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Adolescence has taken Netflix by storm - becoming one of the most watched shows in its first week ever published on the platform. But what is really at the heart of the series? It's striking a chord with so many people, across every age group and raising incredibly difficult conversations - but what are the discussion that we need to have off the back of the series? Ben and Jack break it all down!
Plus on the menu this week:
We're putting the filmography of Jason Statham on the stand to see if it can withstand a forensic examining.
Review of the excellent Black Bag
Plus a reminder of a beauty from a year ago turning up on streaming services!
If you haven't already subscribed do please get stuck in and leave us a 5 star review!
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*Cue the John Williams music, let's do this one last time as we come to the end of Star Wars season! It's been a wonderful few weeks but it's time to ask the toughest question of all... Has Disney damaged something that was once the most beautifully pure creative IP and taken the heart out of it.
With this in mind we try to cut to the heart of what the Star Wars films are all about? What is the light side and is it really that different from the dark side - or are there just shades of grey. We have a good old rummage around the character of Han Solo and look at how Harrison Ford has become such an enormous part of cinema culture.
To finish up we take a look at some of the greatest trilogies of all time to see where Star Wars Ranks.
Chapters and timestamps for those that want them:
01:43 How Star Wars edged us
02:00 What is this Film Best known for?
05:27 What are the biggest Contentions in Star Wars Return of the Jedi
16:51 How does childhood play a role in the way we remember Star Wars
18:00 Was the Death Star a bit meh
20:00 Han Solo's Character Arc
24:28The Nature of Good and Evil
31:00 Identity and Legacy in Star Wars
33:00 Is Harrison Ford the big winner of the Star Wars Trilogy
38:00 The Impact of Star Wars on Cinema
44:00 How Star Wars fell off..
51:00 The Impact of Directorial Changes
58:00 The Mandalorian and the Return of Legacy Characters
1:01:00Diversity in Storytelling vs. Compelling Narratives
1:02:00 Comparing Star Wars to Other Iconic Trilogies
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Loads of fantastic films in the cinema this weekend but what should you go and see? Well don't worry Ben and Jack have got you covered with reviews of the Last Showgirl, Mickey 17 and Marching Powder all on the agenda for today. We've popped chapters beneath so that you can get stuck in nice and easily if you're looking for a specific review. On top of this we have a quick chat about the films that should have won Best Picture at the Oscars but were overlooked for something more in fashion at the time and we also discuss the joy of British Sitcom's!
Chapters for those who want them!
00:00 Awkward Beginnings, Yoda Impressions and big relationship red flags.
03:00 Cultural Reflections on Comedy - Inbetweeners
05:57 The Enduring Impact of The Sopranos
09:07 Why do the OSCARS get the Best Picture wrong?!
12:03 Exploring Mickey 17 and its Themes
29:24 Marching Powder Review and a look at Identity and Originality
35:51 Political Undertones in British Films
47:10 The Last Showgirl - A must see without being umissable
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Luke, I am your father. Only... feeling the full 'Force' of the Mandela effeect - that wasn't even the line. AND EVEN BETTER- originally it was going to be: OBI WAN KILLED YOUR FATHER. More easter eggs and wonderful Star Wars chat to come on this weeks ep.
Welcome back to the pod - we're going full nostalgia mode after the Oscar's, back front and centre again is Star Wars this time episode V. No nonsense, let's say it, it's the GOAT Star Wars film. It just is. No messing around. And that's for so many different reasons which we will get into.
If you're enjoying the pod and fancy leaving us a rating and a review that would be VERY much appreciated - breakdown of all the chapter timecodes below for those that want to skip ahead.
00:00 Somehow we start on South Park and the Hunchback of Notre Dame
05:07 Why is The Empire Strikes Back A Cinematic Masterpiece
12:11 Character Development and Iconic Lines
18:14 The importance of having a lead creative
28:19 Alec Guinness 2 percent
31:08 The Impact of Iconic Performances
32:33 Han Solo and Princess Leia's Dynamic
36:14 C3PO's Role and Costume Malfunctions
38:54 Is Yoda amazing/An annoying frog
39:50 Lando Calrissian: The Underrated Character
44:03 Cliffhangers and Narrative Structure
46:31 Iconic Lines and Their Legacy
48:22 Final Thoughts
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For people who like film, last night was basically Superbowl sunday. Jack's back with a bang as we break down the winners and losers of last nights Oscars 2025. Up for debate, a big night for Anora but can a few other films feel a little hard done by. Outside of the surprising wins we'll have a look at the shift towards independent cinema, and the impact of social media on film reception. There's a big discussion to be had on Demi Moore and Mikey Madison, the significance of originality in filmmaking, and the changing landscape of the Oscars. The conversation also touches on cultural representation in film and the future of film awards, concluding with a discussion on the benefits of weekly episodic releases in the context of shows like Severance.
