Episoder

  • Enjoy a sneak preview of EXTRA BAD GAYS, our monthly, subscriber-only show on contemporary queer politics and culture. For the full episode and a new episode every month, click 'subscribe' on Apple Podcasts or join our Patreon by clicking here.

  • Today’s subject had a multi-hyphenate name and a multi-hyphenate resume––, in his 55 years of life, he was an adventurer, a geologist, a spy, a dinosaur scientist, one of the founders of paleobiology, the world’s first airplane hijacker, a founder of the field of Albanian studies, a cosplay artist, and a murderer. Born in 1877 in Transylvania, the Baron Franz Nopcsa von Felsö-SzilvĂĄs may have been, except perhaps as a pub quiz answer, lost to history since his death, but in his lifetime he had an outsized impact on several scientific disciplines, central European politics and nationalisms, and, unfortunately, the man who he lived with until a murder-suicide ended both of their lives.

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    SOURCES:

    GĂ«zim Alpion, “Baron Franz Nopcsa and His Ambition for the Albanian Throne,” BESA Journal 6, no. 3 (Summer 2002): 25–32

    Gareth Dyke, “The Dinosaur Baron of Transylvania,” Scientific American, October 1, 2011, https://www.scientificamerican.com/article/the-dinosaur-baron-of-transylvania/

    Robert Elsie, “1907 | Baron Franz Nopcsa: The Baron Held Hostage in the Mountains of Dibra,” Texts and Documents of Albanian History, accessed April 18, 2024, http://www.albanianhistory.net/1907_Nopcsa2/index.html

    Robert Elsie, “The Viennese Scholar Who Almost Became King of Albania: Baron Franz Nopcsa and His Contribution to Albanian Studies,” n.d., http://www.elsie.de/pdf/articles/A1999VienneseNopcsa.pdf

    Emily Osterloff, “Franz Nopcsa: The Dashing Baron Who Discovered Dwarf Dinosaurs,” Natural History Museum, accessed April 18, 2024, https://www.nhm.ac.uk/discover/franz-nopcsa-the-dashing-baron-who-discovered-dwarf-dinosaurs.html

    Vanessa Veselka, “History Forgot This Rogue Aristocrat Who Discovered Dinosaurs and Died Penniless,” Smithsonian Magazine, accessed April 18, 2024, https://www.smithsonianmag.com/history/history-forgot-rogue-aristocrat-discovered-dinosaurs-died-penniless-180959504/

    Traveler, Scholar, Political Adventurer: A Transylvanian Baron at the Birth of Albanian Independence: The Memoirs of Franz Nopcsa, NED-New edition, 1 (Central European University Press, 2014), https://www.jstor.org/stable/10.7829/j.ctt6wpkrc;

    "A Field Guide to the Long History of Skyjackings,” CrimeReads(blog), May 10, 2021, https://crimereads.com/skyjackings/.

    Our intro music is Arpeggia Colorix by Yann Terrien, our outro music is by Dj Michaeloswell Graphicsdesigner.

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  • "If you have to take an beautiful enslaved convert boy from another province to become your lover, and then you fall hopelessly in love with him, and then promote him and he attains great power, do be aware than he might actually want to take your throne." Somehow, this extremely specific lesson was forgotten by two generations of rulers. Join us in a trip back to the court of 1300s Delhi for a story of love, lust, intrigue, revolution, and, in the words of a historian of the time, "the results of pampering young men and catamites."

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    SOURCES:

    Indira Chatterjee, "Alienation, Intimacy and Gender: Problems for a History of Love in South Asia," in Ruth Vanita ed., Queering India: Same-Sex Love And Eroticism In Indian Culture And Society (Abingdon: Routledge, 2002)

    Abraham Eraly, Age of Wrath: A History of the Delhi Sultanate (Delhi: Penguin India, 2014)

    Ruth Vanita and Saleem Kidwai, eds., Same-Sex Love in India: Readings in Indian Literature (New York: Palgrave MacMillan, 2016)

    Our intro music is Arpeggia Colorix by Yann Terrien. Our outro music is by DJ Michaeloswell Graphicdesigner.

  • Marthe Hanau built a several-hundred-million-franc financial powerhouse: which turned out to be a fraud. Her investors had been promised returns of 8% interest on savings and in investments forty percent a year —but by the time she died in prison, they were owed a hundred and fifty five million francs. Some people even credit her spectacular swindle to the political confluence that brought Leon Blum and his popular front to power in France at the end of the 1930s. This is the fascinating tale of just how far one woman was able to go to accumulate wealth and power by any means necessary.

    Click here to subscribe to our monthly podcast "Extra Bad Gays" and support the work we do to make the show.

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    SOURCES:

    Stéphanie Bee, "La Bancquiére des AnnÚs Folles," Univers-L, January 11, 2020, https://www.univers-l.com/portrait_marthe_hanau.html

    Janet Flanner, "The Swindling Presidente," The New Yorker, August 18, 1939, https://www.newyorker.com/magazine/1939/08/26/annals-of-crime

    Paul Jankowski, Stavisky: A Confidence Man in the Republic of Virtue (Ithaca: Cornell University Press, 2002).

