Episodes
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A few years ago I put together a story about the Cultural Marxism conspiracy theory with the writer and historian Martin Jay, today in 2024 the Cultural Marxism Industry is stronger than ever. An update for 2024.
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Joel Whitneyâs book Finks is a seminal book about American intellectuals and American security agencies, mainly because it illuminates the real story behind the CIAâs involvement with the founding of a little magazine called The Paris Review which hit the scene in the early 1950s at the height of the Cold War.
In Joel Whitneyâs new book Flights, he continues his historical excavations - more stories about writers intellectuals and activists who found themselves in the cross hairs of American security agencies like the CIA and the FBI.
Your host discusses both books with Joel Whitney and the discipline of secret history itself. -
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Forty years ago in 1984 your host was twelve years old and like George Orwellâs protagonist Winston Smith, he kept a diary, for the citizens of the future. For this special installment of Benjamen Walkerâs Theory of Everything we travel back in time and give this diary a soundtrack. TV commercials, radio spots, movie clips â all sound from 1984 (the year, not the book). Find out what totalitarianism really sounds like.
*********more details on this installment**********
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We now have many ways to tell the story of America's tilt towards authoritarianism, but for your host one image sums up the whole sordid business: a mashup of Donald Trump and the Marvel comic book character The Punisher. In this episode we talk with Kent Worcester, author of a new cultural history of the Punisher. It's a conversation about America's fascination with, and attraction to, a black and white vision of justice and vengeance.
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Intelligence scholar Hugh Wilford's excellent new book grapples with the paradox at the heart of Americaâs covert intelligence agency. Many of the CIAâs founding fathers were staunch anti-imperialists, but during the Cold War, the US took up the mantle of Europeâs colonial projects.
Hugh Wilford's book The CIA: an Imperial History is out now. Hugh Wilford has written numerous books about the CIA and Cold War intelligence history, he made two appearances in our recent Not All Propaganda is Art mini-series. Also the mini-series got a really nice write up in the New Yorker last month!
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ToE's Cultural Cold War miniseries concludes with three stories about containment and death. Richard Wright delivers his final lecture on Black Spies in Paris, Dwight Macdonaldâs Mass Cult & Mid Cult finally debuts & flops, and Kenneth Tynan discovers the limits of social and cultural protest.
Show notes: Matthew Tynan reads Kenneth Tynanâs 1960 speech, Michael Billington wrote a 1960 Parody of Kenneth Tynan, Jefferson Pooley recaps Personal Influence and Daphne Park explains how she got Lumumba killed.
Support ToE and get access to the incredible exclusive bonus companion series to Not All Propaganda is Art by subscribing at https://theoryofeverything.supercast.com/, or subscribe directly in Apple Podcasts by hitting âSubscribeâ right on the show page.
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]Richard Wright died from a mysterious illness on November 28th, 1960. Or was he murdered? Tune in for a new listen to the final chapter of Richard Wrightâs life: forged letters, fake terrorist groups, fraudulent doctors and French Radio.
Shownotes: Françoise VergĂšs writes about decolonialism, and French history and thought, Kathleen Gyssels is writing about the Moulin dâAndĂ©. Thomas Riegler writes about the Red Hand, Madeleine Sâs father was assassinated by the Red Hand, Lauren du Graf wrote about Richard Wright and Jean Paul Sartre, Richard Wrightâs daughter Julia Wright published The Man who Lived Underground in 2021. Richard Gibson is a BIG BIG LIAR.
Support ToE and get access to the incredible exclusive bonus companion series to Not All Propaganda is Art by subscribing at https://theoryofeverything.supercast.com/, or subscribe directly in Apple Podcasts by hitting âSubscribeâ right on the show page.
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In 1959, Anti-Americanism surged in the UK. England seethed over Americaâs treatment of its Prime Minister who was smacked down for daring to use diplomacy to resolve the crisis over divided Germany. In 1959 England also fretted over a new American export: the Beatnik. The British foreign office forcefully responded with a report advocating for â an increased effort in the field of press, radio and television in the U.K. to say the right kind of things about the Americans.â This is the very moment Kenneth Tynan was commissioned to make a documentary for British Television about American Non-conformism and Dissent. We take a close look at one of the Cold War's most bizarre and inspired artifacts of Anti Anti-American propaganda.
Shownotes: Laura Bradley writes on Brecht and German theater. Kenneth Tynanâs documentary aired on January 27th, 1960 and then was supposedly erased (it wasnât).
