Episodi
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Despite the hypervisibility of a constellation of female pop stars, the music business is structured around gender inequality. As a result, women in the music industry often seize on self-branding opportunities in fashion, cosmetics, food, and technology for the purposes of professional longevity. Extending Play: The Feminization of Collaborative Music Merchandise in the Early Twenty-First Century (Oxford UP, 2023) examines the ubiquity of brand partnerships in the contemporary music industry through the lens of feminized labor, to demonstrate how female artists use them as a resource for artistic expression and to articulate forms of popular feminism through self-commodification. In this book, author Alyxandra Vesey examines this type of promotional work and examines its proliferation in the early 21st century.
Though brand partnerships exist across all media industries, they are a distinct phenomenon for the music business because of their associations with fan club merchandise, concert merchandise, and lifestyle branding, often foregrounding women's participation in shaping these economies through fan labor and image management. Through textual and discourse analysis of artists' songs, music videos, interviews, social media usage, promotional campaigns, marketing strategies, and business decisions, Extending Play investigates how female musicians co-create branded feminine-coded products like perfume, clothes, makeup, and cookbooks and masculine-coded products like music equipment as resources to work through their own ideas about gender and femininity as workers in industries that often use sexism and ageism to diminish women's creative authority and diminish the value of the recording in order to incentivize musicians to internalize the demands of industrial convergence.
By merging star studies, popular music studies, and media industry studies, Extending Play proposes an integrated methodology for approaching contemporary cultural history that demonstrates how female-identified musicians have operated as both a hub for industrial convergence and as music industry professionals who use their extramusical skills to reassert their creative acumen.
Alyxandra Vesey is Assistant Professor in Journalism and Creative Media at the University of Alabama. Her research focuses on the gendered dynamics of creative labor in the music industries. Her work has appeared in Journal of Cinema and Media Studies, Feminist Media Studies, Television and New Media, Journal of Popular Music Studies, Camera Obscura, Velvet Light Trap, and Emergent Feminisms: Complicating a Postfeminist Media Culture. Alyxandra on Twitter.
Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America. He manages partnerships on behalf of CHIRP Radio 107.1 FM, serves as a co-chair of the associate board at the Gene Siskel Film Center of the School of the Art Institute of Chicago, and volunteers in the music archive at the Old Town School of Folk Music. Bradley Morgan on Twitter. -
The Confederate States of America was born in defense of slavery and, after a four-year struggle to become an independent slaveholding republic, died as emancipation dawned. Between Fort Sumter to Appomattox, Confederates bought and sold thousands African American men, women, and children. These transactions in humanity made the internal slave trade a cornerstone of Confederate society, a bulwark of the Rebel economy, and a central part of the experience of the Civil War for all inhabiting the American South.
An Unholy Traffic: Slave Trading in the Civil War South (Oxford UP, 2024) shows, slave trading helped Southerners survive and fight the Civil War, as well as to build the future for which they fought. They mitigated the crises the war spawned by buying and selling enslaved people, using this commerce to navigate food shortages, unsettled gender roles, the demands of military service, and other hardships on the homefront. Some Rebels speculated wildly in human property, investing in slaves to ward off inflation and to buy shares in the slaveholding nation they hoped to create. Others traded people to counter the advance of emancipation. Given its centrality to their nationhood, Confederates went to great lengths to prolong the slave trade, which, in turn, supported the Confederacy. For those held in slavery, the surviving slave trade dramatically shaped their pursuit of freedom, inserting a retrograde movement into some people's journeys toward liberty while inspiring others to make the risky decision to escape.
Offering an original perspective on the intersections of slavery, capitalism, the Civil War, and emancipation, Robert K.D. Colby illuminates the place of the peculiar institution within the Confederate mind, the ways in which it underpinned the CSA's war effort, and its impact on those attempting to seize their freedom.
Omari Averette-Phillips is a doctoral student in the Department of History at UC Davis. He can be reached at [email protected]. -
Episodi mancanti?