    Dean Jobb, "The Ponzi of Paris," CrimeReads, December 3, 2021, https://crimereads.com/marthe-hanau-paris-ponzi-confidence-woman/

    Rod Kedward, La Vie en Bleu - France and the French since 1900 (London: Allen Lane, 2005).

    Wilfried Knapp, France--partial Eclipse: from the Stavisky Riots to the Nazi Conquest (London: Macdonald, 1972).

    Our intro music is Arpeggia Colorix by Yann Terrien. Our outro music is by DJ Michaeloswell Graphicsdesigner

  • Today's episode is about England and its capacity to be deeply weird. Weget into one of England's weirdest, bloodiest, and maybe horniest moments, the English Reformation: a time of enormous tumult and violence, but also new ideas that reconfigured and reshaped the world. Today’s Bad Gay is perhaps an unlikely and unfamiliar candidate, but one whose life and loves sheds a light on that time: it’s the theologian, reformer, and Archbishop of Canterbury, John Whitgift.

    Click here to subscribe to our monthly podcast "Extra Bad Gays" and support the work we do to make the show.

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    SOURCES:

    Diarmaid MacCulloch, Reformation: Europe’s House Divided 1490-1700, 38831st edition (Penguin UK, 2004)

    P. G. Maxwell-Stuart, The Archbishops of Canterbury (Tempus, 2006)

    “John Whitgift History,” John Whitgift Foundation(blog), accessed March 18, 2024, https://johnwhitgiftfoundation.org/about-us/john-whitgift-history/.

    Our intro music is Arpeggia Colorix by Yann Terrien. Our outro music is by DJ Michaeloswell Graphicsdesigner

  • Warning: this episode contains discussions of child sexual abuse, sexual harassment, and workplace sexual assault. Listener discretion is advised.

    Many people may have seen Maestro, a biopic about the American conductor Leonard Bernstein, a handsome and extroverted communicator. The next most famous gay Jewish conductor of the 20th century was, in many ways, Bernstein’s opposite. Neither handsome nor extroverted, he made his musical mark not as a flamboyant podium acrobat or someone who communicated with the public but as a musician’s musician. His career ended after years of rumors culminated in several serious allegations of sexual harassment and assault, including against teenaged boys. We talk about beauty and power and what it means when people who make great art also do terrible things.

    Click here to subscribe to our monthly podcast "Extra Bad Gays" and support the work we do to make the show.

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    SOURCES:

    Michael Cooper, “Met Opera to Investigate James Levine Over Sexual Abuse Accusation,” The New York Times, December 3, 2017, sec. Arts, https://www.nytimes.com/2017/12/02/arts/music/james-levine-sexual-misconduct-met-opera.html

    Michael Cooper, “Met Opera Reels as Fourth Man Accuses James Levine of Sexual Abuse,” The New York Times, December 5, 2017, sec. Arts, https://www.nytimes.com/2017/12/04/arts/music/james-levine-met-opera.html

    Michael Cooper, “James Levine’s Final Act at the Met Ends in Disgrace,” The New York Times, March 12, 2018, sec. Arts, https://www.nytimes.com/2018/03/12/arts/music/james-levine-metropolitan-opera.html

    Matt Dobkin, “Conductor James Levine Spurns Opera Gossips,” New York Magazine, January 6, 2006, https://nymag.com/nymetro/arts/music/features/15494/; Malcolm Gay and Kay Lazar, “In the Maestro’s Thrall,” The Boston Globe, March 2, 2018, https://www.bostonglobe.com/metro/2018/03/02/cleveland/cn2Sathz0EMJcdpYouoPjM/story.html

    Ben Miller, “Silence, Breaking,” VAN Magazine, December 7, 2017, http://van-magazine.com/mag/james-levine-silence-breaking/

    Ben Miller, “Shush Money,” VAN Magazine, May 23, 2018, http://van-magazine.com/mag/james-levine-met-opera-hush-money/

    John Rockwell, “Met Opera Changes Managerial Balance,” The New York Times, July 23, 1987, sec. Arts, https://www.nytimes.com/1987/07/23/arts/met-opera-changes-managerial-balance.html

    Emily Saul and Ben Feuerherd, “Met Opera, James Levine Reach Settlements amid Sex Misconduct Claims,” New York Post, August 6, 2019, https://nypost.com/2019/08/06/met-opera-james-levine-reach-settlements-amid-sex-misconduct-claims/

    James B. Stewart and Michael Cooper, “The Met Opera Fired James Levine, Citing Sexual Misconduct. He Was Paid $3.5 Million.,” The New York Times, September 21, 2020, sec. Arts, https://www.nytimes.com/2020/09/20/arts/music/met-opera-james-levine.html

    Anastasia Tsioulcas, “James Levine Accused Of Sexual Misconduct By 5 More Men,” NPR, May 19, 2018, sec. The Industry, https://www.npr.org/sections/therecord/2018/05/19/612621436/james-levine-accused-of-sexual-misconduct-by-5-more-men

