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This week I am taking you behind the scenes of one of my favorite studio designs so far. This is for a client who has always wanted a studio of his own. His hard work and perseverance pays off with this gorgeous home studio that is an addition to his house.
In this episode you will learn about my soundproofing choices, my acoustic design, and HVAC, Window and door choices.
Let's dive in!
Want a studio like this in your backyard? Sign up for a free soundproof clarity call and let's make your dream recording studio a reality.
Soundproof Clarity Call Application - https://www.soundproofyourstudio.com/Step1
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FREE Soundproofing Workshop: https://www.soundproofyourstudio.com/workshop
Wanna DIT (Do It Together)? Jump on a free 30 minute call with me. Fill out the application here: Soundproof Clarity Call Application - https://www.soundproofyourstudio.com/Step1
Recently, someone in the Soundproof Your Studio community shared this frustration:
“The more YouTube I watch, the more confused I get about everything.”
Sound familiar? Many of us can relate—especially when it comes to soundproofing and room acoustics.
One key difference between an expert and an amateur is the ability to sift through information, stick to proven methods, and ignore the noise. YouTube is a fantastic resource, but it’s also a chaotic mix of opinions, which can lead to information overload.
So, what’s the solution? How do you cut through the clutter and start making progress on your studio?
In this article, I’ll guide you through actionable steps to move beyond endless YouTube searches and start creating a recording studio tailored to your budget. I emphasize budget because it directly impacts what’s realistic for you right now.
Let’s dive in and find out where you are on your soundproofing journey!
If you’re working with less than $5,000, true soundproofing is off the table—it’s just not cost-effective. But you can still dramatically improve your room acoustics.
Here’s how to allocate your budget:
1. Bass Traps: Start with bass traps in all four corners of your room.
2. Reflection-Free Zone (RFZ): Place acoustic panels to your left and right on the walls and add a ceiling cloud above your listening position.
3. Back Wall Absorption: Invest in as much absorption as you can afford for the rear wall. While diffusion is an option, absorption provides more value for your money.
4. Monitors: Any remaining budget should go toward the best monitors you can afford.
Notice the big jump? That’s because soundproofing requires a significant investment to be effective. Anything less than $20K risks mediocre results.
With this budget, you can build a small studio in your garage or basement (under 300 sq. ft.). Here’s what to prioritize:
• Soundproofing Materials:
• Two layers of drywall.
• Decoupling (e.g., double-wall systems or hush frame rafts).
• HVAC & Ventilation:
• A mini split for climate control.
• An ERV/HRV for fresh air with a baffle box to reduce noise.
• Doors: Stick with a single ISO-Store HDLF door—no windows.
You’ll likely need to DIY most of the work or hire a handy, resourceful contractor. For acoustics, follow the same approach as the Under $5K budget.
With this range, the process becomes more streamlined. You’ll have the freedom to:
• Build a small standalone studio in your backyard or a larger studio in your garage or basement.
• Hire qualified contractors and even consult a studio designer to avoid costly mistakes.
• Invest in custom acoustic treatment for a polished, professional look.
However, the size of the studio remains a limitation. Features like multiple rooms, control windows, or complex HVAC systems will push you closer to $100K. To maximize value, focus on quality and results without overextending yourself.
This is where the real fun begins. With this budget:
• Hire Experts: Work with a professional studio designer and a top-tier contractor for premium results.
• Dream Big: Explore custom acoustics, high-quality isolation, and larger spaces with multiple doors and windows while maintaining performance.
• Gear Up: Allocate funds for the best gear to complement your studio.
At this level, most people avoid DIY entirely. Instead, they focus on their craft while the experts handle the heavy lifting.
I hope this article helps you find clarity on your studio journey. If your budget is on the smaller side, consider waiting and saving to build your dream studio right. If you’re ready to invest now, I hope this breakdown gives you a roadmap for success.
Ready to do it right the first time?
Fill out the application below to work with a professional studio designer. As I always say, the stakes are too high to DIY.
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If you’re committed to a DIY project, check out my free soundproofing workshop below.
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Missing episodes?
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Back in the early days of this community I made a video on how to build a soundproof window. Since, that video first came out I have gone through many iterations of how best to soundproof a window. This video is the most up to date method I use for soundproofing windows.
