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Indigenous knowledge of local ecosystems often challenges settler-colonial cosmologies that naturalize resource extraction and the relocation of nomadic, hunting, foraging, or fishing peoples. Questioning Borders: Ecoliteratures of China and Taiwan (Columbia UP, 2023) explores recent ecoliterature by Han and non-Han Indigenous writers of China and Taiwan, analyzing relations among humans, animals, ecosystems, and the cosmos in search of alternative possibilities for creativity and consciousness.
Informed by extensive field research, Robin Visser compares literary works by Bai, Bunun, Kazakh, Mongol, Tao, Tibetan, Uyghur, Wa, Yi, and Han Chinese writers set in Xinjiang, Tibet, Inner Mongolia, Southwest China, and Taiwan, sites of extensive development, migration, and climate change impacts. Visser contrasts the dominant Han Chinese cosmology of center and periphery that informs what she calls “Beijing Westerns” with Indigenous and hybridized ways of relating to the world that challenge borders, binaries, and hierarchies.
By centering Indigenous cosmologies, this book aims to decolonize approaches to ecocriticism, comparative literature, and Chinese and Sinophone studies as well as to inspire new modes of sustainable flourishing in the Anthropocene.
Robin Visser is professor and associate chair of the Department of Asian and Middle Eastern Studies at the University of North Carolina at Chapel Hill. She is the author of Cities Surround the Countryside: Urban Aesthetics in Postsocialist China (2010).
Li-Ping Chen is a teaching fellow in the Department of East Asian Languages and Cultures at the University of Southern California. Her research interests include literary translingualism, diaspora, and nativism in Sinophone, inter-Asian, and transpacific contexts.
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Deng Xiaoping’s 1992 Southern Tour has become a milestone in Chinese economic history. Historians and commentators credit Deng’s visit to Guangzhou Province for reinvigorating China’s market reforms in the years following 1989—leading to the Chinese economic powerhouse we see today.
Journalist Jonathan Chatwin follows Deng’s journey in The Southern Tour: Deng Xiaoping and the Fight for China's Future (Bloomsbury Academic, 2024). Chatwin follows Deng—from its start in Wuhan, through the Special Economic Zones of Shenzhen and Zhuhai, and back up to Shanghai—and explains how a savvy Deng, then out of office, got China’s leaders to embrace market reforms again.
Jonathan Chatwin is a non-fiction writer and journalist. His work has appeared in CNN, the South China Morning Post and the BBC. He is the author of Long Peace Street: A Walk in Modern China (Manchester University Press: 2019) and Anywhere Out of the World: The Work of Bruce Chatwin (Manchester University Press: 2012).
Catch our first interview with Jonathan on Long Peace Street here!
You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books. Follow on Twitter at @BookReviewsAsia.
Nicholas Gordon is an editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at@nickrigordon.
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Contemporary Chinese film and literature often draw on time-honored fantastical texts and tales which were founded in the milieu of patriarchy, parental authority, heteronormativity, nationalism, and anthropocentrism. Cathy Yue Wang's Snake Sisters and Ghost Daughters: Feminist Adaptations of Traditional Tales in Chinese Fantasy (Wayne State University Press, 2023) examines the processes by which modern authors and filmmakers reshape these traditional tales to develop new narratives that interrogate the ingrained patriarchal paradigm. Through a rigorous analysis, Wang delineates changes in both content and narrative that allow contemporary interpretations to reimagine the gender politics and contexts of the tales retold. With a broad transmedia approach and a nuanced understanding of intertextuality, this work contributes to the ongoing negotiation in academic and popular discourse between past and present, traditional and contemporary, and text and reality in a globalized and postmodern world. Snake Sisters and Ghost Daughters offers an engaging interdisciplinary investigation of issues at the heart of these traditional tales such as gender and status hierarchy, marriage and family life, and in-group/out-group distinction. Beyond the content of these individual stories, Wang ties these narratives together across time using cognitive literary criticism, especially affective narratology, to shed new light on the adaptation of literary and cultural texts and their sociopolitical contexts.
