Episodes
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Genesis P-Orridge was a performance artist, neo Pagan, Industrial music innovator, the co-founder of COUM, Throbbing Gristle and Psychic TV and an arch provocateur. He was variously described as a wrecker of civilisation, transgressive and blasphemous, accused of being a Satanist and of sexually abusing his children (a lie - in fact he was a loving father and grandfather), and claimed to be a threat to society. He could be both very alarming and very kind. In later life Genesis became infamous with attempts to unite as a “pandrogyne”, a single entity, with partner Lady Jaye through the use of extreme surgical body modification intended to make them physically resemble one anotherFilmaker David Charles Rodrigues, director of S/HE IS STILL HERE an extraordinary, moving film based around interviews made in the last months of Genesis's life, came to the Bureau to talk about the Cut Up technique, William Burroughs, Bryon Gysin, The Exploding Galaxy, industrial music, the Satanic Panic and much more in the life and death of a deeply countercultural artist. #genesis p-orridge #throbbinggristle #coum #psychictv #thetempleofpsychicyouth #industrialmusic #templeofpsychicyouth #pandrogyne #coseyfannitutti #chrisandcosey #williamburroughs #bryongysin #cutup #thecutuptechnique #ica #censorship #transgressive #satanicpanic #ladyjaye #thexxplodinggalaxy
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In the turbulent late 1970s, six-year-old Susanna Crossman moved with her mother and siblings from a suburban terrace to a crumbling mansion deep in the English countryside. They would share their new home with over fifty other residents - idealists from all over the world - armed with worn paperbacks on ecology, Marx and radical feminism and drawn together by utopian dreams of remaking the world. They did not leave for fifteen years. This was not a hippie commune or a new age retreat but a community run on radical socialist Marxist principles. Yet, however noble the intentions of the adults, was this suitable place - a suitable home - for a child to grow up?Susanna wrote a book to try to answer that question and came to the Bureau to tell us all about it - and about the pleasures and perils of growing up in the fallout of the Utopian Dream. More on SusannaMore on her book Home Is Where We StartMore on British Intentional Communities #communes #counterculture #punk #radical #utopia #alternativecommunities #intentionalcommunities #esoteric #hippie #marxist
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The Joy of Sex was published in 1972 and for years, was rarely out of the bestseller lists, generating sequels, revised editions and a lot of imitators - so how could it be countercultural?For two reasons: firstly that Dr Alex Comfort who wrote it was a deeply countercultural figure, and second, because its publication represents the moment when the sexual revolution of the countercultural years of the late '50s and ‘60s, threw off its remaining clothes and dived naked into the bourgeous middle class mainstream. And it changed a lot of peoples’ live - well their sex lives at any rate. Social justice journalist activist and anarchist Eric Laursen, author of Polymath: The Life and Professions of Dr. Alex Comfort, came to The Bureau to tell of the poet, novelist, doctor, biologist, gerontologist, anarchist, scientific humanist, public intellectual, pacifist and activist who also happened to write the world’s most famous guide to lovemaking.. For More on Eric For More on Polymath: The Life and Professions of Dr. Alex Comfort #sex #sexguide #thejoyofsex #alexcomfort #thesexualrevolution #counterculture #sexmanual #sandstone
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*Every society is a high society. Getting high has been a pursuit of civilisations throughout time. *Every day, people drink coffee in European cafes, chew betel nut in Indonesian markets, nibble coca leaf on Andean mountainsides and smoke tobacco in every nation on earth. *Mind-altering drugs have been part of virtually every human culture that has ever existed - from prehistory to the present day. They have shaped cultures, kick-started global trade, transformed our understanding of the mind, built empires and threatened the fabric of society. *Cultural historian and writer on the psychoactive Mike Jay returned to the Bureau to tell us why For more on Mike and his book High Society
#drugs #drugwar #opiumwars #psychoactive #opium #heroin #mescaline #lsd #cocaine #khat #betel #psychedelics #highsociety #gettinghigh #addiction #cartels
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“Imagination thrives in darkness”
We talk about The Undergound often at the Bureau - not London’s subterranean rail sytem, but the countercultural alternative society of the 50s, 60s, 70s and 80s.
