Episoder
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Transposed Memory: Visual Sites of National Recollection in 20th and 21st Century East Asia (Brill, 2024) explores the visual culture of national recollection in modern and contemporary East Asia by emphasizing memories that are under the continuous process of construction, reinforcement, alteration, resistance, and contestation. Expanding the discussion of memory into visual culture by exploring various visual sites of recollection, and the diverse ways commemoration is represented in visual, cultural, and material forms, this book produces cross-cultural and interdisciplinary conversations on memory and site by bringing together international scholars from the fields of art history, history, architecture, and theater and dance, examining intercultural relationships in East Asia through geopolitical conditions and visual culture.With contributions of Rika Iezumi Hiro, Ruo Jia, Burglind Jungmann, Hong Kal, Stephen McDowall, Alison J. Miller, Jessica Nakamura, Eunyoung Park, Travis Seifman, and Linh D. Vu.
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While other ancient nonalphabetic scripts—Sumerian cuneiform, Egyptian hieroglyphs, and Mayan hieroglyphs—are long extinct, Chinese characters, invented over three thousand years ago, are today used by well over a billion people to write Chinese and Japanese. In medieval East Asia, the written Classical Chinese language knit the region together in a common intellectual enterprise that encompassed religion, philosophy, historiography, political theory, art, and literature. Literacy in Classical Chinese set the stage for the adaptation of Chinese characters into ways of writing non-Chinese languages like Vietnamese and Korean, which differ dramatically from Chinese in vocabularies and grammatical structures.Because of its unique status in the modern world, myths and misunderstandings about Chinese characters abound. Where does this writing system, so different in form and function from alphabetic writing, come from? How does it really work? How did it come to be used to write non-Chinese languages? And why has it proven so resilient? By exploring the spread and adaptation of the script across two millennia and thousands of miles, Chinese Characters across Asia: How the Chinese Script Came to Write Japanese, Korean, and Vietnamese (University of Washington Press, 2025) by Dr. Zev Handel addresses these questions and provides insights into human cognition and culture. Written in an approachable style and meant for readers with no prior knowledge of Chinese script or Asian languages, it presents a fascinating story that challenges assumptions about speech and writing.
This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.
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Although Japan was never conquered by the Mongol empire, the 1274 and 1281 Mongol invasions were commemorated, remembered, and imagined in Japanese historical writings. How did history books, genealogies, gazetteers, local histories, and artworks represent the Mongol invasions? What role did the idea of the invasions play in the creation of cultural identity? In The Historical Writing of the Mongol Invasions in Japan (Harvard University Asia Center, 2024) Judith Vitale takes on these questions, carefully exploring how the Mongol invasions featured in the creation of national culture in Japan.
The Historical Writing of the Mongol Invasions in Japan is thus about Japanese history, but also about how history is created, how the past is remembered, and how history can be used as fuel for both patriotism and nationalism. It should be of interest to those in Japanese Studies, East Asian History, and anyone curious about how national histories are created.
Interested readers (and listeners!) should also check out another book Judith was involved with, Drugs and the Politics of Consumption in Japan (Brill, 2023), which was co-edited with Miriam Kingsberg Kadia, and Oleg Benesch, and featured on the NBN!
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In our conversation about The Battle of Manila (Oxford University Press, 2025), Nicholas Evan Sarantakes explains how U.S. forces under General Douglas MacArthur won a climactic battle in the Pacific during World War II, but at a terrible cost.