Dr. Cathy Yue Wang is a lecturer in Department of Chinese Language and Literature, School of Humanities, Shanghai Normal University in China. She received her PhD from Macquarie University in Australia. She is particularly interested in applying feminist and queer perspectives into examinations of adaptation and retelling, children and young adult literature, as well as boys’ love subculture and fandom in the East Asian context. She is the author of Snake Sisters and Ghost Daughters: Feminist Adaptations of Traditional Tales in Chinese Fantasy (Wayne State University Press, 2023) and editor of Catching Chen Qing Ling: The Untamed and Adaptation, Production, and Reception in Transcultural Contexts (Peter Lang, forthcoming).
Linshan Jiang is a Postdoctoral Associate in the Department of Asian and Middle Eastern Studies at Duke University. She received her Ph.D. in East Asian Languages and Cultural Studies from the University of California, Santa Barbara, where she also obtained a Ph.D. emphasis in Translation Studies. Her research interests include modern and contemporary literature, film, and popular culture in mainland China, Taiwan, and Japan; trauma and memory studies; gender and sexuality studies; queer studies; as well as comparative literature and translation studies.
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Through an original framework of literary sensory studies, Sensing the Sinophone: Urban Memoryscapes in Contemporary Fiction (Cambria, 2022) provides a comparative analysis of how six contemporary works of Sinophone fiction reimagine the links between the self and the city, the past and the present, as well as the physical and the imaginary. It explores the connection between elusive memories and material cityscapes through the matrix of the senses. Joining recent efforts to imagine world literature beyond the international, this monograph engages in a triangular comparison of fiction from Hong Kong, Shanghai, and Taipei – three Sinophone cities, each with its own strong urban identity that comes with unique cultural and linguistic hybridities.
Sensing the Sinophone combines narratological tools for studying time in fiction with critical concepts of spatiality in order to establish an analytical focus on narrative voice and reliability (including the inaccuracy of memory), structural non-linearity (such as mental time travel), and the construction of fictional parallel cities as loci for plot development. In this study, the conventional sensorium and its role in recollection is explored and amplified to include whole-body sensations, habitual synesthesia, and the emotional aspects of sensations that produce a sense of place or self.
Astrid Møller-Olsen is an international research fellow with Lund University (Sweden), University of Stavanger (Norway), and University of Oxford (United Kingdom); her position is funded by the Swedish Research Council. Dr. Møller-Olsen holds an MA in comparative literature and a PhD in Chinese studies. Her research has been published in Modern Chinese Literature and Culture, SFRA Review, Canadian Review of Comparative Literature, Prism: Theory and Modern Chinese Literature, and International Journal of Heritage Studies. She hosts the podcast Sinophone Unrealities and the literary blog xiaoshuo.blog.
Tong He is a Lecturer in English at Central China Normal University.
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China’s communist revolution has an intricate relationship with gender and religion. In Enchanted Revolution: Ghosts, Shamans, and Gender Politics in Chinese Communist Propaganda, 1942-1953 (Oxford UP, 2023), Xiaofei Kang moves the two themes to the center stage in the Chinese Revolution. It examines the Communist Party’s first anti-superstition campaign in its wartime headquarters of Yan’an, the holy land of the Maoist revolution. The book argues that religion was not a mere adversary for the revolution; it also served as a model with which the Party mobilized support and constructed legitimacy. In its rise from rural backwaters to national dominance, the Party attacked “superstitions” that had supported the foundations of Chinese religious life. At the same time, Party propaganda co-opted the same religious resources for its own political ends. In this parallel and often paradoxical process, the persuasive power of Party propaganda relied heavily on recasting the cosmic forces of yin and yang that sustained the traditional gender hierarchy and ritual order. Furthermore, revolutionary art and literature revamped old narratives of female ghosts and ritual exorcism to inject the people with a new hegemonic vision of the Party-state endowed with both scientific potency and the heavenly mandate. Gendered language and symbolism in Chinese religion thus remained central to inspiring pathos, ethos, and logos for the revolution. The interplay of religion, gender, and revolution holds historical and contemporary significance of the Maoist legacy in contemporary China. It also offers insights into the transformative power of propaganda in global politics.
