History – Israel – New podcasts

  • What makes you a heretic? Journalist Andrew Gold believes that, in an age of group-think and tribes, we need heretics - those who use unconventional wisdom to speak out against their own groups, from cancelled comedians and radical feminists to cult defectors and vigilantes hunting deviants.

    Learn from my guests how to rebel, think differently and resist social contagion. From Triggernometry's Francis Foster and the world's most cancelled man Graham Linehan to ex-Hasidic Jew Julia Haart and gender critical atheist Richard Dawkins. These are the people living with the weight of their own community's disappointment on their shoulders.

  • ืืจืฅ ื™ืฉืจืืœ ื”ืžื•ื›ืจืช ืœื ื• ื”ื™ื•ื, ืขืœ ื ื•ืคื™ื”, ืขืชื™ืงื•ืชื™ื” ื•ื”ื™ื•ืฉื‘ื™ื ื‘ื” ื”ื™ื ืชื•ืฆืื” ืฉืœ ืืœืคื™ ืฉื ื•ืช ื”ื™ืกื˜ื•ืจื™ื” - ื•ืžืขื˜ื™ื ื”ืื™ืจื•ืขื™ื ืฉื”ืฉืคื™ืขื• ื‘ืื•ืคืŸ ืขืžื•ืง ื›ืœ ื›ืš ืขืœ ื”ืืจืฅ ื•ืขืœ ื”ื”ื™ืกื˜ื•ืจื™ื” ื”ื™ื”ื•ื“ื™ืช, ื›ืคื™ ืฉื”ืฉืคื™ืข ืขืœื™ื”ืŸ ื—ื•ืจื‘ืŸ ื‘ื™ืช ื”ืžืงื“ืฉ ื”ืฉื ื™. ื‘'ืฉื•ืจืฉื™ื ืขืžื•ืงื™ื - ืžืกืข ืืœ ื”ื”ื™ืกื˜ื•ืจื™ื” ื‘ืชืงื•ืคืช ื‘ื™ืช ืฉื ื™ ื•ืœืื—ืจื™ื”' ื ืกืงื•ืจ ืืช ื”ืื™ืจื•ืขื™ื ื•ื”ื”ืชืจื—ืฉื•ื™ื•ืช ืฉื”ื•ื‘ื™ืœื• ืœื—ื•ืจื‘ื ื ืฉืœ ื™ืจื•ืฉืœื™ื ื•ื‘ื™ืช ื”ืžืงื“ืฉ, ื•ื”ืฉื™ื ื•ื™ื™ื ืฉื”ืชื—ื•ืœืœื• ื‘ืขืงื‘ื•ืชื™ื”, ื‘ืขื–ืจืชื ืฉืœ ืžื™ื˜ื‘ ื”ืืจื›ื™ืื•ืœื•ื’ื™ื ื•ื”ื—ื•ืงืจื™ื ืฉืœ ืจืฉื•ืช ื”ื˜ื‘ืข ื•ื”ื’ื ื™ื, ืจืฉื•ืช ื”ืขืชื™ืงื•ืช ื•ื”ืžืฉืจื“ ืœืžื•ืจืฉืช.

  • ร€ Rimouski, le patrimoine bรขti moderne, composรฉ dโ€™immeubles construits entre 1950 et la fin des annรฉes 1970, foisonne. En voulant mesurer lโ€™impact de cette architecture sur le paysage urbain de la ville, la Sociรฉtรฉ rimouskoise du patrimoine a fait un plongeon dans les grands changements technologiques, sociaux et urbains de lโ€™รฉpoque moderne.

    Un balado de la Sociรฉtรฉ rimouskoise du patrimoine

    Carte des bรขtiments nommรฉs dans les รฉpisodes

    Ce balado est financรฉ par l'Entente de dรฉveloppement culturel entre la Ville de Rimouski est le ministรจre de la Culture et des Communications et est commanditรฉ par RIVE architecture.

