Episodes

  • By Rachel Joyce
    A young man bumps into Stella on the street and knocks her off her feet. He then utters the words "I didn't even see you." For Stella those words are more of a wound than the bruises on her face and she begins to question everything about her life.

    Stella ..... Sophie Thompson
    Doug ..... Roger Ringrose
    Hendrix ..... Luke MacGregor
    Art Teacher ..... Stefan Adegbola
    Monica ..... Jane Whittenshaw
    Stu ..... Hasan Dixon
    Ian ..... Ian Dunnett Jnr

    Directed by Tracey Neale

    As the years have gone by, Stella has begun to feel invisible. She doesn’t like it one bit and now it’s time for her to step out from the cloud that’s casting a shadow over her. It is time for Stella to claim something back. But what? Uplifting, poignant and delightful light comic touches in this Rachel Joyce drama about growing older and learning the art of forgiveness.

    Stella is played by Sophie Thompson. She has worked in television, audio drama, film and theatre. Her credits include - Four Weddings and A Funeral, Emma and Harry Potter. EastEnders, Detectorists and Sandylands. Sophie won an Oliver Award for Best Actress in a Musical for Into the Woods and was nominated for her role as Miss Adelaide in Guys and Dolls.

    Roger Ringrose has worked in television, audio drama, film and theatre. Recent credits include the film - Scandal in '97, the TV series Berlin Station and for the theatre, Witness for the Prosecution. He has a number of audio drama credits including playing Mr Tulliver in The Mill on the Floss.

    Rachel won the Peter Tinniswood Award for To Be A Pilgrim which went on to become her award winning novel – The Pilgrimage of Harold Fry – now in the process of being made into a film for Netflix. Her most recent published novels include The Music Shop and Miss Benson's Beetle in 2019. Her most recent audio drama was Christmas by the Lake.

  • New drama by Annamaria Murphy.

    Dr Jelena Petrovic heads to Weston-super-Mare to investigate recent sightings of a Sea Serpent in the Severn. Why would people believe they have seen a plesiosaur when the most recent bones are 60 million years old? Or is there really something in the water? Starring Anamaria Marinca.

    Dr Jelena Petrovic - Anamaria Marinca

    Denny - Stuart McLoughlin

    Wanda - Abra Thompson

    Sylvia - Heather Craney

    David the Swimmer - John Cording

    Beach Comber - Ashleigh Haddad

    and

    Evan Davis as Evan Davis

    Based on an original idea by The Guerrilla Media Unit at Weston Artspace.

    Image from the Biodiversity Heritage Library.

    Directed by John Norton

    A BBC Cymru Wales Production

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  • Presented by Paul French
    Drama written by Sarah Wooley

    Whatever anyone declared categorically about Shura Giraldi, someone else insisted on the exact opposite. Shura was handsome and beautiful; Shura was kind and good, Shura was exploitative and evil. Shura was just another struggling White Russian refugee trying to get by in 1930s China; Shura was the heart and brains of a gang that ran clubs, sex workers, illicit booze and drugs, when not robbing banks and stealing gems to fence in Shanghai. Shura loved ballet and cabaret, creating the Shura Giraldi Dance Troupe that topped the bill at all the best Peking nightclubs.

    Shura sometimes presented as male and sometimes as female. When passing as a man Shura bound his breasts tightly and wore a sharp tailored suit; when she was a woman she wore startlingly coloured robes, both Chinese-style cheongsam and Western dresses, letting her raven hair flow loose, said witnesses. Shura had added an incredibly massive layer of confusion and obfuscation to anyone looking by changing gender. Switching for anonymity, for commercial gain or criminal advantage, for love, for a whim.