If you are interested in DIT (Do It Together) than stop the endless research and Youtube rabbit holes and join me for a 30 min consulting call to see if I would be a key asset on your team for building your dream home recording studio. If you value your time and money than fill out the application below:
Soundproof Clarity Call Application - https://www.soundproofyourstudio.com/Step1
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FREE Soundproofing Workshop: https://www.soundproofyourstudio.com/workshop
Have you ever dreamed of transforming an ordinary space into a world-class recording studio? I just finished a set of plans for a client who’s doing exactly that—converting half his garage into the studio of his dreams.
In my latest video, I take you behind the scenes to break down the details of this exciting project. From soundproofing strategies to HVAC solutions, custom door designs, and innovative baffle boxes, I’ll walk you through how we tackled the challenges of turning a garage into a pro-grade recording space.
Whether you’re planning your own studio or just love geeking out over design, you’ll find plenty of inspiration and tips in this video.
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FREE Soundproofing Workshop: https://www.soundproofyourstudio.com/workshop
I recently sat down with my client, AJ to discuss his new studio I designed in his backyard. He is a metal drummer and wanted something super soundproof, so we went all out with the soundproofing. Learn all about what we did in this special podcast episode.
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FREE Soundproofing Workshop: https://www.soundproofyourstudio.com/workshop
This week I am doing something a little different. I will be showcasing my client's garage conversion home studio and interviewing him. This will be more like a podcast, but with great b roll of this finished studio and some of the build to show how this amazing transformation took place.
If you are building any recording studio, but certainly one in a garage, this is one episode you cannot miss!
If you are building a recording studio and want to hire me to help you design and build it then sign up for a free soundproof clarity call:
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FREE Soundproofing Workshop: https://www.soundproofyourstudio.com/workshop
Choosing the wrong location for your studio can lead to:
90% More ProblemsIncreased BudgetWorse Results for More InvestmentFor these reasons, selecting the right place to build your studio is the single most important decision you can make.
The Best Place to Build Your Studio: The BackyardHands down, the best location for your studio is in a backyard. Starting from scratch ensures you’ll have:
Proper isolationAn easy design processStreamlined investment with better long-term valueWhile building in your backyard may cost more initially than converting your garage or basement, the long-term value far outweighs the upfront expense. Think of it as an investment, not just an expenditure.
For instance, you might think building in your garage will only cost around $20k—just throw in some 2x4s and drywall, and you’re good to go. But not so fast. Did you account for:
Ducting that can’t be moved?Water lines poking through the walls?Removing and replacing the garage door with a proper wall?Before you know it, you’re spending $30–50k on a small, compromised space. By contrast, building in your backyard for $75k gives you a dream studio that not only meets your needs but also increases your property value. That’s a win-win.
The Second Best Place to Build Your Studio: The GarageYour garage comes in as the second-best location. While not as ideal as starting from scratch, a garage can still be a great option. Compared to a basement, garages typically offer:
Higher ceilingsThe potential for detached structuresFewer obstacles like wires, pipes, and odd shapesThat said, garages still present challenges and costs, especially if you’re aiming for top-notch soundproofing. When scouting for an ideal garage space, look for:
A level concrete slabThe ability to raise the ceiling with cathedral framingAn outer shell with existing mass for soundproofingThe Third Best Place to Build Your Studio: The BasementFinally, we have the basement. While a basement can work in certain situations, it tends to present more challenges:
Low ceilings, which limit flexibilityNooks and crannies that complicate designLoud HVAC systems that are hard to isolateFlooding risks, which can damage high-end electrical equipmentBasements often require additional isolation to prevent sound transmission to the rest of the house above. This means adding extra drywall layers, which can further reduce ceiling height. If you can avoid the basement, do so.
Conclusion: Location is EverythingChoosing the right location is the most critical decision in soundproof studio design. Carefully weigh the pros and cons of each option and think about the value you’re getting for your money.
In most cases, investing an additional $20–25k to build in your backyard or attach a studio to your house will deliver significantly better results in the long term.
Ready to Design Your Dream Studio?If you’re looking for a professional touch to design your ideal home studio, book a call to see how I can help bring your vision to life.
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Prefer to take the DIY route? Check out my free soundproofing workshop below!
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FREE Soundproofing Workshop: https://www.soundproofyourstudio.com/workshop
I’ve been guilty of this myself, and I see clients fall into the same trap. Trying to design and build your studio simultaneously is a recipe for chaos. There’s a proper order to the process, but many of you might be putting the proverbial cart before the horse. Let’s break it down so you can avoid the most common pitfalls.