    Isabel Vincent and Melissa Klein, “Legendary Opera Conductor Molested Teen for Years: Police Report,” New York Post, December 2, 2017, https://nypost.com/2017/12/02/legendary-opera-conductor-molested-teen-for-years-police-report/

    Isabel Vincent and Melissa Klein, “Disgraced Met Conductor’s Brother Was ‘in on the Game’: Police Report,” December 9, 2017, https://nypost.com/2017/12/09/disgraced-met-conductors-brother-was-in-on-the-game-police-report/

    Our intro music is Arpeggia Colorix by Yann Terrien, our outro music was made for us by DJ Michaeloswell Graphicdesigner.

  • This episode has everything: a tyrannical little boy king, a dictator who wanted to overthrow the Roman pantheon and install a meteorite as the object of a new monotheism, prostitution and vestal virgins, and drowning your party guests in rose petals. We break down Elagabalus: the myth, the legend, the gender-bending icon and the searcher for the biggest dicks in the Roman Empire.

    Subscribe to our monthly podcast "Extra Bad Gays" and support the work we do to make the show.

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    SOURCES:

    Cassius Cocceianus Dio, Roman History: Books 71-80, trans. E. Cary, New issue of 1927 ed Edition (Harvard University Press, 1927)

    Edward Gibbon and Hugh Trevor-Roper, The Decline and Fall of the Roman Empire, Volumes 1 to 6: Volumes 1-3, Volumes 4-6, Reprint Edition (Everyman’s Library, 2010)

    Harry Sidebottom, The Mad Emperor: Heliogabalus and the Decadence of Rome (Oneworld Publications, 2022)

    Elijah Burgher, “Our Lady of the Latrines – Western Exhibitions,” https://westernexhibitions.com/exhibition/elijah-burgher/

    Anthony Birley, trans., Lives of the Later Caesars: The First Part of the Augustan History, with Newly Compiled Lives of Nerva & Trajan, Reprint edition (Harmondsworth, Eng. ; Baltimore etc.: Penguin Classics, 1976).

    Our intro music is "Arpeggia Colorix" by Yann Terrien. Our outro music was made for us by DJ Michaeloswell Graphicsdesigner.

  • Today’s subject was an uneducated woman who was born in approximately 1880 and rose in her nearly 70 years of life from enslavement to sex work to female king. She was a leader of her community of Enugu-Ezike in present-day Nigeria and a collaborator with British colonialism in the region. Finally removed from power by British officials and local elders because she participated in a ritual in a way that only men were supposed to, the complex life of Ahebi Ugbabe helps tell the story of the colonization and decolonization of Nigeria and of the similarities and the differences between the sex-gender systems we are used to in the contemporary west and the vast array of possibilities in those sex-gender systems throughout different human societies.

    Click here to subscribe to our monthly podcast "Extra Bad Gays" and support the work we do to make the show.

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    SOURCES:

    Nwando Achebe, The Female King of Colonial Nigeria: Ahebi Ugbabe (Bloomington: Indiana University Press, 2011).

    Our intro music is Arpeggia Colorix by Yann Terrien, our outro music was made for us by DJ Michaeloswell Graphicdesigner

  • Warning: this episode contains discussions of domestic violence, child sexual abuse, and suicide. Listener discretion is advised.

    A rare twofer this week on our show: we discuss the lives and careers of Joe Orton and Kenneth Halliwell. Both frustrated writers from the North of England making their way in the repressive, damp climate of the postwar UK, they were sent to prison for defacing library books into brilliant collage art. But when Orton achieved fame and success, the pressure was too much for Halliwell to bear. And their disturbing pattern of traveling to Tunisia to abuse children casts a pall on any simple attempt to recuperate them as heroes.

    Click here to subscribe to our monthly podcast "Extra Bad Gays" and support the work we do to make the show.

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    SOURCES:

    Ilsa Colsell, Philip Hoare, and Leonie Orton Barnett, Malicious Damage: The Defaced Library Books of Kenneth Halliwell and Joe Orton (Donlon Books, 2013)

    Prick Up Your Ears (Curzon Film Distributors, 1987)

    James Fox, “The Life and Death of Joe Orton,” The Sunday Times, November 22, 1970

    John Lahr, Prick Up Your Ears: The Biography of Joe Orton, 1st edition (Berkeley: Univ of California Pr, 2000)

    Joe Orton, The Orton Diaries, Reprint edition (New York: Da Capo Press, 1996)

    “Joe Orton,” Front Row (BBC Radio 4, August 11, 2017), https://www.bbc.co.uk/programmes/b08zzly6

    Our intro music is Arpeggia Colorix by Yann Terrien, our outro music was made for us by DJ Michaeloswell Graphicdesigner

  • Are you wearing the Chanel boots? Yes, we are. A white-haired, powdered, starch-cuffed petty dictator who ruled over the expanding business with an iron fist, stopping every once in a while to make a misogynist or racist public comment, Karl Lagerfeld was one of the most influential figures in the fashion industry as it shifted into late capitalist hyperdrive. Come for the racist and misogynist public comments, stay for Lagerfeld's great love, Jacques de Bascher, who may more perfectly epitomize Evil Twink Energy than anyone we've discussed on our show.

