Episodes
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Today, it’s a very special episode of ArtCurious— and a big ol’ thank you, to you.
If you’d like to donate to ArtCurious, please feel free to do so here.
Episode Credits:
Production and Editing by Kaboonki. Theme music by Alex Davis. Additional music by Storyblocks. Logo by Vaulted.co.
ArtCurious is sponsored by Anchorlight, an interdisciplinary creative space, founded with the intent of fostering artists, designers, and craftspeople at varying stages of their development. Home to artist studios, residency opportunities, and exhibition space Anchorlight encourages mentorship and the cross-pollination of skills among creatives in the Triangle.
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Hello, listeners! I’ve got a special surprise for you this week. I’ve been waiting to share this amazing conversation that I enjoyed recently with expat and author Joanna Moorhead about her fantastic new biography, Surreal Spaces: The Life and Art of Leonora Carrington.
The British-born artist and writer Leonora Carrington (1917–2011) is one of the vanguards in the history of women artists and the history of Surrealism. The interests of this visionary—feminism, ecology, the arcane and the mystical, the interconnectedness of everything—are now shared by many. Challenging the conventions of her time, Carrington abandoned family, society, and England to embrace new experiences and forge a unique artistic style in Europe and the Americas. In this evocative illustrated biography, writer and journalist Joanna Moorhead traces her cousin’s footsteps, exploring the artist’s life, loves, friendships, and work.
Leading readers on a personal journey across Britain, Ireland, France, Italy, Spain, Portugal, the United States, and Mexico, Surreal Spaces describes the places and experiences that would become etched in Carrington’s memory and be echoed, sometimes decades later, in her art and writing—whether her grandmother’s kitchen with its giant stove; a remote Cornish hideaway where she holidayed with Max Ernst, Lee Miller, and Man Ray; the Left Bank of Paris; an asylum in Santander, Spain; New York, where she lived among other European exiles; or Mexico City, her final sanctuary. “Houses are really bodies,” Carrington wrote in her novella The Hearing Trumpet. “We connect ourselves with walls, roofs and objects just as we hang on to our livers, skeletons, flesh and blood streams.”
Featuring photographs, drawings, and paintings of the spaces that so richly influenced Carrington’s work, Surreal Spaces is an intimate and vivid portrait of a fascinating artist.
About the author:
Joanna Moorhead is a British journalist and author whose critically acclaimed memoir, The Surreal Life of Leonora Carrington, chronicles her relationship with Carrington, her cousin. Moorhead writes for the Guardian, the Observer, the Times (London), and many other publications.
Please enjoy this bonus episode, featuring my discussion with Joanna. Be sure to grab your copy of Surreal Spaces from Bookshop.org, below. If you prefer Amazon, that link is below as well.
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Buy Surreal Spaces here!
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Missing episodes?
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Hello, listeners! I’ve got a special surprise for you this week. I’ve been waiting to share this amazing conversation that I enjoyed recently with expat and author Jeannie Marshall about her lovely book, All Things Move: Learning to Look in the Sistine Chapel.
What do we hope to get out of seeing a famous piece of art? Jeannie Marshall asked that question of herself when she started visiting the Sistine Chapel frescoes. She wanted to understand their meaning and context―but in the process, she also found what she didn’t know she was looking for.
All Things Move: Learning to Look in the Sistine Chapel tells the story of Marshall’s relationship with one of our most cherished artworks. Interwoven with the history of its making and the Rome of today, it’s an exploration of the past in the present, the street in the museum, and the way a work of art can both terrify and alchemize the soul. An impassioned defense of the role of art in a fractured age, All Things Move is a quietly sublime meditation on how our lives can be changed by art, if only we learn to look.
About the author:
Jeannie Marshall is a writer who has been living in Italy with her family since 2002. A nonfiction author, journalist, and former staff features writer at the National Post in Toronto, she contributes articles to Maclean's and the Walrus and has published literary nonfiction in The Common, the Literary Review of Canada, Brick, and elsewhere.