But that is just one of the undergrounds - the underworlds - that are the subject of this episodeDizzying ossuaries, freakish creatures of the deep sea, astounding colors of agates, lava and crystals, mind bending organic structures of mycorrhizal fungi, caverns, crevices, burrows, bunkers, burial chambers, ghistly shipwrecks, religous hellscapes and surrealist dreamscapes, natural and constructed subterranean realms and the imagined and unconscious worlds of dreams and the human psyche.
Image Alchemist Stephen Ellcock came to take us on a deep dive journey down under with his truly astonishing, visually stunning guide book Underworlds, a volume in five sections covering both the real and the imaginary, moving between continents and time periods and disciplines such as philosophy, biology, art history and literature. We talk of how the actual physical world beneath us has fed our fears, visions and imagination – and conversely, provoked us to imagine a mythic, esoteric, mysterious underground - the afterworld of the dead, of the fairies and of the psychogical unconscious. For more on Stephen and his amazing work -
*In 1918, Billie Carleton, a West End actress, came off stage, went partying with friends, returned to her flat and was found dead the next morning - apparently of a cocaine overdose. A few years later, Frieda Kimpton, a dancer in Soho bars, committed suicide - with cocaine. These events blew up into a huge media dope drama - with a cast of characters includes villians - Brilliant Chang, a Chinese restaurant proprietor and Edgar Manning, a black jazz drummer - and victims, Billie, Frieda and the other 'Dope Girls'. *Around them, in the Soho streets off Shaftesbury Avenue, there swirled a raffish group of seedy and entitled hedonists. Britain was horrified and fascinated, and so the drug underground and the moral panic about it, was born amid a gush of exotic tabloid detail. *MAREK KOHN whose newly revised cult classic Dope Girls has inspired an upcoming BBC TV series, came to the Bureau to tell us how the panic about drugs that kicked off on the 1920s (bringing in drug laws that are still with us today), was more about the fear of newly emancipated women in society and an imagined menace of foreigners bound on enslaving them, than about any damage done by the drugs themselves. *More about Dope Girls HERE*More about Marek HERE*More about the upcoming BBC series Dope Girl #drugs #psychedelics #cocaine #opium #morphine #druglaws #counterculture #drugculture #drugunderground #soho #overdose #dopegirls #dope #drugunderground
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In 1964 he was a working class hippie student crossing Haight Street, a road in San Francscso, when hit by a vision - and life as he knew it was over
In 1994, he was a multi-millionaire new-age entrepeneur crossing Wilshire Boulevard, a road in Los Angeles, when hit by a car - and life as he knew it was over.In the years in between, along with the co-founder of The Yippies Abbie Hoffman, counter-culture icon, anti-war activist, new age/self-help proponent, social-networking pioneer and all round troublemaker JERRY RUBIN helped articulate the voice of young America in the '60s and early '70s. He was arrested countless times, carried out many extrardinary protests that used performance art, pranks and provocation including an attempt to levitate The Pentagon and regularly hung out with John Lennon and Yoko Ono in New York.Unlike Hoffman, who lived off grid for several years following a drug bust, died by suicide in 1989 and was canonized as a countercultural saint, Rubin was accused by many of “selling out" - the worst thing a 1960s radical could do - and as a consequence got written out of the hippie history books. Well that is until our guest for this episode wrote the biography, 'Did It! From Yippie To Yuppie: Jerry Rubin, An American Revolutionary' PAT THOMAS, archivist, uber re-issue producer, countercultral author and music journalist returned for the third timr to the Bureau. Previously he was here to talk about The Black Panthers and Allen Ginsberg,and this time, he traced Jerry Rubin's journey from high school journalist to stoned political freak and multi-millionaire entrepeneur. Along the way, we hear about The Yippies(the Youth International Party), The Chicago 8, John Lennon and Yoko Ono in the early 70s, EST training - and selling out And we debate the question: 'Once a revolutionary always a revolutionary?' Pat's book: 'Did It! From Yippie To Yuppie: Jerry Rubin, An American Revolutionary' Check out this Rubin related playlist #jerryrubin #abbiehoffman #theblackpanthers #blackpower #yippies #theyippies #thebeats #allenginsberg #timothyleary #activism #socialism #revolution #levitatethepentagon #eldridgecleaver #bobdylan #nixon #johnandyoko #vietnam #anti-war #protest #johnlennon #haightashbury #thechicago8 -
When musician ARTHUR RUSSELL died in 1992, at age 40, of complications related to HIV-AIDS, he was an obscure figure — though a legend in the 70s and 80s underground music scenes at downtown New York clubs such as The Loft and Paradise Garage.
