Episodes
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James—the new novel by Percival Everett—retells, reframes, and reimagines Mark Twain’s The Adventures of Huckleberry Finn from the perspective of Jim, the black man whose flight from slavery quickly entangles with the journey of Huck, on the run after faking his own death to escape his violent father. James gives us the events of Twain’s picaresque from a vital new standpoint—opening up previously unexplored plains of character consciousness as it does so—expanding and subverting the original story. And the novel doesn’t just fill in the blanks about Jim’s movements when our protagonists are separated, but also wrests the narrative arc itself in new and astonishing directions.
Buy James here: https://www.shakespeareandcompany.com/books/james-4
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The Mississippi River, 1861. When the enslaved Jim overhears that he is about to be sold to a new owner in New Orleans and separated from his wife and daughter forever, he decides to hide on nearby Jackson’s Island until he can formulate a plan. Meanwhile, Huck Finn has faked his own death to escape his violent father who recently returned to town. Thus begins a dangerous and transcendent journey by raft along the Mississippi River, towards the elusive promise of the free states and beyond. As James and Huck begin to navigate the treacherous waters, each bend in the river holds the promise of both salvation and demise.
With rumours of a brewing war, James must face the burden he carries: the family he is desperate to protect and the constant lie he must live. And together, the unlikely pair must face the most dangerous odyssey of them all . . .
From the shadows of Huck Finn’s mischievous spirit, Jim emerges to reclaim his voice, defying the conventions that have consigned him to the margins.
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Percival Everett is the author of over thirty books, including So Much Blue, Telephone, Dr No and The Trees, which was shortlisted for the 2022 Booker Prize and won the 2022 Bollinger Everyman Wodehouse Prize. He has received the Hurston/Wright Legacy Award and the PEN Center USA Award for Fiction, has been a Pulitzer Prize finalist, and is Distinguished Professor of English at the University of Southern California. His novel Erasure has now been adapted into the major film American Fiction. He lives in Los Angeles.
Adam Biles is Literary Director at Shakespeare and Company. His latest novel, Beasts of England, a sequel of sorts to Animal Farm, is available now. Buy a signed copy here: https://www.shakespeareandcompany.com/books/beasts-of-england
Listen to Alex Freiman’s latest EP, In The Beginning: https://open.spotify.com/album/5iZYPMCUnG7xiCtsFCBlVa?si=h5x3FK1URq6SwH9Kb_SO3w
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We were joined by countercultural historian Pat Thomas, and Peter Hale, manager of the Ginsberg estate, and discover their new collaboration Material Wealth Mining the Personal Archive of Allen Ginsberg.
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A prolific poet, raconteur, activist, and thinker, Allen Ginsberg was also a prolific collector, meticulously saving letters, postcards, draft notes and manuscripts, photographs and snapshots, appearance bills and rally broadsheets, not only featuring him personally, but also his fellow poets, singers, lovers, writers, journey companions, friends, and agitators. Gathered here publicly for the first time is his personal archive of events and experiences documenting his life as a young man, breakaway poet, expansive spirit, curious intellectual traveler, and relentless enthusiast of the provocative and the profane.
There are hundreds of thousands of items carefully stored and archived at Stanford University’s Allen Ginsberg collection. Counterculture historian Pat Thomas, with the full cooperation of the Allen Ginsberg Estate's Peter Hale, has compiled and annotated a remarkable volume of material, unearthing in the process one astounding find after another. The result is a tome of previously unpublished historical paperwork and vintage graphics and photographs and ephemera that promises an unprecedented look inside one of the most prolific poets and agitators of cultural mores of the 20th century.
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Pat Thomas is a counterculture historian and archival music producer (and liner-note writer) whose expertise and interests have helped him author such books as Listen, Whitey! The Sights & Sounds of Black Power 1965–1975 and Did It! Jerry Rubin: An American Revolutionary. He has co-curated Invitation to Openness: The Jazz & Soul Photography of Les McCann 1960-1980, co-edited My Week Beats Your Year: Encounters with Lou Reed, an anthology of interviews about the iconic musician, and contributed to The (Original) Adventures of Ford Fairlane: The Long Lost Rock n’ Roll Detective and Kerouac on Record: A Literary Soundtrack. Thomas was a consultant on the PBS documentary The Black Panthers: Vanguard of the Revolution and compiled the 3-CD box set The Last Word on First Blues for the Allen Ginsberg Estate (1970s recordings of Ginsberg, Bob Dylan, and Arthur Russell), and the 2-CD set Songs of Innocence and Experience of Ginsberg’s 1969 recordings (with Don Cherry and Elvin Jones) putting William Blake poems to music with vocals by Allen.