    Click here to subscribe to our monthly podcast "Extra Bad Gays" and support the work we do to make the show.

    Click here to buy our book, BAD GAYS: A HOMOSEXUAL HISTORY.

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    SOURCES:

    Christian Allaire, “The Incredible Dandy Style of Jacques de Bascher, Karl Lagerfeld’s Longtime Partner | Vogue,” Vogue, April 27, 2023, https://www.vogue.com/slideshow/jacques-de-bascher-dandy-style-karl-lagerfeld-partner

    Irina Baconsky, “Jacques de Bascher: An Exhibition,” 032c, March 11, 2020, https://032c.com/magazine/jacques-de-bascher-an-exhibition

    Holly Brubach, “School of Chanel,” The New Yorker, February 19, 1989, https://www.newyorker.com/magazine/1989/02/27/school-of-chanel

    John Colapinto, “Karl Lagerfeld’s Fashion Empire,” The New Yorker, March 12, 2007, https://www.newyorker.com/magazine/2007/03/19/in-the-now

    Brock Colyar, “The Man in an 18-Year Relationship With Karl Lagerfeld,” The Cut, February 20, 2019, https://www.thecut.com/2019/02/who-was-jacques-de-bascher.html

    Daniel Harris, “The Electronic Funeral: Mourning Versace,” The Antioch Review 56, no. 2 (1998): 154–63, https://doi.org/10.2307/4613651

    Beatrice Hazlehurst, “Karl Lagerfeld Depicts Hitler in Political Cartoon to Criticize Angela Merkel - PAPER Magazine,” October 12, 2017, https://www.papermag.com/karl-lagerfeld-depicts-hitler-in-political-cartoon-to-criticize-angela-merkel

    Michael Hobbes and Aubrey Gordon, “Diet Book Deep Dive: The Karl Lagerfeld Diet,” Maintenance Phase, accessed February 14, 2024, https://maintenancephase.buzzsprout.com/1411126/9898517

    Anisha Mansuri, “The Met Gala: Ignoring Lagerfeld’s Islamophobia and Misogyny,” The New Arab (The New Arab, October 18, 2022), https://www.newarab.com/opinion/met-gala-ignoring-lagerfelds-islamophobia-and-misogyny

    William Middleton, Paradise Now: The Extraordinary Life of Karl Lagerfeld (New York, NY: Harper, 2023)

    Melissa Minton, “Karl Lagerfeld’s Most Controversial Quotes over the Years,” The New York Post, April 28, 2023, sec. Page Six, https://pagesix.com/article/karl-lagerfeld-most-controversial-quotes/

    David Rakoff, Don’t Get Too Comfortable: The Indignities of Coach Class, The Torments of Low Thread Count, The Never- Ending Quest for Artisanal Olive Oil, and Other First World Problems, Reprint Edition (Knopf Doubleday Publishing Group, 2006).

    “Karl Lagerfeld: A Line of Beauty,” The Metropolitan Museum of Art, accessed February 12, 2024, https://www.metmuseum.org/exhibitions/a-line-of-beauty

    “King Karl,” Kids of Dada, accessed February 12, 2024, https://www.kidsofdada.com/blogs/magazine/11625457-king-karl

    Our intro and outro music are, respectively, Arpeggia Colorix, by Yann Terrien, and a tune written for us by DJ Michael Oswell Graphic Designer.

  • Subscribe to EXTRA BAD GAYS, our monthly conversation on politics and culture, here or by clicking "Subscribe" on Apple Podcasts.

    Merry Christmas! Happy holidays! As usual, we're making our contribution to family holiday entertainment with an hour-plus podcast about sodomy.

    Today's program, recorded live at Podfest Berlin in October 2023, profiles two artists. We start with the gay Jewish pre-Raphaelite Simeon Solomon, whose story is a snapshot of the complexities of aa changing English society in the Victorian era, full of darkness, violence and repression, but lit too by a sense of a sort of waking dream of the possibilities of a rapidly shrinking world and modernising world. He was animated by those dreams, intoxicated by them, but his own desires would come into conflict with a society that was scared by these changes and would use all the tools in its power to halt them. Coming up the rear is Sascha Schneider, a German painter, sculptor, and bodybuilding instructor (does he, you know, run a bodybuilding academy?) whose work characterized both the Weimar-era masculinist gay political movement and four generations of Germans’ racist attitudes towards Native Americans.

    Enjoy! Wear headphones if Grandma is around. Season 7 drops very soon.

    To view the slideshow, click here.