RICHARD KING, author of 'Travels Over Feeling'(Faber) a poignant and evocative visual chronology of Arthur's life and times, came to the the Bureau to tell us about him and why he matters.
Despite his prodigious output, his inability to finish songs, and the genre-busting uniqueness of much of his music, meant that he released only two albums under his own name in his lifetime. But in the decades since his death, a series of posthumous releases have generated a deep love and admiration in many who have been lucky to come across his music.
We also get into indie record shop culture, music sobbery, the underground New York club scene of the mid seventies and ask the question: 'How do you know when, a song, a book or a piece of art is finished?'
Thanks to Dan Papps at Faber, to Steve Knutson of Audika Records and Cat Corrigan of Beggars Banquet who have posthumously released much of Arthur's unpublished work, for permission to include his music.
We also included two selections from Matt Wolf’s film 'Wild Combination: A Portrait of Arthur Russell'
Image by Joel Sokolov/Courtesy of Audika Records #arthurrussell #newyorkclubs #avantagarde #philipglass #audikarecords #richardking #faber #hiv #music -
They helped inspire a whole generation of young ravers and lit the fuse for what was to blow up with Technival and Burning Man - as well as more mainstream festivals across Europe and the US - but their (counter)cultural contribution remains largely unacknowledged in their home country. Marc Angelo Harrison, one of the orginal founders of the people’s sound system, techno, free party, DJ collective Spiral Tribe came to the Bureau to tell some of their story - and about his own journey up and down the spiral. His book A Darker Electricty published by uber-cool electronic music publisher Velocity Press is a rollocking, rumbuctious, beautifully written testament to a deeply countercultural spirit and time. We dive deep into the free party scene of the early 90s and talk squatting, sound systems, Ladbroke Grove, doing things for free, police brutality, the 'new age’ travellers, the tragedy of Castle Morton, ongoing inspiration, community - and the power of bass.. A Darker Electricity- Mark's bookA Darker Electricity- The Audio bookFree Party: A Folk History - Aaron Trinder’s wonderful documentary of the last 80s and early 90s free festival scene #festivals #counterculture #freefestivals #spiraltribe #squatparty #travellers #newagetravellers #battleofthebeanfield #hippie #castlemorton #techno #drugs #lsd #soundsystem #raveculture #raves #breakbeat #stonehenge
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*Whatever happened to the Greek Gods? if you are a teenager living half way up a 1970s tower block listening to Drill, should you even care?
*On this epside we travel in time and space to Ancient Greece, the classical psycho-geographic birthplace of Western Culture (and therefore of counterculture), specfically to the mythic landscape of Epidavros and the sacred temple of Asclepius.
*Our guide and guest is Sarah Janes, one of Britain's foremost lucid dreamers, explorer and teacher of ancient mysteries.
*We hear how the Temple of Asclepius's treatment of the sick involved diet, excercise, theater - and comedy - in addition to surgery and medicine.
*We revisit the subject of dreams, nightmares and countercultural consciousness - and hear why the gods are still with us, whether we ignore them or not.
•And the Scottish band The Proclaimers make a surprise apearance....
For more on Sarah and her work
#dreaming #psychedelics #theunconscious #consciousness #truth #madness #counterculture #sleep #luciddreaming #dreams #neuroscience #consciousness #nightmares #epidavros #ancientgreece #greekgods #asclepius #jung #ecstasy #thegods
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How Queer Culture Shaped Pop Culture
"The 1972 version of David Bowie didn’t spring from nowhere. Although he refused to affiliate himself explicitly with gay liberation, he had found both artistic and social inspiration in the gay world, in particular the renewed sense of freedom and possibility that rippled through the British gay subculture in the early 1970s."
