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Each episode Ian & Colin (from We Dig Music podcast) plus a guest listen to an old free cd from magazines such as Kerrang, Melody Maker, Vox, Select, Metal Hammer, NME etc & talk about it for a bit!
Part of the We Dig Podcasts network, along with We Dig Music & Pick A Disc. Find us at https://wedigpodcasts.com -
A podcast dedicated to the solo career of Paul McCartney. Hosted by Andy Nicholes and Tom Hunyady
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Del vacío a Vivaldi es una serie de podcast que recorre cómo del silencio se llega al arte sonoro; de la palabra, a la poesía; de la nota, a una sinfonía. Buscando así cómo el sonido crea belleza, desde lo más simple, hasta lo más complejo. Una historia de: Cristina Alcázar, Manuel Macías, Diego García de la Garza, Emilia Freire, Paola Arriaza, Diego Peralta, Maria José Pérez y Elena Escobar
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Alles Über Musik
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Your number one portal to South Africa’s most must-see emerging bands & creatives. We host super chilled interviews with local musicians in a bid to help you discover the best of them before anyone else. We also occasionally chat to established musos for music industry insights. Join us on this riveting journey highlighting the gritty and alternative musical corners of South Africa
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Ciao ! Sono Marcelline Daucourt e vi invito, a scoprire un cantante francese o francofono. Dopo avervi presentato l'artista del giorno, vi propongo una mia versione di un suo brano.
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Hello ! I'm Marcelline Daucourt and I invite you to discover a French or Francophone singer.
After introducing you to the artist of the day, I propose to you my version of his song.
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Bonjour ! Je m'appelle Marcelline Daucourt et je vous invite à découvrir un chanteur ou une chanteuse française ou francophone.
Après vous avoir présenté l'artiste du jour, je vous propose ma version d'une de ses chansons. -
The podcast series, Jazz Backstory, is based on the holdings of the Fillius Jazz Archive (https://www.hamilton.edu/campuslife/arts-at-hamilton/jazzarchive) located at Hamilton College (https://www.hamilton.edu/), in Clinton, New York. Established in 1995, and dedicated in 2013 in honor of Milton F. Fillius, Jr. ’44 and Nelma “Nikki” Nenneau Fillius, the Fillius Jazz Archive holds a collection of over 500 videotaped interviews with jazz musicians, arrangers, writers and producers. The wide-ranging collection includes interviews with sidemen, soloists and band leaders who have performed from the 1920s through the present. Jazz Backstory podcast episodes will feature interview excerpts focused on topics inherent to the creative life. Artists, both famous and unsung, relate these tales in their own jazz inflected vocabulary. Original music and commentary from the host help set the tone, both educational and swinging. Monk Rowe (https://www.monkrowe.com/), creator of the podcast series, Jazz Backstory, and the Joe Williams Director of the Fillius Jazz Archive, conducted the majority of the interviews and has presented programs about the resource at conferences for the Jazz Education Network, the Music Library Association, and the International Society of Music Educators. Monk co-authored with Romy Britell the book Jazz Tales From Jazz Legends on Hamilton’s Couper Press and created the edX online course, “Jazz: The Music, The Stories, The Players” in collaboration with members of the Library and Instructional Technology Services at Hamilton College. He is an active performer on saxophone and piano and has composed numerous works for both jazz and classical ensembles.
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Charla Showa El J Popcast
Platicamos sobre la muisca City Pop y el J Pop Retro, además de entrevistas con gente que adora y distribuye esta gran música!! -
Don't Feed the Artists is a show about music featuring interviews, topical discussions, stories about important moments in music, and deep dives into artist's discographies. New episodes are released every Thursday.
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I am trying to get better at singing and I hope you enjoy it
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A music radio show powered by my friends, internet rabbit holes, and the studios of WSUM Student Radio.
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Bud's Corner was a Jazz radio show, running continuously Sunday evenings from 1983 to 1993 on Prairie Public Radio in Bismarck, ND. In each episode, Robert "Bud" Lundberg shares the life and music of a musician through his deep knowledge and personally curated music collection. Throughout his lifetime Bud meticulously brought to life the history of Jazz. He attended many now-famous jazz festivals, scoured record stores across America for obscure recordings, and developed a jazz appreciation society for the people of North Dakota.