    Paul French is a historian and writer who focuses on China in the first half of the 20th century. He's been on Shura’s trail for 15 years, digging through the paper records and archives in half a dozen countries in an attempt to get to grips with the enigma that was Shura. This story, a product of that tireless research, is full of truths, but like an old jigsaw brought down from the attic after decades, there are many pieces missing. So we're using drama, written by Sarah Wooley, to conjure and join the dots of Shura’s story, and go in search of a lost life and a forgotten world.

    The search will take us from a Russian far east in violent revolution, to the chaos of the mass emigration of the White Russians, to the crowded hutongs of Peking; from that city’s nightclubs and cabarets, to the casinos of Shanghai; from a China wracked by rampaging warlordism, invaded by Japan, and then fighting its own civil war that culminated in its own revolution.

    Shura saw it all; Shura lived through it all; Shura, in part, explains it all.

    Shura . . . . . Maggie Bain
    Zaichek . . . . . Leo Wan
    Roy . . . . . Daniel York Loh
    Leopard . . . . . Chris Lew Kum Hoi
    Tatiana . . . . . Charlotte East
    Anton . . . . . Luke Nunn
    Marie . . . . . Cecilia Appiah
    Saxsen . . . . . Ian Dunnett Jnr
    The MC . . . . . Roger Ringrose
    Anna . . . . . Jane Whittenshaw

    Editing and sound design by Peter Ringrose.

    Directed by Sasha Yevtushenko.

  • Presented by Paul French
    Drama written by Sarah Wooley

    Whatever anyone declared categorically about Shura Giraldi, someone else insisted on the exact opposite. Shura was handsome and beautiful; Shura was kind and good, Shura was exploitative and evil. Shura was just another struggling White Russian refugee trying to get by in 1930s China; Shura was the heart and brains of a gang that ran clubs, sex workers, illicit booze and drugs, when not robbing banks and stealing gems to fence in Shanghai. Shura loved ballet and cabaret, creating the Shura Giraldi Dance Troupe that topped the bill at all the best Peking nightclubs.

    Shura sometimes presented as male and sometimes as female. When passing as a man Shura bound his breasts tightly and wore a sharp tailored suit; when she was a woman she wore startlingly coloured robes, both Chinese-style cheongsam and Western dresses, letting her raven hair flow loose, said witnesses. Shura had added an incredibly massive layer of confusion and obfuscation to anyone looking by changing gender. Switching for anonymity, for commercial gain or criminal advantage, for love, for a whim.

    Paul French is a historian and writer who focuses on China in the first half of the 20th century. He's been on Shura’s trail for 15 years, digging through the paper records and archives in half a dozen countries in an attempt to get to grips with the enigma that was Shura. This story, a product of that tireless research, is full of truths, but like an old jigsaw brought down from the attic after decades, there are many pieces missing. So we're using drama, written by Sarah Wooley, to conjure and join the dots of Shura’s story, and go in search of a lost life and a forgotten world.

    The search will take us from a Russian far east in violent revolution, to the chaos of the mass emigration of the White Russians, to the crowded hutongs of Peking; from that city’s nightclubs and cabarets, to the casinos of Shanghai; from a China wracked by rampaging warlordism, invaded by Japan, and then fighting its own civil war that culminated in its own revolution.

    Shura saw it all; Shura lived through it all; Shura, in part, explains it all.

    Shura . . . . . Maggie Bain
    Zaichek . . . . . Leo Wan
    Roy . . . . . Daniel York Loh
    Leopard . . . . . Chris Lew Kum Hoi
    Tatiana . . . . . Charlotte East
    Anton . . . . . Luke Nunn
    Marie . . . . . Cecilia Appiah
    Saxsen . . . . . Ian Dunnett Jnr
    The MC . . . . . Roger Ringrose
    Anna . . . . . Jane Whittenshaw

    Editing and sound design by Peter Ringrose.

    Directed by Sasha Yevtushenko.