Xiaofei Kang is Professor in the Department of Religion at the George Washington University. Her research focuses on gender, ethnicity, and Chinese religions in traditional and modern China. She is the author of The Cult of the Fox: Power, Gender, and Popular Religion in Late Imperial and Modern China (Columbia University Press, 2006). She co-authored (with Donald S. Sutton) Contesting the Yellow Dragon: Ethnicity, Religion and the State in the Sino-Tibetan Borderland (Brill, 2016), and co-edited (with Jia Jinhua and Ping Yao) Gendering Chinese Religion: Subject, Identity and Body (SUNY Press, 2014).
Yadong Li is a PhD student in anthropology at Tulane University. His research interests lie at the intersection of the anthropology of state, the anthropology of time, hope studies, and post-structuralist philosophy. More details about his scholarship and research interests can be found here.
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Dr Pierce Salguero sits down with Dominic Steavu, a historian of Chinese religion and healing from UC Santa Barbara. We discuss the central role of the body in medieval Daoist practices, and talk about the Daoist use of psychedelics to facilitate mystical experiences. Along the way, we touch on talismanic tattoos, internal alchemy, and embodied nonduality. Plus, Dominic reveals what he thinks about aliens and the Wu-Tang Clan.
Enjoy the conversation! And remember that not all of our episodes are distributed by NBN, so be sure to subscribe to Blue Beryl!
Resources related to this episode:
Christine Mollier, Buddhism and Taoism Face to Face (2009)
Pierce’s blog “In defense of a little romanticism… or, how Mr Miyagi inspired me to become a professor”
Pierce Salguero, Buddhish: A Guide to the 20 Most Important Buddhist Ideas for the Curious and Skeptical (2022)
Dominic Steavu, The Writ of the Three Sovereigns: From Local Lore to Institutional Daoism (2020)
Dominic Steavu, Transforming the Void: Embryological Discourse and Reproductive Imagery in East Asian Religions (2015)
Dominic’s Academia.edu page
Dr. Pierce Salguero is a transdisciplinary scholar of health humanities who is fascinated by historical and contemporary intersections between Buddhism, medicine, and crosscultural exchange. He has a Ph.D. in History of Medicine from the Johns Hopkins School of Medicine (2010), and teaches Asian history, medicine, and religion at Penn State University’s Abington College, located near Philadelphia. www.piercesalguero.com.
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In 1911, as China was beset with challenges, a new generation of scholars considered a new problem: what to do with former imperial borders? How could China’s frontiers be considered part of the new nation? In Frontier Fieldwork: Building a Nation in China’s Borderlands 1919–45 (UBC Press, 2022), Andres Rodriguez looks at how students, travellers, social scientists, anthropologists, and missionaries contemplated these problems as they took to the Sino-Tibetan frontier to do fieldwork.
Focusing on the intimately human stories of these ‘frontier workers,’ Rodriguez examines how these scholars approached the frontier, created new knowledge, and redefined what both ‘frontier’ and ‘fieldwork’ meant. Frontier Fieldwork does a particularly beautiful job of exploring the complex identities of these fascinating fieldworkers, highlighting how some worked with the state, some pushed back, and some were only anthropologists by pure accident. It is sure to be of interest to historians, scholars of borderland studies, anthropologists, and those interested in a model for how you can write a history of empire-shaping events while keeping individuals at the center.
Over the course of our conversation, Andres also mentioned:
His article in Asian Ethnicity, “A ‘weak and small’ race in China’s southwest: Yi elites and the struggle for recognition in Republican China”
The work of Gray Tuttle, in particular Tibetan Buddhists in the Making of Modern China (Columbia University Press, 2005)
Dane Kennedy’s book, The Last Blank Spaces: Exploring Africa and Australia (Harvard University Press, 2015)
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The fascinating, untold story of how the Chinese language overcame unparalleled challenges and revolutionized the world of computing. A standard QWERTY keyboard has a few dozen keys. How can Chinese—a language with tens of thousands of characters and no alphabet—be input on such a device?