We finally lured the award-winning, bestselling author, pop-culture, punk penman Jon Savage to the Bureau to talk about his life and epic new book The Secret Public: How LGBTQ Resistance Shaped Popular Culture (1955–1979)
It's an electrifying, massively entertaining - and at times, tragic - look at key moments in music history between 1955 and 1979, which helped move gay culture from the margins to the mainstream and changed the face of pop forever – from the ambiguous sexuality of stars such as Little Richard in the 1950s through to David Bowie, glam rock and Sylvester’s ‘You Make Me Feel(Mighty Real)'.
We talked about all that, about Punk, Joy Division, Tony Wilson, Johnny Marr, Factory Records and about how Jon grew up in the London of the late '50s and '60s, how he became a writer during one of the most exciting times for music journalism in the '70s and '80s - and about his own Secret Public Life..
More on the book here
More on the compilation album here
More on Jon here
#homosexuality #sex #london #queer #gayliberation #musichistory #sexuality #gay #tomrobinson #gladtobegay #queerculture #counterculture #punk #comingout #homesexuality #joydivision #theclash #sex #johnnymarr #factoryrecords #johnnymarr #faberandfaber #littlerichard #glf #gayliberationfront #bisexuality #pride #london #queer #gayliberation #lgbtq #sexuality #gay #thesecretpublic #musicpress #gaydisco #jonsavage #thesmiths #bowie
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'Health care is a right, not a privilege'
*Whilst many of his fellow physicians became business entrepeneurs rather than healers, Dr. Dave opened the Haight Ashbury Free Clinic in 1967, ministering to the thousands of young people and hippies flocking to San Francisco during the Summer of Love.
*Over the years, the patients using the clinic shifted from idealistic hippies with STDs and bad trip experiences to those with serious drug addictions, Vietnam veterans with heroin habits and early AIDS patients - the dispossessed and the marginalised cast adrift by the mainstream culture and excluded by the health industry.
*We hear about Charles Manson, the CIA, mind control, the history of Haight Ashbury, drugs and the darkening of the hippie dream. And we hear about the events and vision that made Dave turn his back on academic fame and fortune to pursue the countercultural life.
*His small office at 558 Clayton St. helped launch the free clinic movement, which has expanded to over 1,200 clinics around the US all built upon his principle of health care as a right, not a privilege.
#counterculture #drug #lsd #acid #haightashbury #thegratefuldead #psychedelic #sanfrancisco #dr.dave #charlesmanson #CIA #MKUltra #medicine -
*"Punk taught us the future had only just begun” he says*For him that future was to include the bands Killing Joke, The Orb, Brilliant and The KLF; starting various record labels; hit records; producing and remixing a massive range of artists including Paul McCartney, The Verve, Tom Jones, Maria McKee, Kate Bush, Pink Floyd, Guns N' Roses, Primal Scream, Siouxsie and the Banshees, Art of Noise, Crowded House, Erasure, U2, INXS, and the Suns of Arqa- and a Grammy for his recent work with Toots and the Maytalls *But running beneath it all is a deeply countercultural spirit. *Uber-Music producer and druid Youth (Martin Glover)returned to the Bureau to talk about his life and times. We get deep into punk, post-punk, London as 'The City of Revelation', psychgeography, The Sacred Thames, squatting, the South London Arts Lab, druidry, turning Stonehenge off, having an epiphany, burning money, sampling other people's records, the second summer of love, the creative process, drugs - and, of course, counterculture. Check out this playlist of just a selection of Youth's work and music. https://music.apple.com/gb/playlist/youth-martin-glover-productor/pl.u-EzbdIa0z2vl #psychogeography #psychedelics #theunconscious #consciousness #thepyramids #yout #counterculture #drug #lsd #acid #martinglover #theorb #psychedelic #klf #druidry #killingjoke #occult