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Even as most contemporary states look to history in order to legitimize their existence in some way or other, the past – and narrations of it – hold particular weight in China. This is not a new phenomenon, for which pasts to elevate and which to suppress has long been a concern for both intellectuals and those seeking to rule the states and empires which have occupied the space now forming the People’s Republic of China.
Today’s Chinese Communist Party under Xi Jinping is no exception to this, and indeed is making unusually strenuous efforts to circumscribe an acceptable vision of the past. Yet, as Ian Johnson’s beautifully put together and captivatingly written new book Sparks: China's Underground Historians and Their Battle for the Future (Oxford UP, 2023) shows, no small number of scholars, film-makers, artists, writers and researchers continue to work to ensure that less convenient histories endure into the future. Based on years of research and experience, this is a powerful – and ultimately cautiously hopeful – book about the possibility for ordinary people to keep hold of often-painful but vitally important pasts. Working to make this more likely, Ian Johnson also heads the China Unofficial Archives project.
Ed Pulford is an Anthropologist and Senior Lecturer in Chinese Studies at the University of Manchester. His research focuses on friendships and histories between the Chinese, Korean and Russian worlds, and socialism and empire in Eurasia. -
Gendered Publics: Chandraprava Saikiani and the Mahila Samiti in Colonial Assam (Oxford UP, 2024) is a first-of-its-kind comprehensive appraisal of the relatively unexplored but highly impactful women’s associations, the Assam Mahila Samiti (1926 cont.) which led one of the most remarkable women’s movements in colonial India; Sucheta Kripalani praised it as the ‘largest democratic women’s association in India’ in 1949. Central to the Assam Mahila Samiti story is its founding Secretary, the firebrand feminist Chandraprava Saikiani (1901–72), who while being an unwed mother and belonging to a lower caste, was a celebrated writer, mobilizer, and publisher. The book traverses these individual and collective journeys from the 1920s to the 1950s and explores how women’s movements evolve in conversation/contestation with both traditional spaces such as naam kirtan and contemporary ones of tribal-caste associations, anti-colonial movements, and international ideological paradigms such as the Bolshevik revolution.
The book also plots through specific examples, such as the controversy surrounding the Samiti’s serving of a legal notice to a groom in 1934 to stop child marriage, to argue that gender may not function merely as constitutive of the public, but women’s collectives may shape, transform, and orchestrate a veritable gendered public, resistant to both native patriarchy and sometimes to colonial authority. The study makes crucial methodological intervention through an interdisciplinary approach by constantly juxtaposing print sources with handwritten minutes of early mahila samiti meetings, performative spaces such as women’s singing of naam kirtan and women’s weaving, and women’s memory (recorded as part of a digital archive of the mahila samitis in Assam).
Rituparna Patgiri has a PhD in Sociology from Jawaharlal Nehru University (JNU), New Delhi. Her research interests lie in the areas of food, media, gender and public. She is also one of the co-founders of Doing Sociology. Patgiri can be reached at @Rituparna37 on Twitter. -
Decisions to go to war are often framed in cost-benefit terms, and typically such assessments do not factor in longer term costs. However, recent dramatic improvements in American military medicine have had an unanticipated effect: saving more soldiers' lives has vastly increased long-term, downstream costs of war with profound consequences for global politics in an era of heightened great power competition.
In Military Medicine and the Hidden Costs of War (Oxford UP, 2024), Tanisha Fazal traces the modern history of medical treatment and casualty rates in American conflicts from the Civil War to the more recent counterinsurgency wars. As she shows, wars became increasingly survivable for wounded troops, to the point now where a large majority of wounded soldiers survive.
Yet the human and financial implications of this steep increase in the wounded-to-killed ratio are dramatic, and her powerful analysis of this shift provides a necessary corrective to how we understand the costs of war. For each major conflict, Fazal analyzes the weapons used, injuries sustained, and policies put in place for veterans' care and pensions. As she argues, these improvements have significant financial and deeply personal implications for the returned wounded and their families, as well as the US government and its citizenry. Fazal's analysis highlights the significance of policymakers underestimating the costs of war, which in turn makes it easier both to initiate and continue military action abroad, contributing to Americas' penchant for engaging in so-called "endless wars."
