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International conference organised by Ertegun Scholar Manuel Muhlbacher and his college advisor Nicholas Cronk. Imprisoned during his lifetime and sanctified in the twentieth century, the Marquis de Sade has attracted considerable critical interest during the last decades. He was a favourite of literary theory in the sixties and seventies, while more recent scholarship has begun to explore how Sade subversively rewrites major texts of the French Enlightenment. As the constant interest in Sade shows, his work continues to puzzle and fascinate his readers. The conference Sade, l'inconnu? Nouvelles approches critiques brought together acknowledged specialists as well as young researchers to discuss emerging topics in Sade studies. Beginning with a keynote lecture by Michel Delon, the editor of Sade's works in the Bibliothèque de la Pléiade, the conference engaged with neglected aspects of Sadean writing and highlighted perspectives for future research. The papers covered such topics as intertextuality in Sade, the Marquis' universally neglected 'decent' texts and implied readership in Sade. For the 200th anniversary of Sade’s death in 2014, the papers will be published as an issue on Sade in Romance Studies
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Многие смотрели сериал.
Ещё больше людей играло в игры.
Но вот с книжным оригиналом знакомо меньше всего людей.
Хочется исправить это и донести до людей оригинальность, пусть и в моём восприятии. Произведения читаю в третий раз. И в третий раз восхищаюсь.Навосхищался до такой степени, что решил сделать серию обзорных роликов по книгам.
Как найти? Пишем в поисковой строке "Разборки с Ведьмаком" и смотрим на подходящей площадке.
Ссылка для ознакомления со мной, поддержки и прочей радости:
Там же можно найти ссылки на YouTube и сообщество ВК, где наодятся ролики с разбором первых двух книг из этой саги.
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Tai lietuviškų audioknygų platformos Audioteka rengiama rubrika, kurioje žurnalistė Jurga Šeduikytė netikėtu kampu kalbina knygų autorius, aktorius, įgarsintojus ir kitus kūrėjus. Tai – neformalūs pokalbiai, nevengiant gilių temų, atskleidžiant asmeniškas kūrybos paslaptis ir primenant, kaip svarbu žaisti gyvenimą.
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U22 is about readers' journeys through Ulysses, James Joyce’s modernist epic about the lives of ordinary people on a day in Dublin in 1904. The podcast anticipates and accompanies a reader-friendly edition Catherine Flynn is bringing out with Cambridge University Press for the book’s centenary in 2022. Here, she and her co-hosts Rafael Aguilar, Emily Moell, and Louie Poore talk with the contributors to the volume and with readers of Ulysses from around the world. Listen to their first impressions, later realizations, and the challenges and the pleasures they met along the way.
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If you’re an aspiring author and want insights into what’s involved in launching a book into the world, this is the podcast for you. Maggie Smith, author and blogger, interviews debut novelists from the Women’s Fiction Writers Association discussing not only the inspiration behind their book, but also their insights into the writing process, the best advice they ever got, and the joys and sometimes pitfalls they encountered on their path to publication.
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Neretai mažieji Lietuvos leidėjai ne tik skaito ir leidžia knygas, bet ant jų miega, su jomis gyvena, o kartais net jas valgo... Didžiajame popierinių knygų vandenyne jie plaukioja po vieną ar kelis, nes yra maži. Nors sudėjus į krūvą didesni nepasidaro, bet trumpam susitikę mielai dalinasi savo džiaugsmais ir negandomis.
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Die Universitätsbibliothek (UB) verfügt über ein umfangreiches Archiv an elektronischen Medien, das von Volltextsammlungen über Zeitungsarchive, Wörterbücher und Enzyklopädien bis hin zu ausführlichen Bibliographien und mehr als 1000 Datenbanken reicht. Auf iTunes U stellt die UB unter anderem eine Auswahl an elektronischen Publikationen der Wissenschaftlerinnen und Wissenschaftler an der LMU bereit. (Dies ist der 2. von 2 Teilen der Sammlung 'Sprach- und Literaturwissenschaften - Open Access LMU'.)
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Aemilia Lanyer's 1611 poem is far more than a retelling of The Passion. It comprises a spirited defense of Eve (and, by extension, all women), elegant praises for her female patrons, a catalogue of virtuous women of the ancient world, and closes with the first "country house" poem written by a woman in English. (Summary by Elizabeth Klett)
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