Peter Hale grew up in Italy, Germany, and then Boulder, CO where he earned a BA in Classics, Greek & Latin, from the University of Colorado, all the while attending classes in music, poetry and meditation at Naropa University. He became part of the staff at Allen Ginsberg’s office in 1992, and in 1997 helped craft his posthumous estate, which he currently manages. He studied Guitar with Dave Van Ronk & Danny Kalb, and Piano with Peter Barbieri. He currently produces his own music, and djs around NYC. He lives in Ridgewood, Queens.
Adam Biles is Literary Director at Shakespeare and Company. His latest novel, Beasts of England, a sequel of sorts to Animal Farm, is available now. Buy a signed copy here: https://www.shakespeareandcompany.com/books/beasts-of-england
Listen to Alex Freiman’s latest EP, In The Beginning: https://open.spotify.com/album/5iZYPMCUnG7xiCtsFCBlVa?si=h5x3FK1URq6SwH9Kb_SO3w
Get bonus content on PatreonHosted on Acast. See acast.com/privacy for more information.
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On this very special January night, editor extraordinaire John Freeman was joined by three of his star contributors, Jakuta Alikavazovic, Juan Gabriel Vasquez and Deborah Landau to bid farewell to his literary journal.
Buy Freeman’s Conclusions: https://www.shakespeareandcompany.com/books/freemans-conclusions
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Jakuta Alikavazovic (b.1979) is a French writer of Bosnian and Montenegrin origins. Her first novel, Corps Volatils (2008) won the Goncourt Prize for Best First Novel and her second and third novels, Le Londres-Luxor (2010) and La Blonde et Le Bunker (2012) won prizes in France and Italy. Her most recent novel, Night as it Falls (L’Avancee de la Nuit), was published by Faber in 2020. Her essay Comme un Ciel en Nous (Like a Sky in Us) won the Prix Medicis Essai 2021 and her collected newspaper columns Faites Un Voeu (Make a Wish) were published in 2022. She is working on a new novel to be delivered in 2023.
Juan Gabriel Vásquez is the author of 8 works of fiction, including the award-winning The Sound of Things Falling, The Shape of the Ruins and Retrospective. His work is published in 30 languages.
Deborah Landau is the author of five collections of poetry, most recently Skeletons. Her other books include Soft Targets (winner of The Believer Book Award), The Uses of the Body, and The Last Usable Hour, all Lannan Literary Selections from Copper Canyon Press, as well as Orchidelirium, selected by Naomi Shihab Nye for the Robert Dana Anhinga Prize for Poetry. In 2016 she was awarded a Guggenheim Fellowship. She is a professor at New York University, where she directs the Creative Writing Program
John Freeman is the founder of the literary annual Freeman’s and the author and editor of a dozen books, including Wind, Trees, Dictionary of the Undoing, Tales of Two Planets, The Penguin Book of the Modern American Short Story, and, with Tracy K. Smith, There’s a Revolution Outside, My Love. His work has appeared in The New Yorker, The Paris Review, and Orion, and been translated into over twenty languages. The former editor of Granta, he lives in New York City, where he is an executive editor at Alfred A. Knopf and hosts the monthly California Book Club -- a free online discussion of a new classic in Golden State literature -- for Alta magazine.
Adam Biles is Literary Director at Shakespeare and Company. His latest novel, Beasts of England, a sequel of sorts to Animal Farm, is available now. Buy a signed copy here: https://www.shakespeareandcompany.com/books/beasts-of-england
Listen to Alex Freiman’s latest EP, In The Beginning: https://open.spotify.com/album/5iZYPMCUnG7xiCtsFCBlVa?si=h5x3FK1URq6SwH9Kb_SO3w
Get bonus content on PatreonHosted on Acast. See acast.com/privacy for more information.
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In early February, we hosted a riotous, tender, enchanting and uplifting evening of poetry and prose with the irrepressible Hollie McNish and Michael Pedersen. After their readings they sat down with Adam Biles for a chat about friendship, a theme that unites their work.
Buy Hollie McNish’s Lobster here: https://www.shakespeareandcompany.com/books/lobster
Buy Michael Pedersen’s Boy Friends here: https://www.shakespeareandcompany.com/books/boy-friends-2
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Hollie McNish is a poet, author and lover based between Glasgow and Cambridge. She won the Ted Hughes Award for New Work in Poetry for her poetic parenting memoir – Nobody Told Me – of which The Scotsman stated ‘the world needs this book’. She has published four further lovely collections of poetry –Papers, Cherry Pie, Plum, and Slug, which was a Sunday Times bestseller, and was published in French by Le Castor Astral under the title Je souhaite seulement que tu fasses quelque chose de toi. Her new book, Lobster and other things I'm learning to love, is out now and according to her dad is 'her best work yet'. She loves writing.
Michael Pedersen is a prize-winning Scottish poet and author, and the Writer in Residence at The University of Edinburgh. His prose debut, Boy Friends, was published by Faber & Faber in 2022 to rave reviews and was a Sunday Times Critics Choice. He’s unfurled three collections of poetry, the most recent being The Cat Prince & Other Poems—which won the Books Are My Bag Readers Award for Best Poetry 2023. Pedersen has been shortlisted for the Forward Prizes for Poetry and The Saltire National Book Awards, and won a Robert Louis Stevenson Fellowship. His work has attracted praise from the likes of: Stephen Fry, Irvine Welsh, Kae Tempest, Jackie Kay, Sara Pascoe, Nicola Sturgeon & many more.