    Recherche, rรฉalisation, montage et narration : Enya Kerhoas
    Chanson: Please listen carefully, JAZZHAR

  • ืชื•ื›ื ื™ืช ื”ืจื“ื™ื•/ืคื•ื“ืงืืกื˜ ืžื‘ื™ืช ื”ืžื—ืœืงื” ืœืœื™ืžื•ื“ื™ ืืจืฅ ื™ืฉืจืืœ ื‘ืืงื“ืžื™ืช ื›ื ืจืช, ื‘ื”ื’ืฉืช ื“ืดืจ ืจืื•ื‘ืŸ ื’ืคื ื™ ื•ืขื•ืคืจ ืฉื˜ื™ื™ืŸ, ืชื’ื™ืฉ ื‘ื›ืœ ืฉื‘ื•ืข ืคืจืง ืขืœ ื ื•ืฉื ื™ื™ืขื•ื“ื™ ื”ืขื•ืกืง ื‘ืชื—ื•ืžื™ ื”ืžื—ืœืงื” ื•ื‘ืขื ื™ื™ื ื™ ื”ืฉืขื”.

  • ืื•ื”ื‘ื™ื ืกืคืจื•ืช? ื”ืคื•ื“ืงืืกื˜ ื”ื–ื” ื”ื•ื ื‘ืฉื‘ื™ืœื›ื. ื›ืืŸ ืœื ืชืžืฆืื• ื“ื™ื•ื ื™ื ืขืœ ืขืชื™ื“ ื”ืกืคืจื•ืช, ืจื™ื›ื•ืœื™ื ืขืœ ืžืขืœืœื™ ืกื•ืคืจื™ื ืื• ื“ื™ื•ื•ื—ื™ื ื™ื—ืฆ"ื ื™ื™ื. ืขื™ื ื” ื”ื—ื“ื” ืฉืœ "ื”ืกืคืจื ื™ืช" ืชืืชืจ ืกืคืจื™ื ื•ืชื™ืงื™ื ื•ื—ื“ืฉื™ื ืžืŸ ื”ืžื“ืฃ ื”ืžืงื•ืžื™ ื•ื”ืขื•ืœืžื™, ื•ืชืขื˜ื•ืฃ ืื•ืชื ื‘ื›ืจื™ื›ื” ืจื“ื™ื•ืคื•ื ื™ืช ืžืขื•ืจืจืช ืชืงื•ื•ื”. ื‘ื›ืœ ืคืจืง ืฉืœื•ืฉื” ืกืคืจื™ื ื”ืงืฉื•ืจื™ื ื‘ื ื•ืฉื ืื—ื“ ืขื•ืœื™ื ืœืงื“ืžืช ื”ืžื™ืงืจื•ืคื•ืŸ ืœืฆื“ ืื ืฉื™ ืจื•ื—, ืžื•ืžื—ื™ื ืžืงืฆื•ืขื™ื™ื ื•ืกืคืจื ื™ื•ืช ื‘ืœืชื™ ื ืฉื›ื—ื•ืช

  • ืคื•ื“ืงืืกื˜ ืขืœ ืžื“ื™ื.

    ื”ืคื•ื“ืงืืกื˜ ื ื•ืขื“ ืœื—ื–ืง ืืช ืจื•ื— ื”ืœื—ื™ืžื” ืฉืœ ืฆื”"ืœ ื•ืœื”ื•ื•ืช ื”ื™ื›ืจื•ืช ืื™ื ื˜ื™ืžื™ืช ืขื ืกื™ืคื•ืจื™ ื”ื’ื‘ื•ืจื” ื•ื”ืขื•ื– ืฉืœ ืขื ื™ืฉืจืืœ ื•ื—ื™ื™ืœื™ื•.

    ื‘ื›ืœ ืคืจืง ืื ื• ืกื•ืงืจื™ื ื ื•ืฉื ืื—ืจ ื•ืžื ื’ื™ืฉื™ื ืื•ืชื•, ื‘ืชืงื•ื•ื” ืฉื”ื”ื™ื›ืจื•ืช ืขื ื”ื™ืกื˜ื•ืจื™ืช ื”ืœื—ื™ืžื” ืฉืœ ืฆื”"ืœ ื•ืฉืœ ืขื ื™ืฉืจืืœ ืชื•ืš ื—ื™ื‘ื•ืจ ืœืžืงื•ืจื•ืช ื™ื”ื•ื•ื” ืชืžื™ื›ื” ืžืฉืžืขื•ืชื™ืช ื‘ืœื•ื—ืžื™ื ื•.

    ื”ืคื•ื“ืงืืกื˜ ืžื•ื’ืฉ ืขืœ ื™ื“ื™ ืกืจืŸ (ื‘ืžื™ืœ) ืชืžื™ืจ ื“ื•ืจื˜ืœ ื•ืจืก"ืœ (ื‘ืžื™ืœ') ืื•ืจื™ ืื ื’ืœืžืŸ ื•ื‘ืžืกื’ืจืชื• ื”ื ืคื•ื’ืฉื™ื ืื•ืจื—ื™ื ืฉื•ื ื™ื.

