Episodes
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[School of Movies 2016]
We're back talking about Disney and we've jumped from their 21st animated classic all the way to the 55th.
Dan was not available this time round but when we reach this movie in our list of films we're going through naturally anyway we can get his take on it for an epilogue. This was a movie that kind of came out of nowhere and delighted pretty much everyone by having a lot more going on below the surface than your average animated animal adventure. At the very least it's a major new find for the furry community as our guests Lorin Grieve from A Year of Steam and Matt Wardle and Laureta Sela of New Century can attest. As well as this there is a multi-layered and infinitely applicable series of social commentaries on everyday prejudices. This downright demanded discussion so we pulled out all the stops to deliver you a packed two hour show. Folks on the patreon at the $5 per month support level can, this week, get their paws on an additional 90 minutes of rambling tangents which also took place during recording and while fascinating in places, strayed far from the movie itself. If you love these shows there are far worse things you could do with five bucks every thirty days which DON'T get you access to exclusive content. Guests: Doctor Lorin Grieve from Year of Steam Laureta Sela of New Century Matt Wardle of New Century -
[School of Movies 2017]
This one took a lot out of us.
The tenth X-Men-related movie, and just like the other two really great instalments in this series (First Class and Deadpool) most of its strengths are augmented by only having tenuous ties to what came before.
Both a sobering goodbye to two of our established heroes and the actors inhabiting the roles, and an introduction to a little acting tornado who pulled off the performance of a lifetime right out of the gate, this film stands as testament to what a steady hand and a focus on character can achieve in a marketplace stuffed with citywide destruction and CGI final bosses without any personality… in fact it used the latter to make a statement on its central protagonist.
Logan is impressive, sparing, powerful and heartbreaking, and more than worthy in all kinds of nominations among the best of 2017.
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Missing episodes?
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[School of Movies 2017]
A commissioned show from Joel Robinson, this is the first of the LAIKA studio movies.
Written by Neil Gaiman of Sandman fame, Coraline is the story of a girl dissatisfied with her boring parents and finding her way into a strange pocket universe, and a mirror of her new house, itself containing a woman who claims to be her "Other Mother".
This film has, what I like to call a "Twisted sumptuousness", and Sharon and I delve into the many details hidden throughout.
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[School of Movies 2017] For our 200th movie episode we celebrate the occasion by taking on another immensely challenging film, not because it's a mixed bag that's hard to place, but because it's pretty much perfectly crafted, very personal to us, dauntingly important and critically acclaimed. So we had to somehow shed new light on a masterpiece. This is why we put things like this off.Paschal Dooley commissioned this one to match his prior request of Hero, and it forms another part in the trilogy of epic, Chinese wuxia ("wushu") period piece films featuring the amazingly beautiful Zhang Ziyi. This time, Ang Lee takes what he learned from the interpersonal drama of The Ice Storm and the Jane Austen propriety of Sense and Sensibility to convey a drama surrounding two couples. One middle-aged and regretful of time misspent and one young and fearful of lives that almost certainly will not bring them what they want. And then there's fighting, glorious martial arts with weightless wire-work, choreographed by the master himself, Yuen Woo-ping.
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[School of Movies 2017] This was a commission from Chris Finik and turned out to be one of our most challenging shows. I was ill and having to energise myself on sugar, caffeine and enthusiasm while painkillers did their work, but more specifically we were dealing with a movie that is on the surface a silly mess, unlovable and mostly forgotten. We had to find the elements of quality in a mismanaged, overambitious yet underachieving project which ended the careers of a promising director (Stephen Norrington, the man behind Blade and little else) and a legendary actor, Shaun Connery.
Also we haven't seen most of the rest of the cast in the interim years either, but that's what happens when you throw 22% of your budget ($17 million) at one actor and find yourself short on what is obviously an ensemble film. This also serves as a weirdly specific prototype for Marvel's Avengers movie which came out nine years later in 2012.
So join us for ourr 199th movie covered as we go on a voyage with these men who aren't very extraoriary, certainly not gentle and the best of their number is a woman (notably the only person in the film without a Y-chromasome.)
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[School of Movies 2017]
A little-seen animated film from 2014, produced by Guillermo del Toro, directed by Jorge Gutierrez, the man behind the award-winning show El Tigre: The Adventures of Manny Rivera. This is a celebration of mexican culture, centred around the Day of the Dead, and the Lands of the Remembered and the Forgotten, as much about life as it is about death, and dealing with ancient gods making wagers with one another over the actions of humans.
Masquerading as a cute, colourful, hyperactive, kid's movie, this in fact has more in common with the work of LAIKA, and slowly, over time, introduces more and more texture and personal touches from its creators who strove to make the art match their beautiful concept work.
A commission by Abel Savard, who encouraged us with his supporting of this episode to dig deeper and find something really rather wonderful.