Chapters for those who might want to skip ahead:
00:00 Introduction and Celebrations
03:35 Oscars Overview and Surprising Wins
06:38 The Shift Towards Independent Cinema
09:28 The Academy's Choices and Big Studio Films
12:18 The Call for Originality in Filmmaking
15:03 Mikey Madison vs. Demi Moore: A Performance Debate
20:45 Adrian Brody and the Brutalist's Impact
26:02 The Emotional Depth of Performances
28:15 Fashion and Presence at Awards
29:07 Kieran Culkin's Charisma and Acceptance Speech
31:08 Oscar Campaign Strategies and Politics
35:54 The Meritocracy of Awards
38:40 Cultural Representation in Film
39:32 The Impact of Oscars on Film Success
45:15 The Evolution of Viewing Habits
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What on earth should you go and see at the Cinema this week? Bridget Jones Mad About the Boy? Captain America: Brave New World? Or stay in and tuck into the first episode of White Lotus?
One half of the BYOB heart is missing this week, with Handsome Jack moving house and riddled with life admin we shot the Billie T Bat signal into the sky and boy did he deliver. As our Marvel guru Billie gives his take on the newest offering from the franchise Captain America: Brave new world. We ask has the Marvel Franchise lost its way or should we get excited about nipping out to see this one?
Speaking of Franchises... We discuss the news that Amazon has taken hold of the James Bond IP.
We also have a full review of one of the films of the year Bridget Jones Mad About the Boy. Sorry for the spoiler but you absolutely must go and see it, it's incredible as both Billie and Ben can attest.
At the derrière end of the pod there's the small matter of a new series of White Lotus for us to get very much stuck into and then for those that of a Severance persuasion - we ask should you binge or should you watch week to week?
Follow @billie_T on Twitter and make sure to grab us @byobpod on all the socials!
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In this episode of Bring Your Own Blockbuster, Jack and Ben take a deep dive into Star Wars: A New Hope - the film that redefined blockbuster cinema. We break down the iconic title crawl, John Williams’ legendary soundtrack, and the groundbreaking editing that saved the franchise, early doors. We also explore the many changes over the years, debate whether they improved the film. Plus, how did Star Wars borrow from samurai films? Join us as we unpack the magic behind one of the most influential films of all time.
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This week, we’re heading through the wormhole and tackling Christopher Nolan’s Interstellar. Where does it rank in Nolan’s filmography? Is it a sci-fi masterpiece?
We try our best to dive into the science behind the film, from Kip Thorne’s advisory role to Nolan’s obsession with authenticity (including his unexpected side hustle in corn farming). Do we actually understand quantum physics? Obviously not, but we give it a go.
And of course, we couldn’t cover this film without talking about Hans Zimmer’s incredible score and creative partnership with Nolan.
Strap in, we’re headed to a Gargantuan good pod.
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Jack and Ben set sail for Neverland to unpack Steven Spielberg’s Hook. Why did Peter Pan grow up to be a corporate lawyer? What do the Lost Boys tell us about childhood? They dive back into that heartbreaking conversation after the infamous phone out the window moment.
They’ll explore the film’s bittersweet depiction of growing up, Rufio’s heartbreaking arc, Dustin Hoffman's star turn as Captain Hook. Plus, they tackle one of the more uncomfortable parts of the film’s legacy... why Spielberg didn't like it. Also, what was going on with Julia Roberts?
So, get the fairydust at the the ready and come fly with us into another episode - please remember to leave a rating and a review once you've finished the pod!
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Jack and Ben kick off the year with a look at some of January’s biggest film releases. From the haunting retelling of Nosferatu to the tender drama of Babygirl, they unpack the emotional beats, stylistic choices, and standout performances. They also explore the existential musings of A Real Pain, the romantic echoes of We Live In Time, and the glittering rise of Robbie Williams in Better Man. Get ready for a deep dive into what cinema has in store for 2025.
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In this special year-end wrap-up, Jack and Ben take a look back at the films of 2024. From personal favourites to unexpected gems and the ones that didn’t quite live up to the hype - they break down the cinematic highs and lows of the past twelve months.
The episode also includes a heartfelt tribute to Jack’s aunt, Olivia Hussey, who sadly passed away over Christmas. Known for her unforgettable roles and enduring legacy in cinema, Jack offers a personal reflection on her life and work.
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This week on Bring Your Own Blockbuster, Jack and Ben unwrap the festive chaos of Jingle All The Way (1996).
How well does Arnie step out of his action hero comfort zone to tackle suburban dadding? Sinbad's brilliant turn as his rival, as well as some strange 'Mandela effect' chat... we also couldn't leave this pod without a nod to those frenzied 90's Christmases of the 'must-have' toy variety.
From its slapstick humour to its polarising reception, we ask whether Jingle All The Way is a misunderstood gem or just a lump of cinematic coal. Join us as we revisit the absurdity, nostalgia, and holiday madness of this cult Christmas classic.
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This week Jack and Ben revisit Channel 4’s timless animated classic, The Snowman. We explore its hand-drawn look, Raymond Briggs' knack for hitting us in the feels complimented by the glory of Howard Blake's score - as well as a bit of a Walking In The Air controversy. Was it always destined to become a Christmas staple or is there a rabbit hole here to go down? Join us as we take flight through the snowy landscapes of this bittersweet holiday masterpiece.
