Episodi
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On February 27th 2023 Ben Kweller received the worst phone call imaginable. His 16 year old son Dorian had died in a car accident. An oncoming truck had veered into Dorian’s lane and a downed tree had gone through his windscreen as he swerved over.
Dorian himself was a budding musician, releasing music under the name Zev, and had been due to tour with his father later that year.
Ben has been incredibly open about the tragedy, and turned the tour into somewhat of a tribute to his son.
Out of the devastation of the past two years has come a new album from Ben entitled “Cover The Mirrors”. It features guests appearances from the likes of Waxahatchee, The Flaming Lips, and MJ Lenderman. You’ll hear some clips from it during our conversation.
Ben’s debut album 2002’s “Sha Sha” meant a lot to me, and I was keen to ask about the song “Falling” which I love dearly. That album also features the song “Lizzy”, a song about his girlfriend at the time. Lizzy married Ben in 2003, and it really made me smile that she was handling his PR when we set this up.
I’m really grateful to Ben for talking to me at such a sensitive time, and for trusting me with this episode. He joins me from his home in Texas.
He was such lovely company and I hope you find this conversation inspiring in some way.
Please come and find me on Instagram at Sending Signals podcast and check out ever growing back catalogue of episodes where you can find my conversations with members of REM, The National, E Street Band, Genesis, The Police, Beach Boys and loads more. Finally, if you can leave a good star rating with your podcast provider I would really appreciate it.
Thanks so much to Ben and Lizzy.
Instagram: @sendingsignalspodcast
Ben Kweller on Spotify:
https://open.spotify.com/artist/7bhMBjjQhgPX0q9S4Ajncn?si=iK7SVY8uSPCK-9sL19sHng
Zev on Spotify:
https://open.spotify.com/artist/66Nj7lUkbFw7ICIamxWvTY?si=KzM5jWW6RNKQdHBZa_of-g
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Tom Sheehan was born in Camberwell, South London. He was an in-house photographer for CBS Records in the 70s, and went on to be the chief photographer for Melody Maker. He enjoyed long-term working relationships with the likes of REM, The Cure, Manic Street Preachers, and Oasis, the subject of a new book of Tom’s work entitled “Roll With It: Oasis in Photographs 1994-2002”.
I had a great time chatting with Tom about his life and work, and I hope you enjoy it too.
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Episodi mancanti?
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Nels Cline was born in California in January 1956. He started played guitar at the age of 12 and his early career is fairly jazz-based, before stretching into other directions.
He has played guitar for Wilco, one of my favourite bands in the world, since 2004.
He has a new solo album out on Blue Note Records entitled “Consentrik Quartet”, featuring Ingrid Laubrock on saxophone, Tom Rainey on drums, and Chris Lightcap on double bass. It’s a really excellent album and I was thrilled Nels agreed to come on the show.
We take a dive into “Consentrik Quartet”, but of course we also discuss his life with Wilco and beyond. I had a great time on this, and I hope you enjoy.
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Wolfgang Flür was born in Frankfurt in 1947 but moved to Düsseldorf in the early ‘50s, which has been home ever since. As a young man he played in the band The Sprits Of Sound, and studied to be an architect, hoping to get into interior design. Wolfgang joined Kraftwerk in 1973 and plays on one of the most remarkable album runs in pop music history; “Autobahn”, “Radioactivity”, “Trans Europe Express”, “The Man Machine”, and “Computer World”. He left the band in the mid-80’s and his relationship with his former bandleader Ralf Hütter has been somewhat acrimonious over the past few decades.
Wolfgang has just released a new record entitled “Times”, which you’ll hear clips from during our conversation. The album features collaborations from Peter Hook (formally of Joy Division and New Order of course), and Daft Punk’s Thomas Bangalter.
The day before the interview I was informed that Wolfgang’s musical partner Peter Duggal would be sitting in on the call too. Peter is a musician and producer based in Hebden Bridge, and is very amenable company.
This was a fun chat. Wolfgang is really funny and interesting. It probably goes without saying that I absolutely love Kraftwerk, and although I sensed it would not be wise to focus on them too much, it’s still a thrill to have them represented on the podcast.