In 1945 the United States and Japan fought the largest and most devastating land battle of their war in the Pacific, a month-long struggle for the city of Manila. The only urban fighting in the Pacific theater, the Battle of Manila was the third-bloodiest battle of World War II, behind Leningrad and Berlin. It was a key piece of the campaign to retake control of the Philippine Islands, which itself signified the culmination of the war, breaking the back of Japanese strategic power and sealing its outcome.In The Battle of Manila, Nicholas Sarantakes offers the first in-depth account of this crucial campaign from the American, Japanese, and, significantly, Filipino perspective. Fighting was building by building, with both sides forced to adapt to the new combat environment. None of the U.S. units that entered Manila had any previous training in urban warfare—yet, Sarantakes shows, they learned on the fly how to use tanks, flamethrowers, air, and artillery assets in support of infantry assaults. Their effective use of these weapons was an important factor in limiting U.S. casualties, even as it may also have contributed to a catastrophic loss of civilian lives.The battle was a strategic U.S. victory, but Sarantakes reveals how closely it hinged upon the interplay between a series of key decisions in both U.S. and Japanese headquarters, and a professional culture in the U.S. military that allowed the Americans to adapt faster and in more ways than their opponents. Among other aspects of the conflict, The Battle of Manila explores the importance of the Filipino guerillas on the ground, the use of irregular warfare, the effective use of intelligence, the impact of military education, and the limits of Japanese resistance.Ultimately, Sarantakes shows Manila to be a major turning in both World War II and American history. Once the United States regained control of the city, Japan was in a checkmate situation. Their defeat was certain, and it was clear that the United States would be the dominate political power in post-war Asia and the Pacific. This fascinating account shines a light on one of the war's most under-represented and highly significant moments.
Dr. Andrew O. Pace is a historian of the US in the world who specializes in the moral fog of war. He is currently a DPAA Research Partner Fellow at the University of Southern Mississippi and a co-host of the Diplomatic History Channel on the New Books Network. He is also working on a book about the reversal in US grand strategy from victory at all costs in World War II to peace at any price in the Vietnam War. He can be reached at [email protected] or via https://www.andrewopace.com/. Andrew is not an employee of DPAA, he supports DPAA through a partnership. The views presented are those of the author and do not necessarily represent the views of DPAA, DoD or its components.
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Spies deep behind enemy lines; double agents; a Chinese American James Bond; black propaganda radio broadcasters; guerrilla fighters; pirates; smugglers; prostitutes and dancers as spies; and Asian Americans collaborating with Axis Powers.
All these colorful individuals form the story of Asian Americans in the Office of Strategic Services (OSS), the forerunner of today's CIA. Brian Masaru Hayashi brings to light for the first time the role played by Chinese, Japanese, and Korean Americans in America's first centralized intelligence agency in its fight against the Imperial Japanese forces in east Asia during World War II. They served deep behind enemy lines gathering intelligence for American and Chinese troops locked in a desperate struggle against Imperial Japanese forces on the Asian continent. Other Asian Americans produced and disseminated statements by bogus peace groups inside the Japanese empire to weaken the fighting resolve of the Japanese. Still others served with guerrilla forces attacking enemy supply and communication lines behind enemy lines. Engaged in this deadly conflict, these Asian Americans agents encountered pirates, smugglers, prostitutes, and dancers serving as the enemy's spies, all the while being subverted from within the OSS by a double agent and without by co-ethnic collaborators in wartime Shanghai.
Drawing on recently declassified documents, Asian American Spies: How Asian Americans Helped Win the Allied Victory (Oxford UP, 2021) challenges the romanticized and stereotyped image of these Chinese, Japanese, and Korean American agents--the Model Minority-while offering a fresh perspective on the Allied victory in the Pacific Theater of World War II.
Jessica Moloughney is a public librarian in New York and a recent graduate of Queens College with a Master’s Degree in History and Library Science.
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In Geographies of Gender: Family and Law in Imperial Japan and Colonial Taiwan (Cambridge University Press, 2024) Dr. Tadashi Ishikawa traces perceptions and practices of gender in the Japanese empire on the occasion of Japan's colonisation of Taiwan from 1895. In the 1910s, metropolitan and colonial authorities attempted social reform in ways which particularly impacted on family traditions and, therefore, gender relations, paving the way for the politics of comparison within and beyond the empire. In Geographies of Gender, Dr. Ishikawa delves into a variety of diplomatic issues, colonial and anticolonial discourses, and judicial cases, finding marriage gifts, daughter adoption, and premarital sexual relationships to be sites of tension between norms and ideals among both elite and ordinary men and women. He explores how the Japanese empire became a gendered space from the 1910s through the outbreak of the Second Sino-Japanese War in 1937, arguing that gender norms were both unsettled and reinforced in ways which highlight the instability of metropole-colony relations.