Please enjoy this bonus episode, featuring my discussion with Jeannie. Be sure to grab your copy of All Things Move from Bookshop.org, below. If you prefer Amazon, that link is below as well.
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Hello, listeners! I’ve got a special surprise for you this week. I’ve been waiting to share this amazing conversation that I enjoyed earlier this summer with author Patrick Bringley, all about his fantastic book about his time as a guard at the Metropolitan Museum of Art. His book, All the Beauty in the World: The Metropolitan Museum of Art and Me, is out now.
Millions of people climb the grand marble staircase to visit the Metropolitan Museum of Art every year. But only a select few have unrestricted access to every nook and cranny. They’re the guards who roam unobtrusively in dark blue suits, keeping a watchful eye on the two million square foot treasure house. Caught up in his glamorous fledgling career at The New Yorker, Patrick Bringley never thought he’d be one of them. Then his older brother was diagnosed with fatal cancer and he found himself needing to escape the mundane clamor of daily life. So he quit The New Yorker and sought solace in the most beautiful place he knew.
In the tradition of classic workplace memoirs like Lab Girl and Working Stiff, All The Beauty in the World is a surprising, inspiring portrait of a great museum, its hidden treasures, and the people who make it tick, by one of its most intimate observers.
About the author:
Patrick Bringley worked for ten years as a guard in the galleries of the Metropolitan Museum of Art. Prior to that, he worked in the editorial events office at The New Yorker magazine. He lives with his wife and children in Sunset Park, Brooklyn. All the Beauty in the World is his first book.
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This season, I’m rounding up stories about modern artists in love, in lust, in relationships— digging into these individuals, see how their liaisons, marriages, affairs, and connections played in or on their respective works of art, and how, if anything, they affected art history as we know it. I, for one, believe that it’s time for Modern Love.
Today: it’s our season finale, and my absolute favorite (tear-jerking!) story of the season: the epic love-and-lost story of Marina Abramović and Ulay.
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This season, I’m rounding up stories about modern artists in love, in lust, in relationships— digging into these individuals, see how their liaisons, marriages, affairs, and connections played in or on their respective works of art, and how, if anything, they affected art history as we know it. I, for one, believe that it’s time for Modern Love.
Today: we’ve re-recorded and updated our original Season 1 double-header on Frida Kahlo and Diego Rivera. Check out their story here. Note that this is Part 2— you can access Part 1 here.
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This season, I’m rounding up stories about modern artists in love, in lust, in relationships— digging into these individuals, see how their liaisons, marriages, affairs, and connections played in or on their respective works of art, and how, if anything, they affected art history as we know it. I, for one, believe that it’s time for Modern Love.
Today: we’ve re-recorded and updated our original Season 1 double-header on Frida Kahlo and Diego Rivera. Check out their story here. Part two is coming up in two weeks.
Please SUBSCRIBE and REVIEW our show on Apple Podcasts and FOLLOW on Spotify
Breaking Barriers: Women Artists of Renaissance Europe is on sale NOW through September 7! Buy it here exclusively on my website.
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This season, I’m rounding up stories about modern artists in love, in lust, in relationships— digging into these individuals, see how their liaisons, marriages, affairs, and connections played in or on their respective works of art, and how, if anything, they affected art history as we know it. I, for one, believe that it’s time for Modern Love.
Today: it’s one of the most collaborative, creative couples of the century— meet Hans (Jean) Arp and Sophie Taeuber-Arp.
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Hello, listeners! I’ve got a special surprise for you this week. I’ve been waiting to share this amazing conversation that I enjoyed earlier this spring with author Annie Cohen-Salal, all about her wonderful new book, Picasso the Foreigner (translated by Sam Taylor).