Instagram: @sendingsignalspodcast
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Wendy James is tied up with some of my earlier memories of music. She fronted the band Transvision Vamp, who were hard to ignore in the late 80s. Songs like “I Want Your Love” and “Baby I Don’t Care” were pretty big hits over here.
Transvision Vamp split in the early 90s and since then Wendy has persuaded various solo projects. Interestingly her first solo album “Now Ain’t The Time For Your Tears” was written by Elvis Costello, sometimes alongside Caitlin O’Riordan from the Pogues.
These days Wendy is basically a cottage industry, self releasing albums and embracing direct engagement with her fanbase. She recently released an album entitled “The Shape Of History” and you’ll hear clips from that throughout our conversation.
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Pat Arnold has had quite a life. Born in 1946 she grew up in LA, and was in an abusive marriage with two kids while still a teenager. In 1965 she got a chance to audition for Ike and Tina Turner’s band as an “Ikette”. She got the gig and left her children in the care of her parents. This eventually took her to London where she fell into the orbit of The Rolling Stones, and she decided to stay behind there to establish herself as a solo artist, signing to Stones’ manager Andrew Loog Oldham’s label Immediate Records, home of the Small Faces, members of whom ended up writing songs for her and backing her on some of her recordings. She also toured with them, and is the backing vocalist on Itchycoo Park and Tin Soldier, two of their biggest hits.
She had hits under her own name too, including her recordings of Angel Of The Morning and The First Cut Is The Deepest. She also recorded with Rod Stewart.
In the 70s she appeared on recordings by the likes of Nick Drake, Graham Nash, and Nils Lofgren. She toured with Eric Clapton and recorded with Barry Gibb although most of these recordings remained unreleased for decades. She sadly lost a daughter in a car accident in the mid-70s, and along with not being able to further her career as a solo artist, she seems to view this as somewhat of a lost decade.
As well as being cast in Starlight Express, the 80s saw her work with Steel Pulse, The Beatmasters and Roger Waters, as well appearing on Peter Gabriel’s smash hit Sledgehammer.
She first came into my orbit in the late 90s through her collaboration with Ocean Colour Scene, and the early 2000s saw her tour extensively with Roger Waters.
In recent years she finally completed the album she started with Barry Gibb and Eric Clapton decades earlier, as well as a brand new studio album recorded and produced by former podcast guest Steve Craddock of Ocean Colour Scene and Paul Weller fame.
She has a new career spanning box set entitled “Soul Survivor - A Life In Song” and I had a fantastic time talking to Pat about her life and career.
Instagram: @sendingsignalspodcast
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Nadia Reid is a singer-songwriter born and raised in New Zealand, before recently relocating to Manchester. She’s just released her fourth album “Enter Now Brightness”. We take a deep dive into the album, and our conversation ends up encompassing motherhood, relocation, generational trauma, faith; it goes to some deep places. I really hope you enjoy it.
Instagram: @sendingsignalspodcast
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You know how every now and then, an album comes along that just gets into your bones, and it’s hard to describe just how grateful you are it exists? (If you don’t know that feeling, I’m sorry, but keep searching for it). Tamara Lindeman working as The Weather Station has make two such records I feel that way about; 2019’s “Ignorance” and 2025’s “Humanhood”, released on January 17th.
“Humanhood” is a brave, striking and beautiful piece of work that just keeps on giving back, the more you mine it. It’s not designed for casual listening; the level of nuance involved, the little interludes between songs, and it’s lyrical themes of self-identity in crisis, set against grander concerns about the environment and the post-truth era we find ourselves in, deserve your full attention. It’s the sort of album where a different moment or detail might hit your each time you go back to it. It can’t imagine it being topped this year.
Our conversation takes in everything from depersonalisation disorder and OCD, to taking photos of the sky, unrealistic roles for teenagers and in movies, Canadian rock-band Our Lady Peace, and quietly making the greatest album of 2025.
Let me know what you think on Instagram @sendingsignalspodcast
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I first heard The National 17 years ago this month I think, and I fell in love instantly. They’ve continued to be one of my favourite bands, and it’s been great to see them ascend to new heights of popularity and pursue interesting creative directions in the band and outside.