This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.
Let's face it, most of the popular podcasts out there are dumb. NBN features scholars (like you!), providing an enriching alternative to students. We partner with presses like Oxford, Princeton, and Cambridge to make academic research accessible to all. Please consider sharing the New Books Network with your students. Download this poster here to spread the word.
Please share this interview on Instagram, LinkedIn, or Bluesky. Don't forget to subscribe to our Substack here to receive our weekly newsletter.
150 million lifetime downloads. Advertise on the New Books Network. Watch our promotional video.
Learn how to make the most of our library.
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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/japanese-studies -
Japanese comics, commonly known as manga, are a global sensation. Critics, scholars, and everyday readers have often viewed this artform through an Orientalist framework, treating manga as the exotic antithesis to American and European comics. In reality, the history of manga is deeply intertwined with Japan’s avid importation of Western technology and popular culture in the early twentieth century.
Comics and the Origins of Manga: A Revisionist History (Rutgers UP, 2021) reveals how popular U.S. comics characters like Jiggs and Maggie, the Katzenjammer Kids, Felix the Cat, and Popeye achieved immense fame in Japan during the 1920s and 1930s. Modern comics had earlier developed in the United States in response to new technologies like motion pictures and sound recording, which revolutionized visual storytelling by prompting the invention of devices like speed lines and speech balloons. As audiovisual entertainment like movies and record players spread through Japan, comics followed suit. Their immediate popularity quickly encouraged Japanese editors and cartoonists to enthusiastically embrace the foreign medium and make it their own, paving the way for manga as we know it today.
By challenging the conventional wisdom that manga evolved from centuries of prior Japanese art and explaining why manga and other comics around the world share the same origin story, Comics and the Origins of Manga offers a new understanding of this increasingly influential artform.
Jingyi Li is a PhD Candidate in Japanese History at the University of Arizona. She researches about early modern Japan, literati, and commercial publishing.
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Mothers Against War: Gender, Motherhood, and Peace Activism in Cold War Japan (U Hawaii Press, 2025) examines the shifting relationships among motherhood, peace activism, and women's rights in the decades following Japan's defeat in 1945. With a focus on the concept of bosei, generally understood to be the "motherly" qualities that are supposedly inherent to women, the book illuminates how popular perceptions of the mother, the child, and the mother-child relationship gradually evolved to create the image that mothers, more than anyone else, protect children from war. This image did not result simply from a mothers' desire to keep their children safe, nor was it the outcome of the Japanese experience of the Asia-Pacific War in which many mothers became widowed or lost their children.
Through the examination of five instances of peace activism that took place between 1945 and 1980, Akiko Takenaka argues that the maternal focus of Japanese women's peace activism emerged from a convergence of various interests, including the security alliance between Japan and the United States, Japan's Cold War-era political strategies, and Japanese women's fight for increased rights. Mothers Against War demonstrates how Japanese women's attempts to activate the concept of bosei to gain more rights also worked to confine them into domesticity. This is the first scholarly monograph to make this connection between Japan's matricentric peace activism and the fight for women's rights.
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September 2 will mark the 80th anniversary of Japan’s formal surrender to the United States aboard the USS. Missouri, ending the Second World War. The U.S. decision to drop two atomic bombs on the Japanese cities of Hiroshima and Nagasaki—what drove Japan to surrender, at least in popular history—is still controversial to this day.
How did the mass U.S. bombing campaign come about? Did the U.S. believe the atomic bomb was the only possible or the least bad option? Did the atomic bomb really push Japan to surrender—or was it on its last legs anyway?