  • Presented by Paul French
    Drama written by Sarah Wooley

    Whatever anyone declared categorically about Shura Giraldi, someone else insisted on the exact opposite. Shura was handsome and beautiful; Shura was kind and good, Shura was exploitative and evil. Shura was just another struggling White Russian refugee trying to get by in 1930s China; Shura was the heart and brains of a gang that ran clubs, sex workers, illicit booze and drugs, when not robbing banks and stealing gems to fence in Shanghai. Shura loved ballet and cabaret, creating the Shura Giraldi Dance Troupe that topped the bill at all the best Peking nightclubs.

    Shura sometimes presented as male and sometimes as female. When passing as a man Shura bound his breasts tightly and wore a sharp tailored suit; when she was a woman she wore startlingly coloured robes, both Chinese-style cheongsam and Western dresses, letting her raven hair flow loose, said witnesses. Shura had added an incredibly massive layer of confusion and obfuscation to anyone looking by changing gender. Switching for anonymity, for commercial gain or criminal advantage, for love, for a whim.

    Paul French is a historian and writer who focuses on China in the first half of the 20th century. He's been on Shura’s trail for 15 years, digging through the paper records and archives in half a dozen countries in an attempt to get to grips with the enigma that was Shura. This story, a product of that tireless research, is full of truths, but like an old jigsaw brought down from the attic after decades, there are many pieces missing. So we're using drama, written by Sarah Wooley, to conjure and join the dots of Shura’s story, and go in search of a lost life and a forgotten world.

    The search will take us from a Russian far east in violent revolution, to the chaos of the mass emigration of the White Russians, to the crowded hutongs of Peking; from that city’s nightclubs and cabarets, to the casinos of Shanghai; from a China wracked by rampaging warlordism, invaded by Japan, and then fighting its own civil war that culminated in its own revolution.

    Shura saw it all; Shura lived through it all; Shura, in part, explains it all.

    Shura . . . . . Maggie Bain
    Zaichek . . . . . Leo Wan
    Roy . . . . . Daniel York Loh
    Leopard . . . . . Chris Lew Kum Hoi
    Tatiana . . . . . Charlotte East
    Anton . . . . . Luke Nunn
    Marie . . . . . Cecilia Appiah
    Saxsen . . . . . Ian Dunnett Jnr
    The MC . . . . . Roger Ringrose
    Anna . . . . . Jane Whittenshaw

    Editing and sound design by Peter Ringrose.

    Directed by Sasha Yevtushenko.

  • Presented by Paul French
    Drama written by Sarah Wooley

    Whatever anyone declared categorically about Shura Giraldi, someone else insisted on the exact opposite. Shura was handsome and beautiful; Shura was kind and good, Shura was exploitative and evil. Shura was just another struggling White Russian refugee trying to get by in 1930s China; Shura was the heart and brains of a gang that ran clubs, sex workers, illicit booze and drugs, when not robbing banks and stealing gems to fence in Shanghai. Shura loved ballet and cabaret, creating the Shura Giraldi Dance Troupe that topped the bill at all the best Peking nightclubs.

    Shura sometimes presented as male and sometimes as female. When passing as a man Shura bound his breasts tightly and wore a sharp tailored suit; when she was a woman she wore startlingly coloured robes, both Chinese-style cheongsam and Western dresses, letting her raven hair flow loose, said witnesses. Shura had added an incredibly massive layer of confusion and obfuscation to anyone looking by changing gender. Switching for anonymity, for commercial gain or criminal advantage, for love, for a whim.

    Paul French is a historian and writer who focuses on China in the first half of the 20th century. He's been on Shura’s trail for 15 years, digging through the paper records and archives in half a dozen countries in an attempt to get to grips with the enigma that was Shura. This story, a product of that tireless research, is full of truths, but like an old jigsaw brought down from the attic after decades, there are many pieces missing. So we're using drama, written by Sarah Wooley, to conjure and join the dots of Shura’s story, and go in search of a lost life and a forgotten world.