Adam Biles is Literary Director at Shakespeare and Company. His latest novel, Beasts of England, a sequel of sorts to Animal Farm, is available now. Buy a signed copy here: https://www.shakespeareandcompany.com/books/beasts-of-england
Listen to Alex Freiman’s latest EP, In The Beginning: https://open.spotify.com/album/5iZYPMCUnG7xiCtsFCBlVa?si=h5x3FK1URq6SwH9Kb_SO3w
Get bonus content on PatreonHosted on Acast. See acast.com/privacy for more information.
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Our guest this week is Brandon Taylor, whose new book The Late Americans is a stark retooling of the campus novel for the 21st century. Taking a university town in Iowa as his canvas, Taylor depicts the lives of a loose group of friends and associates: Seamus, Fyodor, Ivan, Noah and Fatima—students of writing and dance—as time barrels them towards the end of their studies and the harsh realities of the so-called “real” world beyond. The novel lives in Taylor’s delicate and perceptive handling of the complicated interplay of money, class, race, art and sex—the bonds each of these can form between us and the divides they create. It is a book rich in ideas and reflections about contemporary life, contemporary America in particular, but these would all be for nothing without the meticulously wrought human comedy—in all its beauty and ugliness—at its core.
Buy The Late Americans: https://www.shakespeareandcompany.com/books/the-late-americans
Brandon Taylor is the author of the novels The Late Americans and Real Life, which was shortlisted for the Booker Prize and the National Book Critics Circle John Leonard Prize, and named a New York Times Book Review Editors’ Choice and a Science + Literature Selected Title by the National Book Foundation. His collection Filthy Animals, a national bestseller, was awarded The Story Prize and shortlisted for the Dylan Thomas Prize. He was the 2022-2023 Mary Ellen von der Heyden Fellow at the Dorothy and Lewis B. Cullman Center for Scholars and Writers.
Adam Biles is Literary Director at Shakespeare and Company. His latest novel, Beasts of England, a sequel of sorts to Animal Farm, is available now. Buy a signed copy here: https://www.shakespeareandcompany.com/books/beasts-of-england
Listen to Alex Freiman’s latest EP, In The Beginning: https://open.spotify.com/album/5iZYPMCUnG7xiCtsFCBlVa?si=h5x3FK1URq6SwH9Kb_SO3w
Get bonus content on PatreonHosted on Acast. See acast.com/privacy for more information.
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Last week, we were joined in the bookshop by Annabelle Hirsch whose new book A History of Women in 101 Objects not only gives us an untold and innovative history of the world— a history takes us from the dawn of civilisation to the present day, through ancient Egypt, medieval Venice, revolutionary France and the roaring twenties—but also launches an interrogation into the practice and the purpose of history itself: how and why it’s told, who gets to tell it, and what gets cast into the shadows along the way.
Buy A History of Women in 101 Objects: https://www.shakespeareandcompany.com/books/a-history-of-women-in-101-objects
Annabelle Hirsch, born in 1986, has German and French roots. She studied art history, dramatics and philosophy in Munich and Paris, and works as a cultural journalist for Frankfurter Allgemeine Zeitung (FAZ) and various other magazines. She writes short stories and translates French literature. She lives between Rome and Berlin.
Adam Biles is Literary Director at Shakespeare and Company. His latest novel, Beasts of England, a sequel of sorts to Animal Farm, is available now. Buy a signed copy here: https://www.shakespeareandcompany.com/books/beasts-of-england
Listen to Alex Freiman’s latest EP, In The Beginning: https://open.spotify.com/album/5iZYPMCUnG7xiCtsFCBlVa?si=h5x3FK1URq6SwH9Kb_SO3w
Get bonus content on PatreonHosted on Acast. See acast.com/privacy for more information.
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In advance of their event at Shakespeare and Company this February 8th, poets Hollie McNish and Michael Pedersen answer our café’s Proust Questionnaire. Be warned, this gets saucy quickly…
Find out more about their event here: https://www.shakespeareandcompany.com/events/hollie-mcnish-michael-pedersen
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Hollie McNish is an award-winning poet, writer and performer.
She is the Sunday Times bestselling author of Slug (and other things I’ve been told to hate) and won the Ted Hughes award for new work in poetry with her poetry and parenting memoir Nobody Told Me. She has two further poetry collections, Plum and Cherry Pie, one modern adaptation of the ancient Greek tragedy Antigone and alongside fellow poet Sabrina Mahfouz, co-wrote Offside, a play relating the history of UK women’s football. She loves writing and her live readings are not to be missed.