Tanisha Fazal is a Professor of Political Science at the University of Minnesota. Her scholarship focuses on sovereignty, international law, and armed conflict. In addition to her new book, she is the author of two award-winning books and numerous articles in academic and policy journals. From 2021-2023, she was an Andrew Carnegie Fellow
Lamis Abdelaaty is an associate professor of political science at the Maxwell School of Syracuse University. She is the author of Discrimination and Delegation: Explaining State Responses to Refugees (Oxford University Press, 2021). Email her comments at [email protected] -
In Mexican Exodus: Emigrants, Exiles, and Refugees of the Cristero War (Oxford University Press, 2019), Julia G. Young reframes the Cristero War as a transnational conflict, using previously unexamined archival materials from both Mexico and the United States to investigate the intersections between Mexico's Cristero War and Mexican migration to the United States during the late 1920s. She traces the formation, actions, and ideologies of the Cristero diaspora--a network of Mexicans across the United States who supported the Catholic uprising from beyond the border.
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The Bolex camera, 16mm reversal film stocks, commercial film laboratories, and low-budget optical printers were the small-gauge media technologies that provided the infrastructure for experimental filmmaking at the height of its cultural impact. Technology and the Making of Experimental Film Culture (Oxford University Press, 2023) by Dr. John Powers examines how the avant-garde embraced these material resources and invested them with meanings and values adjacent to those of semiprofessional film culture.
By reasserting the physicality of the body in making time-lapse and kinesthetic sequences with the Bolex, filmmakers conversed with other art forms and integrated broader spheres of humanistic and scientific inquiry into their artistic process. Drawing from the photographic qualities of stocks such as Tri-X and Kodachrome, they discovered pliant metaphors that allowed them to connect their artistic practice to metaphysics, spiritualism, and Hollywood excess. By framing film labs as mystical or adversarial, they cultivated an oppositionality that valorized control over the artistic process. And by using the optical printer as a tool for excavating latent meaning out of found footage, they posited the reworking of images as fundamental to the exploration of personal and cultural identity.
Providing a wealth of new detail about the making of canonised avant-garde classics by such luminaries as Carolee Schneemann, Jack Smith, and Stan Brakhage, as well as rediscovering works from overlooked artists such as Chick Strand, Amy Halpern, and Gunvor Nelson, Technology and the Making of Experimental Film Culture uses technology as a lens for examining the process of making: where ideas come from, how they are put into practice, and how arguments about those ideas foster cultural and artistic commitments and communities.
This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. -
Mirabai, an iconic sixteenth-century Indian poet-saint, is renowned for her unwavering love of God, her disregard for social hierarchies and gendered notions of honor and shame, and her challenge to familial, feudal, and religious authorities. Defying attempts to constrain and even kill her, she could not be silenced. Though verifiable facts regarding her life are few, her fame spread across social, linguistic, and religious boundaries, and stories about her multiplied across the subcontinent and the centuries.
In Mirabai: The Making of a Saint (Oxford UP, 2023), Nancy M. Martin traces the story of this immensely popular Indian saint from the earliest manuscript references to her through colonial and nationalist developments to scholarly and popular portrayals in the decades leading up to Indian independence. This book examines Mirabai's place as both insider and outsider to the developing strands of devotional Hinduism and her role in contested terrain of debates around the education and independence of women and the crafting of Indian and Hindu identities.
Mirabai offers a comprehensive and multi-layered portrait of this remarkable and still controversial woman, who continues to be a source of inspiration and catalyst for self-actualization for spiritual seekers, artists, activists, and so many others in India and around the world today. -
In Xiongnu: The World’s First Nomadic Empire (Oxford UP, 2024), Bryan K. Miller weaves together archaeology and history to chart the course of the Xiongnu empire, which controlled the Eastern Eurasian steppe from ca. 200 BCE to 100 CE. Through a close analysis of both material artifacts and textual sources, Miller centers the nomadic perspective, showcasing the flexibility, resilience, and mobility of this steppe regime.