    SOURCES

    Michael J. Cowen, Cult of the Will: Nervousness and German Modernity (State College: Penn State University Press, 2012)

    Roberto C. Ferrari and Carolyn Conroy, "Simeon Solomon Two-Part Biography," Simeon Solomon Research Archive, 2000-2023, https://www.simeonsolomon.com/simeon-solomon-biography.html

    Karl-May-Gesellschaft, https://www.karl-may-gesellschaft.de/index.php?seite=mininewsdetails&sprache=de&showdetail=133

    Minneapolis Institute of Art, "Whatever Happened to the First Gay Art Star?" June 3, 2021, https://medium.com/minneapolis-institute-of-art/what-really-happened-to-the-first-gay-art-star-e5b830e19f86

    H. Glenn Penny, Kindred By Choice: Germans and American Indians (Chapel Hill: University of North Carolina Press, 2013)

    Erwin in het Panhuis, "Karl Mays ziemlich offen schwuler KĂŒnstfreund," queer.de, 20. September 2020, https://www.queer.de/detail.php?article_id=37110

  • What's your favorite Paul Verhoeven film? We knew you were going to say Showgirls–but we'll put in a word for his latest, Benedetta, with Charlotte Rampling acting up a storm and nuns diddling each other with dildos carved out of statues of the Virgin. Improbably, the film is based on a true story: and within it, and within its subject's life, there are important themes of power, gender transgression, sin, belief and deviance that are worth discussing in more detail. Today, we discuss the 16th century mystic nun, lesbian, possibly demonically possessed and possibly visionary heretic, Benedetta Carlini.

    Our paperback is available now!

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    SOURCES:

    Brown, Judith C. Immodest Acts: The Life of a Lesbian Nun in Renaissance Italy. Reprint Ă©dition. New York, NY: Oxford University Press, 1986. ———. “Lesbian Sexuality in Renaissance Italy: The Case of Sister Benedetta Carlini.” Signs 9, no. 4 (1984): 751–58. Cohn, Norman. The Pursuit of the Millennium: Revolutionary Millenarians and Mystical Anarchists of the Middle Ages, Revised and Expanded Edition. Revised edition. New York: Oxford University Press, 1970. Ginzburg, Carlo. The Cheese and the Worms: The Cosmos of a Sixteenth-Century Miller. Translated by John Tedeschi and Anne C. Tedeschi. Reprint edition. Baltimore: Johns Hopkins University Press, 2013. “The Word Made Fresh: Mystical Encounter and the New Weird Divine - Journal #92.” Accessed June 6, 2023. https://www.e-flux.com/journal/92/205298/the-word-made-fresh-mystical-encounter-and-the-new-weird-divine/. Our intro and outro music are, respectively, Arpeggia Colorix, by Yann Terrien, and a tune written for us by DJ Michael Oswell Graphic Designer.
  • Through the life of this 17th century Japanese shogun, we explore the role of same-sex relationships in Japanese court culture of the time, the radically different meanings of age and gender in different times and places, and a gay teen romance that ends, alas, with being stabbed to death in the bathtub.

    Order our book in paperback for a free e-book!

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    SOURCES:

    Louis Crompton, Homosexuality & Civilization, Annotated edition (Cambridge, Mass.: Harvard University Press, 2006)

    Koichi, “The Gay of the Samurai,” Tofugu, September 30, 2015, https://www.tofugu.com/japan/gay-samurai/

    Gregory M. Pflugfelder, Cartographies of Desire: Male-Male Sexuality in Japanese Discourse, 1600–1950 (Berkeley: University of California Press, 2007)

    Our intro music is Arpeggia Colorix by Yann Terrien, downloaded from WFMU's Free Music Archive and distributed under a Creative Commons Attribution-ShareAlike License. Our outro music is by DJ Michaeloswell Graphicsdesigner.

  • There’s power in being the king who sits upon the throne, but also power in being the throne upon who the king sits. This was true as ever in the court of Emperor Ai in Han Dynasty China in 22 BC. We’re going to be talking about someone who in 21 short years of life rose from a low class status to being one of the most powerful imperial officials in China – all by becoming the favorite of the Emperor. Their passion was so renowned it led to the creation of what remains a Chinese idiomatic expression for homosexuality. But we’ll also be talking about prevailing bisexuality in the Han dynasty court, the reception culture of this story both in China and outside it then and now, and how people in both China and the West have adopted this story.

    Pre-order our paperback now for a free e-book!

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    Howard Chiang, “Epistemic Modernity and the Emergence of Homosexuality in China: Epistemic Modernity and the Emergence of Homosexuality in China,” Gender & History 22, no. 3 (November 2010): 629–57, https://doi.org/10.1111/j.1468-0424.2010.01612.