Before Picasso became Picasso—the iconic artist now celebrated as one of France’s leading figures—he was constantly surveilled by the French police. Amid political tensions in the spring of 1901, he was flagged as an anarchist by the security services—the first of many entries in an extensive case file. Though he soon emerged as the leader of the cubist avant-garde, and became increasingly wealthy as his reputation grew worldwide, Picasso’s art was largely excluded from public collections in France for the next four decades. The genius who conceived Guernica in 1937 as a visceral statement against fascism was even denied French citizenship three years later, on the eve of the Nazi occupation. In a country where the police and the conservative Académie des Beaux-Arts represented two major pillars of the establishment at the time, Picasso faced a triple stigma—as a foreigner, a political radical, and an avant-garde artist. The artist never became a citizen of France, yet he generously enriched and dynamized the country’s culture like few other figures in its history. This book, for the first time, explains how.
Please enjoy this bonus episode, featuring my discussion with Annie. Be sure to grab your copy of Picasso the Foreigner from Bookshop.org, below. If you prefer Amazon, that link is below as well.
Please SUBSCRIBE and REVIEW our show on Apple Podcasts and FOLLOW on Spotify
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Buy Picasso the Foreigner here!
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This season, I’m rounding up stories about modern artists in love, in lust, in relationships— digging into these individuals, see how their liaisons, marriages, affairs, and connections played in or on their respective works of art, and how, if anything, they affected art history as we know it. I, for one, believe that it’s time for Modern Love.
Today: let’s get to know artists Remedios Varo and her first husband, Gerardo Lizzaraga.
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SPONSORS:
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Hello, listeners! I’ve got a special surprise for you this week. I absolutely loved this new book by author and journalist Michael Finkel, and I didn't want to wait any longer to share it with you. Finkel's latest book, The Art Thief: A True Story of Love, Crime, and a Dangerous Obsession, is about the world's most prolific art thief-- and believe me, his story is stranger than fiction.
If you’re anything like me, you love art-- and you also love a good and unbelievable true story about bad things happening to art, too. So you may have encountered the remarkable story of Stéphane Breitwieser, the world’s most prolific art thief, in Finkel’s 2019 article “The Secrets of the World’s Greatest Art Thief” (GQ). Breitwieser, along with his girlfriend who worked as his lookout, carried out more than two hundred heists over nearly eight years, stealing more than three hundred objects, until it all fell apart in spectacular fashion.
The book is out on June 27-- listen now for our in-depth conversation and preorder your copy now!
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This season, I’m rounding up stories about modern artists in love, in lust, in relationships— digging into these individuals, see how their liaisons, marriages, affairs, and connections played in or on their respective works of art, and how, if anything, they affected art history as we know it. I, for one, believe that it’s time for Modern Love.
Today: we’re homing in on the early years of Lee Miller, model and photographer, and her years spent with surrealist Man Ray.
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This season, I’m rounding up stories about modern artists in love, in lust, in relationships— digging into these individuals, see how their liaisons, marriages, affairs, and connections played in or on their respective works of art, and how, if anything, they affected art history as we know it. I, for one, believe that it’s time for Modern Love.
Today: we’re homing in on the love affairs of Robert Rauschenberg, moving from Cy Twombly and on to Jasper Johns—a series of relationships that lasted only briefly, but whose effects on modern art are still felt to this day.
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To advertise on our podcast, please reach out to [email protected] or visit https://www.advertisecast.com/ArtCuriousPodcast
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This season, I’m rounding up stories about modern artists in love, in lust, in relationships— digging into these individuals, see how their liaisons, marriages, affairs, and connections played in or on their respective works of art, and how, if anything, they affected art history as we know it. I, for one, believe that it’s time for Modern Love.
Today: we’re discussing the lives and loves of Pablo Picasso and Dora Maar.
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This season, I’m rounding up stories about modern artists in love, in lust, in relationships— digging into these individuals, see how their liaisons, marriages, affairs, and connections played in or on their respective works of art, and how, if anything, they affected art history as we know it. I, for one, believe that it’s time for Modern Love.
Today: we’re enjoying the story of one supremely confident couple, incredibly supportive of one another and individually talented, two makers who epitomized the explosion of creativity that was the Harlem Renaissance, and who helped shape American art. Meet Jacob Lawrence and Gwendolyn Knight.
