Episodes
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‘Our history of giving up – that is to say, our attitude towards it, our obsession with it, our disavowal of its significance – may be a clue to something we should really call our histories and not our selves’, wrote Adam Phillips in a 2022 LRB piece, ‘On Giving Up’. Now developed and expanded into a book of the same title, Phillips illuminates both the gaps and the connections between the many ways of giving up, and helps us to address the central question: what must we give up in order to feel more alive? Phillips was joined in conversation by Dame Hermione Lee.
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Lavinia Greenlaw’s new book The Vast Extent is a collection of ‘exploded essays’, about light and image, sight and the unseen, covering wide territories with the scientific precision and ease of access which characterises her poetry. She was joined by Jennifer Higgie, author of The Other Side: A Journey into Women, Art and the Spirit World.
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Seán Hewitt’s new poetry collection Rapture’s Road follows hard on the heels of Tongues of Fire – the winner of the 2021 Laurel Prize – and the bestselling memoir All Down Darkness Wide. Like its predecessors, the collection confronts dark and difficult subject matter in startlingly beautiful lyric language, ‘exquisitely calm’ in the words of Max Porter. Hewitt read from the collection and was in conversation with Sarah Perry, author of The Essex Serpent and Melmoth, whose long-awaited new novel Enlightenment is coming out in May.
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Emily Wilson’s translation of the Odyssey, published in 2017, the first into English by a woman, was hailed as a ‘revelation’ by the New York Times and a ‘cultural landmark’ by the Guardian. With her translation of the Iliad, ten years in the making, she has given us a complete Homer for a new generation.
Emily Wilson, professor of classical studies at the University of Pennsylvania, is a regular contributor to the LRB and the host of one of our Close Readings series of podcasts, Among the Ancients. Wilson was joined in conversation by Edith Hall, professor at Durham University and the author of many acclaimed books on Ancient Greek culture and its influence on modernity. The event was chaired by Wilson’s Close Readings co-host, Thomas Jones, and passages from Wilson’s Iliad were read by acclaimed actors Juliet Stevenson and Tobias Menzies.
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Mary Jean Chan reads from their new collection, Bright Fear, and discuss it with Andrew McMillan.
Chan’s debut, Fleche, won the Costa Book Award for Poetry in 2019. Bright Fear extends and develops that collection’s themes of identity, multilingualism and postcolonial legacy, while remaining deeply attuned to moments of tenderness, beauty and grace.
Andrew McMillan’s most recent collection is pandemonium (Cape, 2021); a novel, Pity, is forthcoming in 2024. Together with Chan, he edited the landmark anthology 100 Queer Poems(Penguin).
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Who would you invite to a dinner party? In The Dinner Table, a delicious collection of great food writing from past and present, talented writer-chefs Kate Young and Ella Risbridger will introduce you to Samuel Pepys on the glories of parmesan, Shirley Jackson on washing up, Katherine Mansfield on party food, Nigella Lawson on mayonnaise, Michelle Zauner on kimchi and a great deal else besides.
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Part script, part novel, part manual, Sorcerer (Prototype) is the latest unclassifiable book written in collaboration between the artist and writer Ed Atkins and the poet and critic Steven Zultanski – a gentle, contemplative work about the pleasures of conversation, being with others, and being alone. ‘Unlike many narratives, Sorcerer does not put crisis and conflict at the centre of the story’, write Atkins and Zultanski, describing their theme as ‘the intractability of reality – both its resistance to clear meaning and its sweetness, weirdness.’ Atkins and Zultanski were in conversation with the art writer and journalist Emily LaBarge.
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In Lean on Me: A Politics of Radical Care, Lynne Segal, Anniversary Professor of Psychology and Gender Studies in the Department of Psychosocial Studies at Birkbeck, continues the radical exploration of how the personal and the political interact. As Baroness Helena Kennedy KC writes, ‘Both memoir and manifesto, this wonderful book charts a personal history of feminist socialism - and, with her usual humane wisdom, our author points the way to a better politics.’ She was joined in conversation by Amelia Horgan, author of Lost in Work: Escaping Capitalism.
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In Someone Else's Empire Tom Stevenson, a contributing editor at the LRB, dispels the potent myth of Britain as a global player punching above its weight on the world stage, arguing instead that its foreign policy has for a long time been in thrall to the wishes and interests of the United States.
He talks about his book with writer, filmmaker, publisher and activist Tariq Ali.
