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Peoples & Things host, Lee Vinsel, talks to Kate McDonald, Associate Professor of History at University of California, Santa Barbara, about her fascinating research on the history of mobility in Asia and how it looks different when we approach it as a history of work and labor. The pair traverse McDonald’s career from her current project, The Rickshaw and the Railroad: Human-Powered Transport in the Age of the Machine, to her first book, Placing Empire: Travel and the Social Imagination in Imperial Japan (U California Press, 2017) to digital humanities projects she has helped lead. Along the way, they talk about the craft of historical research and what we can learn by revisiting classic texts with mobility and the work of transportation in mind.
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Passing, Posing, Persuasion: Cultural Production and Coloniality in Japan's East Asian Empire (U Hawaii Press, 2023) interrogates the intersections between cultural production, identity, and persuasive messaging that idealized inclusion and unity across Japan’s East Asian empire (1895–1945). Japanese propagandists drew on a pan-Asian rhetoric that sought to persuade colonial subjects to identify with the empire while simultaneously maintaining the distinctions that subjugated them and marking their attempts to self-identify as Japanese as inauthentic, illegitimate forms of “passing” or “posing.” Visions of inclusion encouraged assimilation but also threatened to disrupt the very logic of imperialism itself: If there was no immutable difference between Taiwanese and Japanese subjects, for example, then what justified the subordination of the former to the latter? The chapters emphasize the plurality and heterogeneity of empire, together with the contradictions and tensions of its ideologies of race, nation, and ethnicity.
The paradoxes of passing, posing, and persuasion opened up unique opportunities for colonial contestation and negotiation in the arenas of cultural production, including theater, fiction, film, magazines, and other media of entertainment and propaganda consumed by audiences in mainland Japan and its colonies. From Meiji adaptations of Shakespeare and interwar mass media and colonial fiction to wartime propaganda films, competing narratives sought to shape how ambiguous identities were performed and read. All empires necessarily engender multiple kinds of border crossings and transgressions; in the case of Japan, the policing and blurring of boundaries often pivoted on the outer markers of ethno-national identification. This book showcases how actors—in multiple senses of the word—from all parts of the empire were able to move in and out of different performative identities, thus troubling its ontological boundaries.
Christina Yi is associate professor of modern Japanese literature at the University of British Columbia. Her research field is modern and contemporary Japanese literature, with a particular focus on issues of postcoloniality, language politics, genre, and cultural studies. Yi’s first monograph, Colonizing Language: Cultural Production and Language Politics in Modern Japan and Korea, was published by Columbia University Press in 2018.
Andre Haag is associate professor of Japanese literature and culture at the University of Hawai‘i at Mānoa. His research explores how the insecurities and terrors of colonialism attendant to the annexation of Korea and internalization of the “Korea Problem” were inscribed within the literature, culture, and vocabularies that circulated within the Japanese imperial metropole.
Li-Ping Chen is a teaching fellow in the Department of East Asian Languages and Cultures at the University of Southern California. Her research interests include literary translingualism, diaspora, and nativism in Sinophone, inter-Asian, and transpacific contexts.
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Puuttuva jakso?
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In the second half of the twentieth century, Reiki went from an obscure therapy practiced by a few thousand Japanese and Japanese Americans to a global phenomenon. By the early twenty-first century, people in nearly every corner of the world have undergone the initiations that authorize them to channel a cosmic energy—known as Reiki—to heal body, mind, and spirit. They lay hands on themselves and others, use secret symbols and incantations to send Reiki to distant recipients, and strive to follow five precepts to cultivate their spiritual growth. Reiki’s international rise and development is due to the work of Hawayo Takata (1900–1980), a Hawai‘i-born Japanese American woman who brought Reiki out of Japan and adapted it for thousands of students in Hawai‘i and North America, shaping interconnections across the North Pacific region as well as cultural transformations over the transwar period spanning World War II.