1) The Eager Beaver
The eager beaver can’t wait to start swinging a hammer or firing a nail gun. They’ve watched a few YouTube videos, maybe skimmed Home Recording Studio: Build It Like the Pros by Rod Gervais, and now they’re itching to “do something—anything!”
But here’s the problem: eager beavers often skip critical steps, leading to costly mistakes. Maybe they miss an essential design detail or cut corners to save time, only to end up wasting $10,000 or more on rework.
Take your time. A professional-grade home recording studio (the kind you deserve) requires careful planning. Resist the urge to jump in without a well-thought-out plan. The payoff? A studio that far exceeds what you could have built as an eager beaver.
2) The Budget Piecemeal Approach
Starting your studio project without enough money saved is a fast track to frustration. You buy a few materials, run out of cash, pause to earn more, and then repeat the cycle. This chaotic approach slows progress, creates inefficiencies, and adds unnecessary stress.
Instead, save up the full amount before you start. Whether you’re hiring professionals or tackling the project DIY, have enough to cover materials, labor, and unforeseen expenses. Stick to your budget, and don’t let scope creep turn your dream studio into a never-ending build. A clear plan and cash in the bank will save you time, money, and headaches.
3) The Chaos Drug
Let’s be honest: some people thrive on chaos. If you find yourself chasing the adrenaline rush of figuring things out as you go, take a step back.
Chaos is addictive, but it has no place in a studio build. Building a recording studio demands precision, planning, and patience—not the "messy artist" mindset. This project isn’t just about creativity; it’s about execution, and there’s too much at stake (financially and emotionally) to let chaos take the wheel.
4) Systems = SuccessThe key to a successful studio build lies in your systems. Here’s the roadmap to get it right:
Brainstorm Your Dream Studio
Dream big! Create a vision board, save Pinterest ideas, and build a playlist of inspirational studios. This is the fun part—enjoy it.Define Your Budget
Find your maximum spending threshold. Ask yourself, “Would I spend $20k? $50k? $100k?” When you hit your limit, you’ve found your budget. Use this number as your guide before starting the design process.Design in CAD
Tools like SketchUp, AutoCAD, or Revit can help you visualize your studio. You’ll see how the space will come together, anticipate challenges, and plan for details like beams, HVAC, and electrical. Not a DIYer? Hire a studio designer to handle this step for you.Create Full Construction Plans
Whether you’re DIYing or hiring a contractor, detailed construction plans are essential. They prevent miscommunication and ensure the design matches your vision.Bid the Project
With your design finalized, gather quotes. Break down costs for materials and labor. If it’s over budget, revise the design before starting construction. This step ensures you’re not halfway through and $20k short.Build with Confidence
Conclusion
With a solid plan and budget, you can start building with peace of mind. Monitor progress carefully—recording studios require more precision than typical home projects.Avoid the eager beaver mindset, the piecemeal approach, and the chaos drug. Instead, follow a systematic process to design and build your dream studio.
Ready to take the next step? You have two options:
Dive deeper into the DIY process with my Soundproofing Workshop.Save time and money by hiring help. Apply for a Soundproof Clarity Call to see if we’re a good fit for designing your dream studio together.Book a Call
Let’s make your dream studio a reality!
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FREE Soundproofing Workshop: https://www.soundproofyourstudio.com/workshop
This week I am showing you the final video for a home recording studio I designed here in Nashville. This is one of my favorite studio designs to date and I am so excited to share the final results with you!
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FREE Soundproofing Workshop: https://www.soundproofyourstudio.com/workshop
Ever been in the middle of shredding on your guitar, feeling like a rock god, only to realize your neighbors aren’t quite as pumped about your solo as you are? Yeah, we’ve all been there. And if you’re into heavy metal, rock, or just need to keep your amp cranked, I’ve got the perfect solution.
Introducing… the DIY Guitar Amp Isolation Cabinet! In this week’s video blog, I’ll walk you through exactly how I designed a custom cabinet to keep a client’s amp rocking hard while staying whisper-quiet in the studio. Think of it as the soundproof fortress for your amp—let it scream, without the world knowing!