  • ื”ื”ื™ืกื˜ื•ืจื™ื” ืฉืœ ืงื”ื™ืœืช ื”ืžื“ืข ื”ื‘ื“ื™ื•ื ื™ ื•ื”ืคื ื˜ื–ื™ื” ื‘ื™ืฉืจืืœ

  • ะŸั€ะธัะพะตะดะธะฝัะนั‚ะตััŒ ะบ ะฝะฐะผ ะฝะฐ ะฟะตั€ะตะบัƒั€, ะณะดะต ั‡ะตั‚ั‹ั€ะต ะฟะฐั€ะฝั ะฒะฒะพะดัั‚ ะฒะฐั ะฒ ะผะธั€ ัะฒะพะธั… ะฝะตัƒะดะตั€ะถะธะผั‹ั… ะพะฑััƒะถะดะตะฝะธะน. "ะŸะฐั€ะบัƒั€ะพัˆะฝะฐั" โ€” ัั‚ะพ ะผะตัั‚ะพ, ะณะดะต ะผั‹ ะฑะตั€ะตะผ ะฟะฐัƒะทัƒ ะพั‚ ะฟะพะฒัะตะดะฝะตะฒะฝะพะน ััƒะตั‚ั‹ ะธ ะฟะพะณั€ัƒะถะฐะตะผัั ะฒ ะฒะพะปะฝัƒัŽั‰ะธะต ะธ ะธะฝั‚ะตั€ะตััƒัŽั‰ะธะต ะฝะฐั ั‚ะตะผั‹.

    ะœั‹ ะพะฑััƒะดะธะผ ะฟะพัะปะตะดะฝะธะต ะฝะพะฒะพัั‚ะธ ะธ ะฟะพะดะตะปะธะผัั ัะฒะพะธะผะธ ะฒะทะณะปัะดะฐะผะธ ะฝะฐ ะถะธะทะฝัŒ. ะžั‚ ั„ะธะปะพัะพั„ัะบะธั… ั€ะฐะทะผั‹ัˆะปะตะฝะธะน ะดะพ ะฐะฑััƒั€ะดะฝั‹ั… ัะธั‚ัƒะฐั†ะธะน ะฒ ะบะพั‚ะพั€ั‹ะต ะผั‹ ะฟะพะฟะฐะดะฐะปะธ โ€” ัƒ ะฝะฐั ะฒัะตะณะดะฐ ะตัั‚ัŒ ั‡ั‚ะพ-ั‚ะพ, ั‡ั‚ะพ ะทะฐัั‚ะฐะฒะธั‚ ะฒะฐั ัƒะปั‹ะฑะฝัƒั‚ัŒัั ะธ ะทะฐะดัƒะผะฐั‚ัŒัั.

    ะะต ะฟั€ะพะฟัƒัั‚ะธั‚ะต ะบะฐะถะดั‹ะน ะฝะพะฒั‹ะน ัะฟะธะทะพะด, ะณะดะต ะฝะฐัˆะฐ ั‡ะตั‚ะฒะตั€ะบะฐ ะธััะปะตะดัƒะตั‚ ัะฐะผั‹ะต ั€ะฐะทะฝั‹ะต ั‚ะตะผั‹, ะพั‚ ะฝะฐัƒะบะธ ะธ ั‚ะตั…ะฝะพะปะพะณะธะน ะดะพ ะธัะบัƒััั‚ะฒะฐ ะธ ะบัƒะปัŒั‚ัƒั€ั‹. ะŸะพะดะฝะธะผะธั‚ะต ั‡ะฐัˆัƒ ะบะพั„ะต, ะฒั‹ะนะดะธั‚ะต ะฝะฐ ะฟะตั€ะตะบัƒั€ ั ะฝะฐะผะธ ะธ ะดะฐะนั‚ะต ะฒะพะปัŽ ัะฒะพะตะผัƒ ะปัŽะฑะพะฟั‹ั‚ัั‚ะฒัƒ โ€” ะฒ "ะŸะฐั€ะบัƒั€ะพัˆะฝะพะน" ะถะดัƒั‚ ะฒะฐั!