Alternate Currents: Reiki’s Circulation in the Twentieth-Century North Pacific (U Hawaii Press, 2023) analyzes how, from her training in Japan in the mid-1930s to her death in Iowa in 1980, Takata built a vast trans-Pacific network that connected Japanese American laborers on Hawai‘i plantations to social elites in Tokyo, Hollywood, and New York; middle-class housewives in American suburbs; and off-the-grid tree planters in the mountains of British Columbia. Using recently uncovered archival materials and original oral histories, this book examines how these relationships between healer and patient, master and disciple, became deeply infused with values of their time and place and how they interplayed with Reiki’s circulation, performance, and meanings along with broader cultural shifts in the twentieth-century North Pacific. Highly readable and informative, each chapter is structured around a period in the life of Takata, the charismatic, rags-to-riches architect of the network in which Reiki spread for decades.
Alternate Currents explores Reiki as an exemplary transnational spiritual therapy, demonstrating how lived practices transcend artificial distinctions between religion and medicine, and circulate in global systems while maintaining strong connections with the practices’ homeland.
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In January 1945, the final year of the Pacific War, Japanese-held Hong Kong became the site of coordinated attacks by the U.S. Navy on Japanese warships and aircraft. Target Hong Kong: A True Story of U.S. Navy Pilots at War (Osprey, 2024) by Steven K. Bailey tells the story of what those air raids were like for the men who lived through them.
Target Hong Kong is a work of military history that puts the lives of five U.S. Navy pilots and the Prisoner of War Raymond (“Ray”) Eric Jones at the center of the story. By weaving together records from diaries, oral histories, and US Navy documents, Steven has not only detailed which airstrike happened where, but also explored how both those living in the Stanley Military Internment Camp and those flying over the skies of Hong Kong experienced the war. Detailed, intimate, and filled with illuminating reflections on the ins and outs of working with wartime diaries, and the importance of visiting sites of historical battles, Target Hong Kong is sure to be of interest to those looking to learn more about the history of wartime Hong Kong and the experiences of American servicemen in the Pacific War. It will also interest anyone looking for an absorbing book that brings the events of the Pacific War to life.
Readers interested in learning more should also check out Steven’s previous book, Bold Venture: The American Bombing of Japanese-Occupied Hong Kong, 1942–1945 (University of Nebraska Press, 2019), as well as “The Battle of Hong Kong: 1941: a Spatial History Project” that Steven references in the podcast.
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Yanagawa Seigan (1789–1858) and his wife Kōran (1804–79) were two of the great poets of nineteenth-century Japan. They practiced the art of traditional Sinitic poetry—works written in literary Sinitic, or classical Chinese, a language of enduring importance far beyond China’s borders. Together, they led itinerant lives, traveling around Japan teaching poetry and selling calligraphy. Seigan established Edo-period Japan’s largest poetry society and attained nationwide renown as a literary figure, as well as taking part in stealthy political activities in the years before the Meiji Restoration. Kōran was one of the most accomplished female composers of Sinitic poetry in Japanese history. After her husband’s death, she was arrested and imprisoned for six months as part of a crackdown on political reform. Seigan and Kōran’s works at once display mastery of a poetic tradition and depict Japan on the brink of monumental change.
The Same Moon Shines on All: The Lives and Selected Poems of Yanagawa Seigan and Kōran (Columbia UP, 2024) explores the world of Seigan and Kōran, pairing an in-depth account of their lives and times with an inviting selection of their poetry. The book features eminent Sinologist Jonathan Chaves’s translations of more than 130 poems by Seigan and more than 50 by Kōran, each annotated and followed by the original Chinese text. An introduction by Matthew Fraleigh, a specialist in Japan’s Sinitic literature, offers insight into the historical and literary context as well as the poems themselves. Approachable and delightful, this book makes the riches of Japanese Sinitic poetry available to a range of readers.
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Part of a formidable publishing industry, cheap yet eye-catching graphic narratives consistently charmed early modern Japanese readers for around two hundred years. These booklets were called kusazōshi (“grass books”). Graphic Narratives from Early Modern Japan: The World of Kusazōshi (Brill, 2024) is the first English-language publication of its kind. It enables anyone new to kusazōshi to gain comprehensive knowledge of the field. For the specialist, our edited volume marks a turning point in scholarship, uncovering fresh research avenues. While exploring the powerful effects of the visual-verbal imagination, this collection opens up bold new vistas on the act of reading and advances provocations around comics and manga.