Whether you’re looking to spare your family, your roommates, or even the neighbors’ pets, this setup will help you crank up the volume without turning up the tension in your home. 🎶
Take a look, and who knows—you might just be the proud owner of a soundproof amp fortress by the end of the day. Because let’s face it, your killer solos deserve to be played loud… even if only you can hear them. 🤘
Catch you on the other side of soundproofing!
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FREE Soundproofing Workshop: https://www.soundproofyourstudio.com/workshop
If you've ever thought, “I don’t need to fully soundproof my room; maybe I can just soundproof one wall and stop the noise on the other side,” then this article is for you!
In this lesson, I'll explore when you might be able to get away with partial soundproofing without extensive construction and when it’s better to save your money and avoid the project altogether. Let’s dive in!
You may have heard me or others say, “Soundproofing is an all-or-nothing project,” and I stand by this 90% of the time. Sound expands in all directions in a 360-degree bubble, especially at low frequencies. This means sound doesn’t just travel in a straight line through one wall into your room—it also moves through floors, ceilings, windows, doors, HVAC ducts, and roofs.
For this reason, soundproofing only a shared wall with your neighbor might not stop unwanted noise. Let’s look at why this is the case.
1. A Soundproof Room Requires Mass on All Surfaces
In soundproofing, mass is the primary tool to block sound and reflect it back in the direction it came from. A solid 12-inch concrete wall, for example, will effectively stop most sound. The more mass we add, the less likely high, mid, and even low frequencies will pass through. For louder or lower frequencies, you’ll need substantial mass on all walls, ceilings, and floors, including windows and doors.
2. A Soundproof Room Is Decoupled from the Outside World
After adding mass, the next essential step is decoupling the room from the outside structure. This means isolating the sound so it doesn’t travel through structural elements like joists, studs, and drywall. Mass can block airborne noise, while decoupling prevents sound transmission through these structural pathways.
For example, if you put your ear to a metal railroad rail, you’ll hear a train from miles away. Sound travels faster and more efficiently through solid materials than air, as it would through concrete. A concrete wall might stop airborne noise like traffic but won’t prevent sound from passing through its structure.
Consider a neighbor with a subwoofer on their floor. Even with a heavy wall, sound and bass vibrations will travel through the shared floor, making the wall less effective and wasting your investment in soundproofing.
3. A Soundproof Room Must Be Airtight
Finally, a soundproof room must be airtight. Sound, like water, can seep through even the smallest gaps. Have you ever closed a heavy door but still heard noise coming in around the edges? Or maybe you’ve noticed sounds coming through an older home’s air leaks?
Without airtight sealing around walls, ceilings, floors, windows, doors, and HVAC systems, sound can still enter or exit your room, undermining your soundproofing efforts.
As I mentioned, there’s a small percentage of cases (around 10%) where partial soundproofing might work. Here’s when it might be viable:
You have a heavy concrete floor and ceiling.You don’t have windows or doors near the wall you want to soundproof.There are no shared HVAC ducts with the room you want to block sound from.If you meet these conditions, you might get away with soundproofing a single “party wall” (the shared wall with a neighbor who hosts parties).
Keep in mind that even in these cases, halfway soundproofing offers no guarantees. The results are often unpredictable, so you need to carefully weigh the risks of a partial solution.
Some people ask about “light soundproofing,” usually meaning they don’t want to spend a lot of money or time and don’t need full noise blockage. You might consider light soundproofing if:
You don’t need to block low frequencies and only want to reduce mid and high frequencies.You’re not dealing with loud sounds, like a barking dog or a train horn.You don’t make a lot of noise yourself, such as playing drums, using a subwoofer, or cranking up a guitar amp.If these criteria fit, you may be able to get away with lighter soundproofing measures. But if you’re trying to create a truly quiet space, this approach likely won’t be sufficient.
As you can see, in most cases, soundproofing is all or nothing. If you’re committed to doing it right, with the necessary financial and technical resources, then it’s worth the effort. Otherwise, it’s often better to leave the project until you’re ready to commit fully.
If you’re intrigued and want to learn more about soundproofing, check out my free soundproofing workshop (link below). Or, if you’re short on time and prefer to hire a professional, click the Soundproof Your Studio logo above to schedule a clarity call where I can learn more about your project.
Best of luck on your soundproofing journey!