Famed historian Richard Overy tries to tackle these questions, and more, in his latest work of Second World War history: Rain of Ruin: Tokyo, Hiroshima, and the Surrender of Japan (Allen Lane / W.W. Norton: 2025)
Richard Overy is Honorary Research Professor of History at the University of Exeter and one of Britain's most distinguished historians. His major works include The Dictators: Hitler's Germany, Stalin's Russia (W. W. Norton & Company: 2004), winner of the 2005 Wolfson Prize, The Morbid Age: Britain and the Crisis of Civilization, 1919-1939 (Penguin: 2010) and The Bombing War: Europe, 1939-1945 (Penguin: 2013), which won a Cundill Award for Historical Excellence in 2014. He is a Fellow of the British Academy and a Member of the European Academy of Sciences and Arts.
You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of Rain of Ruin. Follow on Twitter at @BookReviewsAsia.
Nicholas Gordon is an editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at @nickrigordon.
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In Occult Hunting and Supernatural Play in Japan (Hawaii 2024), Laura Miller examines the intersections of ludic capitalism with formal and informal religious practices and beliefs in contemporary Japan. Miller shows that women―often younger women―are the primary drivers of industries of religiously flavored entertainment that offer avenues of self-exploration and spiritual capital that are marketed to appeal first and foremost to women “hunters” engaged in supernatural play. Miller’s eclectically interdisciplinary analysis reveals the ways that supernatural play, incorporated into the fabric of everyday life in contemporary Japan, can contribute to social and personal wellbeing for these seekers. The book will appeal to readers interested in religion, material culture, media, gender, and more.
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Transpatial Modernity: Chinese Cultural Encounters with Russia Via Japan (1880-1930) (Harvard Asia Center, 2024) offers the first detailed account of the complex cultural, literary and intellectual relationships between Russia, Japan and China in the modern era. In this wide-ranging interview, author Xiaolu Ma reflects on the remarkable process of Russian culture reaching China through the prism of Japan and Japanese. What happens when translation takes place through an intermediary language? How did Russian literature and ideas get reimagined in the two-step exchange to Japanese and Chinese?
This interview begins with the Professor Ma’s personal reflections on the experience of studying Russian literature in China, before turning to a broad overview of China’s encounter with Russia via Japan. The interview then zooms in on a few of the examples explored in Transpatial Modernity, bringing to life a network of cultural exchange, including such celebrated names as Pushkin, Lu Xun, and the Russian nihilists.
Transpatial Modernity is recommended for anyone interested in processes of cultural exchange and translation, as well as for those with interest in China, Japan and Russia during the extraordinary half-century between the 1880s and 1930s.
Mark Baker is lecturer (assistant professor) in East Asian history at the University of Manchester, UK.
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During the closing months of World War II, two military giants locked in a death embrace of cultural differences and diplomatic intransigence. While developing history’s deadliest weapon and weighing an invasion that would have dwarfed D-Day, the US called for the “unconditional surrender” of Japan. The Japanese Empire responded with a last-ditch plan termed Ketsu-Go, which called for the suicidal resistance of every able-bodied man and woman in “The Decisive Battle” for the homeland.
In 140 Days to Hiroshima (Diversion Books, 2020), historian David Dean Barrett captures war-room drama on both sides of the conflict. Here are the secret strategy sessions, fierce debates, looming assassinations, and planned invasions that resulted in Armageddon on August 6, 1945. Barrett then examines the next nine chaotic days as the Japanese government struggled to respond to the reality of nuclear war.
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From the second half of the nineteenth century, Japan has been a particularly enthusiastic user of exhibitions. Large-scale international exhibitions, including Osaka 2025, form only the tip of an iceberg comprising over 1,300 industrial, regional, and local exhibitions held in Japan over the past 150 years.
In Exhibitionist Japan: The Spectacle of Modern Development (Cambridge UP, 2025), Angus Lockyer explores how and why these events have been used as catalysts of development and arenas for fostering modern industry, empire, and nation. He traces their complicated genesis, realization, and reception, demonstrating that although they rarely achieve their stated aims, this does not undermine their utility - Japanese expos have provided a model subsequently adopted around the world. The history of this enthusiasm provides a more nuanced understanding of development in modern Japan, and emphasizes the shared experiences of global modernity.