Contributors are: Jaqueline Berndt, Joseph Bills, Michael Emmerich, Adam L. Kern, Fumiko Kobayashi, Frederick Feilden, Laura Moretti, Matsubara Noriko, Satō Satoru, Satō Yukiko, Satoko Shimazaki, Takagi Gen, Tanahashi Masahiro, Ellis Tinios, Tsuda Mayumi and, Glynne Walley.
Discount code 72435 for 35%. Valid till 31 Dec, 2024.
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Eliza Scidmore (1856-1928) was a journalist, a world traveler, a writer, an amateur photographer, the first female board member of the National Geographic Society — and the one responsible for the idea to plant Japanese cherry trees in Washington DC. Her fascinating life is expertly told by Diana Parsell in Eliza Scidmore: The Trailblazing Journalist Behind Washington's Cherry Trees (Oxford UP, 2023).
This is the first biography of Eliza Scidmore, and it draws not only on Scidmore’s surviving letters and photographs but also her some 800 articles and 6 books. By piecing together the chronology of Scidmore’s travels, Parsell has crafted a wonderfully intimate picture of Scidmore’s life, one that documents her trips from the glaciers of Alaska (complete with seal-flipper soup) to the streets of Beijing on the eve of the Boxer Rebellion. Throughout, Scidmore’s tenacity and her joy of discovery really shine through, as do the causes that she advocated for: cross-cultural understanding, environmental conservation, and the beautification of the Potomac.
This book is sure to appeal to those interested in travel writing, the history of journalism, and early travelers to East Asia, as well as anyone looking to read a biography about a woman who lived a truly unique life.
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Recent proposals to revive the ancient Silk Road for the contemporary era and ongoing Western interest in China’s growth and development have led to increased attention to the concept of pan-Asianism. Most of that discussion, however, lacks any historical grounding in the thought of influential twentieth-century pan-Asianists. In Pan-Asianism and the Legacy of the Chinese Revolution (U Chicago Press, 2023), Viren Murthy offers an intellectual history of the writings of theorists, intellectuals, and activists—spanning leftist, conservative, and right-wing thinkers—who proposed new ways of thinking about Asia in their own historical and political contexts.
Tracing pan-Asianist discourse across the twentieth century, Murthy reveals a stronger tradition of resistance and alternative visions than the contemporary discourse on pan-Asianism would suggest. At the heart of pan-Asianist thinking, Murthy shows, were the notions of a unity of Asian nations, of weak nations becoming powerful, and of the Third World confronting the “advanced world” on equal terms—an idea that grew to include non-Asian countries into the global community of Asian nations. But pan-Asianists also had larger aims, imagining a future beyond both imperialism and capitalism. The fact that the resurgence of pan-Asianist discourse has emerged alongside the dominance of capitalism, Murthy argues, signals a profound misunderstanding of its roots, history, and potential.
Viren Murthy is a Professor of History in the Department of History at the University of Wisconsin-Madison. His previous book include Zhang Taiyan: The Resistance of Consciousness and The Politics of Time in China and Japan: Back to the Future. His current project concerns how East Asian intellectuals drew on G.W.F Hegel to uncover logics to Chinese and Japanese history, which culminate in a new world order inspired by their respective cultures.
Nick Zeller is a senior program associate for The Carter Center's China Focus initiative and managing editor of the English-language U.S.-China Perception Monitor. Prior to joining China Focus, Nick was a Visiting Assistant Professor of World History in Kennesaw State University’s Department of History and Philosophy, Visiting Assistant Professor of Asian History in the University of South Carolina’s Department of History, and an NSEP Boren Fellow at Tsinghua University in Beijing. He received his Ph.D. in modern Chinese history from the University of Wisconsin-Madison.