In The Chinese Computer: A Global History of the Information Age (MIT Press, 2024), Thomas Mullaney sets out to resolve this paradox, and in doing so, discovers that the key to this seemingly impossible riddle has given rise to a new epoch in the history of writing—a form of writing he calls “hypography.” Based on fifteen years of research, this pathbreaking history of the Chinese language charts the beginnings of electronic Chinese technology in the wake of World War II up through to its many iterations in the present day. Mullaney takes the reader back through the history and evolution of Chinese language computing technology, showing the development of electronic Chinese input methods—software programs that enable Chinese characters to be produced using alphanumeric symbols—and the profound impact they have had on the way Chinese is written. Along the way, Mullaney introduces a cast of brilliant and eccentric personalities drawn from the ranks of IBM, MIT, the CIA, the Pentagon, the Taiwanese military, and the highest rungs of mainland Chinese establishment, to name a few, and the unexpected roles they played in developing Chinese language computing. Finally, he shows how China and the non-Western world—because of the hypographic technologies they had to invent in order to join the personal computing revolution—“saved” the Western computer from its deep biases, enabling it to achieve a meaningful presence in markets outside of the Americas and Europe. An eminently engaging and artfully told history, The Chinese Computer is a must-read for anyone interested in how culture informs computing and how computing, in turn, shapes culture.
Thomas S. Mullaney is Professor of Chinese History at Stanford University and a Guggenheim Fellow.
Caleb Zakarin is Editor at the New Books Network.
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"What happened in Hong Kong is not an anomaly but a warning" - Hong Kong Human Rights defender Chow Hang Tung, speech written from prison upon receiving a human rights award.
In our interview today, I spoke with Professor Michael C. Davis, author of Freedom Undone: The Assault on Liberal Values and Institutions in Hong Kong (AAS and Columbia UP, 2024). In his latest book, he writes about how one of the world's most free-wheeling cities has transitioned from a vibrant global center of culture and finance into an illiberal regime. We spoke about the progressive shifts towards authoritarian governance in Hong Kong's post-colonial period, leading up to the introduction of the National Security Law of 2020, and the rapid erosion of human rights and liberal freedoms since. Professor Davis explained the significance of Hong Kong's new domestic National Security Law, introduced last week, and its implications for the erosion of global democratic institutions globally.
Professor Michael C. Davis is a former long-time professor at the University of Hong Kong and prior to that at the Chinese University of Hong Kong, where he taught course on human rights and constitutional development. He is currently a Global Fellow at the Woodrow Wilson International Centre for Scholars, a Senior Research Associate at the Weatherhead East Asia Institute at Columbia University, and a Professor of Law and International Affairs at O.P. Jindal Global University in India. He also enjoys research affiliations at New York University and the University of Notre Dame.
You can listen to our earlier interview, about Professor Davis' book, Making Hong Kong China: The Rollback of Human Rights and the Rule of Law (Columbia UP, 2020) here.
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The pursuit of antiquity was important for scholarly artists in constructing their knowledge of history and cultural identity in late imperial China. By examining versatile trends within paintings in modern China, this book questions the extent to which historical relics have been used to represent the ethnic identity of modern Chinese art. In doing so, this book asks: did the antiquarian movements ultimately serve as a deliberate tool for re-writing Chinese art history in modern China?
In searching for the public meaning of inventive private collecting activity, Appropriating Antiquity in Modern Chinese Painting (Bloomsbury, 2023) draws on various modes of artistic creation to address how the use of antiquities in early 20th-century Chinese art both produced and reinforced the imaginative links between ancient civilization and modern lives in the late Qing dynasty. Further exploring how these social and cultural transformations were related to the artistic exchanges happening at the time between China, Japan and the West, the book successfully analyses how modernity was translated and appropriated at the turn of the 20th century, throughout Asia and further afield.