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[School of Movies 2017]
A commissioned show, but for a film we adore. The only reason it's taken us this long is that L.A. Confidential is as rich and complex and powerful as a bottle of Pappy Van Winkle's Buffalo Trace Bourbon, and frankly... it was intimidating.
It's a beautifully crafted film noir from 1997 which pretty much sets the bar for the genre from this point on, blending the best elements of the classics with contemporary filmmaking sensibilities, focusing on defying character expectations and showcasing physically expressive acting.
Featuring career high performances from Russel Crowe, Guy Pearce, Kevin Spacey, Kim Basinger, Danny DeVito, James Cromwell and David Strathairn, a darkly crooning score by Jerry Goldsmith, and an endlessly quotable script from Brian Helgeland, adapted from the novel by James Elroy.
It's the finest film Curtis Hanson ever made and the fact that Titanic gobbled up all the Oscars for that year is nothing short of a travesty (and I REALLY like Titanic!).
Enjoy, and especially enjoy the toe-tapping jazz soundtrack.
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[School of Movies 2017]
Truly a work of classic British animation, less know outside this island, but a tale of rabbit society in Rural England, just waiting to be discovered.
OR
A horribly misjudged, mercilessly brutal, relentless, casually sadistic massacre of rabbit-kind, made by aloof Brits who don't understand story structure from a source novel thrown together by a man who hates the idea of anyone finding allegory in his work. And a film responsible for irresponsibly traumatising a generation.
You decide... with our help.
A commissioned show sponsored by Jamas Enright.
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[School of Movies 2017]
This one was an unexpected commission and pushed us well out of our comfort zone. It's an obscure little indie film about being isolated from civilisation, and it has a couple of particularly... provocative ways of illustrating that point.
Many thanks to Dan Mayer for getting this episode made, because I can ASSURE you that without his backing it absolutely would never have happened.
So for better or worse, here's what Sharon and I think of Paul Dano and Daniel Radcliffe in the movie Swiss Army Man.
Next week, make sure you get hold of a copy of L.A. Confidential in the highest resolution possible. It's an amazing film and you don't want it spoiled before watching.
Love the shows, kick us a few dollars: https://www.patreon.com/alexandershaw?ty=h
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[School of Movies 2017]
This is a big one, a DC movie that we not only don't hate, but actively love.
Wonder Woman is breaking all sorts of new ground and Gal Gadot looks set to be the next universally beloved big screen superhero, joining a fairly small group that includes Reeves as Superman, Maguire as Spider-Man, Downey Jnr. as Iron Man and Evans as Captain America.
We spend two and a half hours discussing Diana's debut in solo form, highlighting the best aspects and touching on a few of the flaws. Largely though this is a celebration of a magnificent, empowering, inspiring experience.Guests:
Bob Chipman of Geek.com
Laura Kate Dale of Lets Play Video Games
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[School of Movies 2017]
Back with Marvel for one of their best movies yet. We kick off with why this hit me like a freight train, right in the soul, and then move on to an extensive and tasty discussion about these wonderful characters, old and new. This episode, like the movie, is very special.
Guests:
Joshua Garrity of Cane and Rinse
Brendan Agnew of Cinapse
Jerome McIntosh of GameBurst
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[School of Movies 2017]
A mystical return to the Marvel Cinematic Universe we love so very much. This one took us a while to get our heads around. On walking out of the cinema Sharon declared it as possibly her favourite of the MCU entries, which, if you know her, is saying something.
Alex on the other hand had doubts about why it failed to make such a huge impact on him, and they took several months of mulling over and three viewings on blu ray to really nail this one down.
Guests
Joshua Garrity of Cane and Rinse
Neil Taylor of TheKidDogg
New Century on Bandcamp
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[School of Movies 2017]
This is our first Wes Anderson film and we explore what makes his worlds and characters distinctive. It was commissioned by Tylor Long and Harrison Brockwell.
You should definitely see the film first. Funny, quirky, rude, unpredictable, sweet, sad, clever and uplifting. It's magnificent. Do not miss this one. It's one of our most personal shows.
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[School of Movies 2017]
This is another commissioned show, and you have Jason Ronson to thank, because we wouldn't have done this movie for a long time, and when we did we would have spent half the time we did, delving beneath the surface. We felt, since we always like to give you guys value for money, that we would go all-out.
And it's not a movie we love, in fact there are elements of it that drive one or both of us up the wall, and we make no bones about its issues. But we also look for what they were attempting, and the reasons why this failed to wrangle a suitable audience upon theatrical release.
Book fans, we have you covered, and Alex Maskill joins us to fact-check the details of the six volumes.
This is also the podcast where I finally explain the "No Anime" rule. If anyone asks for anime in future, this will be the show I point them to.
The Cornetto trilogy will eventually happen. One of them is a little bit patchy for us, but gets better with repeat viewings, kind of like Scott Pilgrim, the other two are among the most perfectly crafted comedies ever made.
And the book to track down and read for the episode we're doing in two weeks is called Transmetropoiltan, Vol. 2: Lust for Life, by Warren Ellis.