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The notion of beauty is inherently elusive: aesthetic judgments are at once subjective and felt to be universally valid. In Beauty Matters: Modern Japanese Literature and the Question of Aesthetics, 1890-1930 (Columbia UP, 2024), Anri Yasuda demonstrates that by exploring the often conflicting yet powerful pull of aesthetic sentiments, major authors of the late Meiji (1868–1912) and Taishō (1912–1926) periods illuminated themes and perspectives that resonated broadly in modern Japanese society. This approach presents an alternative to conventional accounts in which Japanese literature before the modernist turn of the 1920s has tended to be defined by an insular focus on subjective representation and autobiographical realism.
Yasuda investigates how Natsume Sōseki, Mori Ogai, Mushanokōji Saneatsu and his peers at Shirakaba magazine, and Akutagawa Ryūnosuke sought to identify the aesthetic properties of literature through comparisons with the visual arts. They also considered the position of Japanese cultural sensibilities within the Eurocentric imperial world order. Their stories featuring painters and paintings weigh the fundamental challenge of representing anything when the conditions of knowledge are in flux, and their stories about cross-cultural encounters display both hope and ambivalence about the prospect of cosmopolitanism. Yasuda shows how thinking about beauty and art enabled these authors to surpass purely “literary” concerns. By tracing the wide-reaching significance of aesthetic affect in literary thought, Beauty Matters destabilizes received conceptions of literature’s parameters and affirms literature’s continued potential to intervene in cultural discourses in Japan and beyond.
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In Waiting for the Cool Moon: Anti-Imperialist Struggles in the Heart of Japan's Empire (Duke UP, 2024) Wendy Matsumura interrogates the erasure of colonial violence at the heart of Japanese nation-state formation. She critiques Japan studies’ role in this effacement and contends that the field must engage with anti-Blackness and anti-Indigeneity as the grounds on which to understand imperialism, colonialism, fascism, and other forces that shape national consciousness. Drawing on Black radical thinkers’ critique of the erasure of the Middle Passage in universalizing theories of modernity’s imbrication with fascism, Matsumura traces the consequences of the Japanese empire’s categorization of people as human and less-than-human as manifested in the 1920s and 1930s, and the struggles of racialized and colonized people against imperialist violence. She treats the archives safeguarded by racialized, colonized women throughout the empire as traces of these struggles, including the work they performed to keep certain stories out of view. Matsumura demonstrates that tracing colonial sensibility and struggle is central to grappling with their enduring consequences for the present.
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In early modern Japan, upper status groups coveted pills and powders made of exotic foreign ingredients such as mummy and rhinoceros horn. By the early twentieth century, over-the-counter-patent medicines, and, more alarmingly, morphine, had become mass commodities, fueling debates over opiates in Japan's expanding imperial territories.
The fall of the empire and the occupation of Japan by the United States created conditions favorable for heroin use, followed, in time, by glue sniffing and psychedelic mushroom ingestion.
By illuminating the neglected history of drugs, Drugs and the Politics of Consumption in Japan (Brill, 2023) highlights both the transnational embeddedness and national peculiarities of the "politics of consumption" in Japan.
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If ancient Kyoto stands for orderly elegance, then Tokyo, within the world’s most populated metropolitan area, calls to mind–– jam-packed chaos. But in Emergent Tokyo: Designing the Spontaneous City (Oro Editions, 2022), Professor Jorge Almazán of Keio University and his Studio Lab colleagues ask us to look again—at the shops, markets, restaurants and tiny bars in back alleys, side streets and underneath highway bridges and rail lines. Within walking distance of a commuter rail station, small wood frame detached houses on tiny lots define a cohesive neighborhood. The order underlying a seemingly chaotic cityscape makes for an eminently livable city. Finishing this remarkable study, the reader may ask—have we been overlooking under-utilized space in my town? Why not little houses on small lots? Why can’t we walk to a shop around the corner? If Jane Jacobs’ Death and Life of Great American Cities opened your eyes, then consider Emergent Tokyo. With Dr. Almazán as our guide, Tokyo has much to teach.