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This week, we’re basking in the festive glow of The Holiday. Jude Law is utterly sumptuous (are we questioning ourselves here?). Jack Black and Kate Winslet’s pairing might be a stretch, but is it the good kind of Christmas magic? And Rufus Sewell, a perfect festive arsehole?
We’re tackling the cheese factor too - just how much is too much, even at Christmas? We’re digging into what makes this rom-com a beloved holiday tradition (well, for most people).
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This week, Jack and Ben take the red pill and dive deep into the cultural phenomenon that is The Matrix. From its mind-bending philosophy to its groundbreaking technical achievements, we unpack why this 1999 sci-fi classic still holds up today.
We explore everything from the influence of Simulation and Simulacra to Plato’s Allegory of the Cave, questioning whether we’re all living in a simulation. We’ll discuss the iconic scenes that defined a generation - think bullet time, the subway showdown, and that lobby shootout - and examine the film’s deeper themes, including the morality of Morpheus pulling people from the Matrix as well as it working as a trans allegory.
Plus, we debate the film’s MVP (Hugo Weaving or Laurence Fishburne?), consider why you shouldn’t always revisit classics (cough Star Wars), and reflect on how The Matrix changed the face of modern cinema.
So, strap in, dodge some bullets, and join us as we plug into one of the greatest sci-fi films of all time.
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Lock up your swans and grab your Cornettos - this week, Jack and Ben rewatch Edgar Wright’s Hot Fuzz!
In this high-octane episode, we dive into the second instalment of the Cornetto Trilogy, exploring why Jack picked it and how it stacks up against Shaun of the Dead. Is this the best of the trilogy?
We discuss its loving homage to American cop films, its clever skewering of Hollywood clichés, and its razor-sharp self-awareness.
We unpack the writing process behind Hot Fuzz: from turning off the internet to meticulously crafting Sandford as their own rural Sim City, Wright and Pegg left no stone unturned. Plus, how does the idyllic setting of Wells, Somerset add to the film’s charm? And what does Hot Fuzz say about rural communities and the socio-political undertones of them?
Finally, we debate our MVPs—Simon Pegg, Timothy Dalton, or Nick Frost—and consider how the film has aged since 2007.
Next week, Ben takes the wheel with his pick—what will it be? One last big one before we focus on Christmas. Tune in to find out!
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In this week’s episode of Bring Your Own Blockbuster, Jack and Ben take on the gloriously absurd action thriller Face/Off. With a plot as outrageous as its stars’ performances, they delve into the twisted world of face-swapping, Nic Cage’s signature overacting, and why John Travolta might just be better as a villain.
Ben reveals why he picked it and challenges Jack to unpack what made the ‘90s such a unique time for movies – when reality could be conveniently ignored, terrorists were eccentric nerds, and characters could literally swap faces (and they'd just work out what happened with their bodies later). From John Woo's amazing slow-motion action shots, wavy knife leg stabbing and golden revolvers, they explore why Face/Off still holds up (or not) decades later.
Is Cage or Travolta the MVP? And what would a Face/Off 2 look like in today’s Hollywood? Tune in as they try to make sense of this cult classic and tease next week’s pick!
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In this week’s BYOB, Jack and Ben dive back into Stanley Kubrick’s darkly satirical masterpiece Dr. Strangelove, examining why this 1964 classic still hits close to home in 2024. Join us as we explore Peter Sellers’ multi-role magic, the grim humour of nuclear tensions, and how Kubrick’s take on the Cold War resonates amid today’s equally absurd political landscape. We’ll discuss Sellers and Kubrick’s unpredictable collaboration, the genius behind the War Room’s iconic set, as we ponder if there could there ever be a more fitting film about mutual destruction?
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In this episode, Ben reviews Emilia Pérez, a 2024 French musical crime comedy from Jacques Audiard. With a cast including Zoe Saldaña, Karla Sofía Gascón, and Selena Gomez, the film is a quirky mix of crime, comedy, and music. Audiard brings his own opera libretto to life on screen, complete with original songs by Camille and vibrant choreography from Damien Jalet. It’s a unique blend of genres that promises something a bit different!
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In this episode, we dive into The Wild Robot, a 2024 animated sci-fi survival film from DreamWorks Animation, distributed by Universal Pictures. Adapted from Peter Brown's 2016 novel, the film was brought to the screen by Chris Sanders, who directed and co-wrote it. The voice cast is led by Lupita Nyong'o, with standout performances from Pedro Pascal, Kit Connor, Bill Nighy, Stephanie Hsu, Mark Hamill, Catherine O'Hara, Matt Berry, and Ving Rhames. The story follows Roz (Nyong'o), a service robot who is stranded on a deserted island. As she learns to adapt to her surroundings, Roz builds bonds with the island’s wildlife and becomes the adoptive mother to a young, orphaned goose named Brightbill.
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