Robert Lundberg made personal recordings of each radio show and these recordings are the only archive remaining of his decade-long passion for his music. They are presented in this podcast exactly as he recorded them almost 40 years ago. -
A loud-mouth retired rock critic and a cranky expat rock obsessive discuss, analyze and just plain old argue about rock ‘n‘ roll: the old stuff, the new stuff and why it all still matters.
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Welcome to Whack or Slaps, where we look back into the annals of 2000s indie music to determine if an album, or band, or even entire musical movement was actually good or just a product of the hype machine of its time.
Like all great podcasts this is a direct spinoff of an unhinged and sketchy group text, that simply refuses to die. -
Willie Nelson: Gypsy Songman
Arguably the most recognizable figure in country music history with his iconic long braids tucked under a bandana, Willie Nelson unites generations of listeners with heartfelt songs and a wandering spirit that epitomizes creative freedom. Known for over 200 albums showcasing nuanced storytelling about everyday struggles and simple joys, Nelson’s prolific six-decade career helped expand country music’s commercial appeal through pop crossover while upholding its outsider outlaw roots. Alongside fellow Texas mavericks Waylon Jennings and Johnny Cash, Nelson catalyzed the progressive “outlaw country” subgenre in the 1970s by boldly bucking Nashville’s conservative establishment to pioneer a gutsy, unconventional sound melding folk, rock and blues attitude with country tradition. Beyond chart success decorated by 13 Grammys and countless country music awards, Nelson’s enduring artistic relevance connects to songcraft honoring the overlooked underdog coupled with an authentic renegade persona matching the grit of his resonant vocal delivery.
Small town dreams
Born in rural Abbott, Texas on April 29, 1933, Nelson grew up in a musical family amid the Dust Bowl poverty of the Great Depression. His grandfather taught him guitar basics as a young boy while his sister Bobbie, later his pianist in his famed backing band Family, also displayed natural musical talent. After the tragic early deaths of both parents, Nelson left behind short-lived stints as an Air Force serviceman and farmer to pursue songwriting and performing. Influenced by honky-tonk innovators like Hank Williams blending bluesy emotion with country roots as well as iconoclast beatnik poets, Nelson moved to Nashville in 1960 hoping to sell his distinct songs despite lacking traditional vocals that dominated the slick pop-country polished Nashville sound emerging.
Nelson’s early years in Nashville proved frustrating as an outsider to the lucrative country music industrial machine churning out radio-friendly hits. Despite composing early classic songs like “Crazy” which became Patsy Cline’s career-defining track plus hundreds more hits recorded by stars like Faron Young and Roy Orbison, Nelson himself struggled with a string of label deals producing underwhelming solo records. However, his refusal to compromise his artistic vision and experiment beyond narrow commercial molds earned respect from fellow musicians like Johnny Cash. Playing bass in Cash’s touring band, Nelson also appeared on historic live albums cementing Cash's outlaw status.
The outlaw takes renegade flight
Frustrated after lackluster RCA releases, Nelson relocated to Austin, Texas in 1972 seeking more creative freedom among the burgeoning cosmic cowboy and hippie music scene. Paired with rock pioneer Doug Sahm, jazz greats like Django Reinhardt, new friend Waylon Jennings and soon-to-be-wife Connie Koepke, Nelson recorded watershed albums “Shotgun Willie” and “Phases and Stages” fusing country instrumentation with amplified fuzzy guitars and unfiltered lyrics. When singles like “Bloody Mary Morning” and the unflinching “Woman I Hate To See You Cry” shot up the charts, Nelson had cracked commercial success on his own terms without pop overproduction. Signed to Columbia Records and given unprecedented creative control, Nelson soon unleashed signature staples “Red Headed Stranger” and “Wanted! The Outlaws” featuring fellow trailblazers Tompall Glaser, Waylon Jennings and Jessi Colter. These mid-70s albums minted Nelson’s iconic cosmic cowboy gypsy image while codifying that amplifying country music’s artistic potential meant relinquishing rules. Nelson and the outlaw movement sang tales of brokenness, vulnerability and existential wandering matched by their independent-minded integrity resisting external creative direction.