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FREE Acoustic Treatment Guide: https://www.soundproofyourstudio.com/acoustic
If you have ever wondered how to build an acoustic cloud with a built in light or lights than this is your video. I go over the details of how I design acoustic clouds for my clients. Learn:
-how to build an acoustic cloud
-what fabric to use
-how to install a light and wire it to your cloud
-how to hang your acoustic clouds
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FREE Soundproofing Workshop: https://www.soundproofyourstudio.com/workshop
In this episode I go over the main soundproof wall details most people miss when designing and building their soundproof walls.
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FREE Soundproofing Workshop: https://www.soundproofyourstudio.com/workshop
In this video I go over the best place to buy soundproof doors in North America, New Zealand/Australia and the UK/Europe.
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FREE Soundproofing Workshop: https://www.soundproofyourstudio.com/workshop
If you’ve ever felt confused by electrical terms like “grounding” or “isolated ground,” trust me, you’re not alone! When I first started learning about how to properly wire my own home studio, I had no clue what it all meant, and I’m a studio designer! Let’s break it down together in the simplest way possible.
Imagine you’re plugging in your gear, ready to record, and suddenly you hear a hum or buzz in your monitors. What’s causing that? Chances are, it’s an issue with your studio’s electrical grounding. Grounding is like giving the electrical system in your studio a path to safely return to the earth—this keeps both you and your gear safe from electrical faults, and it helps eliminate noise in your audio.
But here’s where things get tricky—just like I was confused when I first learned about it, you might wonder: Can’t I just plug my gear in and call it a day? Why all this talk about grounding? Well, not all grounding is created equal, and how you set it up can make a big difference in the sound of your recordings.
When I first learned about star grounding, I didn’t get it. I had one outlet for all my audio gear, and I thought, “Isn’t that enough?” Turns out, not exactly.
In a normal electrical setup, all your equipment shares the same ground as everything else in your house—lights, HVAC, appliances. This can cause ground loops, which are electrical problems that lead to noise and hum in your audio. To avoid this, star grounding is a way to isolate the ground for your audio equipment.
Here’s the basic idea:
• Star grounding creates a dedicated, isolated path for the ground of your audio gear, keeping it separate from other systems like lighting or HVAC. This minimizes electrical noise and interference in your recordings.
Star Grounding Diagram -
In my studio, I had a 4-gang outlet where all my audio gear and computer were plugged in, and it was connected directly to its own circuit breaker. That’s not a bad start—everything shared one ground, and I didn’t hear any hum.
But here’s what I learned: if your ground wire goes straight to the same ground that all your lights, air conditioning, and everything else use, there’s still a chance that noise could sneak into your audio signal. So even though I didn’t have any problems, there was still room to improve. And this is where star grounding comes in.
Think of star grounding like a bicycle wheel. At the center (the hub) is your main ground point, and all the ground wires from your audio equipment are the spokes connecting to it. This central hub (called the ground bus) is isolated from other systems in the house until it all ties back to the main electrical panel. Here’s how you can do it:
1. Use Isolated Ground Outlets: For your studio gear, use special outlets called isolated ground receptacles. These are designed to keep the ground for your audio equipment separate from everything else.
2. Run a Separate Ground Wire: Instead of using the regular ground wire inside the Romex (your standard electrical wire), run a separate jacketed ground wire directly from the isolated ground outlets back to a dedicated ground bus. This ground bus collects all the grounds from your studio gear and then ties back to the main electrical panel’s ground.
3. Connect the Ground Bus to the Main Panel: At some point, everything needs to connect to the main panel’s ground. This is to comply with electrical codes (for safety) and to ensure that the system is properly grounded.
When I first learned about star grounding, I thought, “Why can’t I just have a separate earth ground for my studio?” That seemed like the best way to keep the ground isolated, right? But here’s the thing: you can’t have multiple earth grounds because it creates multiple paths for electricity to flow, which can lead to the very hum and noise you’re trying to avoid. This is called a ground loop.
By connecting everything back to the main panel, you make sure that all grounds in your house are at the same electrical potential—meaning, there’s no voltage difference between them that could cause hums, interference, or worse, safety issues.
• Step 1: Install isolated ground outlets for all your audio equipment. These outlets help keep the ground for your audio gear separate.
• Step 2: Run a separate ground wire from these outlets to a dedicated ground bus. This bus can either be in the panel or a separate location.
• Step 3: Connect the ground bus back to the main panel’s ground bar. This ensures safety and keeps everything at the same ground potential.