Prof. Chia-Ling Yang is the Personal Chair of Chinese Art and Programme Director of PhD and MScR in History of Art at The University of Edinburgh.
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A vivid, thoughtful examination of how technological innovation—especially AI—is shaping the tensions between democracy and autocracy during the new Cold War.
So much of what we hear about China and Russia today likens the relationship between these two autocracies and the West to a “rivalry” or a “great-power competition.” Some might consider it alarmist to say we are in the midst of a second Cold War, but that may be the only responsible way to describe today’s state of affairs. What’s more, we have come a long way from Mao Zedong’s infamous observation that “political power grows out of the barrel of a gun.” Now we live in an age more aptly described by Vladimir Putin’s cryptic prophecy that “artificial intelligence is the future not only of Russia, but of all mankind, and whoever becomes the leader in this sphere will become ruler of the world.”
George S. Takach’s incisive and meticulously researched new volume, Cold War 2.0: Artificial Intelligence in the New Battle between China, Russia, and America (Pegasus Book, 2024), is the book we need to thoroughly understand these frightening and perilous times. In the geopolitical sphere, there are no more pressing issues than the appalling mechanizations of a surveillance state in China, Russia’s brazen attempt to assert its autocratic model in Ukraine, and China’s increasingly likely plans to do the same in Taiwan. But the key here, Takach argues, is that our new Cold War is not only ideological but technological: the side that prevails in Cold War 2.0 will be the one that bests the other in mastering the greatest innovations of our time. Artificial intelligence sits in our pockets every day—but what about AI that coordinates military operations and missile defense systems? Or the highly sophisticated semiconductor chips and quantum computers that power those missiles and a host of other weapons? And, where recently we have seen remarkable feats of bio-engineering to produce vaccines at record speed, shouldn’t we be concerned how catastrophic it would be if bio-engineering were co-opted for nefarious purposes? Takach thoroughly examines how each of these innovations will shape the tension between democracy and autocracy, and how each will play a central role in this second Cold War. Finally, he crafts a precise blueprint for how Western democracies should handle these innovations to respond to the looming threat of autocracy—and ultimately prevail over it.
AJ Woodhams hosts the "War Books" podcast. You can subscribe on Apple here and on Spotify here. War Books is on YouTube, Facebook and Instagram.
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In an era where states and politicians regularly weaponize moral emotions to foment intergroup conflict and violence, understanding the dynamics of violent mobilization and state authority are more relevant than ever before.
In Righteous Revolutionaries: Morality, Mobilization, and Violence in the Making of the Chinese State (U Michigan Press, 2022), Javed illustrates how states appeal to popular morality—shared understandings of right and wrong—to forge new group identities and mobilize violence against perceived threats to their authority. Javed examines the Chinese Communist Party’s mass mobilization of violence during its land reform campaign in the early 1950s, one of the most violent and successful state-building efforts in history. Using an array of novel archival, documentary, and quantitative historical data, this book illustrates that China’s land reform campaign was not just about economic redistribution but rather part of a larger, brutally violent state-building effort to delegitimize the new party-state’s internal rivals and establish its moral authority.
Righteous Revolutionaries argues that the Chinese Party-state simultaneously removed perceived threats to its authority at the grassroots and bolstered its legitimacy through a process called moral mobilization. This mobilization process created a moral boundary that designated a virtuous ingroup of “the masses” and a demonized outgroup of “class enemies,” mobilized the masses to participate in violence against this broadly defined outgroup, and strengthened this symbolic boundary by making the masses complicit in state violence. This book shows how we can find traces of moral mobilization in China today under Xi’s rule.
Jeffrey Javed received his PhD from the Department of Government at Harvard University. Before moving to tech, he was a Research Fellow and Research Director at the Weiser Center for Emerging Democracies and a Postdoctoral Fellow at the Lieberthal-Rogel Center for Chinese Studies at the University of Michigan, where he studied mobilization, violence, and the role of morality in politics. He is currently a Staff Product Growth Researcher at Apollo.io.