Michael Pedersen is a prize-winning Scottish poet and author, and the current Writer in Residence at The University of Edinburgh. He’s published three acclaimed collections of poetry, with the title poem from his third, The Cat Prince & Other Poems, currently shortlisted for the Forward Poetry Prizes. His prose debut, Boy Friends, was published by Faber & Faber in 2022 to rave reviews in the UK and North America and was a Sunday Times Critics Choice. Pedersen has won a Robert Louis Stevenson Fellowship and John Mather’s Trust Rising Star of Literature Award. His work has attracted praise from the likes of Stephen Fry, Kae Tempest, Irvine Welsh, Shirley Manson, Maggie Smith and many more. He also co-founded the prize-winning literary collective Neu! Reekie!.
Adam Biles is Literary Director at Shakespeare and Company. His latest novel, Beasts of England, a sequel of sorts to Animal Farm, is available now. Buy a signed copy here: https://www.shakespeareandcompany.com/books/beasts-of-england
Listen to Alex Freiman’s latest EP, In The Beginning: https://open.spotify.com/album/5iZYPMCUnG7xiCtsFCBlVa?si=h5x3FK1URq6SwH9Kb_SO3w
Get bonus content on PatreonHosted on Acast. See acast.com/privacy for more information.
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Our Bloomcasters reconvene on January 6th, “Joycension Day”, to discuss The Dead : the final piece in Joyce’s Dubliners, described by T. S. Eliot as "one of the greatest short stories ever written".
Leaning heavily as always on the wisdom of honorary Bloomcasters Declan Kiberd and Colm Toibin, they cover orchestrated dinner parties, ego death, the circularity of human life, the music of words, and much more.
Carrying forth a Bloomcast tradition, they also play a festive game, populating competing dinner parties with characters from Dubliners and Ulysses.
Happy New Year (and Joycension Day)!
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Mentioned in the podcast:
‘The Dead’, by James Joyce: https://en.wikisource.org/wiki/Dubliners/The_Dead
Prof. Declan Kiberd, ‘Dubliners: The First 100 Years,’ at the James Joyce Center (2014):
https://youtu.be/A5qhK7LH6co?si=1zFc7EH7AOpuL1mq
Dubliners, with an introduction by Colm Toibin (Canongate): https://canongate.co.uk/books/1488-dubliners/
London Review of Books. ‘Arruginated’, by Colm Toibin: https://www.lrb.co.uk/the-paper/v45/n17/colm-toibin/arruginated
John Huston’s 1987 film adaptation of ‘The Dead’: https://www.youtube.com/watch?v=Rkos62UPwVk
“The Lass of Aughrim,” from the Huston film:
https://youtu.be/I1CP5Lz2iHE?si=yfxE-koZ3PVngWIc
Annie Baker’s Infinite Life: https://www.nationaltheatre.org.uk/productions/infinite-life/
Circles by Ralph Waldo Emerson: https://www.gutenberg.org/files/2944/2944-h/2944-h.htm#link2H_4_0010
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Alice McCrum is a Ph.D. student in the Department of History at Princeton University. Before starting her graduate work, Alice lived in Paris, where she taught at the Sorbonne, studied public policy at Sciences Po-Paris, and directed cultural programming at the American Library in Paris.
Lex Paulson is Director of Executive Programs at the UM6P School of Collective Intelligence (Morocco) and lectures in advocacy and human rights at Sciences Po-Paris. Trained in classics and community organizing, he served as mobilization strategist for the campaigns of Barack Obama in 2008 and Emmanuel Macron in 2017. He served as legislative counsel in the 111th U.S. Congress (2009-2011), organized on six U.S. presidential campaigns, and has worked to advance democratic innovation at the European Commission and in India, Tunisia, Egypt, Uganda, Senegal, Czech Republic and Ukraine. He is author of Cicero and the People’s Will: Philosophy and Power at the End of the Roman Republic, from Cambridge University Press, and is co-editor of the Routledge Handbook of Collective Intelligence for Democracy and Governance.
Adam Biles is an English writer and translator based in Paris. He is Literary Director at Shakespeare and Company. In 2022, he conceived and presented Friends of Shakespeare and Company read Ulysses—an epic, polyphonic celebration of James Joyce’s masterwork. Feeding Time, his first novel, was published by Galley Beggar Press in 2016. It was published by Editions Grasset in France in 2018 to great critical acclaim. His second novel, Beasts of England, was published in September 2023 by Galley Beggar Press, and will be published in 2025 by Editions Grasset. It was selected as a "2023 highlight" by The Guardian. A collection of his conversations with writers, The Shakespeare and Company Book of Interviews, was published by Canongate in October 2023
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This episode we’re discussing The Possessed, the great, almost-lost novel by Witold Gombrowicz, arguably Poland’s greatest modernist writer. The Possessed is a Gothic-infused romp set in the roaring twenties, centred around an uncanny love story between Maja, an upper class tennis player, and her coach Leszczuk, but also featuring a haunted castle, lost treasure, and a mad prince…as every good Gothic novel should.