Comprehensive and wide-reaching, Xiongnu explores the rise of the empire, details how the empire controlled nodes of wealth and far-flung power bases, and charts the slow and fractured decline of the Xiongnu empire. Throughout, Miller provides fascinating readings of burial goods, vibrant tellings of oath ceremonies, and careful interpretations of Chinese letters and histories. Xiongnu firmly brings its nomad protagonists onto center stage and into sharp focus, and this book is bound to appeal to those interested in archaeology, nomadic societies, and world history. -
The Indian state of Kerala is one of the largest blocs of migrants in the oil economies of the Arab Gulf.
Looking closely at the cultural archives produced by and on the Gulf migrants in Malayalam -- the predominant language of Kerala -- The Gulf Migrant Archives in Kerala: Reading Borders and Belonging (Oxford UP, 2024) takes stock of circular migration beyond its economics. It combines formal and thematic analyses of photographs, films, and literature with anthropological and historical details to offer a nuanced understanding of the construction of the Gulf and its translation to the cultural imaginary of Kerala. It explores the dissonance between the private and public discourses on the Gulf among migrants and non-migrants, and demonstrates the role of this disjuncture in the continued fascination for Gulf migrant lives. An enquiry into the various dimensions of the Gulf in Kerala, as an acknowledged means of living, as a rumour, an object of gossip, a public secret, or even a private thrill, this book debunks the idea of language as a common entity and studies the tentative borders built within. Finally, it explores the resources, possibilities, and perils of affiliative communities constructed along and across those borders.
Dr. Mohamed Shafeeq Karinkurayil is Associate Professor at Manipal Centre for Humanities, a constituent unit of Manipal Academy of Higher Education. His PhD was in Cultural Studies from the English and Foreign Languages University, Hyderabad, India. He has numerous publications in academic and popular publications. -
When we think of censorship, our minds might turn to state agencies exercising power to silence dissent. However, contemporary concerns about censorship arise in contexts where non-state actors suppress expression and communication. There are subtle and not-so-subtle forms of interference that come from social groups, employers, media corporations, and even search engines. Should these “new” forms of censorship alarm us? Should we assess them in ways that mirror our typical views about state-enacted censorship? If not, how should we think about non-state modes of censorship?
In Private Censorship (Oxford University Press, 2024), JP Messina takes up these broad questions. He examines a range of emerging sites of non-state censorship – what he calls “private” censorship – and sorts through the normative, political, and legal issues. -
Was Weimar doomed from the outset?
In November 1918: The German Revolution (Oxford University Press, 2020), Robert Gerwarth argues that this is the wrong question to ask. Forget 1929 and 1933, the collapse of Imperial Germany began as a velvet revolution where optimism was as common as pessimism. A masterful synthesis told through diaries and memories, Gerwarth reminds us that contemporaries live events before we have them act out history.
Robert Gerwarth is Professor of Modern History at UCD and Director of the Centre for War Studies. He is the author of The Bismarck Myth (Oxford UP, 2005) and a biography of Reinhard Heydrich (Yale UP, 2011). His third monograph, The Vanquished: Why the First World War Failed to End was published by Penguin (UK) and FSG (US) in the autumn of 2016.
Ryan Stackhouse is a historian of Europe specializing in modern Germany and political policing under dictatorship. His forthcoming book Enemies of the People: Hitler’s Critics and the Gestapo explores enforcement practices toward different social groups under Nazism. He also cohosts the Third Reich History Podcast and can be reached at [email protected] or @Staxomatix. -
David Pozen is the Charles Keller Beekman Professor of Law at Columbia Law School and the author of the new book, The Constitution of the War on Drugs (Oxford UP, 2024). An expert in constitutional law, Pozen argues that the drug war has been an unmitigated disaster, in terms of money, efficacy, and human rights. But even as activists peel off the drug war’s more unsavory aspects through cannabis and psychedelic legalization, Pozen also argues that they’ve neglected to consider the impact America’s courts could have on rectifying oppressive drug laws.