Yadong Li is a PhD student in anthropology at Tulane University. His research interests lie at the intersection of the anthropology of state, the anthropology of time, hope studies, and post-structuralist philosophy. More details about his scholarship and research interests can be found here.
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Just a decade ago, before COVID upended everything, tens of thousands of migrants from African countries traveled to China in search of economic opportunity. One 2012 estimate put the African population in Guangzhou alone at 100,000.
When the British-Nigerian travel writer Noo Saro-Wiwa heard about this community, she decided to travel to Guangzhou and China to learn more. She met traders, drug dealers, surgeons, visa overstayers, former professional athletes, and many more trying to live, work and stay in China.
Her travels are the subject of her new book Black Ghosts: A Journey Into the Lives of Africans in China (Canongate, 2023).
In this interview, we talk about her experiences in Guangzhou, the prejudice Africans immigrants faced in China—and the prejudices they brought with them—and what this migration says about “south-south” relations
Noo Saro-Wiwa is a travel author and journalist. Born in Nigeria and raised in England, she writes for Condé Nast Traveller magazine, and has contributed book reviews, travel, opinion and analysis articles for The Guardian newspaper, The Financial Times and The Times Literary Supplement, among others. Her first book, Looking for Transwonderland: Travels in Nigeria (Soft Skull: 2012), was published to critical acclaim in 2012 and was named The Sunday Times Travel Book of the Year in 2012.
You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of Black Ghosts. Follow on Twitter at @BookReviewsAsia.
Nicholas Gordon is an editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at@nickrigordon.
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Dreams of Flight: The Lives of Chinese Women Students in the West (Duke UP, 2021) explores the significance of transnational educational mobility in the life aspirations of young, middle-class Chinese women. Based on extensive, long-term ethnographic research, Fran Martin explores how young Chinese women negotiate competing pressures on their identity while studying abroad. On one hand, unmarried middle-class women in the single-child generations are encouraged to develop themselves as professional human capital through international education, molding themselves into independent, cosmopolitan, career-oriented individuals. On the other, strong neo-traditionalist state, social, and familial pressures of the post-Mao era push them back toward marriage and family by age thirty. Martin examines these women’s motivations for studying in Australia and traces their embodied and emotional experiences of urban life, social media worlds, work in low-skilled and professional jobs, romantic relationships, religion, Chinese patriotism, and changed self-understanding after study abroad. Martin illustrates how emerging forms of gender, class, and mobility fundamentally transform the basis of identity for a whole generation of Chinese women.
Fran Martin is Professor of Cultural Studies at the University of Melbourne. Her research focuses on television, film, literature and other forms of cultural production in contemporary transnational China (The PRC, Taiwan, and Hong Kong), with a specialization in transnational flows and representations and cultures of gender and sexuality.
Yadong Li is a PhD student in anthropology at Tulane University. His research interests lie at the intersection of the anthropology of state, the anthropology of time, hope studies, and post-structuralist philosophy. More details about his scholarship and research interests can be found here.
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As Taiwan gains prominence on international headlines, often framed in terms of conflict with China, it’s easy to neglect the island nation’s human stories and nuances. Niki Alsford’s book Taiwan Lives: A Social and Political History (University of Washington Press, March 2024) aims to provide a more nuanced counterweight to the sensationalism and soundbites that come up in Anglophone discourse about Taiwan today.
Through a carefully curated selection of 24 biographies — stretching across social divides and time periods, featuring everyone from priests to pop stars to presidents — Taiwan Lives tries to make Taiwan’s multilayered colonial history more accessible to English-language readers. Alsford, who’s a Professor in Asia Pacific Studies at the University of Central Lancashire, draws upon his background in historical anthropology and extensive Taiwan-related experience to highlight the shifts and shades of Taiwanese identity across the past few centuries.