Guitarist Aaron Dessner is now a key producer and co-writer for the likes of Taylor Swift and Gracie Abrams. His twin brother Bryce Dessner is a composer whose orchestral and chamber compositions have been commissioned by the LA Philharmonic, Edinburgh International Festival and Kronos Quartet amongst others, and he’s collaborated with the likes of Philip Glass, Steve Reich, Paul Simon, Sufjan Stevens and many more. Frontman Matt Berninger has become one of the most compelling rock frontman of the 21st century with his often darkly funny, self-deprecating lyrics, and gangly, physical stage presence. Drummer Bryan Devendorf is one of the most distinctive drummers operating in rock today.
Which leaves my guest this episode, bassist Scott Devendorf. I feel like Scott is the member of the band I knew least about. Obviously I’ve seen him onstage many times anchoring the band, but I was intrigued to see how the interview would go, and was pleased to discover Scott was excellent company.
The National have just released a new live album entitled “Rome” which was recorded this past June in, well Rome obviously. It does a pretty good job of capturing the catharsis and sometimes chaos of a National show. I thought it was an interesting decision to focus on one particular show rather than compile tracks from across the tour. I was curious how they would handle the situations where Matt goes walkabout with the microphone, climbing into the crowd and getting mobbed with fans singing their heads off. Scott had a lot to say about these decisions, and about The National as a live act in general. He was really generous with his time.
I only found out this interview was happening less than 24 hours before it took place, so it was quite a whirlwind getting it prepped and organised. I again had some technical issues so I’ve mostly just used the zoom feed but it sounds fine. To have The National represented on the podcast really means a lot. This will be the last episode of the year, and what a way to go out.
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It’s a busy one. My guests this episode are Sunderland’s David and Peter Brewis, known collectively as Field Music, and Walter Schreifels of New York post-hardcore rockers Rival Schools.
You may remember David Brewis from Field Music has been on the podcast before. I’ve been a fan of the band since 2007’s magnificent “Tones Of Town” album. Depending on how you count it, “Limits Of Language” is their 9th, 10th, or 11th studio album, in addition to numerous side projects and offshoots. However you count it, “Limits Of Language” is a very fine album, and as usual, deserves a much wider audience than they tend to get, despite a bizarre and wonderful endorsement from Prince on his Twitter feed in 2015. It was lovely to have both Brewis brothers together on the show.
Rival Schools are a New York part-time supergroup made up members of 80s and 90s hardcore bands, not a scene I’m into really, but the band’s two albums, 2001’s “United By Fate” and 2011’s “Pedals” are really melodic and accessible, even for more of an indie-rock kid like me. The band are celebrating their 25th anniversary and have been reissuing their back catalogue on vinyl. Walter caught up me from a room on tour in Minneapolis, and I was impressed with the thoughtfulness and depth of some of his answers. Enjoy!
Instagram: @sendingsignalspodcast
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So, actually quite a personal episode for me this week. When I was 16 years old I started a media GNVQ at a local college, and during the first year there was a week allocated for work experience, so around June 2000 I spent a week working at Uncut magazine. My babysitter for that week was Michael Bonner, who in 2018 officially became the magazine’s editor, after founder Allen Jones stepped down. I hadn’t spoken to Michael since that week 24 years ago, so I was very curious to speak with him about what was such a formative experience for me, but probably a very average week in the office for him. I’ve also spent many years subscribed to Uncut magazine, and I thought it would be an interesting idea for an episode, to explore the making of a major music magazine. Michael was very generous with his time and we had good fun catching up.
Instagram: @sendingsignalspodcast
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Phil Manzanera has had a remarkable life. Best known as the lead guitarist in Roxy Music, he’s also worked as a writer, producer and/or performer with the likes of David Gilmour, Steve Winwood, Nico, Brian Eno and many more. He’s just released a mammoth box set of his solo work which dates back to 1975’s “Diamond Head” album.