    The search will take us from a Russian far east in violent revolution, to the chaos of the mass emigration of the White Russians, to the crowded hutongs of Peking; from that city’s nightclubs and cabarets, to the casinos of Shanghai; from a China wracked by rampaging warlordism, invaded by Japan, and then fighting its own civil war that culminated in its own revolution.

    Shura saw it all; Shura lived through it all; Shura, in part, explains it all.

    Shura . . . . . Maggie Bain
    Zaichek . . . . . Leo Wan
    Roy . . . . . Daniel York Loh
    Leopard . . . . . Chris Lew Kum Hoi
    Tatiana . . . . . Charlotte East
    Anton . . . . . Luke Nunn
    Marie . . . . . Cecilia Appiah
    Saxsen . . . . . Ian Dunnett Jnr
    The MC . . . . . Roger Ringrose
    Anna . . . . . Jane Whittenshaw

    Editing and sound design by Peter Ringrose.

    Directed by Sasha Yevtushenko.

  • Presented by Paul French
    Drama written by Sarah Wooley

    Whatever anyone declared categorically about Shura Giraldi, someone else insisted on the exact opposite. Shura was handsome and beautiful; Shura was kind and good, Shura was exploitative and evil. Shura was just another struggling White Russian refugee trying to get by in 1930s China; Shura was the heart and brains of a gang that ran clubs, sex workers, illicit booze and drugs, when not robbing banks and stealing gems to fence in Shanghai. Shura loved ballet and cabaret, creating the Shura Giraldi Dance Troupe that topped the bill at all the best Peking nightclubs.

    Shura sometimes presented as male and sometimes as female. When passing as a man Shura bound his breasts tightly and wore a sharp tailored suit; when she was a woman she wore startlingly coloured robes, both Chinese-style cheongsam and Western dresses, letting her raven hair flow loose, said witnesses. Shura had added an incredibly massive layer of confusion and obfuscation to anyone looking by changing gender. Switching for anonymity, for commercial gain or criminal advantage, for love, for a whim.

    Paul French is a historian and writer who focuses on China in the first half of the 20th century. He's been on Shura’s trail for 15 years, digging through the paper records and archives in half a dozen countries in an attempt to get to grips with the enigma that was Shura. This story, a product of that tireless research, is full of truths, but like an old jigsaw brought down from the attic after decades, there are many pieces missing. So we're using drama, written by Sarah Wooley, to conjure and join the dots of Shura’s story, and go in search of a lost life and a forgotten world.

    The search will take us from a Russian far east in violent revolution, to the chaos of the mass emigration of the White Russians, to the crowded hutongs of Peking; from that city’s nightclubs and cabarets, to the casinos of Shanghai; from a China wracked by rampaging warlordism, invaded by Japan, and then fighting its own civil war that culminated in its own revolution.

    Shura saw it all; Shura lived through it all; Shura, in part, explains it all.

    Shura . . . . . Maggie Bain
    Zaichek . . . . . Leo Wan
    Roy . . . . . Daniel York Loh
    Leopard . . . . . Chris Lew Kum Hoi
    Tatiana . . . . . Charlotte East
    Anton . . . . . Luke Nunn
    Marie . . . . . Cecilia Appiah
    Saxsen . . . . . Ian Dunnett Jnr
    The MC . . . . . Roger Ringrose
    Anna . . . . . Jane Whittenshaw

    Editing and sound design by Peter Ringrose.

    Directed by Sasha Yevtushenko.

  • Presented by Paul French
    Drama written by Sarah Wooley

    Whatever anyone declared categorically about Shura Giraldi, someone else insisted on the exact opposite. Shura was handsome and beautiful; Shura was kind and good, Shura was exploitative and evil. Shura was just another struggling White Russian refugee trying to get by in 1930s China; Shura was the heart and brains of a gang that ran clubs, sex workers, illicit booze and drugs, when not robbing banks and stealing gems to fence in Shanghai. Shura loved ballet and cabaret, creating the Shura Giraldi Dance Troupe that topped the bill at all the best Peking nightclubs.