James Wunsch, Emeritus Professor of Historical Studies, Empire State College (SUNY)
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Sidney Lu’s The Making of Japanese Settler Colonialism: Malthusianism and Trans-Pacific Migration, 1868-1961 (Cambridge 2019) places the concept of “Malthusian expansionism” at the center of Japanese settler colonialism around the Pacific. For Japan’s imperial apologists and the discursive architecture they disseminated, alleged overpopulation―or more precisely, a critical imbalance between surplus population and insufficient land and resources―justified expansionism. Simultaneously, both population growth and expansion were signs of national power and prestige. From the colonization of Hokkaido to the realization of a “migration state” in the 1920s and into the postwar period, The Making of Japanese Settler Colonialism challenges the conceptual division between settler colonialism and migration, with implications beyond Japanese history.
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Like many American boys, Tony Barnette yearned to one day make it to “The Show,” playing baseball professionally. The Arizona State pitcher was drafted in 2006 by the in-state Diamondbacks. Gradually ascending the minor-league ladder, it looked like this was the beginning of a blessed life, where he could play the game he loved on the grandest of stages in front of family and friends.
But things don’t always work out the way we want.
On the verge of achieving his lifelong dream after notching a league-high 14 wins in Triple A, Tony looked ahead to 2010 with optimism. That’s when Japan came calling, offering a significant salary hike in exchange for forgoing a likely forthcoming big-league debut.
The Diamondbacks agreed to release Tony so he could play for Tokyo’s Yakult Swallows, the renowned Yomiuri Giants’ intra-city rivals.
At the time, the only thing he had in common with the country was a love for baseball. He did not know the language and was unfamiliar with Nippon Professional Baseball and essentially everything else. On his own in a strange land, the burning desire to one day make the major leagues never subsided. He knew the odds were against him, as less than one quarter of gaijin (Japanese for “foreigner”) ballplayers who go to Japan appear in the majors at any point thereafter.
First-year struggles led to multiple demotions and his end-of-year release. But when you’re chasing a dream, you expect to encounter several obstacles. Tony refused to be deterred. Over six seasons in Japan, the starter became a reliever and then a closer. After a strong 2015 season, in which he guided his long-suffering Swallows to the Japan Series, he finally got the call he had been waiting for. Signing with the Texas Rangers in December, Tony would make his first major-league appearance on April 5, 2016, at age thirty-two. He’d go on to pitch four seasons with the Rangers and Chicago Cubs, fulfilling a lifelong dream.
In A Baseball Gaijin: Chasing a Dream to Japan and Back (Sports Publishing, 2024), Aaron Fischman tells Tony's story of perseverance, determination, and never giving up on your dream.
Paul Knepper covered the New York Knicks for Bleacher Report. His first book, The Knicks of the Nineties: Ewing, Oakley, Starks and the Brawlers That Almost Won It All was published in 2020. You can reach Paul at [email protected] and follow him on Twitter @paulieknep.
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Discover everything you’ve ever wondered about the legendary spirits, creatures, and figures of Japanese folklore including how they have found their way into every corner of our pop culture from the creator of the podcast Uncanny Japan.
Welcome to The Book of Japanese Folklore: An Encyclopedia of the Spirits, Monsters, and Yokai of Japanese Myth (Adams Media, 2024): a fascinating journey through Japan’s folklore through profiles of the legendary creatures and beings who continue to live on in pop culture today.
From the sly kitsune to the orgrish oni and mischievous shape-shifting tanuki, learn all about the origins of these fantastical and mythical creatures. This gorgeous package is complete with stained edges and stunning four-color illustrations. With information on their cultural significance, a retelling of a popular tale tied to that particular yokai, and how it’s been spun into today’s popular culture, this handsome tome teaches you about the stories and histories of the beings that inspired characters in your favorite movies, animes, manga, and games.
Thersa Matsuura is an American expat who has lived in Japan for over thirty years. Her fluency in the language allows her to explore her favorite part of Japanese culture: all the myths, legends, folktales, and superstitions. Thersa retells these Japanese folktales and ghost stories on her popular podcast Uncanny Japan. Thersa has also published two short story collections, including A Robe of Feathers and Other Stories and The Carp-Faced Boy and Other Tales, a collection of horror stories inspired by Japanese folktakes, which was nominated for a Bram Stoker Award in 2017.
Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter.