Mainstream success and activism
As the 1970s progressed, Nelson racked up No. 1 hits like “Blue Eyes Crying in the Rain”, “If You Got the Money I Got the Time” and “Georgia on My Mind” establishing him firmly at the forefront of country music stardom. His 1978 album “Stardust” produced popular crossover renditions of American Songbook standards further expanding Nelson's genre-defying appeal to larger pop audiences. Yet his mushrooming fame and fortune fueled by blockbuster 80s collaborations with peers like Dolly Parton and Kris Kristofferson and emerging stars like Julio Iglesias and rap icon Snoop Dogg only emboldened Nelson’s progressive politics championing family farmers and opposing nuclear power alongside marijuana legalization. He co-founded the watchdog group Farm Aid alongside Neil Young and John Mellencamp to combat corporate agriculture’s threats against small farms while lending his iconic voice to multiple AIDS research benefits during the unfolding epidemic’s direst years. Battling and defeating still more record executives aiming to replicate cookie-cutter pop aesthetics rather than Nelson’s hippie experimentalism kept his outlaw integrity sharply intact even while scoring multiple soundtrack inclusions in Hollywood films like The Electric Horseman and Songwriter.
Elder Statesman Bridge-Builder
As the 21st century unfolded, Nelson continued releasing contemplative albums showcasing world-weary wisdom of age like 2017’s God’s Problem Child while touring tirelessly 200 days per year. Respected as country royalty and American treasure as much for fierce independence as songwriting, Nelson attracted collaborations across generations and genres. Joint albums with bohemian collective Family Band, pop-country sensation Shania Twain, jazz pianist Wynton Marsalis, rap stalwart Snoop Dogg and younger folk rockers like Lukas Nelson and Shooter Jennings reinforced Nelson’s singular songcraft succeeded by boundary-crossing openness. Following health scares and the death of a long-time friend and collaborator Merle Haggard in 2016, Nelson’s songs addressed aging, loss and the meaning of a life well-lived with arresting yet subtle profundity.
In 2021 Nelson released what he claims was his final studio album, The Willie Nelson Family, bringing his career full circle by playing alongside sister Bobbie and the now second-generation group of Family Band backing musicians. Featuring wistful new compositions plus classics like “Family Bible”, Nelson’s plaintive signature vocals radiate undiminished emotional conviction that first disrupted Nashville over 50 years prior with radically vulnerable poetry mirroring outlaw lives lived at odds with convention. Pensive songs like “Heaven is Closed” and “Live Every Day” meditate on making the most of remaining time with equal parts urgency and zen acceptance. Now approaching 90 but without hints of slowing prolific output, Willie Nelson’s six-decade career distills and epitomizes themes characterizing great country music - intense honesty illuminating shared human experiences of heartache and ephemeral preciousness of life counterbalanced by mild irreverent humor about our stumbling folly. Through songcraft honoring outcasts and outsiders with tenderness and wry camaraderie devoid of judgment in his trademark gritty yet soothing voice of wisdom, Willie Nelson expanded country’s landscape while cementing its soul. Thanks for listening to Quit Please. Remember to like and share wherever you get your podcasts . -
This show spotlights Bop, Hard Bop and Bebop Jazz. Host has 55 years of knowledge in the Jazz arena, and has extensive knowledge of most of the Jazz Clubs that were in Southern California in the early sixties. At the age of nine, he was forced to listen to the likes of Coltrane, Dorham, and Monk while riding in his fathers 64 Thunderbird, to and from Pasadena California on the weekends. What you will experience in these Podcasts Episodes will be artists such as, Herbie Hancock, Milt Jackson, Miles Davis, just to name a few of the giants that will be incapsulated in these Podcasts. Stay tuned!
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This six-part series on Latin music delves into the rich and vibrant history of this influential genre, exploring its origins, key developments, and modern-day evolution. From the early fusion of indigenous, African, and European sounds to the golden age of Mambo and Cha-Cha-Cha, the series highlights pivotal moments and figures that shaped Latin music. It then traces the rise of Salsa, the transition to Latin pop, and the explosive impact of Reggaeton and urban Latin sounds. The final episode examines current trends and the future of Latin music, showcasing its global influence and the new artists driving its evolution.
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예술의전당 공식 팟캐스트입니다.
예술의전당 공연 실황을 높은 음질로 감상하실 수 있습니다.
콘텐츠는 매달 15일 업로드됩니다.
제작 : 예술의전당
책임 프로듀서 : 김결
Rec/Edit/Mix/Master : 한국란, 곽동열, 전성진, 양승모, 한혜림, 조희명, 김결, 박종혁, 이한누리, 이성민, 이상환, 신성철
