based in West Yorkshire. She has written extensively for BBC Radio 4 and 3 and for theatres including Manchester’s Royal Exchange, Sheffield Theatres, and Theatre By The Lake, Keswick who are premiering her radical adaptation of Francis Hodgson Burnett’s A Little Princess during Winter 2023-4. Her poetry collections are published by Bloodaxe Books and she has pamphlets with Smith|Doorstop and ARC. A new collection – Fantastic Voyage – is forthcoming from Bloodaxe in May 2024 and includes some poems about magic!
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