Support ToE and get access to the incredible exclusive bonus companion series to Not All Propaganda is Art by subscribing at https://theoryofeverything.supercast.com/, or subscribe directly in Apple Podcasts by hitting âSubscribeâ right on the show page.
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In the summer of 1959, Nixon and Khrushchev argued over a washing machine in a backstage kitchen in Moscow, while American Cold War intellectuals gathered in the Poconos to defend Kitsch. Dwight Macdonald, whose theory of mass culture translated too easily into Anti-Americanism, was barred from participating because this was no ordinary mass culture conference; it was an Anti Anti-Americanism operation. Meanwhile, in London, Dwight Macdonald delivered a mass culture lecture of his own called "America, America,â based on the most famous article Encounter magazine never published.
Shownotes: Jefferson Pooley wrote about Edward Shils and The Remobilization of the Propaganda and Morale Network. Sophie Scott-Brown wrote about Raphael Samuel and the New Left.
Support ToE and get access to the incredible exclusive bonus companion series to Not All Propaganda is Art by subscribing at https://theoryofeverything.supercast.com/, or subscribe directly in Apple Podcasts by hitting âSubscribeâ right on the show page.
Support ToE and get access to the incredible exclusive bonus companion series to Not All Propaganda is Art by subscribing athttps://theoryofeverything.supercast.com/, or subscribe directly in Apple Podcasts by hitting âSubscribeâ right on the show page. -
In the fall of 1958, Kenneth Tynan moved from London to New York and upon arrival, clashed with Hollywood mogul Samuel Goldwyn over socially engaged art and the politics of apolitical culture on live TV. At the same moment New Yorker writer Dwight Macdonald went West to report on âNewâ Hollywood's ambitions to create commercially and artistically successful films. We also meet two of Professor Macdonaldâs former students from a Mass Culture course he taught at Bard College in 1958. Meanwhile in France, Richard Wright suffers a number of disturbing attacks, prompting him to channel his frustrations into a revealing radio play.
Shownotes: Tamara Walker is the author of Beyond the Shores, Hugh Wilford wrote The Mighty Wurlitzer, Tom Benjamin and Frances Hodes were both students of Dwight Macdonald at Bard College in 1958 and Dan Sinclair is the author of Courteous Enemy.
Support ToE and get access to the incredible exclusive bonus companion series to Not All Propaganda is Art by subscribing at https://theoryofeverything.supercast.com/, or subscribe directly in Apple Podcasts by hitting âSubscribeâ right on the show page.
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In 1956, Richard Wright spoke of islands of free men at the first Congress of Black Writers and Artists in Paris. James Baldwin critiqued the event for Encounter, the CIAâs propaganda magazine. We take a close listen to the original recordings.
Shownotes: Merve Fejzula and Cedric Tolliver both wrote about the 1956 CongrĂšs des Ă©crivains et artistes noirs. Darryl Pinckney wrote on Norman Mailer and Denis Leroux wrote on Antoine Bonnemaison.
Support ToE and get access to the incredible exclusive bonus companion series to Not All Propaganda is Art by subscribing at https://theoryofeverything.supercast.com/, or subscribe directly in Apple Podcasts by hitting âSubscribeâ right on the show page.
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In 1956 London Theater critic Kenneth Tynan helped launch a youth movement committed to exposing social and political issues on stage, on screen and in literature. We take a close look at the operators and opportunists behind Englandâs Angry Young Men.
Shownotes: Michael Billington wrote for the Guardian, Celia Brayfield wrote Rebel Writers, Clare Bucknell wrote The Treasuries Laura Bradley writes on Brecht.
Support ToE and get access to the incredible exclusive bonus companion series to Not All Propaganda is Art by subscribing at https://theoryofeverything.supercast.com/, or subscribe directly in Apple Podcasts by hitting âSubscribeâ right on the show page.
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In 1956, New Yorker writer Dwight Macdonald joined Encounter, a magazine secretly backed by American and British security agencies. He arrived in London just as British Influencers turned a young Existentialist named Colin Wilson into England's answer to Jean-Paul Sartre. Meanwhile, the CIA incited a youth rebellion in communist Hungary. We investigate the covert propaganda behind Operation Free Youth Action and Operation Anti-Sartre and the Outsiderâs influence on Macdonaldâs famous critique of Mass and Middlebrow Culture.
