Episodi
-
AWAN partnered with The Arab Film Club to present Another Reality: Genre Shorts by Arab Women Filmmakers, here at the Garden Cinema, a programme curated by Sarah Agha.
AWAN is the UK’s only contemporary multi-arts festival dedicated to showcasing inspiring works from Arab female artists.
Sarah discusses the shorts with their respective directors, and the growth of genre cinema in the Arab world more generally, with input from our audience.
Ladies Coffee (2024) by Amal Al-Agroobi - 10’
On the prowl for lady suitors, Roula invites Zeina and her daughter over for Arabic coffee. But when young Reem participates in a cup reading ritual, she gets more than she bargained for.
The Call (2023) by Riffy Ahmed - 14’
During a difficult visit to her single immigrant mother, Athena discovers that what she thought was age-related mental decline is in fact an inherited magical gift.
In Vitro (2019) by Larissa Sansour - 28’
In an underground orchard in Bethlehem, decades after an other worldly eco disaster, two scientists ruminate on exile, loss, identity and nostalgia.
-
Journalist and critic Sophie Monks Kaufman discussed the The Zone Of Interest with the Garden Cinema's Joe Miller. Sophie and Joe talk in-depth about all the inception of the film, the cinematography, the many layers and themes the film evokes, history, resonance, resistance and the dehumanisation of others.
-
Episodi mancanti?
-
...OR, THE INCREDIBLY STRANGE RISE AND FALL OF THE WORLD'S WILDEST CINEMA AND HOW IT INFLUENCED A MIXED-UP GENERATION OF WEIRDOS AND MISFITS
A feature-length big screen documentary telling the riotous inside story of the infamous sex, drugs and rock 'n' roll repertory cinema which inspired a generation during Britain's turbulent Thatcher years.
Journalist Saskia Baron discusses the history of the iconic venue and the filmmaking process with its two directors here at the Garden Cinema, with input and comments from our audience!
-
We discuss new forms of storytelling, genre, Afrofuturism and conversations around storytelling amongst the Black diaspora with writer Irenosen Okojie who curated the Black To The Future festival. We are very pleased to be showing two of the programme's films here at the Garden Cinema. We strive to expand the reach of the films we show and look forward to introducing new and original work to our members and visitors. You can find the listings, and book here.
-
Ken Loach’s The Old Oak, tells the story of Syrian refugees relocated in a old mining village in the Northeast of England, amidst poverty, resentfulness and anger. As ever, Loach’s message is one of compassion and hope. Dave Turner who plays the lead character of TJ Ballantyne, the pub landlord, joined us at the Garden Cinema for a chat with journalist Steve Topple (whose voice you might recognise from the Bella Ciao discussion, which can also be found in this podcast series).
@thegardencinema
-
Alborada teamed up with the Garden Cinema to show the documentary Chicago Boys, which explores the The film tells the story of the Chicago Boys, a group of Chilean economists who studied at the University of Chicago, under Milton Friedman returned to their country after Augusto Pinochet's coup to become the main architects of the neoliberal economic model in Chile, which also served as a template for other countries around the world.
We discuss the film with scientist and ex-political prisoner Roberto Navarrete, journalist John McEvoy (Declassified UK) who explores the role of Britain in the coup and the policies that resulted from it, and our audience.
-
Every winter Mikma and her family travel by foot from their village deep in the Himalayas of Nepal to sell local medicinal plants in urban markets. This year, construction of a new highway to China has begun in their roadless valley, and things are never going to be the same. The documentary film Baato, distributed by Tull Stories is at once a sensitive portrait of a family that has thus far existed largely apart from the trappings of modernity, a fascinating chronicle of the epic journey they embark on each year, and a penetrating depiction of the culture and politics of Nepal. The Garden Cinema's Joe Bond talks to co-director Lucas Millard during a satellite Q&A following a screening of the film.
-
We were joined by director Dionne Edwards, producer Georgia Goggin and editor Andonis Trattos, the team behind Pretty Red Dress, a BFI-distributed gem of a film currently on here at the Garden Cinema for a post-screening chat with our audience.
Join us to delve behind the scenes of this wonderfully nuanced and upbeat film, as we chat about filming in South London, Natey Jones' gracefulness on screen, casting Alexandra Burke, the tussle between masculinity and femininity and the script development process.
We welcome all comments, input and recommendations!
-
Writer-director Carolina Cavalli’s darkly comic feature debut, which received its world premiere at the 2022 Venice Film Festival, is a deliciously satirical character study of a twentysomething looking for purpose… and maybe also a friend.
We had the opportunity to chat with Carolina over zoom about the film, her previous work, her time studying in Paris, audience expectations and the particular role of childhood friends in the lives of expat children!
Amanda will be screened from 9 June at the Garden Cinema.
-
We chat to a panel of producers, actors and directors about the current film scene in the Arab world, what is means to be an "Arab film", what the sources of funding tend to be, the topics and genres that appeal most internationally, the intricacies of subtitling and other issues our audience asked about. The event was held as a launch night for the Arab women filmmakers season at the cinema and involved producer and curator Elhum Shakerifar, actress and programmer Sarah Agha and filmmaker Soudade Kaadan.
-
To mark Italy's Liberation Day, we screened documentary Bella Ciao - Song Of Rebellion. The documentary traces the origins of the revolutionary song, the myths around it, its international appeal and use, its potential commercialisation. Directors Paul Russell and Andrea Vogt joined us to chat about making indie films, Bella Ciao and the deeply moving meanings behind it with Mydylarama journalist Steve Topple.