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In December 1948, a panel of 12 judges sentenced 23 Japanese officials for war crimes. Seven, including former Prime Minister Hideki Tojo, were sentenced to death. The sentencing ended the International Military Tribunal for the Far East, an over-two-year-long trial over Imperial Japan’s atrocities in China and its decision to attack the U.S.
But unlike the trials at Nuremberg, now seen as one of the touchstones of modern international law, the trials at Tokyo were a messy affair. The ruling wasn’t unanimous, with two judges dissenting. Indian judge Radhabinod Pal even chose to acquit everybody. The judges couldn’t agree on anything, the prosecution made significant mistakes, and the defense constantly complained about not having enough time and resources.
Gary Bass tells the entire story of the trials at Tokyo—from their formulation at the end of a long World War by a triumphant yet weary U.S., to the eventual decision to let many sentenced defendants out on parole as Japan became a close Cold War ally of Washington—in his book Judgment at Tokyo: World War II on Trial and the Making of Modern Asia (Knopf: 2023)
Gary Bass is also the author of The Blood Telegram: Nixon, Kissenger and a Forgotten Genocide (Vintage: 2014), which was a finalist for the Pulitzer Prize in general nonfiction and won the Arthur Ross Book Award from the Council on Foreign Relations, among other awards. He is the William P. Boswell Professor of World Politics of Peace and War at Princeton University. His previous books are Freedom's Battle: The Origins of Humanitarian Intervention (Knopf Doubleday Publishing Group: 2008) and Stay the Hand of Vengeance: The Politics of War Crimes Tribunals (Princeton University Press: 2002). A former reporter for The Economist, Bass writes often for The New York Times and has written for The New Yorker, The Washington Post, The Atlantic, Foreign Affairs, and other publications.
You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books. Including its review of Judgment at Tokyo. Follow on Twitter at @BookReviewsAsia.
Nicholas Gordon is an editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at @nickrigordon.
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Informed Western understanding of Imperial Japan still often conjures up images of militarism, blind devotion to leaders, and fanatical pride in the country. But, as Imperial Japan and Defeat in the Second World War: The Collapse of an Empire (Bloomsbury, 2020)reveals, Western imagination is often reductive in its explanation of the Japanese Empire and its collapse. In his analysis of the Emperor, Imperial Japanese Army and Navy during the Second World War, Peter Wetzler examines the disconnect between nation and state during wartime Japan and in doing so offers a much-needed nuanced and sensitive corrective to existing Western scholarship.
Rooted in the perspective of the Japanese, Wetzler makes available to readers vital primary and secondary Japanese archival sources; most notably, this book provides the first English assessment of the recently-released Actual Record of the Showa Emperor. This book is an important advance in English-language studies of the Second World War in Asia, and is thus essential reading for all those wishing to understand this crucial period in Japanese history.
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The Handbook of Modern and Contemporary Japanese Women Writers (MHM Limited and Amsterdam University Press, 2022) offers a comprehensive overview of women writers in Japan, from the late 19th century to the early 21st. Featuring 24 newly written contributions from scholars in the field—representing expertise from North America, Europe, Japan, and Australia—the Handbook introduces and analyzes works by modern and contemporary women writers that coalesce loosely around common themes, tropes, and genres. Putting writers from different generations in conversation with one another reveals the diverse ways they have responded to similar subjects. Whereas women writers may have shared concerns—the pressure to conform to gendered expectation, the tension between family responsibility and individual interests, the quest for self-affirmation—each writer invents her own approach. As readers will see, we have writers who turn to memoir and autobiography, while others prefer to imagine fabulous fictional worlds. Some engage with the literary classics—whether Japanese, Chinese, or European—and invest their works with rich intertextual allusions. Other writers grapple with colonialism, militarism, nationalism, and industrialization. This Handbook builds a foundation which invites readers to launch their own investigations into women’s writing in Japan.