Shownotes: Carole Ann Gill is the author of Carole Ann, Sarah Roth wrote on Operation Focus, Hugh Wilford is the author of The Mighty Wurlitzer, Jelena Äulibrk writes on IRD and Newsreels, Gary Lachman is the author of Beyond the Robot, Alfred Betschart writes on Sartre, Stefan Collini is the author of Absent Minds, Geoffrey Wheatcroft is the author of Absent Friends.Support ToE and get access to the incredible exclusive bonus companion series to Not All Propaganda is Art by subscribing at https://theoryofeverything.supercast.com/, or subscribe directly in Apple Podcasts by hitting âSubscribeâ right on the show page.
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In the 1950s the CIA weaponized culture to capture hearts and minds in Europe and Africa. We meet three writers (Richard Wright, Kenneth Tynan, and Dwight Macdonald) who got caught up in this battle both as collaborators and targets between the years of 1956 - 1960. We also meet a propagandist responsible for the CIAâs cinematic version of 1984 (Operation Big Brother) and âbooks that donât smack of propagandaâ aimed at European Intellectuals - including James Baldwinâs Notes of a Native Son.
Shownotes: Françoise VergĂšs is the author of A decolonial Feminism, James Campbell is the author of Paris Interzone and Talking at the Gates, Jelena Äulibrk writes on IRD and Newsreels, Tony Shaw writes on British Cinema and the Cold War,
Support ToE and get access to the incredible exclusive bonus companion series to Not All Propaganda is Art by subscribing at https://theoryofeverything.supercast.com/, or subscribe directly in Apple Podcasts by hitting âSubscribeâ right on the show page.
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The new ToE series Propaganda is Art has a companion podcast called Propaganda Notes & Sources, think audio footnotes!
Each episode in Not All Propaganda is Art gets its own corresponding episode of Propaganda Notes & Sources. Your host goes through the script for each episode and cites all the corresponding original sources he consulted, and the archives he visited while reporting this series. Like all great footnotes, these go deep and contain many digressions and new stories. This is a teaser of episode one.
Support the Theory of Everything and get access to the exclusive companion series by subscribing at https://theoryofeverything.supercast.com/, or subscribe directly in Apple Podcasts by hitting âSubscribeâ right on the show page.
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One of my favorite technology critics has just published a novel about Self Driving Cars (or fake Self Driving Cars). We talk about her new book, and the hidden human worker nestled in our technological revolution. I canât recommend Wrong Way enough!
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Today we live inside data systems that contain, surveil, and judge us. In his new book, the Hank Show, author and journalist McKenzie Funk provides us with a totally unique origin story of our world: A guy named Hank Asher. We talk with McKenzie Funk about the former Florida conto painter, drug-running pilot, alleged CIA asset, and pioneering computer programmer known as the father of data fusion.
McKenzie Funk has written many stories about the dangers of computer systems that can get us wrong, but the story of Hank Asher has turned him on to a danger even more alarming. What chance do we have when the computers know everything about us?
Note: The TOE limited series âNot all Art is Propagandaâ will be debuting January 2024! I know its been a long wait, but we are nearing the finish line and I canât wait to share it with you.
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Two very different tales about making stuff up about the CIA. Your host shares the story of Sylvia Press, who in the 1950s, wrote a revenge novel after she was fired during the McCarthy purges. And author Jefferson Morley tells us about the time CIA director Richard Helms tried to create an American James Bond with the help of future Watergate burglar E Howard Hunt.
Get Jefferson Morleyâs amazing new book: Scorpion's Dance. Sylvia Pressâs novel The Care of Devils is harder to find.
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Citizens armed only with Molotov cocktails battle with Russian tanks on the streets of⊠Budapest. In November of 1956 Russian troops invaded Hungary. The revolution was crushed and thousands of Hungarians fled. Will history repeat itself? We talk with RĂ©ka Pigniczky about her memory project, a film series dedicated to the Hungarian revolution. Also: Branko Marcetic compares Americaâs response to the events of 1956 with our current posturing over the Russian invasion of Ukraine.
ps. Your host will be visiting Hungary this August to report on 1956 for our upcoming 8 part mini series, get in touch if you have any Budapest tips
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The life of musician Connie Converse easily reduces down to one of those Hemingway length sad stories: Before Dylan there was Connie Converse and then she disappeared.
In his new book âTo Anyone Who Ever Asks: The Life, Music, and Mystery of Connie Converseâ Howard Fishman gives us the complete tale. We meet up with Howard and learn why this incredible musician just couldnât catch a break in 1950s New York City, and why he is devoted to her life and art.
You can get a copy of Howardâs amazing book wherever books are sold or use this link
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