It has been published by Fitzcarraldo in a lively and highly-readable translation by Antonia Lloyd-Jones and with a sharp-witted and insightful introduction by Adam Thirlwell, who join us to discuss it.
Buy The Possessed: https://www.shakespeareandcompany.com/books/the-possessed-2
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Antonia Lloyd-Jones has translated works by many of Poland's leading contemporary novelists and reportage authors, as well as crime fiction, poetry and children's books. Her translation of Drive Your Plow Over the Bones of the Dead by 2018 Nobel Prize in Literature laureate Olga Tokarczuk was shortlisted for the 2019 International Booker Prize.
Adam Thirlwell is the author of four novels. His work has been translated into thirty languages, while his awards include a Somerset Maugham Award and the EM Forster Award from the American Academy of Arts and Letters; in 2018 he was made a Fellow of the Royal Society of Literature.
Adam Biles is Literary Director at Shakespeare and Company. His latest novel, Beasts of England, a sequel of sorts to Animal Farm, is available now. Buy a signed copy here: https://www.shakespeareandcompany.com/books/beasts-of-england
Listen to Alex Freiman’s latest EP, In The Beginning: https://open.spotify.com/album/5iZYPMCUnG7xiCtsFCBlVa?si=h5x3FK1URq6SwH9Kb_SO3w
Get bonus content on PatreonHosted on Acast. See acast.com/privacy for more information.
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This week, Adam is joined by Naomi Klein, whose new book, Doppelganger is somehow both the most personal and the most all-encompassing of her works to date. Beginning with the highly destabilising, but very intimate experience of repeatedly being mistaken for someone else—someone whose beliefs are, in most respects, fundamentally different to Klein’s—it expands into a penetrating analysis of the “Mirror World”—that place populated with rightwing agitators, conspiracy theorists, anti-vaxxers, and wellness influencers which, if you squint just the right amount, can end up looking not too dissimilar to your everyday reality.
Buy Doppelganger here: https://www.shakespeareandcompany.com/books/doppelganger-2
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Naomi Klein is an award-winning journalist, syndicated columnist and international and New York Times bestselling author of nine critically acclaimed books: How To Change Everything: The Young Human’s Guide to Protecting the Earth and Each Other (2021), On Fire: The (Burning) Case for a Green New Deal (2019), No Is Not Enough: Resisting the New Shock Politics and Winning the World We Need (2017), This Changes Everything: Capitalism vs. The Climate (2014), The Shock Doctrine: The Rise of Disaster Capitalism (2007) and No Logo (2000). In 2018, she published The Battle for Paradise: Puerto Rico Takes On the Disaster Capitalists (2018) reprinted from her feature article for The Intercept with all royalties donated to Puerto Rican organisation juntegente.org.
Adam Biles is Literary Director at Shakespeare and Company. His latest novel, Beasts of England, a sequel of sorts to Animal Farm, is available now. Buy a signed copy here: https://www.shakespeareandcompany.com/books/beasts-of-england
Listen to Alex Freiman’s latest EP, In The Beginning: https://open.spotify.com/album/5iZYPMCUnG7xiCtsFCBlVa?si=h5x3FK1URq6SwH9Kb_SO3w
Get bonus content on PatreonHosted on Acast. See acast.com/privacy for more information.
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This week Adam is joined by Claire-Louise Bennett for a wide-ranging conversation, orbiting around Nightflowers, her immersive installation at Museum of Literature Ireland. They discuss writing, thought processes, class, Huysmans, Ann Quin, the imagination, home, the poetics of space . . . and much, much more.
Find out more about Nightflowers here: https://moli.ie/nightflowers/
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Claire-Louise Bennett grew up in Wiltshire and studied literature and drama at the University of Roehampton, before moving to Ireland where she worked in and studied theatre for several years. In 2013 she was awarded the inaugural White Review Short Story Prize and her debut book, Pond, was shortlisted for the Dylan Thomas Prize in 2016. Claire-Louise's fiction and essays have appeared in a number of publications including White Review, Stinging Fly, gorse, Harper's Magazine, Vogue Italia, Music & Literature, and New York Times Magazine.
Adam Biles is Literary Director at Shakespeare and Company. His latest novel, Beasts of England, a sequel of sorts to Animal Farm, is available now. Buy a signed copy here: https://www.shakespeareandcompany.com/books/beasts-of-england
Listen to Alex Freiman’s latest EP, In The Beginning: https://open.spotify.com/album/5iZYPMCUnG7xiCtsFCBlVa?si=h5x3FK1URq6SwH9Kb_SO3w
Get bonus content on PatreonHosted on Acast. See acast.com/privacy for more information.