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Mathias Enard’s latest novel, The Annual Banquet of the Gravediggers' Guild takes us to the marshlands of South West France in a Rabelaisian celebration of life, love and death. Juan Gabriel Vasquez writes of him ‘Every novel by Mathias Enard reminds me of the reasons why I read fiction. He is ambitious, erudite, full of life, and a wonderful stylist to boot. He is one of the great novelists of our time.' He reads from his book and talks about it with Chris Power.
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In her most personal book to date, Love and Money, Sex and Death (Verso) McKenzie Wark writes with her characteristic acuity about gender transition, communism, history, art, memory and the journey of discovering who one really wants to be.Wark talks about that journey with Lauren John Joseph, author of At Certain Points We Touch.
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‘Reading Waidner is like plugging into an electric socket of language and ideas’ wrote Jude Cook in the Guardian, praising Isabel Waidner’s Sterling Karat Gold. Waidner reads from their latest novel Corey Fah Does Social Mobility, and talks about it with academic, performer and activist Diarmuid Hester, whose forthcoming book Nothing Ever Just Disappears Waidner has described as ‘insightful, delightful, and enlightening: an essential entrant into the queer canon.’
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Poet and editor of Bad Betty Press Amy Acre reads from and talks about her debut collection Mothersong (Bloomsbury). Poignant and powerful, her work explores motherhood, grief, trauma, recovery and what it means to be a female artist. She's in conversation with Joelle Taylor, author of the prize-winning poetry collection C+nto (Telegram), who has written of Mothersong: ‘Amy Acre is one of the best poets of her generation. Pure cinema, raw heart, and unparalleled technique. Read this.’
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Historical fiction is having a moment, and at the forefront are two of 2023’s most hotly anticipated novels: Zadie Smith’s The Fraud and Adam Thirlwell’s The Future Future. Smith and Thirlwell discussed their approaches to fiction and the ways in which prose can ‘sandblast the dust off history’, as Polly Stenham writes about The Future Future.
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In Shattered Nation, Oxford Professor of Geography Danny Dorling meticulously documents how Britain over the last 40 years has been transformed by incompetence, avarice and short-termism from one of the world’s leading economies, with widely admired public services, into Europe’s most unequal society, afflicted by staggering levels of deprivation and social division. Dorling was joined in conversation by Leo Hollis, author of The Stones of London and Inheritance.
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Kehinde Andrews continues the work he began in The New Age of Empire with The Psychosis of Whiteness (Allen Lane), a wry and piercing guide to retaining sanity in a racist world, which Ron Ramdin has described as ‘a remarkable and enriching work which shines a light on many dark places’. He discussed the book with journalist and writer Afua Hirsch, whose own Decolonising My Body is forthcoming from Square Peg in October.
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Terrance Hayes and Nick Laird read from and talk about their recent books So to Speak (Penguin) and Up Late (Faber). Hayes, describing Laird, praises his ‘truth-telling that’s political, existential and above all, emotional’; Laird writing about Hayes notes that his invention ‘allows his poetry to house almost anything, from the political to the sensual, from a magic goat to a talking cat’. Join us to celebrate two of the year’s most hotly anticipated collections.
The episode starts with Laird reading the title poem, Up Late, from his new collection.
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Ian Nairn’s Modern Buildings in London was first published in 1964 and now appears, 40 years after his death, in a new edition from Notting Hill with an introduction by Travis Elborough, ‘one of Britain’s finest pop culture historians’ according to the Guardian.
Elborough was joined by architectural historian Gillian Darley and architect Charles Holland to discuss Nairn’s life, work and enduring legacy.
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Helen Macdonald (H is for Hawk) has collaborated with musician and writer Sin Blaché to write a dazzling science fiction debut. Author Paraic O’Donnell describes Prophet (Jonathan Cape) as ‘a hyperkinetic headrush of a novel that proves its organic bona fides by getting you drunk with ideas before casually and cataclysmically breaking your heart.’ Macdonald and Blaché were at the shop to reading from and talking about their book with Isabel Waidner.
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Caret continues the adventures of the irrepressible John Cromer, begun in Pilcrow (2008) and continued in Cedilla (2011) – part of Adam Mars-Jones’ ‘semi-infinite’ novel series, praised by one reviewer as ‘a genuine, almost miraculous oddity’.
Mars-Jones was in conversation with the journalist and critic Leo Robson.
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