    Shura sometimes presented as male and sometimes as female. When passing as a man Shura bound his breasts tightly and wore a sharp tailored suit; when she was a woman she wore startlingly coloured robes, both Chinese-style cheongsam and Western dresses, letting her raven hair flow loose, said witnesses. Shura had added an incredibly massive layer of confusion and obfuscation to anyone looking by changing gender. Switching for anonymity, for commercial gain or criminal advantage, for love, for a whim.

    Paul French is a historian and writer who focuses on China in the first half of the 20th century. He's been on Shura’s trail for 15 years, digging through the paper records and archives in half a dozen countries in an attempt to get to grips with the enigma that was Shura. This story, a product of that tireless research, is full of truths, but like an old jigsaw brought down from the attic after decades, there are many pieces missing. So we're using drama, written by Sarah Wooley, to conjure and join the dots of Shura’s story, and go in search of a lost life and a forgotten world.

    The search will take us from a Russian far east in violent revolution, to the chaos of the mass emigration of the White Russians, to the crowded hutongs of Peking; from that city’s nightclubs and cabarets, to the casinos of Shanghai; from a China wracked by rampaging warlordism, invaded by Japan, and then fighting its own civil war that culminated in its own revolution.

    Shura saw it all; Shura lived through it all; Shura, in part, explains it all.

    Shura . . . . . Maggie Bain
    Zaichek . . . . . Leo Wan
    Roy . . . . . Daniel York Loh
    Leopard . . . . . Chris Lew Kum Hoi
    Tatiana . . . . . Charlotte East
    Anton . . . . . Luke Nunn
    Marie . . . . . Cecilia Appiah
    Saxsen . . . . . Ian Dunnett Jnr
    The MC . . . . . Roger Ringrose
    Anna . . . . . Jane Whittenshaw

    Editing and sound design by Peter Ringrose.

    Directed by Sasha Yevtushenko.

  • The first omnibus of Season 15, Onward, set in Folkestone, in the week, in 1918, when the Allies launched their final, and decisive campaign on the Western Front. Adam, meanwhile, is on a mission to the harbour.

  • Let us transport you to a world where flies talk and party-goers escape down drain-pipes.

    Fly…Sandy Grierson

    Woman…Karen Bartke

    Writer…Ben Lewis

    Director…Kirsty Williams

    Sound Design…Catherine Robinson

  • Your mission, should you choose to accept it, is more MFI than MI5 in the hands of two incompetent and not-so-secret-agents. By Lee Mattinson.

    Cast

    AGENT D….. Krissi Bohn

    AGENT J….. Toby Hadoke

    Director Sharon Sephton

    Sound Design …. Catherine Robinson

  • Take a seat at the bar in your local, but look out… one of the regulars is about to get a round in and it could be a painfully long order.

    A funny and moving original short audio work by award-winning writer Timothy X Atack, starring Alice Lowe (Sightseers, Prevenge) and David Hargreaves (The Crucible, King Lear at Bristol Old Vic), designed to be listened to on headphones on location.

    Customer …. David Hargreaves

    Barmaid …. Alice Lowe

    Show less

  • Lie on your bed, put on your headphones, and let Indira Varma and Joe Sims take you on a journey which we promise you’ve never made before. Ed Harris’ darkly inventive writing for audio and stage have won him multiple awards.

    Woman …. Indira Varma

    Man …. Joe Sims

    Director Jonquil Panting

    Sound Design …. Catherine Robinson

  • By Charlotte Bogard Macleod. Leah and Milo are best friends but now Leah has been offered a job in Australia. She loves Milo but does he love her back? Leah is forced to get right inside his head to find out.

    Leah ….. Valene Kane

    Milo ….. George Mackay

    Director: David Hunter

    Sound Design …. Catherine Robinson