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Set in a near future in which a mysterious smog has enveloped the world, devastating crops and biodiversity, the narrator of Land of Milk and Honeytakes a job as a chef at an isolated mountain colony, run by a wealthy entrepreneur and his daughter, a visionary scientist. However, what she first takes to be little more than a decadent end-times holiday camp for the perennially wealthy, she soon discovers is much more ambitious, and potentially much more sinister.
Buy Land of Milk and Honey: https://www.shakespeareandcompany.com/books/land-of-milk-and-honey-3
Born in Beijing, C Pam Zhang is mostly an artifact of the United States. She is the author of How Much of These Hills Is Gold, winner of the Academy of Arts and Letters Rosenthal Award and the Asian/Pacific Award for Literature, nominated for the Booker Prize, a finalist for the PEN/Hemingway Award, and one of Barack Obama’s favorite books of the year. Zhang’s writing appears in Best American Short Stories, The Cut, McSweeney’s Quarterly, The New Yorker, and The New York Times. She is a National Book Foundation 5 Under 35 Honoree.
Adam Biles is Literary Director at Shakespeare and Company. His latest novel, Beasts of England, a sequel of sorts to Animal Farm, is available now. Buy a signed copy here: https://www.shakespeareandcompany.com/books/beasts-of-england
Listen to Alex Freiman’s latest EP, In The Beginning: https://open.spotify.com/album/5iZYPMCUnG7xiCtsFCBlVa?si=h5x3FK1URq6SwH9Kb_SO3w
Get bonus content on PatreonHosted on Acast. See acast.com/privacy for more information.
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Jo Ann Beard’s essays are surprising, insightful, thoughtful, and contains something new in each and every sentence. Recently published in the UK as The Collected Works of Jo Ann Beard they combine the stylistic flair and pace of fiction, with the ineffable weight of the factual, creating in the reader a rare and profound sense of empathy.
'Too good... You should read her and not look away' Anne Enright, Guardian
'The stories are essays, the essays are stories. Even when they are not literally true, they contain the kind of truth that great fiction thrives on' The Times
'Literature's best kept secret' Independent
Buy The Collected Works of Jo Ann Beard: https://www.shakespeareandcompany.com/books/the-collected-works-of-jo-ann-beard
Buy Cheri: https://www.shakespeareandcompany.com/books/cheri-3
Jo Ann Beard is the author the collections Festival Days and The Boys of My Youth, and the novel In Zanesville. Her work has appeared in The New Yorker, Tin House, Best American Essays, and others, and has received a Whiting Foundation Award, fellowships from the John Simon Guggenheim Foundation and the New York Foundation for the Arts, and the American Academy of Arts and Letters 2022 Award in Literature. She teaches writing at Sarah Lawrence College.
Adam Biles is Literary Director at Shakespeare and Company. His latest novel, Beasts of England, a sequel of sorts to Animal Farm, is available now. Buy a signed copy here: https://www.shakespeareandcompany.com/books/beasts-of-england
Listen to Alex Freiman’s latest EP, In The Beginning: https://open.spotify.com/album/5iZYPMCUnG7xiCtsFCBlVa?si=h5x3FK1URq6SwH9Kb_SO3w
Get bonus content on PatreonHosted on Acast. See acast.com/privacy for more information.
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If you thought life on Airstrip one was tough for Winston Smith, you ain’t seen nothing yet. Because in JULIA, Sandra Newman’s reimagining of Orwell’s nightmare, if men have it hard, you can bet women have it harder. Taking the roughly sketched character of Julia—Winston’s love interest and possible betrayer—Sandra Newman gives her a surname, a history, a life of her own. In short, she breathes a soul into her. And in doing so, not only does she allow readers to revisit 1984 with new eyes but creates a novel that stands tall in its own terrifying pair of jackboots.
Buy Julia: https://www.shakespeareandcompany.com/books/julia-3
SANDRA NEWMAN is the author of The Country of Ice Cream Star (Longlisted for the Women's Prize), The Only Good Thing Anyone Has Ever Done (shortlisted for the Guardian First Book Award), Cake, The Heavens and The Men. She is a graduate of the University of East Anglia Creative Writing programme and lives in New York.
Adam Biles is Literary Director at Shakespeare and Company. His latest novel, Beasts of England, a sequel of sorts to Animal Farm, is available now. Buy a signed copy here: https://www.shakespeareandcompany.com/books/beasts-of-england
Listen to Alex Freiman’s latest EP, In The Beginning: https://open.spotify.com/album/5iZYPMCUnG7xiCtsFCBlVa?si=h5x3FK1URq6SwH9Kb_SO3w
Get bonus content on PatreonHosted on Acast. See acast.com/privacy for more information.