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*Julie Taylor was a police officer who gave her name to 'OPERATION JULIE', the biggest drug bust in UK history and one which resulted in the conviction of over a hundred individuals involved in the trafficking of LSD, including some of the most prolific chemists of the era. *Christine Bott was a practising doctor living a classic 1970s rural countercultural life in mid Wales, growing organic vegetable, rearing goats and ministering to the local community. She also happened to be part of the biggest LSD manufacturing gang in UK history, an activity that led to her arrest under the Operation Julie bust and imprisonment amongst 'the 36 most dangerous women in Britain' - including the child murderer Myra Hindley. *Whilst much has been made of Operation Julie in articles, books and even a musical in recent years, Christine's story, like many of those of women in the counterculture, has been largely sidelined - until now. *Before she died, her friend KATE HAYES promised her that she would tell it - and she has kept that promise by publishing two books: 'The Untold Story of Christine Bott' and 'After Julie: The Kemp Tapes', the latter a record of the only interviews with Christine's partner Richard Kemp, the chemist who invented 'The Microdot' (generally recorded as the best LSD in Christendom. *Both were driven by a desire to change the world for the better, to save the planet and, however naive their actions may have been, they held to that vision and paid the price for it. *Kate came to the Bureau to tell us how it all came about and how Christine survived - and even thrived - despite the darkness of prison. Its truly gripping stuff. For more on Kate and the books #tripping #psychedelics #theunconscious #consciousness #operationjulie #christinebott #counterculture #drug #lsd #acid #richardkemp #myrahindley #psychedelic #microdot #tripping #druglaw #timleary
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*A time when musicians were viewed as revolutionaries and revolutionaries might be considered pop culture icons *Crate digger / rock critc / reissue producer and archivist extraordinaire Pat Thomas came to the Bureau to tell how black power intersected with counterculture and influenced folk, rock, soul and jazz in the years between 1965 and 1975. *We hear astonishing stories from his book 'Listen, Whitey: The Sights and Sounds of Black Power’ and some amazing sounds from the accompanying album issued by Light in the Attic including tracks by John and Yoko, Dylan, The Watts Prophets and Elaine Brown. *And we learn how the Black Power Movement, and the Black Panthers in particular, moved from militant political action to community activism whilst interacting with the wider counterculture - and, though bad things were done, how many of their adherants used a pencil, a book of poetry, a typewriter or a musical instrument to bring about change beyond violent revolution.
#counterculture #rockagainstracism #backpanthers #blackpower #angeladavis #racism #thebeats #oakland #tomothyleary #activism #socialism #revolution #rockrevolution #eldridgecleaver #bobdylan #motown #johnandyoko #thewattsprophets
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*Who do the green roads and wide open spaces of Albion belong to? *This episode is a story is about a collision of two cultures - the counterculture of the twin tribes of urban free party ravers and new age travellers - and the mainstream culture of landowners, the legal authorities, English Heritage and right-wing politicians. *In the first of a series on '80s and '90s counterculture, Aaron Trinder, director of the documentary 'Free Party: A Folk History' came to the Bureau to tell how that collision played out in the years between 1985 and 1992 when extra-ordinary free festivals and parties built on youthful passion, music, community, dancing, the desire to connect with the ancient landcape - and drugs - were violently suppressed. *We hear of the brutal police tactics at 'The Battle of the Beanfield' and at Britiain's largest ever free rave at Castle Morton; how legislation has curtailed the culture of the travellers, the use of common land and ancient rights of access, and we note that whilst free festivals have been crushed, commercial festivals have become an essential part of the the mainstream culture, the entertainment industry and the economy. *Upcoming: Mark Angelo Harrison on Spiral Tribe More on Aaron's film 'Free Party a Folk History' #festivals #counterculture #freefestivals #spiraltribe #squatparty #travellers #newagetravellers #battleofthebeanfield #hippie #castlemorton #techno #drugs #lsd #soundsystem #raveculture #raves #StonehengeFreeFestival #stonehenge
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What was it like to live in a commune? What was it like to grow up in a commune?