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Ian Rapley’s Green Star Japan: Esperanto and the International Language Question, 1880-1945 (U Hawaii Press, 2024) is a sociopolitical history of the “planned” language of Esperanto in the Japanese Empire. Esperanto was invented in the nineteenth century to address the problem of international communication. This was an issue of great and growing interest to various groups within the burgeoning Japanese Empire, and Rapley shows that Japanese Esperanto aficionados and advocates could be found working both with the League of Nations and the Soviet Union, and were active in cities and the countryside working through questions of language, identity, modernity, and communication through and around the medium of Esperanto. Green Star Japan is thus not just a (socio)linguistic history, it is a book about what it means to be modern and how people make sense of their place in a changing world.
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Icy, unpredictable, and treacherous, the dangers of the Yalu River were heightened in the twentieth century when it became the longest non-maritime border of the Japanese Empire. Border of Water and Ice: The Yalu River and Japan’s Empire in Korea and Manchuria (Cornell University Press, 2024) focuses on this river at this critical juncture, analyzing how imperial Japan attempted to harness and control this fluid border. By honing in on both human and nonhuman actors — including water, ice, timber cutters, smugglers, and anti-Japanese guerrillas — Joseph Seeley shows how the Yalu determined how borders were drawn, how imperial power was exerted, and how local resistance was enacted.
Using primary sources in Japanese, Korean, Chinese, and English, Border of Water and Ice is an important reminder of the importance of the nonhuman world. Employing the concept of “liquid geographies” to highlight the fluid motion of peoples, goods, and sediment across the Yalu borderland, the book shows readers how the water and ice of the river determined when and how Japanese authorities exerted their power, as well as how important the seasons were to resistance efforts.
This book will appeal to readers with an interest in environmental history, transnational history, the history of borders and borderlands, and those seeking a vivid portrayal of how ordinary reed-cutters, engineers, and smugglers experienced and navigated the intricate dynamics of imperial power, resistance, and the changing seasons along the riverbanks.
In addition to being available in both hardcover and paperback formats, Border of Water and Ice is also available as an ebook here.
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In recent years, manga and anime have attracted increasing scholarly interest beyond the realm of Japanese studies. This Companion takes a unique approach, committed to exploring both the similarities and differences between these two distinct but interrelated media forms. Firmly based in Japanese sources, The Cambridge Companion to Manga and Anime (Cambridge UP, 2024) offers a lively and accessible introduction, exploring the local contexts of manga and anime production, distribution, and reception in Japan, as well as the global influence and impact of these versatile media. Chapters explore common characteristics such as visuals, voice, serial narrative and characters, whilst also highlighting distinct challenges and histories. The volume provides both a basis for further research in this burgeoning field and a source of inspiration for those new to the topic.
Listeners are also invited to observe an author roundtable on Feb.19, 2025. Please RSVP here.
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Finland, a minor player on the international arena and burdened with the tag of ‘Finlandization’ during much of the post-WWII period, has won surprisingly positive visibility and a strong nation brand in the far-off Japan in the 2000’s. How has such a transformation of a small state’s reputation been possible?
In this episode, Dr. Laura Ipatti, Postdoctoral Researcher at the unit of Contemporary History, University of Turku, tackles this question by introducing the findings of her Doctoral Dissertation, titled From Finlandization to Finland Boom. Finland’s Public Diplomacy in Japan, 1962–2003. In her study, Ipatti looks at the actors, means and motives that have participated in ‘making Finland known’ in the economic and cultural powerhouse of post-WWII Japan.
After the lost war against the Soviet Union, Finland was obliged to conclude an agreement of Friendship, Cooperation, and Mutual Assistance with Moscow but, against the odds, stayed a liberal democracy and a market economy that chose neutrality as a foreign policy line. To showcase the willingness and trustworthiness of the Finnish leaders and the society alike to Western cooperation, the Finnish government started an intense image campaigning to secure an access to the Western markets and political dialogue. These efforts at influencing foreign perceptions of Finland targeted even Japan, a member of the US-led bloc in the Cold War.