The box, entitled “50 Years Of Music”, comes at a time of reflection for Manzanera. He recently released a memoir, in which he detailed his childhood in Cuba at the time of Batista’s overthrow in 1959, and his suspicion that his Dad, who ostensibly worked for BOAC airlines, was actually a spy. Manzanera lived in different parts of the Americas as a child and later went to boarding school at Dulwich College in London. Phil went on to explore his Latin American roots in his music, and another bizarre twist occurred in 2011 when Kanye West and Jay-Z sampled a guitar part from his 1978 “K-Scope” album for their track “No Church In The Wild”. Manzanera has claimed this one sample earned him more money than his entire time in Roxy Music.
Anyway, I was sure Phil would have great stories to share and I hope you enjoy our conversation.
Visit Manzanera.com for more information on the box set.
Instagram: @sendingsignalspodcast
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Released on the 9th June 1978, “Jeff Wayne’s Musical Version of The War of the Worlds” went on to sell an estimated 15 million copies. As you likely know, the album features an adaptation of H.G. Wells’ classic sci-fi story, narrated by actor Richard Burton set to music, with vocal performances from the likes of David Essex, Justin Hayward, Phil Lynott, Chris Thompson, and Julie Covington.
A single, “Forever Autumn”, reached number 5 on the UK singles chart, and has become an enduring classic.
In 2006, the album was brought to life as a touring stage show. It’s has had several revival tours since, including a London West End run in 2016. Jeff Wayne is picking up the baton again for the 2025 arena tour featuring Max George and Maisie Smith.
Jeff Wayne was born in 1943 and wrote around 3000 advertising jingles which appeared on TV in the 1970s, as well as various television themes. He’s also been a professional tennis player. He joined me from his home studio in Hertfordshire for our chat.
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The last time Genesis keyboard player extraordinaire Tony Banks came on the show was a few years ago, and we discussed a box set of his solo albums. Since then there has been a final Genesis tour, “The Last Domino?”, which I got to see the opening and closing nights of, and Tony now has a new boxset compiling his three classical albums “7”, “6”, and “5”.
The first half of the interview we take a deep dive into that process which I hope you’ll find interesting. Creating classical music isn’t something we’ve really explored on the podcast before. In the second half of the interview Tony shares details of an upcoming boxset of “The Lamb Lies Down On Broadway”, and he also confirms details of a reissue of their 60’s debut album “From Genesis To Revelation”, which in the past has been ignored from official Genesis reissue campaigns. We talk about how he feels he is perceived by Genesis fans, and whether he’s tempted to emulate the very successful touring approach of former Genesis bandmate Steve Hackett, who incidentally he also clarifies his feeling about during our chat. I think this conversation is quite something.
Hope you enjoy. Let me know what you think.
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Gemma Hayes is a singer-songwriter from Ireland, and after a 10 year gap she is about to release her 7th album “Blind Faith” and, spoiler alert, it’s really, really good.
We discuss the album’s long gestation, balancing motherhood and creativity, and I was also keen to dig into her debut album, the Dave Friedman produced “Night On My Side” from 2002, which made such a deep impression on me as a teenager.
It was such a lovely, unhurried conversation, and I hope you enjoy it.
Instagram: @sendingsignalspodcast
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Steve Howe is a guitarist best known for his work with Yes, who of course are a cornerstone of progressive rock. The albums “Close To The Edge”, “Fragile”, and “The Yes Album” are essential listening, as far as I’m concerned.
Steve had a period of time out of Yes in the 80s and early 90s but had success with another band, Asia, before rejoining Yes and sticking with them up to the present day. Last year they released their 23rd album “Mirror To The Sky”. They’ve been out on tour this year too. But Steve is about to release a new solo instrumental album called “Guitarscape”, and he joined me on to tell me about the process of making it, why Yes shelved their advertised “Relayer” tour, and whether the massive success of Yes without him in the mid-80s was difficult for him.
Hope you enjoy.
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What to say about REM? It might actually be hard for teenagers today, or even 20-somethings, to appreciate how big R.E.M. were in the 90s. For a while, even when they were reinventing themselves, or tackling themes not especially conducive to pop hits, they just seemed to keep getting bigger. They signed the most expensive record deal in history in 1996. They are one of the biggest selling bands of all time, having shifted something like 90 million albums.