It wasn’t always this way. The Constitution of the War on Drugs also details the “hidden history” of a brief legal moment in the late 1960s and early 1970s when lawyers effectively argued for liberalized drug policies – on the sound basis of the Constitution. The moment was eventually overturned, but Pozen argues it could be a useful historical lesson for people interested in the effects of constitutional law on the drug war today.
A link to the digital edition of The Constitution of the War on Drugs will soon be available here.
Emily Dufton is the author of Grass Roots: The Rise and Fall and Rise of Marijuana in America (Basic Books, 2017). A drug historian and writer, her second book, on the development of the opioid addiction medication industry, is coming out soon from the University of Chicago Press. -
The global battle among the three dominant digital powers―the United States, China, and the European Union―is intensifying. All three regimes are racing to regulate tech companies, with each advancing a competing vision for the digital economy while attempting to expand its sphere of influence in the digital world. In Digital Empires: The Global Battle to Regulate Technology (Oxford UP, 2023), her provocative follow-up to The Brussels Effect, Anu Bradford explores a rivalry that will shape the world in the decades to come.
Across the globe, people dependent on digital technologies have become increasingly alarmed that their rapid adoption and transformation have ushered in an exceedingly concentrated economy where a few powerful companies control vast economic wealth and political power, undermine data privacy, and widen the gap between economic winners and losers. In response, world leaders are variously embracing the idea of reining in the most dominant tech companies. Bradford examines three competing regulatory approaches―the American market-driven model, the Chinese state-driven model, and the European rights-driven regulatory model―and discusses how governments and tech companies navigate the inevitable conflicts that arise when these regulatory approaches collide in the international domain. Which digital empire will prevail in the contest for global influence remains an open question, yet their contrasting strategies are increasingly clear.
Digital societies are at an inflection point. In the midst of these unfolding regulatory battles, governments, tech companies, and digital citizens are making important choices that will shape the future ethos of the digital society. Digital Empires lays bare the choices we face as societies and individuals, explains the forces that shape those choices, and illuminates the immense stakes involved for everyone who uses digital technologies.
Jake Chanenson is a computer science Ph.D. student and law student at the University of Chicago. Broadly, Jake is interested in topics relating to HCI, privacy, and tech policy. Jake’s work has been published in top venues such as ACM’s CHI Conference on Human Factors in Computing Systems. -
J.N. Darby and the Roots of Dispensationalism (Oxford University Press, 2024) describes the work of one of the most important and under-studied theologians in the history of Christianity. In the late 1820s, John Nelson Darby abandoned his career as a priest in the Church of Ireland to become one of the principal leaders of a small but rapidly growing religious movement that became known as the "Plymouth Brethren." Darby and other brethren modified the Calvinism that was common among their evangelical contemporaries, developing distinctive positions on key doctrines relating to salvation, the church, the work of the Holy Spirit, and the end times.
After his death in 1882, Darby's successors revised and expanded his arguments, and Darby became known as the architect of the most influential system of end-times thinking among the world's half-a-billion evangelicals. This "dispensational premillennialism" exercises extraordinary influence in religious communities, but also in popular culture and geopolitics. But claims that Darby created this theological system may need to be qualified -for all his innovation, this reputation might be undeserved. This book reconstructs Darby's theological development and argues that his innovations were more complex and extensive than their reduction into dispensationalism might suggest. In fact, Darby's thought might be closer to that of his Reformed critics than to that of modern exponents of dispensationalism.
Crawford Gribben is Professor of History at Queen's University Belfast.