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To advertise on our podcast, please reach out to [email protected] or visit https://www.advertisecast.com/ArtCuriousPodcast
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This season, I’m rounding up stories about modern artists in love, in lust, in relationships— digging into these individuals, see how their liaisons, marriages, affairs, and connections played in or on their respective works of art, and how, if anything, they affected art history as we know it. I, for one, believe that it’s time for Modern Love.
Today: we’re highlighting a powerful artist couple who taught at a landmark place at a singular moment in history—Anni and Josef Albers.
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SPONSORS:
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Hey friends, I have a show that I’d like to share with you today. It’s right up my personal alley--so much so that I made a similarly-themed season of ArtCurious a few years back. Today it’s a pleasure to introduce you to The Art of Crime.
The Art of Crime is a history podcast about the unlikely collisions between true crime and the arts--created, written, and narrated by Gavin Whitehead. Gavin notes that he has had an interest in things criminal and artistic for as long as he can remember, and this podcast is the perfect intersection of those two fascinations. The show is now in its second season and is all about several artists who have committed, attempted, or at least been implicated in an assassination. This episode today is all about the painter David-Alfaro Siqueiros.
A diehard Communist, Siqueiros fought in the Mexican Revolution in the mid-1910s. Over the next several decades, he would revolutionize the theory and practice of muralism in Mexico and abroad, largely inspired by his radical politics. In 1940, his political convictions led to a less honorable enterprise when he spearheaded an assault on the home of Russian revolutionary Leon Trotsky as he and his family slept in their beds.
Enjoy-- and I’ll be back to you next week with an all-new episode of ArtCurious.
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Listeners, I heard you—a bunch of self-admitting hopeless romantics who wanted to hear more about people bound by attraction, fascination. By love. Though there are examples of romantic and sexual relationships between creators that are sprinkled throughout art history as we know it, it’s true that we have the most information about relationships from folks who lived in the last century—because we have greater access to documentation recording the lives of these people, and because, as the 20th century progressed, people—artists, perhaps especially—became more vocal about their relationships, less inhibited. Modern artists, artists especially from the first half of the 20th century, lived their art, and their relationships, out loud-- writing about them, talking about them, and sometimes even creating works of art about them.
This season, I’m rounding up stories about modern artists in love, in lust, in relationships— digging into these individuals, see how their liaisons, marriages, affairs, and connections played in or on their respective works of art, and how, if anything, they affected art history as we know it. I, for one, believe that it’s time for Modern Love.
Today: let’s enjoy learning about the surrealist life and loves of Max Ernst and Dorothea Tanning.
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Hello ArtCurious listeners! This is ArtCurious News this Week, our short-form Friday roundup of my favorite art history updates and interesting news tidbits. Today is Friday, March 31, 2023.
This week’s stories:
CNN: Scientists identify secret ingredient in Leonardo da Vinci paintings
NBC News: Unknown Jackson Pollock painting found in police raid in Bulgaria
CNN: Rare print of Hokusai's 'Great Wave' sets new auction record
AP News: Louvre staff block entrances as part of pension protest
New York Times: He Lost a Courbet Fleeing the Nazis. His Heirs Are Getting it Back.
CNN: Dusty painting hidden behind door turns out to be Brueghel 'masterpiece'
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Hello listeners! This is ArtCurious News this Week, our new short-form Friday roundup of my favorite art history updates and interesting news tidbits. Today is Friday, March 24, 2023.
This week’s stories:
ArtNews: Isabella Stewart Gardner Museum Closes Early After Plans for ‘Guerilla Art Installation’ by Climate Activists Leak
CNN: Scientists confirm long held theory about what inspired Monet
ArtNews: New Investigation Finds More than 1,000 Objects in Met’s Collection Linked to Antiquities Trafficking
The Art Newspaper: Chicana muralist Judith Baca to receive National Medal of Arts in White House ceremony
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