    Bret Hinsch, Passions of the Cut Sleeve: The Male Homosexual Tradition in China, Reprint edition (Berkely, Calif.: University of California Press, 1992)

    Martin W. Huang, “Male-Male Sexual Bonding and Male Friendship in Late Imperial China,” Journal of the History of Sexuality 22, no. 2 (2013): 312–31

    M. P. Lau and M. L. Ng, “Homosexuality in Chinese Culture,” Culture, Medicine and Psychiatry 13, no. 4 (December 1, 1989): 465–88, https://doi.org/10.1007/BF00052053

    Tze-lan Deborah Sang, “Translating Homosexuality: The Discourse of Tongxing’ai in Republican China (1912–1949),” in Translating Homosexuality: The Discourse of Tongxing’ai in Republican China (1912–1949) (Duke University Press, 2000), 276–304

    James D. Seymour, review of Review of Passions of the Cut Sleeve: The Male Homosexual Tradition in China, by Bret Hinsch, Journal of the History of Sexuality 3, no. 1 (1992): 141–43

    Ping-Hsuan Wang, “I’m a ‘Cut-Sleeve’: Coming out from a POC Perspective,” Narrative Inquiry 31, no. 2 (July 12, 2021): 338–57, https://doi.org/10.1075/ni.19088.wan

    Intersections: Interview with Samshasha, Hong Kong’s First Gay Rights Activist and Author,” accessed May 15, 2023, http://intersections.anu.edu.au/issue4/interview_mclelland.html.

    Our intro music is Arpeggia Colorix by Yann Terrien, downloaded from WFMU's Free Music Archive and distributed under a Creative Commons Attribution-ShareAlike License. Our outro music is by DJ Michaeloswell Graphicsdesigner.

  • Today’s figure is the sort of character who has been extinguished from British public life today, and maybe that’s for the best. He’s a mass of contradictions, the sort of mass that confuses the idea of an easy history of “lessons we can learn”. How did this man manage to be both an avant-garde poet and a gossip columnist, a communist revolutionary and a High Anglican devotee, a labour organiser and a lord? Or perhaps more accurately, how did he manage to inhabit all these roles with a level of seeming sincerity and honest commitment? Was he an honest man, or a devious one? A man driven by fidelity, or by treachery? Perhaps we’ll get to the bottom of it when we discuss the life of Tom Driberg, the Lord Bradwell, journalist, socialist, MP, Chairman of the Labour Party, and cocksucker.

    Pre-order our book in paperback and get a free e-book!

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    SOURCES:

    Tom Driberg, Ruling Passions (London: Quartet Books, 1980).

    Francis Wheen, The Soul of Indiscretion: Tom Driberg ; Poet, Philanderer, Legislator and Outlaw (London: Fourth Estate, 2001).

    Our intro music is Arpeggia Colorix by Yann Terrien, downloaded from WFMU's Free Music Archive and distributed under a Creative Commons Attribution-ShareAlike License. Our outro music is by DJ Michaeloswell Graphicsdesigner. Image via.

  • Nicki Minaj once rapped: Drug Lord Griselda, I used to move weight thru Delta. She’s referring to today’s subject, la Madrina, the drug lord of the Colombian MedellĂ­n Cartel, Griselda Blanco Restrepo, the Black Widow. Born in 1943 in Cartegena, on the north coast of Columbia, she became the so-called "Queenpin," and adopted all the macho tropes of the gangster. We argue she wasn't the biggest gangster at the head of her cartel, but one of the smallest gangsters in a whole world of cartels that have worked to bring the fruits of South America’s land into the United States market, at the cost of millions of human lives.

    Pre-order our book in paperback for a free e-book!

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    SOURCES:

    JosĂ© Guarnizo Álvarez, “Colombia’s ‘Cocaine Queen’ Living in Obscurity When She Was Shot Dead,” EL PAÍS English, September 13, 2012, sec. International, https://english.elpais.com/elpais/2012/09/13/inenglish/1347536945_696771.html

    Episode 2: Berner Interviews Michael Corleone Blanco (Full Episode), 2019, https://www.youtube.com/watch?v=eODEHYQhKO0

    Billy Corben, “Griselda Blanco: Hasta Nunca y Gracias Por La Coca,” Vice, May 9, 2012, https://www.vice.com/es/article/3b5jz8/griselda-blanco-so-long-and-thanks-for-all-the-cocaine

    James Kelly, “South Florida: Trouble in Paradise,” Time, November 23, 1981, https://content.time.com/time/subscriber/article/0,33009,922693,00.html

    Justin Vallejo, “Wild Real Life Story behind ‘Cocaine Godmother’ Portrayed by Sofia Vergara,” The Independent, April 5, 2022, sec. News, https://www.independent.co.uk/news/world/americas/griselda-blanco-sofia-vergara-netflix-b2051670.html.

    Our intro music is Arpeggia Colorix by Yann Terrien, downloaded from WFMU's Free Music Archive and distributed under a Creative Commons Attribution-ShareAlike License. Our outro music is by DJ Michaeloswell Graphicsdesigner.

  • Warning: this episode contains discussions of child sexual abuse. Listener discretion is advised.

    This week, we tackle the French author André Gide, a self-styled "immoralist" who oscillated between an austere Protestantism and a sensualism he associated with the so-called "Orient," and who elevated pederasty above sodomy in a way that helps us understand the often-disfiguring influence of upper-class male sexual desires on the construction of the 20th century gay male identity.