NANCY THOMPSON came to the Bureau to tell us. She was born in The Shrubb Family Commune - one that was set up in a big old farmhouse in rural Norfolk in 1970 - and, remarkably, one that is still going today.
In the early to mid '60s many Western cities were magnets drawing the young and hip in from the regions, shaking off the austerity of the '50s, joining their urban peers in experimenting with new and radical ways of loving and living. Communes and squats sprung up all over places like London.
But as the '60s drew to a close, there was a reverse movement and many left the cities heading back out into the shires to try to build a new kind of sociey in the quieter, slower life of village and market town. Some settled in North Suffolk and South Norfolk, an open countryside of low hills and wide plains with few towns and many villages where a commune movement had been established from 1965.
Nancy's is a complex, tumultous tale - at times a rather bewildering tapestry of overlapping relationships and familes, the British class system, rural life, travellers, gypsies and the gentry, encounter groups, blackmail, rogue psychiatrists, lsd - and horses..
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*For more on Nancy and her childhood in the commune, check out her Substack HERE
*For more on the British commune and intentional community culture of the 60s and 70s see below
The countercultural movement of the 1960s and 1970s in Britain gave rise to a surge of communal living experiments known as hippy communes or intentional communities. These collectives emerged as an alternative to mainstream society, rejecting consumerism, conventionality, and materialism in favor of a more liberated, eco-friendly, and cooperative way of life.
The origins of this communal living trend can be traced back to the mid 60s, when a confluence of social, political, and cultural factors created an environment ripe for such experiments. The rise of the hippie counterculture, and the burgeoning environmental and back-to-the-land movements all contributed to the growth of communal living arrangements.
One of the earliest and most influential British hippy communes was Findhorn in Scotland, established in 1962 by Peter and Eileen Caddy and Dorothy Maclean. Originally a small caravan park, Findhorn evolved into a thriving spiritual community centered around principles of sustainability, meditation, and harmony with nature. Its success inspired many other like-minded groups to establish their own communes across Britain.
As the movement gained momentum in the late 1960s, a wave of new communes emerged, each with its own unique philosophy and approach to communal living. Some, like The Diggers in Cornwall and the Laurieston Hall community in Scotland, focused on self-sufficiency through organic farming and sustainable living practices. Others, like the Freestone community in Essex and the Newbold Trust in Worcestershire, emphasized artistic expression, alternative spirituality, and personal growth.
Many of these communes adopted a back-to-the-land ethos, seeking to reconnect with nature and escape the constraints of urban living. They often established themselves in rural areas, repurposing abandoned farmhouses, old mills, or purchasing inexpensive land to build their communities from scratch. This allowed them to embrace a more self-reliant and environmentally conscious lifestyle, growing their own food, generating their own energy, and living off the land as much as possible.
While each commune had its own unique character and rules, they shared several common principles. Communal living, non-hierarchical decision-making processes, shared resources and responsibilities, and a commitment to peace and environmentalism were hallmarks of these communities. Many also embraced alternative lifestyles, such as polyamory, nudism, or open relationships, challenging traditional societal norms.
As the 1970s progressed, the hippy commune movement faced various challenges, including internal conflicts, financial struggles, and external criticism from more conservative segments of society. Some communes disbanded or evolved into more structured communities, while others managed to endure and adapt to changing times.
One notable example of a long-lasting commune is Braziers Park in Oxfordshire, founded in 1950 and still active today. While not initially a traditional hippy commune, it embraced many of the same principles in the 1960s and 1970s, becoming a hub for alternative living, education, and environmental activism.
Another enduring community is the Findhorn Foundation, which has grown from its humble beginnings into a thriving eco-village and spiritual center, attracting visitors and residents from around the world.
Beyond the more well-known communes, countless smaller collectives and intentional communities also emerged during this period, often existing independently or flying under the radar. These included urban squatting communities, housing co-operatives, and alternative living arrangements that embraced the communal ethos without necessarily adopting the full-fledged "hippy" lifestyle.
These communities served as laboratories for experimentation, pushing the boundaries of what was considered acceptable or possible, and leaving an enduring legacy that continues to influence various aspects of modern life.
