Episodes
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An electronic composition, sounds created using Pure Data with various plugins, etc.
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According to my research of various websites, the consensus seems to be that calmer types of music are more conducive to plant growth. This track was created using Pure Data & various plugins, etc.
More on the 669th weekly Disquiet Junto project, Phonosynthesis — The Assignment: Make music to help a forest regenerate — at https://disquiet.com/0669/ -
Missing episodes?
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Mellow (naviarhaiku563) by ray_cobley
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A sequence of sounds generated from a short original recording of a secret subject.
More on the 668th weekly Disquiet Junto project, All Right Then, Keep Your Secrets — The Assignment: Bury a secret sound until it is no longer identifiable — at https://disquiet.com/0668/
This project was proposed by Mahlen Morris.
The image associated with this track is a detail from a photo by Chris Riebschlager, found on Flickr and used thanks to a Creative Commons license:
https://flic.kr/p/2eGb3D
https://creativecommons.org/licenses/by-nc/2.0/ -
Soundworld Voyage (naviarhaiku562) by ray_cobley
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Electronic composition, sounds from various sources.
More on the 667th weekly Disquiet Junto project, Neighbor of the Beast — The Assignment: What’s it sound like when the devil lives across the street? — at https://disquiet.com/0667/ -
An electronic composition, sounds created in Pure Data and Audacity.
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Electronic composition, sounds from various sources including Pure Data & Audacity.
More on the 666th weekly Disquiet Junto project, Beauty and the Beast — The Assignment: We’ve hit a devilish numerical milestone. Do your thing. — at https://disquiet.com/0666/. -
Electronic composition, a textured drone sequence, sounds created in Pure Data.
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An electronic sequence created with Audacity and various plugins.
More on the 665th weekly Disquiet Junto project, Clicks + Cuts Music Factory — The Assignment: Record a track in honor of the late Achim Szepanski — at Disquiet Junto Project 0665: Clicks + Cuts Music Factory – Disquiet
The image associated with this project was created by Lubomir Panak in 2011. Originally posted on Flickr 1, it is used thanks to a CC BY-NC 2.0 license. This is a detail of the original image, and it has been tilted at an angle, with the project information superimposed. -
An electronic sequence created with Audacity and Pure Data.
More on the 664th weekly Disquiet Junto project, Mother Beat — The Assignment: Record a piece of music in 29/16 time — at https://disquiet.com/0664/ -
Original field recordings mixed with electronic sounds created in Pure Data.
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An electronic composition, original sounds created in Pure Data.
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I mixed a number of hard drive recordings and combined the result with a drone sequence created in Pure Data.
More on the 663rd weekly Disquiet Junto project, Drive Way — The Assignment: Record a piece of music that complements the hum and whir of a hard drive — at https://disquiet.com/0663/
The image associated with this project is licensed thanks to a Creative Commons Attribution-Share Alike 3.0 Unported. It was taken by Evan Amos — whom Popular Science has reportedly referred to as “gaming’s most famous photographer” — as a part of Vanamo Media.
https://creativecommons.org/licenses/by-sa/3.0/deed.en/
https://en.wikipedia.org/wiki/File:Laptop-hard-drive-exposed.jpg -
An electronic composition, sounds created in Pure Data.
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An electronic composition, sounds created in Pure Data.
More on the 662nd weekly Disquiet Junto project, Spin Cycle — The Assignment: Record a piece of music that pits one bicyclist against another — at https://disquiet.com/0662/ 1 -
A drone sequence derived from original recordings of a washing machine and a kettle.
More on the 661st weekly Disquiet Junto project, Consumer Drone Product — The Assignment: Record a piece of drone music using sounds from your home — at https://disquiet.com/0661/ -
An electronic composition, sounds created in Pure Data.
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An electronic composition, original sounds created in Pure Data.
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I split the original track by Ted Lewis into numerous clips, then rearranged them with the longer ones at the beginning & the shorter ones towards the end. The resulting track was gradually slowed down, something like an old gramophone winding down, then subjected to some detuning, delay & reverb.
More on the 660th weekly Disquiet Junto project, Louis Blues St. — The Assignment: Break a public domain song into parts and reorganize them — at https://disquiet.com/0660/
Background: More on the source track here:
https://archive.org/details/78_st-louis-blues_ted-lewis-and-his-band-handy_gbia0268157b 2 - Show more