Formed in 1980 in Athens, Georgia, they released 15 studio albums (only one of which I don’t like), before retiring with dignity in 2011. I respect them for their decision, but as a fan, would I love them to tour again? Yeah, of course I would. They have been, and still are, adamant it won’t happen, but they recently reunited to perform one song for the Songwriters Hall Of Fame, which they were inducted into earlier this year. I of course ask Mike about that decision and whether they may have talked themselves into a corner over the band’s future prospects.
I also wanted to ask about the status of the band’s reissue campaign. They’ve gradually been reissuing their back-catalogue with additional material. 1997’s “Up” was the latest to get the anniversary treatment, and I was curious if 2001’s “Reveal” was going to be next up. Anyway, R.E.M. are one of my favourite bands and I’m so glad this happened.
In addition to R.E.M. stuff we touch on Mike’s recent tour with The Baseball Project, a band in which he plays alongside last episode’s guest, Steve Wynn of The Dream Syndicate. Mike also tours with Big Star drummer Jody Stephens, another previous guest, and so we talk about their plans to perform Big Star’s incredible second album “Radio City”.
Let me know what you think.
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Steve Wynn is a founding member of The Dream Syndicate, a key band in the so-called Paisley Underground scene of the early 1980’s. Their debut album “The Days Of Wine And Roses” was recorded in three overnight sessions and released in 1982. It’s one of the great indie-rock touchstones and a phenomenal debut. The band had high-profile support slots with the likes of U2 and REM, but the rest of the 1980’s saw them struggling to capitalise on their potential, and by the end of the decade they had disbanded.
Steve continued to have a prolific solo career, as well as side-projects such as The Baseball Project, a supergroup featuring Mike Mills and Peter Buck of REM, who only write and perform songs about baseball.
The Dream Syndicate reformed and released the first of several comeback albums in 2017. They remain an ongoing concern, but for now Steve is about to release an autobiography, charting his fascinating childhood in California, and the rise and fall of The Dream Syndicate. It’s a story of record stores, college radio, tour buses, major label shenanigans, told with warmth, humour and honesty.
It’s also accompanied by a new solo album entitled “Make It Right”, released on the same day as, and intrinsically linked to, the book.
I’ve probably said this a lot, but this was genuinely one of my favourite conversations I’ve had for the podcast. I really hope you enjoy it.
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Paul Carrack is a singer, songwriter, and musician, and he’s heading out on tour in celebration of the 50th anniversary of classic song “How Long”, a hit he had with his band Ace.
Paul has had an incredibly varied career since then. He was a member of Squeeze replacing Jools Holland on keyboards, and playing on their much-loved album “East Side Story”, even providing lead vocals for one of the bands most enduring songs, “Tempted”. He was a songwriter and vocalist in Mike Rutherford’s band Mike + The Mechanics from 1985 to 2004, and has been a session player for Eric Clapton, Roger Waters, and The Smiths amongst others, as well as building up a considerable solo back catalogue.
I hope you enjoy our wide-ranging chat!
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Bill Oakley, along with his best friend and writing partner Josh Weinstein, wrote various episodes of The Simpsons during it’s glory days including “Marge Gets A Job”, “Bart vs Australia”, and the legendary 2-part season-straddling “Who Shot Mr Burns”, and they were appointed executive producers and showrunners for the 7th and 8th seasons of the show, where they continued to push the envelope of what the show could be, bowing out while the show was still on a high.
One of Bill’s greatest claims to fame is having written the “Steamed Hams” scene from the 1996 episode “22 Short Films About Springfield”.
The scene has taken on a life of its own with various memes and recontextualizing videos springing up on the internet.
Bill and Josh also created the short lived Mission Hill, and were consulting producers on Futurama. Bill has also worked on shows like Portlandia and The Cleveland Show.
In 2018 Bill started to produce short Instagram videos of himself reviewing fast food items from American outlets. These videos have become a serious concern for Oakley, and he created the annual Steamie Awards, in reference to the steamed hams sketch of course.
If you’re a big Simpsons fan I hope you get something out of this, but if you’re more of a casual viewer I hope you’ll find it interesting to learn how a show like this gets made.
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