Caleb Zakarin is editor at New Books Network. -
What did historical evolutionists such as Charles Darwin and Herbert Spencer have to say about music? What role did music play in their evolutionary theories? What were the values and limits of these evolutionist turns of thought, and in what ways have they endured in present-day music research?
Theorizing Music Evolution: Darwin, Spencer, and the Limits of the Human (Oxford UP, 2024) is a critical examination of ideas about musical origins, emphasizing nineteenth-century theories of music in the evolutionist writings of Darwin and Spencer. Author Miriam Piilonen argues for the significance of this Victorian music-evolutionism in light of its ties to a recently revitalized subfield of evolutionary musicology. Taking an interdisciplinary approach to music theorizing, Piilonen explores how historical thinkers constructed music in evolutionist terms and argues for an updated understanding of music as an especially fraught area of evolutionary thought.
In this book, Piilonen delves into how historical evolutionists, in particular Darwin and Spencer, developed and applied a concept of music that served as a boundary-drawing device, used to trace or obscure the conceptual borders between human and animal. She takes as primary texts the early evolutionary treatises that double as theoretical accounts of music's origins. For Darwin, music served as a kind of proto-language common to humans and animals alike; he heard the songs of birds and the chirps of mice as musical, as articulated in texts such as The Descent of Man (1871) and The Expression of the Emotions in Man and Animals (1872). Spencer, on the other hand, viewed music as a specifically human stage of evolutionary advance, beyond language acquisition, as outlined in his essay, "The Origin and Function of Music" (1857). These competing views established radically different perspectives on the origin and function of music in human cultural expression, while at the same time being mutually constitutive of one another.
A ground-breaking contribution to music theory and histories of science, Theorizing Music Evolution turns to music evolution with an eye toward disrupting and intervening in these questions as they recur in the present.”
Nathan Smith is a PhD candidate in Music Theory at Yale University ([email protected]). -
Seamus O’Malley is an associate professor at Yeshiva University. His first book was Making History New: Modernism and Historical Narrative (Oxford University Press, 2015). He has co-edited three volumes, one of essays on Ford Madox Ford and America (Rodopi, 2010), a research companion to Ford (Routledge, 2018) and a volume of essays on the cartoonists Julie Doucet and Gabrielle Bell (Mississippi, 2018). He is the chair of the Ford Madox Ford Society and co-chair of the Columbia University Seminar for Irish Studies.
In this interview he discusses his new book, Irish Culture and "The People": Populism and Its Discontents (Oxford UP, 2022), a study of the rhetoric of populism and uses of the seemingly simple concept “The People” in Irish political and literary discourse.
Irish Culture and ‘The People’ argues that populism has been a shaping force in Irish literary culture. Populist moments and movements have compelled authors to reject established forms and invent new ones. Sometimes, as in the middle period of W.B. Yeats's work, populism forces a writer into impossible stances, spurring ever greater rhetorical and poetic creativity. At other times, as in the critiques of Anna Parnell or Myles na gCopaleen, authors penetrate the rhetoric fog of populist discourse and expose the hollowness of its claims. Yet in both politics and culture, populism can be a generative force.
Daniel O'Connell, and later the Land League, utilized populist discourse to advance Irish political freedom and expand rights. The most powerful works of Lady Gregory and Ernie O'Malley are their portraits of The People that borrows from the populist vocabulary. While we must be critical of populist discourse, we dismiss it at our loss. This study synthesizes existing scholarship on populism to explore how Irish texts have evoked "The People"--a crucial rhetorical move for populist discourse--and how some writers have critiqued, adopted, and adapted the languages of Irish populisms.