Guests:
Alex Maskill
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[School of Movies 2017]
In another commissioned show this week we cover the 2002 Chinese blockbuster from the director of The Great Wall.
Loosely (and as we find out that means REALLY loosely) based on a real life assassination attempt on the first emperor of China, this is one of Jet Li's most prestigious appearances. Featuring a trio of assassins played by Tony Leung, Maggie Cheung, and the amazing Donnie Yen, this blends serious, historical drama with stunningly photographed, excellently choreographed martial arts.
It's immense in scale, breathtaking in beauty and thought-provoking in story. It's also one of the Zhang Ziyi trilogy of period-set martial arts spectaculars, the other two being House of Flying Daggers by the same director as Hero, Zhang Yimou, and Crouching Tiger, Hidden Dragon directed by Ang Li. All three are absolutely worth your viewing time, especially on blu ray.
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[School of Movies 2017]
This one is pretty special. You will laugh, you will facepalm, your jaw will hit the floor.
The Thief and the Cobbler, or Arabian Knight, or The Princess and the Cobbler, or Once, OR The Amazing Nasrudin is, to date, the animated movie with the longest production run in history. It was begun in 1964 and released (after a fashion) in 1993... and then again in 1995.
A cautionary tale for studios and a treasure trove of interest to animation experts, the story within the film itself pales in comparison, in terms of fascination, to its dreadfully staggered road of creation.
This is the story of one unusual man who dreamed of making the finest animated film the world has ever seen, and what happened when that dream came up against reality.
If you would like to see more about this film (once you've seen the film, because I'm betting you hadn't even heard of it until today) you might want to catch this in-depth documentary *Persistence of Vision*, which features an array of animators and others involved with the making, and in which they are far more complimentary of the film than we are.
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[School of Movies 2017]
This episode would never have happened without a commission from Jamas Enright who effectively made me go back to a movie I had previously dismissed as an impenetrable mess.
Terry Gilliam's 1985 dystopia, intended as a satirical black mirror held up against the bureaucracy that had driven him crazy was a box office flop, and if you've seen it you'll understand why. If you haven't you will get a lot more out of it from listening to our show first.
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[School of Movies 2017]
Bob Moviebob Chipman and Brendan Agnew join us to delve into this deconstruction of the Batman mythos. While we do talk a lot about the movie, there's a great deal of pop culture analysis, examining the disparity between the colourful crime-fighter and the 'roided-up, armoured monster. I think that approach ended up kind of appropriate, since the film itself devotes much of its running time to the same concept, making the incidental events a lot less important than what they're actually saying.
Expect a hell of a lot of fun, some moments that are more than likely to become podcast memes and the messy business of taking to task overly obnoxious DC fans.
Reference Videos:
Cracked: So You Want to be Batman / Modern American History (As Taught by Batman Movies)
Folding Ideas: Everyone Batman Kills in BVS (And Why It Matters)
We Hate Movies: Mailbag (One Ticked Off BvS Superfan)
Moviebob: Does Batman Need a New Origin
School of Movies/Gonzo Planet: How to Fix The DC Movies With Just One Superman Film
Last Week Tonight: Ferguson, MO and Police MilitarizationBob Chipman Patreon: https://www.patreon.com/moviebob1/posts
Alex Shaw Patreon: https://www.patreon.com/alexandershawGuests:
Bob Chipman of Geek.com
Brendan Agnew of Cinapse
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[School of Movies 2018]
Dan Floyd joins us once again as the Disney Project continues.
The house of Mouse picked themselves up from the financial low for the 90s that was Hercules, and came back punching with this Chinese legend of a girl who steals her father's armour to take his place in the army.
Still to this day one of the most beautiful and moving of their animated classics, Mulan had its detractors, and all of them had solid reasons to admonish story decisions. However, it is also beloved and inspirational, and the kind of movie that could be made today (with a few tweaks).
Jerry Goldsmith's soaring yet delicate score was fortunately in plentiful supply for this one.
Guests
Daniel Floyd of New Frame Plus
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[School of Movies 2018]
Now we reach the point where Disney seemed off their game, at least in comparison with the lightning strikes of Mermaid, Beauty, Aladdin and Lion King. The fact that I really like Hercules is neither here nor their, this was a snarky yet earnest take on Greek mythology framed around an action sports movie for boys.
It had one of the most real-feeling and grown up of Disney heroine's so far, James Woods before he revealed himself to be a complete dick, Danny DeVito on top form as a washed up boxing coach and a quick-witted, slightly-too-energetic pace which a lot of people might consider off-putting.
It was also an ideal, basic model for the superhero movies that were around the corner, and in fact it's a better Superman story than any of Kal-El's movies that have followed so far, though Thor and then Wonder Woman far exceed its reach.
Since Alan Menken's lovely, lively score only spans a few minutes I have used other, tonally appropriate music for this one. Next week, Mulan.
Guests
Daniel Floyd of Extra Frames
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