Professor Rebecca Copeland is a professor of Japanese literature at Washington University in St. Louis. Professor Copeland’s research and teaching interests include modern and contemporary women’s writing in Japan, modern literature and material culture, and translation studies. She is the author of The Sound of the Wind: The Life and Works of Uno Chiyo (1992) and Lost Leaves: Women Writers of Meiji Japan (2000), the latter of which was named a Choice Outstanding Academic Title for 2001. She is the editor of Woman Critiqued: Translated Essays on Japanese Women's Writing (2006) and co-editor of The Father-Daughter Plot: Japanese Literary Women and the Law of the Father (2001) and Modern Murasaki: Writing by Women of Meiji Japan (2006), and Diva Nation: Female Icons from Japanese Cultural History (2018). Professor Copeland also translates one of the most well-known Japanese woman writer, Kirino Natsuo’s Grotesque (2007) and Joshinki (The Goddess Chronicles, 2012). The Goddess Chronicles won the 2014-15 Japan-U.S. Friendship Commission Prize for the Translation of Japanese Literature. Professor Copeland is also a creative writer and her debut novel, The Kimono Tattoo, was published in 2021.
Linshan Jiang is a Postdoctoral Associate in the Department of Asian and Middle Eastern Studies at Duke University. She received her Ph.D. in East Asian Languages and Cultural Studies from the University of California, Santa Barbara, where she also obtained a Ph.D. emphasis in Translation Studies. Her research interests include modern and contemporary literature, film, and popular culture in mainland China, Taiwan, and Japan; trauma and memory studies; gender and sexuality studies; queer studies; as well as comparative literature and translation studies. Her primary research project focuses on female writers’ war experiences and memories of the Asia-Pacific War, entitled Women Writing War Memories. Her second research project explores how queerness is performed in Sinophone queer cultural productions. She has published articles about gender studies and queer studies in literature and culture as well as translations of scholarly and popular works in Chinese and English. She has been making a podcast named Gleaners with her friends for more than ten years and she is also a host of the East Asian Studies channel for the New Books Network.
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In December 1937, Bernhard Sindberg arrives at a cement factory outside of Nanjing. He’s one of just two foreigners, and he gets there just weeks before the Japanese invade and commit the now infamous atrocities in the Chinese city.
As the writer Peter Harmsen notes, Bernhard’s background isn’t particularly compelling: He’s bounced from job to job, and is known for butting heads with his colleagues and superiors. But as Harmsen explains in his book Bernhard Sindberg: The Schindler of Nanjing (Casemate: 2024), the Danish man ends up doing something extraordinary: Setting up a refugee camp and using every ounce of political capital and sheer bullheadedness to protect tens of thousands of Chinese trying to escape the fighting.
In this interview, Peter and I talk about Bernhard, his less-than-illustrious path to China, and what his deeds in Nanjing tell us about the nature of heroism.
Peter Harmsen is the author of Shanghai 1937: Stalingrad on the Yangtze (Casemate: 2015) and Nanjing 1937: Battle for a Doomed City (Casemate: 2015), as well as the War in the Far East trilogy. He studied history at National Taiwan University and has been a foreign correspondent in East Asia for more than two decades.
You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of Bernhard Sindberg. Follow on Twitter at @BookReviewsAsia.
Nicholas Gordon is an editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at @nickrigordon.
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In 1941 and 1942 the British and Indian Armies were brutally defeated and Japan reigned supreme in its newly conquered territories throughout Asia. But change was coming. New commanders were appointed, significant training together with restructuring took place, and new tactics were developed.
A War of Empires: Japan, India, Burma, and Britain: 1941–45 (Osprey, 2021) by acclaimed historian Robert Lyman expertly records these coordinated efforts and describes how a new volunteer Indian Army, rising from the ashes of defeat, would ferociously fight to turn the tide of war.
But victory did not come immediately. It wasn't until March 1944, when the Japanese staged their famed 'March on Delhi', that the years of rebuilding paid off and, after bitter fighting, the Japanese were finally defeated at Kohima and Imphal. This was followed by a series of extraordinary victories culminating in Mandalay in May 1945 and the collapse of all Japanese forces in Burma. Until now, the Indian Army's contribution has been consistently forgotten and ignored by many Western historians but Robert Lyman proves how vital this hard-fought campaign was in securing Allied victory in the east. Detailing the defeat of Japanese militarism, he recounts how the map of the region was ultimately redrawn, guaranteeing the rise of an independent India free from the shackles of empire.
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