    ะ—ะฐะปะตั‚ะฐะน ะบ ะฝะฐะผ ะฒ ะขะตะปะตะณั€ะฐะผะผ: https://t.me/parkuroshnaya ั‚ะฐะผ ะธ ะฟะพะพะฑั‰ะฐะตะผัั)

  • Με αφορμฮฎ τα 50 χρฯŒνια λειτουργฮฏας του εμβληματικοฯ ξενοδοχεฮฏου Eagles Palace στη Χαλκιδικฮฎ, η δημοσιογρฮฌφος ฮˆφη Αλεβฮฏζου παρουσιฮฌζει τη σειρฮฌ podcast τριฯŽν επεισοδฮฏων «50 χρฯŒνια ελληνικฮฎς φιλοξενฮฏας». Μฮญσα απฯŒ τις εγκฮฌρδιες εξομολογฮฎσεις των μελฯŽν της οικογฮญνειας Τορνιβοฯκα, μαθαฮฏνουμε την ιστορฮฏα του Eagles Palace: τα πρฯŽτα χρฯŒνια λειτουργฮฏας, οι διฮฌσημοι επισκฮญπτες, η μεγฮฌλη ฮฌνθηση, το δฯσκολο διฮฌστημα της κρฮฏσης και του κορονοฯŠοฯ, οι προκλฮฎσεις του μฮญλλοντος. Ο Ντฮฏνος Τορνιβοฯκας, η σฯζυγฯŒς του Λฮญνα και οι κฯŒρες τους Ισμฮฎνη και Χριστฮฏνα εฮฏναι η “ψυχฮฎ” του Eagles Palace και το Eagles Palace εฮฏναι η ψυχฮฎ και η καρδιฮฌ τους.

  • ะŸะพะดะบะฐัั‚ «ะšะพะด ะดะพัั‚ัƒะฟะฐ» - ัั‚ะพ ะฟะพะดะบะฐัั‚, ะฟะพัะฒัั‰ะตะฝะฝั‹ะน ะธัั‚ะพั€ะธะธ ะธะฝั„ะพั€ะผะฐั†ะธะพะฝะฝั‹ั… ั‚ะตั…ะฝะพะปะพะณะธะน. ะฃ ะฝะฐั ะฒั‹ ะฝะฐะนะดะตั‚ะต ัƒะฒะปะตะบะฐั‚ะตะปัŒะฝั‹ะต ะธัั‚ะพั€ะธะธ ะพ ั€ะตะฒะพะปัŽั†ะธะพะฝะฝั‹ั… ะธะทะพะฑั€ะตั‚ะตะฝะธัั…, ั€ะฐะทะฒะธั‚ะธะธ ะบะพะผะฟัŒัŽั‚ะตั€ะฝั‹ั… ั‚ะตั…ะฝะพะปะพะณะธะน, ะปะธั‡ะฝะพัั‚ัั…, ัะฒะพะปัŽั†ะธะธ ะธะฝั‚ะตั€ะฝะตั‚ะฐ ะธ ะดั€ัƒะณะธั… ะบะปัŽั‡ะตะฒั‹ั… ะผะพะผะตะฝั‚ะฐั… ะฒ ะธัั‚ะพั€ะธะธ IT. ะฃะทะฝะฐะนั‚ะต, ะบะฐะบ ะผะตะฝัะปะธััŒ ั‚ะตั…ะฝะพะปะพะณะธะธ ัะพ ะฒั€ะตะผะตะฝะตะผ ะธ ะบะฐะบะธะต ะฟั€ะพั€ั‹ะฒั‹ ะฑั‹ะปะธ ัะดะตะปะฐะฝั‹ ะฒ ะผะธั€ะต ะบะพะผะฟัŒัŽั‚ะตั€ะฝั‹ั… ะฝะฐัƒะบ ะธะท ะฝะฐัˆะตะณะพ ะฟะพะดะบะฐัั‚ะฐ!

  • Qué fue la Segunda Guerra Mundial y las causas y consecuencias de este conflicto , además los países participantes

  • ื‘ื’ืจื•ืช ื“ืจืš ื”ืื•ื–ื ื™ื™ื: ืคืœื•ืจื” ื•ื™ื ื™ืฆืงื™ ื•ืจืŸ ืœื•ื™ ืžื›ื™ื ื™ื ืืชื›ื ืœื‘ื’ืจื•ืช ื‘ืชื "ืš

  • ืฉื™ืขื•ืจื™ื ืฉืœ ื”ืจื‘ ืฉื•ืงื™ ืžืื™ืจืกื•ืŸ ื‘ื™ืฉื™ื‘ืช ืชืงื•ืข ืขืœ ื”ื“ืžื•ื™ื•ืช ืฉืœ ื”ืจืืฉื•ื ื™ื ื•ื”ืื—ืจื•ื ื™ื ืฉืงื‘ืขื• ืœื“ื•ืจื•ืช ืืช ื”ื“ืจืš ื‘ื” ืœื•ืžื“ื™ื ื’ืžืจื ื•ื”ืชื•ื• ืืช ืคืกื™ืงืช ื”ื”ืœื›ื” ื‘ืขื ื™ืฉืจืืœ.