Anthony Kao is a writer who intersects international affairs and cultural criticism. He founded/edits Cinema Escapist—a publication exploring the sociopolitical context behind global film and television—and also writes for outlets like The Guardian, Al Jazeera, The Diplomat, and Eater.
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The ethnic Chinese have had a long and problematic history in Indonesia, commonly stereotyped as a market-dominant minority with dubious political loyalty toward Indonesia. For over three decades under Suharto’s New Order regime, a cultural assimilation policy banned Chinese languages, cultural expression, schools, media, and organizations. This policy was only abolished in 1998 following the riots and anti-Chinese attacks that preceded the fall of the New Order. In the post-Suharto era, Chinese Indonesians were finally free to assert their Chineseness again. But how does an ethnic group recover from the trauma of assimilation and regain a lost cultural identity?
Memories of Unbelonging: Ethnic Chinese Identity Politics in Post-Suharto Indonesia (U Hawaii Press, 2023) is an ethnographic study of how collective memories of state-sponsored ethnic discrimination have shaped Chinese identity politics in Indonesia. Combining case studies, in-depth primary data, and incisive analysis of Indonesia’s contemporary political landscape, anthropologist Charlotte Setijadi argues that trauma narratives are at the core of modern Chinese identity politics. Examining spaces and domains such as residential enclaves, educational institutions, the creative arts, and politics, this book paints a vivid picture of how different generations of Chinese Indonesians make sense of their historical trauma, ethnic identity, and belonging in a post-assimilation environment. Far from being passive victims of history, the ethnic Chinese are actively challenging old stereotypes and boundaries of acceptable Chineseness in the country.
This emphasis on group and individual agency marks a strong departure from structural analyses of Chinese Indonesians that mostly highlight their disempowerment as an oppressed minority. Furthermore, placing the analysis within the broader context of China’s rise in the twenty-first century demonstrates how the combination of persisting local anti-Chinese sentiments and renewed pride over China’s growing global dominance have prompted many Chinese Indonesians to re-evaluate their sense of ethnic and national belonging. By focusing on the nexus between collective memory, local identity politics, and the rise of China as an external factor, Memories of Unbelonging offers new perspectives of understanding about Chinese Indonesians, post-Suharto Indonesian society, and the relationship between China and ethnic Chinese communities in Southeast Asia.
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What role do China and other Asian countries play in the global amber trade? And, what can we learn about the big challenges of our time by studying amber? In this episode, Kenneth Bo Nielsen talks to Alessandro Rippa about the global flows and significance of this seemingly inconspicuous lump of fossilized tree resin, a material that is at the heart of a new research project at the University of Oslo, named “Amber Worlds”. In this project, a group of social science researchers use amber as unique lens through which to interrogate crucially important contemporary issues such as growing extractivism, globalized trade, environmental crises, and violent conflict.
Alessandro Rippa is associate professor of social anthropology at the University of Oslo, and the principal investigator of the research project “Amber Worlds: A Geological Anthropology for the Anthropocene”.
Kenneth Bo Nielsen is a social anthropologist based at the University of Oslo and one of the Leaders of the Norwegian Network for Asian Studies.
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A brief stay in France was, for many Chinese workers and Chinese Communist Party leaders, a vital stepping stone for their careers during the cultural and political push to modernize China after World War I. For the Chinese students who went abroad specifically to study Western art and literature, these trips meant something else entirely. Set against the backdrop of interwar Paris, Paris and the Art of Transposition: Early Twentieth Century Sino-French Encounters (U Michigan Press, 2023) uncovers previously marginalized archives to reveal the artistic strategies employed by Chinese artists and writers in the early twentieth-century transnational imaginary and to explain why Paris played such a central role in the global reception of modern Chinese literature and art.