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This episode Adam is joined by John Freeman to bid farewell to his game-changing literary journal Freeman’s. They discuss the pleasures and challenges faced in setting up and running a magazine John’s editorial philosophy, some of his favourite events, and why the final issue’s theme of “Conclusions” offers up more surprising avenues than readers might expect. The episode also features readings from Sandra Cisneros, Aleksandar Hemon, Rebecca Makkai, and Mieko Kawakami read by translator Hitomi Yoshio
Buy Freeman’s Conclusions: https://www.shakespeareandcompany.com/books/freemans-conclusions
Featuring new work from Rebecca Makkai, Aleksandar Hemon, Louise Erdrich, Mieko Kawakami and more, the tenth and final instalment of the boundary-pushing literary journal Freeman's explores all the ways of coming to an end.
John Freeman was the editor of Granta until 2013. His books include Dictionary of the Undoing, How to Read a Novelist, Tales of Two Americas, and Tales of Two Planets. His poetry includes the collections Maps, The Park, and Wind, Trees. In 2021, he edited the anthologies There’s a Revolution Outside, My Love with Tracy K. Smith, and The Penguin Book of the Modern American Short Story. An executive editor at Knopf, he also hosts the California Book Club, a monthly online discussion of a new classic in Golden State literature for Alta magazine. His work has appeared in the New Yorker and the Paris Review and has been translated into twenty-two languages.
Adam Biles is Literary Director at Shakespeare and Company. His latest novel, Beasts of England, a sequel of sorts to Animal Farm, is available now. Buy a signed copy here: https://www.shakespeareandcompany.com/books/beasts-of-england
Listen to Alex Freiman’s latest EP, In The Beginning: https://open.spotify.com/album/5iZYPMCUnG7xiCtsFCBlVa?si=h5x3FK1URq6SwH9Kb_SO3w
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This week, Adam was joined in the writer’s studio by Marie Darrieussecq, whose latest book Sleepless (translated by Penny Hueston and published by Fitzcarraldo) is one writer’s attempt to describe, understand, and perhaps overcome her insomnia. The passages in Sleepless that take us into the mind of the insomniac are somewhat like the experience of insomnia itself— at times fragmented and hynopgogic, at others dazzlingly alert and perceptive—while those that investigate the potential cures are captivating in their detail, description and weirdness. For those whose lives have never been blighted by insomnia, Sleepless will be a fascinating insight into this strangest and most psychologically traumatic of conditions, while those who have suffered it will find in these pages solidarity and solace.
Buy Sleepless: https://www.shakespeareandcompany.com/books/sleepless-5
Marie Darrieussecq was born in Bayonne in 1969 and is recognized as one of the leading voices of contemporary French literature. Her first novel, Pig Tales, was translated into thirty-five languages. She has written more than twenty books. Text has published Tom Is Dead, All the Way, Men, Being Here: The Life of Paula Modersohn-Becker, Our Life in the Forest, The Baby and Crossed Lines. In 2013 Marie Darrieussecq was awarded the Prix Médicis and the Prix des Prix for her novel Men. She has written art criticism and journalism for a number of publications, including Libération and Charlie Hebdo, and is also a translator from English and has practised as a psychoanalyst. She lives in Paris.
Adam Biles is Literary Director at Shakespeare and Company. His latest novel, Beasts of England, a sequel of sorts to Animal Farm, is available now. Buy a signed copy here: https://www.shakespeareandcompany.com/books/beasts-of-england
Listen to Alex Freiman’s latest EP, In The Beginning: https://open.spotify.com/album/5iZYPMCUnG7xiCtsFCBlVa?si=h5x3FK1URq6SwH9Kb_SO3w
Get bonus content on PatreonHosted on Acast. See acast.com/privacy for more information.
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This week our host switches chairs to discuss his new novel, Beasts of England, a state-of-the-farmyard novel about back-stabbers, truth-twisters and corrupt charlatans.
Buy a signed copy here: https://www.shakespeareandcompany.com/books/beasts-of-england
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Manor Farm has reinvented itself as the South of England’s premium petting zoo. Now, instead of a working farm, humans and beasts alike are
invited (for a small fee) to come and stroke, fondle, and take rides on the farm’s inhabitants.
But life is not a bed of roses for the animals, in spite of what their leaders may want them to believe. Elections are rigged, the community is beset by factions, and sacred mottos are being constantly updated. The Farm is descending into chaos. What’s more, a mysterious ‘illness’ has started ripping through the animals, killing them one by one…
In Beasts of England, Adam Biles honours, updates and subverts George Orwell’s classic, all the while channelling the chaotic, fragmentary nature of populist politics in the Internet age into a savage farmyard satire.
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Adam Biles is an English writer and translator based in Paris. He is Literary Director at Shakespeare and Company, from where he hosts their weekly podcast. In 2022, he conceived and presented Friends of Shakespeare and Company read Ulysses—an epic, polyphonic celebration of James Joyce’s masterwork. Feeding Time, his first novel, was published by Galley Beggar Press in 2016, and was chosen by The Guardian as a Fiction Pick for 2016 and was a book of the year for The Observer, The Irish Times, The Millions and 3:AM Magazine. It was published by Editions Grasset in France in 2018 to great critical acclaim. His second novel, Beasts of England, will be published in September 2023 by Galley Beggar Press, and in 2025 by Editions Grasset. It was selected as a "2023 highlight" by The Guardian. A collection of his conversations with writers, The Shakespeare and Company Book of Interviews, will be published by Canongate in October 2023.