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    SOURCES:

    Kadji Amin, Disturbing Attachments: Genet, Modern Pederasty, and Queer History, electronic resource, Theory Q (Durham: Duke University Press, 2017)

    Andre Gide, If It Die . . .: An Autobiography, New Ed edition (New York: Vintage, 2001)

    Andre Gide, The Counterfeiters (Vintage, 2012)

    Andre Gide, The Immoralist, trans. Richard Howard, Reissue edition (Vintage, 2014)

    Mary McAuliffe, Paris on the Brink: The 1930s Paris of Jean Renoir, Salvador Dalí, Simone de Beauvoir, André Gide, Sylvia Beach, Léon Blum, and Their Friends, Illustrated edition (Lanham Boulder New York London: Rowman & Littlefield Publishers, 2020)

    George D. Painter, Andre Gide: A Critical Biography (London: Littlehampton Book Services Ltd)

    Edward W. Said, Culture and Imperialism, Reprint edition (New York: Vintage, 1994).

    Alan Sheridan, André Gide: A Life in the Present (Harvard University Press, 1999)

    Edmund White, "On the chance that a shepherd boy...," London Review of Books, December 10, 1998, https://www.lrb.co.uk/the-paper/v20/n24/edmund-white/on-the-chance-that-a-shepherd-boy.

    Our intro music is Arpeggia Colorix by Yann Terrien, downloaded from WFMU's Free Music Archive and distributed under a Creative Commons Attribution-ShareAlike License. Our outro music is by DJ Michaeloswell Graphicsdesigner.

  • Today we welcome special guest (and Associate Professor in History at the University of Cambridge) Arthur Asseraf to talk about Mustapha Ben IsmaĂŻl, a terrifyingly ambitious twink who rose from being an illiterate street beggar to Prime Minister on the strength of the king's love for him –– and whose disastrous policies helped bring an end to Tunisia's independence.

    Arthur's Twitter.

    Arthur's faculty page.

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    SOURCES:

    Ramy Khouili & Daniel Levine-Spound, Article 230: A History of the Criminalization of Homosexuality in Tunisia, available online: https://article230.com/en/article-320-eng/
 Marcel Gandolphe, ‘Une figure tunisienne: Mustapha ben IsmaĂŻl’, Revue tunisienne, 144, mars-avril 1921, p.83-87 Khayr al-Din al-Tunsi, Memoirs, (ed. Mohamed-Salah Mzali and Jean Pignon), Tunis, 1971. Ibn Abi Dhiaf, Ahmad, Ithaf Ahl al-zaman bi Akhbar muluk Tunis wa 'Ahd el-Aman (Ű„ŰȘŰ­Ű§Ù ŰŁÙ‡Ù„ Ű§Ù„ŰČÙ…Ű§Ù† ۣۚ۟ۚۧ۱ ملوك ŰȘÙˆÙ†Űł وŰčÙ‡ŰŻ Ű§Ù„ŰŁÙ…Ű§Ù†), (1990 edition), Tunis. Jean Ganiage, Les Origines du Protectorat français en Tunisie, Tunis, 1959. Guellouz, Masmoudi, Smida, Histoire gĂ©nĂ©rale de la Tunisie: t.3 les temps modernes, Tunis, 1983. Khaled el Rouayheb, Before Homosexuality in the Arab-Islamic World, 1500-1800, Chicago, 2005. Jocelyne Dakhlia, L’Empire des passions: l'arbitraire politique en Islam, Paris, 2005. Kenneth Perkins, A History of Modern Tunisia, Cambridge University Press, 2014. Abdelhamid LarguĂšche, Les Ombres de Tunis: pauvres, marginaux et minoritĂ©s aux XVIIIe et XIXe siĂšcles, Tunis, 2000. Abdelwahab Bouhdiba, La sexualitĂ© en islam, Paris, 1975. Nizar ben Saad, Lella Kmar, le destin tourmentĂ© d’une nymphe du sĂ©rail (1862-1942), Tunis. Robert Aldrich, 'Homosexuality in the French Colonies', Journal of Homosexuality, 41:3-4, 2002 Joseph Massad, Desiring Arabs, Chicago, 2007. Sirat Mustafa bin Isma'il (ŰłÙŠŰ±Ű© Ù…Ű”Ű·ÙÙ‰ ŰšÙ† Ű§ŰłÙ…Ű§Űčيل ( edited Rashad al-Imam, Tunis, 1981 Our intro and outro music are, respectively, Arpeggia Colorix, by Yann Terrien, and a tune written for us by DJ Michael Oswell Graphic Designer.
  • Argentina, 1942: a scandal breaks. Tabloids scream about newly discovered photographs –– taken by the amateur photographer Jorge Horacio BallvĂ© Piñero –– at homosexual orgies in BallvĂ©'s apartment, photos allegedly depicting young cadets from the national military university in compromising positions. 29 cadets are expelled, discharged, and/or punished, BallvĂ© thrown in jail, and the government collapsed, toppled by a right-wing coup promising moral cleanup.