Aidan Beatty is a lecturer in the history department at Carnegie Mellon University -
China’s communist revolution has an intricate relationship with gender and religion. In Enchanted Revolution: Ghosts, Shamans, and Gender Politics in Chinese Communist Propaganda, 1942-1953 (Oxford UP, 2023), Xiaofei Kang moves the two themes to the center stage in the Chinese Revolution. It examines the Communist Party’s first anti-superstition campaign in its wartime headquarters of Yan’an, the holy land of the Maoist revolution. The book argues that religion was not a mere adversary for the revolution; it also served as a model with which the Party mobilized support and constructed legitimacy. In its rise from rural backwaters to national dominance, the Party attacked “superstitions” that had supported the foundations of Chinese religious life. At the same time, Party propaganda co-opted the same religious resources for its own political ends. In this parallel and often paradoxical process, the persuasive power of Party propaganda relied heavily on recasting the cosmic forces of yin and yang that sustained the traditional gender hierarchy and ritual order. Furthermore, revolutionary art and literature revamped old narratives of female ghosts and ritual exorcism to inject the people with a new hegemonic vision of the Party-state endowed with both scientific potency and the heavenly mandate. Gendered language and symbolism in Chinese religion thus remained central to inspiring pathos, ethos, and logos for the revolution. The interplay of religion, gender, and revolution holds historical and contemporary significance of the Maoist legacy in contemporary China. It also offers insights into the transformative power of propaganda in global politics.
Xiaofei Kang is Professor in the Department of Religion at the George Washington University. Her research focuses on gender, ethnicity, and Chinese religions in traditional and modern China. She is the author of The Cult of the Fox: Power, Gender, and Popular Religion in Late Imperial and Modern China (Columbia University Press, 2006). She co-authored (with Donald S. Sutton) Contesting the Yellow Dragon: Ethnicity, Religion and the State in the Sino-Tibetan Borderland (Brill, 2016), and co-edited (with Jia Jinhua and Ping Yao) Gendering Chinese Religion: Subject, Identity and Body (SUNY Press, 2014).
Yadong Li is a PhD student in anthropology at Tulane University. His research interests lie at the intersection of the anthropology of state, the anthropology of time, hope studies, and post-structuralist philosophy. More details about his scholarship and research interests can be found here. -
The concept of the puruṣa, or person, is implicated in a wide range of ancient texts throughout the Indian subcontinent. In Puruṣa: Personhood in Ancient India, published in 2024 by Oxford University Press, Matthew I. Robertson traces the development of this concept from 1500 BCE to 400 CE: in the Ṛg Veda, the Brāhmaṇas, the Upaniṣads, Buddhist Pāli suttas, the Caraka and Suśruta Saṃhitā, and the Mahābhārata. Pushing back against the interpretation of personhood as a cosmological microcosm, Robertson argues instead that, in these texts, personhood and the “world” (loka) are interrelated concepts. He investigates how persons were understood to expand to the fill the horizons of their world, attending to ritual-political, aesthetic, yogic, and medicinal techniques deployed for this purpose.
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In recent decades, the study of the Eastern Roman Empire, also known as Byzantium, has been revolutionized by new approaches and more sophisticated models for how its society and state operated. No longer looked upon as a pale facsimile of classical Rome, Byzantium is now considered a vigorous state of its own, inheritor of many of Rome's features, and a vital node in the first truly globalized world.The New Roman Empire: A History of Byzantium (Oxford UP, 2024) is the first full, single-author history of the eastern Roman empire to appear in over a generation. Covering political and military history as well as all the major changes in religion, society, demography, and economy, Anthony Kaldellis's volume is divided into ten chronological sections which begin with the foundation of Constantinople in 324 AD and end with the fall of the empire to the Ottoman Turks in the fifteenth century. The book incorporates new findings, explains recent interpretive models, and presents well-known historical characters and events in a new light.Dr. Anthony Kaldellis is Professor of Classics at the University of Chicago. His previous books include A Cabinet of Byzantine Curiosities; Streams of gold, Rivers of Blood; Romanland, and, as translator and editor, Prokopios’ The Secret History. In 2019, he began hosting the podcast “Byzantium & Friends.”Evan Zarkadas (MA) is an independent scholar of European and Medieval history and an educator. He received his master’s in history from the University of Maine focusing on Medieval Europe, the Eastern Mediterranean, medieval identity, and ethnicity during the late Middle Ages.
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