Many of the principles and practices pioneered by these communities, such as sustainable living, cooperative decision-making, and alternative education, have been adopted and adapted by various organizations and movements.
The communal living ethos has remained alive, albeit on a smaller scale, with contemporary intentional communities and eco-villages continuing to explore alternative ways of living and coexisting with nature.
#communes #counterculture #findhorn #findhornfoundation #utopia #alternativecommunities #intentionalcommunities #esoteric #hippie #shrubbfamily #globaltruckingcompany #drugs #lsd #psychiatry
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Being the further adventures of English musician broadcaster and LGTBQ activist TOM ROBINSON, as he gets deeply involved in the gay counterculture of London in the '70s whilst on his journey to having a huge hit with the song 2-4-6-8 MotorwayWe hear about the genesis of another hit - (Sing if You're)Glad to Be Gay - a remarkable, unprecedented protest song that climbed into public consciousness in the late 70s (despite the best efforts of some in the establshment), and about Tom's later hit War Baby.
We talk about the desperate times in between, about his activism - not only for the queer commmuity but as part of the Rock Against Racism movement - and how he had to face one his greatest challenges in coming out for a second time, risking the disapproval of the very community he had fought for for many years…
And we learn about Stonewall, the UK’s ’Sus Law' and get some terriffic tips for songwriters aspiring stars.. For More on TomFor More on Glad to Be Gay#homosexuality #sex #suslaw #section28 #stonewall #glf #gayliberationfront #bisexuality #pride #pridemarch #london #queer #gayliberation #quaker #sexuality #gay #tomrobinson #gladtobegay #suicide #counterculture #cafesociety #comingout #homesexuality #morality -
TOM ROBINSON is an English songwriter who rose to fame in the 70s as an LGBT and anti-racist campaigner. He has released over 20 albums and is an award-winning much-loved broadcaster who has made many programs on all six BBC radio channels. In this, the first of two programs, we trace his story from troubled youth through a suicide attempt and recovery in an alternative community to coming out in the gay counterculture of '70s London. We hear about his early activism and music, signing to Konk records with Ray Davies of The Kinks and his journey toward a huge hit with the song 2-4-6-8 Motorway. Next time: the writing of the extraordinary, perennial protest song Glad To Be Gay, more activism, more hits with War Baby and Listen to the Radio and taking further risks on the way to becoming who you really are. Tom's first band Cafe SocietyFor More on Tom#homosexuality #sex #london #queer #gayliberation #quaker #sexuality #gay #tomrobinson #gladtobegay #suicide #counterculture #cafesociety #comingout #homesexuality #morality
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YOUTH, producer of a huge range of artists (including Kate Bush, Crowded House, The Orb, KLF, The Verve, Guns ’n’ Roses and Primal Scream) and Jesse Goodman of the Allen Ginsberg Estate come to the Bureau to talk of the beat poet’s impact on music and the British counterculture. We hear about Youth's 'Iron Horse' project and two albums of interpretations of Ginsberg's Fall of America poems by an astounding range of artists and we get deep into counterculture, the power of poetry, creativity and the possibility of a third summer of love..--Youth and Jesse will be with us in March, when we are presenting a program of happenings to celebrate Ginsberg's London Life. See the EVENTS page for full details.--
In May 1965, Allen arrived in London and gave a free reading at Better Books in Charing Cross Road. It was an event described by poet-provocateur Jeff Nuttall as "the first healing wind on a very parched collective mind” and one that provided the impetus for the International Poetry Incarnation at Royal Albert Hall, a hugely significant catalyst for the first British Summer of Love.
Music featured prominently in Ginsberg’s work - both in his self-accompanied performances and live collaborations with artists including Dylan, Paul McCartney and Patti Smith - and in the inspiration it has had on the wide range of musicians who have set it to music.
Ginsberg In London Events Youth’s Iron Horse AlbumYouth at The Horse Hospital March 15thThe Fall of America albums Volume 1 and Volume 2Images courtesy of the John Hopkins Estate - Show more
