Episodes
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New York Times journalist Eric Lipton explains how Musk's companies are benefiting as he cuts federal jobs and agencies, and reporter Teddy Schleifer explains how Musk's political views turned right, and why he thinks the billionaire's relationship with Trump might actually last.
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Sebastian Stan is up for an Oscar for his portrayal of President Trump early in his career, when Roy Cohn was his lawyer and mentor. Stan says Cohn schooled Trump in "denying reality and reshaping the truth." He spoke with Terry Gross about his childhood in Romania, wearing prosthetics for A Different Man, and his breakthrough role on Law & Order.
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Questlove is back to talk about his new documentary about Sly Stone and his band the Family Stone. They created a new sound with their mix of pop, soul, funk, psychedelic music and irresistible beats. The film is called SLY LIVES! (aka The Burden of Black Genius) and it streams on Hulu beginning Feb. 13.
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We talk about the cultural phenomenon of Wicked with star Ariana Grande. She's nominated for an Oscar for Best Supporting Actress. Grande talks about some of the underlying messages in the film about belonging and good versus evil, and how growing up as a theatre nerd prepared her for this role.
Also, writer and professional dominatrix Brittany Newell joins us to talk about her new novel Soft Core, which explores the underworld of San Francisco's dive bars, strip clubs, and BDSM dungeons.
Maureen Corrigan reviews two quintessential New York City books.
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Discovered at a Rolling Stones party at the age of 17, Marianne Faithfull broke out in the early '60s with the Jagger/Richards song "As Tears Go By." Faithfull's liaison with Mick Jagger kept her in the public eye. In the '70s, she struggled with addiction, but she made a triumphant comeback in her 30s, and became a critically acclaimed rock cabaret singer.
Also, critic-at-large John Powers reviews the Brazilian film I'm Still Here, which he describes as a "moving, inspiring, beautifully made story about learning to confront tyranny."
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After publishing her first novel when she was 21, Brittany Newell started working as a dominatrix. The job gave her time to write — and plenty of material to draw from. "I always like to say that what makes a good writer is also what makes a good dominatrix, which is empathy and curiosity and bravery," she says. Newell's new novel is Soft Core.
Also, David Bianculli reviews the comedy TV series Clean Slate starring Laverne Cox. And Maureen Corrigan reviews two quintessential New York books.
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Last night, President Trump proposed a plan to displace all the Palestinians from Gaza, and get Jordan and Egypt to take them in, while the U.S. takes ownership of Gaza and rebuilds it into a Middle East Riviera. We'll talk with New Yorker staff writer Dexter Filkins about the impact of this proposal. We'll also talk with him about the recruitment crisis in the U.S. military, which has led military leaders to ask: can our country defend itself if not enough people are willing or able to fight? It's the subject of his latest article in the New Yorker.
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As a kid, Ariana Grande loved singing karaoke with her family. "I looked up to Whitney and Mariah and Celine endlessly," she says. "I think that's a large part of the reason why I learned to sing." She spoke with Tonya Mosley about auditioning for and landing the role of Glinda in Wicked, her signature whistle register, and how she quiets the voice of self-doubt.
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Sarah Wildman's daughter Orli died from cancer when she was 14. "She would sometimes ask me, 'What do you think I did to deserve this?' And of course, that's not an answerable question," Wildman says. The NYT Opinion writer spoke with Terry Gross about her daughter's treatment and death and living with grief.
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Ahmir "Questlove" Thompson is the co-director of a new documentary about the music of Saturday Night Live over the last 50 years. It's called Ladies & Gentlemen and it's streaming on Peacock.
We'll also hear from author and scholar Imani Perry. Her new book Black In Blues explores the significance of the color blue in Black life, from the indigo trade to the birth of blues music.
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The Apple TV+ drama series Severance is back for its second season. It's a dystopian take on work-life balance — where characters have their personal and professional lives surgically separated. He spoke with Ann Marie Baldonado in 2022 about the making of the series.
Also, Justin Chang reviews one of this year's most talked-about Oscar nominees for Best Documentary Feature, No Other Land. It was directed by a collective of two Palestinian filmmakers and two Israeli filmmakers. Book critic Maureen Corrigan reviews Mothers and Sons by Adam Haslett.
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Author Ricky Riccardi says Louis Armstrong's innovations as a trumpeter and vocalist helped set the entire soundtrack of the 20th century. His new book about Armstrong's early life is Stomp Off, Let's Go.
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Research shows we're spending more time alone than ever before. Atlantic writer Derek Thompson says all this "me time" has a profound impact on our relationships and politics.
Also, David Bianculli reviews the documentary Without Arrows.
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Award-winning author and scholar Imani Perry traces the history and symbolism of the color blue, from the indigo of the slave trade, to Coretta Scott King's wedding dress, to present day cobalt mining. Her new book is Black in Blues.
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Questlove's documentary, Ladies & Gentlemen... 50 Years of SNL Music, airs tonight on NBC. It highlights some of the show's most iconic musical performances and comedy sketches — from break-out stars to lip-syncing controversy. Our TV critic David Bianculli reflects on the documentary, and then Questlove joins Terry Gross to talk about some of the highlights.
Also, Ken Tucker reviews Ringo Starr's new country album, Look Up.
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Jesse Eisenberg talks about writing, directing and starring in the film A Real Pain. Eisenberg and Kieran Culkin play cousins who go to Poland on a Jewish Heritage Tour. One of the stops is the Majdanek death camp. He spoke with Terry Gross about questions the film raises. Also, we hear from Pamela Anderson. In the new film, The Last Showgirl, she stars as a veteran Vegas dancer who must face the end of her legendary show. She talked with Tonya Mosley about her big career comeback.
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Filmmaker and painter David Lynch died January 15 at age 78. He spoke with Terry Gross in 1994 about making his surrealist first movie, Eraserhead, leaving things up for interpretation, and where he finds inspiration.
Also, we'll hear from Isabella Rossellini who starred in Lynch's Blue Velvet as a nightclub singer, and Nicolas Cage, who worked with him in Wild At Heart. And our TV critic David Bianculli shares an appreciation.
Also, Justin Chang reviews the new film supernatural thriller Presence.
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Bloomberg investigative reporter Zeke Faux says the Trump family's new crypto businesses have earned them tens of millions, while raising questions about political influence and ethics.
Also, we remember Pulitzer Prize-winning cartoonist, playwright and screenwriter Jules Feiffer.
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Pamela Anderson's role as a lifeguard on Baywatch made her a global sex symbol in the '90s. But she longed to be taken seriously as a performer and person. "I've always been carrying this secret. I feel like I've known I was capable of more, but I didn't know what," she says. She now stars in The Last Showgirl. She spoke with Tonya Mosley about her career comeback, crafting her persona, and ditching makeup.
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Eisenberg's film, A Real Pain, follows two cousins on a Jewish heritage tour of Poland, which includes a stop at the Majdanek death camp. Eisenberg spoke with Terry Gross about tragedy tourism, and his own relationship to Judaism. The "Hebrew school dropout" says the suburban bar mitzvah scene made his 12-year-old stomach turn.
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