-
Teenage rebel Mick Travis (Malcolm McDowell) returns to his upper-crust English public school, caught between the sadistic older boys known as the Whips and the first-year students, known as Scum, who are forced to do their bidding. The petty thefts and anti-social behavior of Travis and his two henchmen, Johnny (David Wood) and Wallace (Richard Warwick), soon attract the attention of both the Whips and the school's out-of-touch administration, and lead to an unexpected showdown.
This British classic was screened at the Garden Cinema with a Q&A with David Wood. David co-starred as one of the three rebel schoolboys in a public school, alongside Malcolm McDowell (Mick) and Richard Warwick (Wallace), and they led the revolution against authority – which was regarded by many as a metaphor for the social and political situation in the UK.
Join us for this podcast to hear David sharing behind the scenes stories and other anecdotes.
This film was proposed by our member Paddy Cooper. To propose your own screening, log into your members’ account to visit the Members’ Area. We also show members’ choice selections as regular ticketed screenings.
@thegardencinema
-
We chatted to Italian director Mario Martone about his latest feature film, Nostalgia, which stars one of Italy's most famous working actors, Pierfrancesco Favino, sporting am eerily accurate Arabic accent. We delve together into the film's esoteric and spiritual dimensions, its gorgeous and loving portrait of Naples and its depictions of the city's element of criminality.
-
Curator, artist and Brighton-resident John Marchant joined us here at the Garden Cinema for a discussion following our screening of Laura Poitras's All The Beauty And The Bloodshed. The film tells the story of photographer Nan Goldin's tireless campaign to expose the crimes of the Sackler family and the part they played in the opioid crisis in the US and to kick the Sacklers out of the art spaces they gave money to to whitewash their actions.
John tells us about her artistic process, her resilience, their work together and what the campaigning achieved.
-
We gathered here at the cinema after our screening of The Shining, as part of our Jack Nicholson season, with Professor Roger Luckhurst who wrote The Shining: BFI Film Classics. Roger shares with us gossip and tales from behind the scenes, tells us about the film's negative reception at the time and the differences with the novel and gives us some context to understand its place as part of the horror repertoire.
Enjoy!
Follow us @thegardencinema
Write to us at [email protected]
-
We gathered in the Garden Cinema den with our regular group of City Lit film students to discuss and share anecdotes about Antonioni's The Passenger, screened as part of our Celebrating Jack Nicholson season. The Passenger was one of our most popular members' suggestions. Grab a drink and listen in!
-
Join us in the Garden Cinema Den for our post-film chat.
Following our screening of Whatever Happened To Baby Jane, as part of our Hollywood on Hollywood season, we all huddled around a drink in the den to chat about the film and listen to Dr Lucy Bolton share with us the gossip, highlights from and insights into the shoot. We chatted about the film's "useless" men, Joan Crawford and Bette Davis's legendary rivalry, the former's star power, the latter's dedication to her craft, and everything from Oscar shenanigans to the evolution in women's representation on screen.
We've recorded this discussion for everyone to enjoy remotely, from home or on their commute.
Follow us on Twitter and Instagram @thegardencinema and email us at [email protected].
-
We held a Q&A with Dr Kiki Tianqi Yu following one of our screenings of Return To Dust. The film film follows Ma and timid Cao who have been cast off by their families and forced into an arranged marriage. Uniting with Earth’s cycles, they create a haven for themselves in which they can thrive.
Dr Kiki Tianqi Yu talks about the film's depiction of the connection between humans and land and its the philosophical connotations, the director's previous work, the issues around censorship and independent cinema in China.
Find us on the usual platforms. Send us your comments, feedback and suggestions via Twitter @thegardencinema or by contacting us at [email protected].
-
We are joined by writer/director/actress Nana Mensah. Mensah's first feature film, the award-winning Queen Of Glory, will be screening at the Garden Cinema on 26 November.
The film follows the trials and tribulations of Sarah Obeng, the brilliant child of Ghanaian immigrants, who is quitting her Ivy League PhD program to follow her married lover to Ohio. When her mother dies suddenly, she bequeaths her daughter a Christian bookstore in the Pelham Parkway section of the Bronx where Sarah was raised.
We were also joined by Lily Parrott, co-director of the Migration Film Festival. We chatted about Nana's forays into filmmaking, her start as an actress, and its selection as part of the festival.
Find us on the usual platforms. Send us your comments, feedback and suggestions via Twitter @thegardencinema or by contacting us at [email protected].
-
This week, we welcomed a group of screenwriting and film students from City Lit to watch The Lost Honour of Katharina Blum, directed by Margarethe von Trotta and Volker Schlondorff and based on the book by Heinrich Boll.
Blum a young woman living in West Germany in the 70s finds her life falling into ruins after she falls prey to a vicious smear campaign by the police and a ruthless journalist, testing the limits of her sanity.
The film is an open critique of media manipulation and demonisation, and the misuse of state power - a critique which finds many echoes in the instances of collusion between the state, the police and the tabloids today. Our students share their thoughts about the film and its legacy.
We discuss the ways in which the debate over the role of ex-Nazis in authority in the 70s was shut down, how American and British films of the time dealt with similar subject matter and THAT awful cardigan.
Find us on the usual platforms. Send us your comments, feedback and suggestions via Twitter @thegardencinema or by contacting us at [email protected].
- Mostra di più