Today, the legacy of this campaigning is still visible, for example in the Japanese fashion trend called ‘Finland Boom’. But will Finland's appearance at the upcoming Expo 2025 in Osaka this spring build on the old ideals, too?
The episode is hosted by Dr. Outi Luova, Centre for East Asian Studies, University of Turku, Finland
Laura Ipatti: From Finlandization to Finland Boom. Finland’s Public Diplomacy in Japan, 1962–2003. University of Turku, Dec 2024.
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Misery beneath the Miracle in East Asia (Cornell University Press, 2024) challenges prevailing views of the East Asian economic miracle. Existing scholarship has overlooked the severity, persistence, and harmful consequences of the social-welfare crises affecting the region. Dr. Arvid J. Lukauskas and Dr. Yumiko Shimabukuro fill this gap and put a major asterisk on East Asia's economic record.
Combining big-picture analysis, abundant data, a dynamic interdisciplinary framework, and powerful human stories, they shed light on the social ills that governments have failed to address adequately, including low wages, child abuse, elderly poverty, and substandard housing. One of the major forces behind the multidimensional welfare crises is the region's productivist welfare strategy, which prioritizes economic growth while abandoning a robust social safety net, leaving the most vulnerable segments of society largely unprotected.
Misery beneath the Miracle in East Asia brings the region into debates over the dangers of seeking growth at all costs that are currently embroiling the United States and other advanced industrialized countries.
This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
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Cinepoems, tape recorder poems, protest performance poems, music video poems, internet sign language poems, and augmented reality poems: these poems might exist at the margins of conventional poetic practice, but they take center stage in Expanding Verse: Japanese Poetry at the Edge of Media (University of California Press, 2024) by Andrew Campana. Expanding Verse explores the role of experimental poetic practice in Japan from the 1920s to the present, investigating how such poems engaged in the media cultures in which they were made and how poetry allowed poets to rethinking what media was.
Expanding Media is expansive, engaging, and a delight to read, even if you don’t (yet) know what a cinepoem is. This book engages with the fields of literary, media, and disability studies, all while serving as an accessible introduction to the outer edge of contemporary Japanese literature. Expanding Media should appeal to readers interested in Japanese literature, poetry more broadly, and media studies, as well as those looking for a book that will send them down rabbit holes searching for "augmented reality roses" and "pop star lobster princess."
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As Wall Street swooned and boomed through the last decade, our livelihoods have—now more than ever—come to rely upon the good sense and risk appetites of a few standout investors. And amidst the BlackRocks, Vanguards, and Berkshire Hathaways stands arguably the most iconoclastic of them all: SoftBank’s Masayoshi Son.
In Gambling Man: The Wild Ride of Japan’s Masayoshi Son (Atria, 2024), the first Western biography of Son, the self-professed unicorn hunter, we go behind the scenes of the world’s most monied halls of power in New York, Tokyo, Silicon Valley, Saudi Arabia, and beyond to see how Son’s firm SoftBank has defied conventional wisdom and imposing odds to push global tech and commerce into the future.
From the dizzying highs of Uber, DoorDash, and Slack to the epic lows of WeWork and tech-infused dogwalking app Wag Son and SoftBank have been at the center of cutting-edge capitalism’s absolute peaks and valleys. In the process, Son, son of a pachinko kingpin who grew up in a slum in Japan, has been a hero, a villain, and even a meme-ified hero to the internet tech- and finance-bro set all at once.
Based on in-depth research and eye-opening interviews, Gambling Man is an unforgettable character study and alarming true story of twenty-first-century commerce that will stick with you long after you turn the final page.
Lionel Barber is the former editor of the Financial Times. As editor, he interviewed many of the world’s leaders in business and politics, including US Presidents Barack Obama and Donald Trump, Russian President Vladimir Putin, Chancellor Angela Merkel of Germany, and Indian Prime Minister Narendra Modi. Barber has co-written several books and has lectured widely on foreign policy, transatlantic relations, and economics.
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