  • ืื™ืš ื›ืœื›ืœื ื™ื ื—ื•ืฉื‘ื™ื ืขืœ ืื ืฉื™ื? ื”ืื ื”ื ื ืกืžื›ื™ื ืขืœ ืขื•ื‘ื“ื•ืช ืื• ืžื•ื ืขื™ื ืžืื™ื“ื™ืื•ืœื•ื’ื™ื”? ื”ืื ื”ื ืžื•ืฉืคืขื™ื ืžืื•ืคื ื•ืช ืื• ื ืืžื ื™ื ืœืขืงืจื•ื ื•ืช ืžื“ืขื™ื™ื? ื•ื›ื™ืฆื“ ื”ืื•ืคืŸ ื‘ื• ื”ื ื—ื•ืฉื‘ื™ื ื•ืžื‘ื™ื ื™ื ื‘ื ื™ ืื“ื ืžืฉืคื™ืข ืขืœ ื”ื”ืžืœืฆื•ืช ืœืžื“ื™ื ื™ื•ืช? ืื• ื‘ืžื™ืœื™ื ืื—ืจื•ืช: ืขืœ ื”ื—ื™ื™ื ืฉืœื ื•?
    ื”ืคื•ื“ืงืืกื˜ ื”ื–ื” ืžืกืคืจ ืืช ืกื™ืคื•ืจ ื—ื™ื™ื• ืฉืœ ื”ืžื™ืŸ ื”ื›ืœื›ืœื™, ื”ืจืขื™ื•ืŸ ื”ืžื”ืคื›ื ื™ ืฉืื™ืคืฉืจ ืœืชืืจ ืืช ื”ืื“ื ื›ื™ืฆื•ืจ ื›ืœื›ืœื™. ื ืฉืžืข ื›ื™ืฆื“ ืœืื•ืจืš ื”ื”ื™ืกื˜ื•ืจื™ื” ื”ืกืชื›ืœื• ื›ืœื›ืœื ื™ื ืขืœ ื”ืื“ื ื‘ืื•ืคื ื™ื ืฉื•ื ื™ื, ื•ื›ื™ืฆื“ ืื•ืคื ื™ื ืืœื” ื”ื•ืฉืคืขื• ืžืžื’ืžื•ืช ื—ื‘ืจืชื™ื•ืช, ืžื“ืขื™ื•ืช, ืคื•ืœื™ื˜ื™ื•ืช ื•ื›ืœื›ืœื™ื•ืช.
    ืื‘ืœ ื”ืกื™ืคื•ืจ ื”ืžืขื ื™ืŸ ื‘ืžื™ื•ื—ื“ ื”ื•ื ื›ื™ืฆื“ ื”ืื•ืคืŸ ื‘ื• ื”ืื“ื (ืื ื—ื ื•!) ื ืจืื™ื ื‘ืขื™ื ื™ ื”ื›ืœื›ืœื ื™ื ืžืฉืคื™ืขื” ืขืœ ื”ื—ื™ื™ื ืฉืœื ื•.

    ื™ืฉ ืขืžื•ื“ ืคื™ื™ืกื‘ื•ืง: https://www.facebook.com/profile.php?id=100088634295323
    ื•ืืคื™ืœื• ื“ื•ืืจ! : [email protected]


    How do economists think about humans? Do they base their perceptions on facts or are they motivated by ideology? Are economists influenced by populistic ideas or are they loyal to scientific principles? And how does the way they understand humans affect policy recommendations? Or in other words: how do they affect our lives? This podcast tells the story of the economic species, a revolutionary idea that allowed the description of humans as economic beings. Over the course of history, economists looked at human economic activity in various ways. This podcast recasts this story and portrays the diverse ways it was impacted by social, scientific, political and economic trends. What’s truly fascinating is how the human image perceived by economists affects the life of each and every one of us.