While previous studies of Chinese modernism have focused on how Western modernist aesthetics were adapted or translated to the Chinese context, Angie Chau does the opposite by turning to Paris in the Chinese imaginary and discussing the literary and visual artwork of five artists who moved between France and China: the painter Chang Yu, the poet Li Jinfa, the art critic Fu Lei, the painter Pan Yuliang, and the writer Xu Xu. Chau draws the idea of transposition from music theory where it refers to shifting music from one key or clef to another, or to adapting a song originally composed for one instrument to be played by another. Transposing transposition to the study of art and literature, Chau uses the term to describe a fluid and strategic art practice that depends on the tension between foreign and familiar, new and old, celebrating both novelty and recognition—a process that occurs when a text gets placed into a fresh context.
Angie Chau is Assistant Professor of Chinese Literature and Film at the University of Victoria.
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The late nineteenth and early twentieth centuries saw the turbulent end of China’s imperial system, violent revolutionary movements, and the fraught establishment of a republican government. During these decades of reform and revolution, millions of far-flung “overseas Chinese” remained connected to Chinese domestic movements.
Transpacific Reform and Revolution: The Chinese in North America, 1898-1918 (Stanford UP, 2023) uses rich archival sources and a new network approach to examine how reform and revolution in North American Chinatowns influenced political change in ChinaPo and the transpacific Chinese diaspora from 1898 to 1918. Historian Zhongping Chen focuses on the transnational activities of Kang Youwei, Sun Yat-sen, and other politicians, especially their mobilization of the Chinese in North America to join reformist or revolutionary parties in patriotic fights for a Western-style constitutional monarchy or republic in China. These new reformist and revolutionary parties, including the first Chinese women’s political organization, led transpacific movements against American anti-Chinese racism in 1905 and supported constitutional reform and the Republican Revolution in China around 1911, achieving transpacific expansion through innovative use of cross-cultural political ideologies and intertwined institutional and interpersonal networks. Through network analysis of the origins, interrelations, and influences of Chinese reform and revolution in North America, this book makes a significant contribution to modern Chinese history, Asian American and Asian Canadian history, and Chinese diasporic scholarship.
Zhongping Chen is Professor of History at the University of Victoria. He is also the author of Modern China’s Network Revolution: Chambers of Commerce and Sociopolitical Change in the Early Twentieth Century (Stanford University Press, 2011). He has been working on several digital projects such as “Victoria’s Chinatown: A Gateway to the Past and Present of Chinese Canadians” and “Chinese Canadian Artifacts Project."
Li-Ping Chen is a teaching fellow in the Department of East Asian Languages and Cultures at the University of Southern California. Her research interests include literary translingualism, diaspora, and nativism in Sinophone, inter-Asian, and transpacific contexts.
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In December 1937, the Chinese capital, Nanjing, falls and the Japanese army unleash an orgy of torture, murder, and rape. Over the course of six weeks, hundreds of thousands of civilians and prisoners of war are killed. At the very onset of the atrocities, the Danish supervisor at a cement plant just outside the city, 26-year-old Bernhard Arp Sindberg, opens the factory gates and welcomes in 10,000 Chinese civilians to safety, beyond the reach of the blood-thirsty Japanese. He becomes an Asian equivalent of Oskar Schindler, the savior of Jews in the European Holocaust.
Bernhard Sindberg: The Schindler of Nanjing (Casemate, 2024) follows Sindberg from his childhood in the old Viking city of Aarhus and on his first adventures as a sailor and a Foreign Legionnaire to the dramatic 104 days as a rescuer of thousands of helpless men, women, and children in the darkest hour of the Sino-Japanese War. It describes how after his remarkable achievement, he receded back into obscurity, spending decades more at sea and becoming a naturalized American citizen, before dying of old age in Los Angeles in 1983, completely unrecognized. In this respect, too, there is an obvious parallel with Schindler, who only attained posthumous fame.
The book sets the record straight by providing the first complete account of Sindberg's life in English, based on archival sources hitherto unutilized by any historian as well as interviews with surviving relatives. What emerges is the surprising tale of a person who was average in every respect but rose to the occasion when faced with unimaginable brutality, discovering an inner strength and courage that transformed him into one of the great humanitarian figures of the 20th century and an inspiration for our modern age, demonstrating that the determined actions of one person--any person--can make a huge difference.
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