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    SOURCES:

    Demaría, Gonzalo. Cacería. Primera edición. Buenos Aires: Planeta, 2020. ———. Jugos de Amor e Guerra. Buenos Aires, Argentina: Centro Cultural de la Cooperación, 2019. Encarnación, Omar Guillermo. Out in the Periphery: Latin America’s Gay Rights Revolution. New York: Oxford University Press, 2016. Espinoza, Lucas E, and Rosalva Resendiz. “Los Secretos de La Redada de Los 41 (The Secrets of the Raid of the 41): A Sociohistorical Analysis of a Gay Signifier.” In NAACS Annual Conference Proceedings. San Jose State University, 2018. Melo, Adrian. “Cadetes de San Martín | Entrevista a Gonzalo Demaría, que investiga los expedientes judiciales del conocidísimo escándalo de los cadetes.” PAGINA12, 1560903914. https://www.pagina12.com.ar/201169-cadetes-de-san-martin.

    Our intro music is Arpeggia Colorix by Yann Terrien, downloaded from WFMU's Free Music Archive and distributed under a Creative Commons Attribution-ShareAlike License. Our outro music is by DJ Michaeloswell Graphicsdesigner.

  • She's an icon, she's a legend, and she is the moment: today’s subject caused such a scandal in her life that even its fictionalized depiction in a novel was banned by the New York Society for the Suppression of Vice. The Mozart of bisexual drama, sword-fighting crossdressing opera singer Julie D'Aubigny burned through a dizzying series of lives, loves, husbands, mistresses, swordfights, operatic performances, lovers, and successes at the Paris Opera before dying in a convent in her early 30s.

    Pre-order our book in paperback for a free E-book!

    SOURCES

    “Biographical Sketches and Anecdotes: Julie D’Aubigny.” In The Dublin University Magazine, 408–10. William Curry, Jun., and Company, 1854.

    Blackmer, Corrine, and Patricia Juliana Smith, eds. En Travesti: Women, Gender Subversion, Opera. 0 edition. New York: Columbia University Press, 1995.

    Carlton, Genevieve. “Meet The Sword-Fighting, Bisexual Opera Singer Who Broke All The Rules In 17th-Century France.” All That’s Interesting, March 3, 2022. https://allthatsinteresting.com/julie-daubigny.

    Cuttle, Jade. “The Story of Julie d’Aubigny: The French Opera-Singing Sword Fighter.” Culture Trip, August 8, 2018. https://theculturetrip.com/france/articles/the-story-of-julie-daubigny-the-french-opera-singing-sword-fighter/.

    Gautier, Theophile. Mademoiselle de Maupin. Translated by Patricia Duncker. Revised edition. Cambridge, London: Penguin Classics, 2005.

    Giovetti, Olivia. “Women In Love.” VAN Magazine, April 9, 2020. https://van-magazine.com/mag/women-in-love/.

    Harris, Joseph. Hidden Agendas: Cross-Dressing in 17th-Century France. TĂŒbingen: Narr Dr. Gunter, 2011.

    Hoddinott, Fiona Zublin, Meradith. “The Badass Rogue Who Cross-Dressed and Dueled Her Way to Infamy.” OZY(blog), January 27, 2020. http://www.ozy.com/true-and-stories/the-badass-rogue-who-cross-dressed-and-dueled-her-way-to-infamy/76908.

    Interlude. “The Daring Criminal Swordswoman Who Became an Opera Star!” Interlude (blog), October 28, 2016. https://interlude.hk/lesbian-diva-swordswoman-julie-daubigny-aka-mademoiselle-maupin/.

    Kelly Gardiner. “The Real Life of Julie d’Aubigny,” May 11, 2014. https://kellygardiner.com/fiction/books/goddess/the-real-life-of-julie-daubigny/.

    Koestenbaum, Wayne. Queen’s Throat: Opera, Homosexuality And The Mystery Of Desire. Reprint edition. London: Da Capo Press, 2001.

    “Maupin, d’Aubigny (c. 1670–1707) | Encyclopedia.Com.” Accessed January 9, 2023. https://www.encyclopedia.com/women/encyclopedias-almanacs-transcripts-and-maps/maupin-daubigny-c-1670-1707.

    Tucker, Holly. City of Light, City of Poison: Murder, Magic, and the First Police Chief of Paris. Reprint edition. New York: W. W. Norton & Company, 2018.

    Vitale, Alex S. The End of Policing. Updated edition. New York: Verso, 2021.

    Westby, Alan. “Julie d’Aubigny: La Maupin and Early French Opera.” The Los Angeles Public Library, June 28, 2017. https://www.lapl.org/collections-resources/blogs/lapl/julie-daubigny-la-maupin-and-early-french-opera.

    Our intro music is Arpeggia Colorix by Yann Terrien, downloaded from WFMU's Free Music Archive and distributed under a Creative Commons Attribution-ShareAlike License. Our outro music is by DJ Michaeloswell Graphicsdesigner.