Rob Doyle was born in Dublin. His first novel, Here Are the Young Men, was chosen as a book of the year by the Sunday Times, Irish Times and Independent, and was among Hot Press magazine’s ‘20 Greatest Irish Novels 1916-2016’. Doyle has adapted it for film with director Eoin Macken. Doyle also has a published collection of short stories; This is the Ritual. Doyle is the editor of the anthology The Other Irish Tradition and In This Skull Hotel Where I Never Sleep. His writing has appeared in the Guardian, Vice, TLS, Dublin Review, and many other publications, and he writes a weekly books column for the Irish Times. His newest book Threshold will be published in 2020. He teaches on the MA in Creative Writing at the University of Limerick.
Listen to Alex Freiman’s Play It Gentle here: https://open.spotify.com/album/4gfkDcG32HYlXnBqI0xgQX?si=mf0Vw-kuRS-ai15aL9kLNA&dl_branch=1
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Buy Emerald Wounds: https://www.shakespeareandcompany.com/books/emerald-wounds
Joyce Mansour was a Syrian Jewish exile from Egypt whose fierce, macabre, erotically charged works gave André Breton’s Surrealist group a much-needed jolt after the ravages of the Second World War. Among new adherents, only Mansour wrote poems commensurate with those of Robert Desnos, René Char, Benjamin Pêret, and other poets from the movement’s heyday.
Emerald Wounds: Selected Poems by Joyce Mansour is a compact yet career-spanning, bilingual anthology of this incendiary poet. With a biographical introduction by translator Emilie Moorhouse, who was drawn to Mansour’s tough, take-no-prisoners stance during the societal reckoning of the #MeToo movement, Emerald Wounds showcases the entire arc of her trajectory as a poet, from the at-once gothic and minimalist fragments of her first collection in 1953, Screams, to the serpentine power of her final poems of the 1980s. Juxtaposing the original French poems with their English translations, Mansour’s voice surges forward uncensored and raw, communicating the frustrations, anger, and sadness of an intelligent, worldly woman who defies the constraints and oppression of a male-dominated society that sees women as superficial objects of desire rather than multidimensional, autonomous subjects. Mansour is a poet the world needs today.
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Mark O’Connell’s new book A Thread of Violence is the writer’s attempt to understand Malcolm MacArthur, the figure at the centre of one of Ireland’s most notorious crimes, and — to quote Taoiseach Charles Haughey — the “grotesque, unbelievable, bizarre and unprecedented” events that led to the perpetrator’s eventual arrest in the home of the Irish Attorney General. It is a crime that has haunted O’Connell for decades and which leads him to meeting and getting to know the now elderly, long-freed MacArthur. As this unlikely acquaintance grows, however, O’Connell not only comes to question the possibility of ever coming to any conclusion about what actually drove this previously law-abiding local eccentric to murder two strangers in the summer of 1982, but also calls into doubt his own motivations for embarking on the project in the first place, and the risks he is taking in his own life to complete it.
Buy A Thread of Violence: https://www.shakespeareandcompany.com/books/a-thread-of-violence
Mark O'Connell is an award-winning Irish writer. His first book, To Be a Machine, won the 2018Wellcome Book Prize and was shortlisted for the Baillie Gifford Prize. In 2019, he became the firstever non-fiction writer to win the prestigious Rooney Prize for Irish Literature. His second book,Notes From an Apocalypse was longlisted for the Wainwright Prize. He is a contributor to the NewYork Review of Books, and his work has appeared in the New Yorker.
Listen to Alex Freiman’s Play It Gentle here: https://open.spotify.com/album/4gfkDcG32HYlXnBqI0xgQX?si=mf0Vw-kuRS-ai15aL9kLNA&dl_branch=1
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Set, ostensibly, in revolutionary France, The Future Future follows Celine from young womanhood as she navigates the shifting landscape—which is being transformed as much by new media, new ways of doing business, and the discovery of new territories, as by the various political insurrections. It is a novel about how women survive in a world wrought by male violence, about language—how it shapes us and how we’re shaped by it—about friendship, about power, and, perhaps unsurprisingly, given the title: about time.
Buy The Future Future: https://www.shakespeareandcompany.com/books/the-future-future
Adam Thirlwell was born in London in 1978. The author of three previous novels, his work has been translated into thirty languages. His essays appear in the New York Review of Books and the London Review of Books, and he is an advisory editor of the Paris Review. His awards include a Somerset Maugham Award and the E. M. Forster Award from the American Academy of Arts and Letters; in 2018 he was made a Fellow of the Royal Society of Literature. He has twice been selected by Granta as one of their Best of Young British Novelists.
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