  • ุนุงู„ู… ุงู„ุฎูŠุงู„ ูˆุงู„ุฃุณุงุทูŠุฑ ุงู„ุชูŠ ุชุดูƒู„ ุฌุฒุกู‹ุง ู…ู† ุงู„ุชุฑุงุซ ุงู„ุซู‚ุงููŠ ู…ุน ุชุณู„ูŠุท ุงู„ุถูˆุก ุนู„ู‰ ุงู„ู‚ูŠู… ูˆุงู„ุนุจุฑ ุงู„ุชูŠ ุชุญู…ู„ู‡ุง ู‡ุฐู‡ ุงู„ู‚ุตุต ๐Ÿ—ฟ๐ŸŒ˜
    ุงู„ุฃุณุงุทูŠุฑ ุงู„ุดู‡ูŠุฑุฉ ู…ู† ู…ุฎุชู„ู ุงู„ุซู‚ุงูุงุช ุญูˆู„ ุงู„ุนุงู„ู…. ูŠู‚ุฏู… ุงู„ุจูˆุฏูƒุงุณุช ุฃุณุงุทูŠุฑ ุชุงุฑูŠุฎูŠุฉ ุชุดู…ู„ ุงู„ุขู„ู‡ุฉ ูˆุงู„ุจุทู„ุฉ ูˆุงู„ู…ุฎู„ูˆู‚ุงุช ุงู„ุฎุฑุงููŠุฉ ูˆุงู„ู…ุบุงู…ุฑุงุช. ูƒู„ ุงู„ุซู‚ุงูุงุช ู…ุซู„ ุงู„ูŠูˆู†ุงู†ูŠุฉ ูˆุงู„ุฑูˆู…ุงู†ูŠุฉ ูˆุงู„ู…ุตุฑูŠุฉ ูˆุงู„ู†ูˆุฑุณูŠุฉ ูˆุงู„ู‡ู†ุฏูŠุฉ ูˆุงู„ุตูŠู†ูŠุฉ ูˆุบูŠุฑู‡ุงุŒ ู…ุน ุชุณู„ูŠุท ุงู„ุถูˆุก ุนู„ู‰ ุงู„ู‚ูŠู… ูˆุงู„ุนุจุฑ ุงู„ูŠ ุชุญู…ู„ู‡ุง ู‡ุฐูŠ ุงู„ู‚ุตุต ุงู„ู‚ุฏูŠู…ุฉ.

  • ืกื“ืจืช ืฉื™ืขื•ืจื™ื ืžืคื™ ื”ืจื‘ ื“ื ื™ืืœ ื‘ื™ื’'ืœ ืกื‘ื™ื‘ ื“ืžื•ื™ื•ืชื™ื”ื ืฉืœ ื”ืชื ืื™ื ื•ื”ืืžื•ืจืื™ื ืฉืกื‘ืจื•ืชื™ื”ื ืกื™ืคื•ืจื™ื”ื ื•ืžื—ืฉื‘ื•ืชื™ื”ื ืžืจื›ื™ื‘ื™ื ืืช ื”ืชืœืžื•ื“. ื”ืฉื™ืขื•ืจื™ื ื ื™ืชื ื• ื‘ื™ืฉื™ื‘ืช ืชืงื•ืข ื‘ืžื”ืœืš ืฉื ืช ืชืฉืค"ื’.

  • ืกื™ืคื•ืจื™ ื’ื‘ื•ืจื” ื•ื”ื ืฆื—ื” ืฉืœ ื”ื—ื‘ืจื™ื ืฉื ืจืฆื—ื• ื•ื ืคืœื• ื‘ืžืกื™ื‘ืช ื”ื˜ื‘ืข ื•ื”ื˜ื‘ื— "ื ื•ื‘ื”" ื•ื‘ืฉืืจ ืžืœื—ืžืช ื—ืจื‘ื•ืช ื‘ืจื–ืœ ื‘ืขื•ื˜ืฃ ืขื–ื” ื•ื‘ืžื“ื™ื ืช ื™ืฉืจืืœ ืžื”ืื ืฉื™ื ืฉื”ื™ื• ืงืจื•ื‘ื™ื ืืœื™ื”ื ื•ืžืชืืจื™ื ืืช ืื™ืฉื™ื•ืชื™ื”ื

  • You thought disinformation was formulated in strange corners of the internet. But go down the rabbit hole and you’ll see: some of the crazy ideas your uncle talks about at Thanksgiving -- maybe, even, the theories you believe yourself -- were, in fact, deliberately invented and spread by powerful governments dedicating huge resources for the goal of leading millions of people astray.

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