Now, if you’re like me and have a dedicated outlet that’s working fine, you might not need to rush into setting up a star grounding system right away. If you’re not experiencing noise or hum issues, it might be enough. But if you’re building a studio from scratch, upgrading your electrical system, or want to future-proof your setup, star grounding is one of the best ways to eliminate noise and hum before they even have a chance to start.
If you’re overwhelmed by all this talk about grounding and wiring, don’t worry—you don’t need to be an electrical expert to improve your home studio’s sound quality. Star grounding is just one tool in your arsenal, but it can make a huge difference in keeping your recordings clean and noise-free. Whether you choose to implement it now or later, just remember: the key is keeping your audio equipment’s ground separate from everything else.
And if you’re ever unsure about how to set this up safely, hiring a qualified electrician who understands studio-grade electrical systems is always a good move.
Further Reading and Resources:
Coming from little to no understanding of electricity I had to learn everything about studio electrical from the ground up. The following resources are great for getting different perspectives on this and furthering your own research and understanding of studio electrical systems.
Power and Grounding for Audio and Video Systems A White Paper for the Real World – International Version Jim Brown Audio Systems Group, Inc. http://www.audiosystemsgroup.com/SurgeXPowerGround.pdf
Philip Richard Newell. Recording Studio Design. New York ; London, Routledge, Taylor & Francis Group, 2017. (affiliate link) - https://amzn.to/4b7zyxd
Gervais, Rod. Home Recording Studio: Build It Like The Pros. 2nd Edition, Course Technology Cengage Learning, 2011. (affiliate link) - https://amzn.to/48ONVF6
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FREE Soundproofing Workshop: https://www.soundproofyourstudio.com/workshop
I’ve been exploring topics beyond soundproofing and room acoustics lately, and this week I’m diving into lighting designs for your home studio. Below, I’ll share a few ways to light your studio like the pros, helping you achieve that dream studio look.
1. A Little Background on Lighting TheoryI’m a big fan of the Pretty Good Home model of home building, and if you haven’t already, I highly recommend checking out their book Pretty Good House: A Guide to Creating Better Homes (affiliate link). It’s been a great resource for my own designs, offering clean, renewable, and efficient strategies that apply to home studios as well.
One key aspect of the Pretty Good House method is following a few specific lighting rules:
Rule 1: Light What You Want to See
You could install lots of downlights to brighten the entire room, but that’s not ideal. In a home recording studio, you want to focus on the essentials—your desk, instruments, and gear. Plan your lighting to effectively illuminate the areas you use the most.
Rule 2: Avoid Glare
This rule is all about ensuring you don’t see the light bulbs directly. Using shades, narrow beam angles, and focusing the light helps guide it away from your eyes. While it can be tricky in practice, it’s a worthy goal to pursue.
Rule 3: Make Change Easier
Flexibility is key. Having just one switch to control all your lights isn’t ideal. In a home studio, you’ll want work lighting and mood lighting. The goal is to create layers of lighting options that give you control over the room’s ambiance.
2. Which Type of Light Should You Use?This one’s easy: LED lights. They’re the best choice today, especially if you value energy efficiency. You can opt for other lighting, but nothing beats LEDs in terms of longevity and control.
My personal favorite is the Philips Hue LED system, which I use in all my designs. Yes, they’re more expensive, but you get what you pay for. I’ve tried cheaper color-changing lights in my studio, and they flickered and died within a year.
Philips Hue also comes with a sleek smartphone app that lets you control multiple lighting setups from your phone. Plus, these lights dim at the bulb level rather than through a switch, which helps reduce interference in your studio—a properly wired studio helps too, but that’s a lesson for another day.
3. Studio Lighting TechniquesA) Use Philips Hue Slim Downlights in Your Acoustic Clouds
These are perfect for easy installation in an acoustic panel hanging from the ceiling. I like to use them in clouds to avoid cutting large holes in the ceiling. Instead, I run a small wire down to the acoustic panel, leaving only a tiny hole for the wire.
B) Use Philips Hue Light Strips for Backlighting
Philips Hue light strips are great for adding backlighting to the edges of your acoustic clouds, desks, computer monitors, or acoustic wall treatments. The possibilities are endless, and it’s a fantastic way to enhance the vibe and ambiance of your studio.
C) Opt for Track Lighting Over Downlighting
Track lighting helps with Rule 1: Light What You Want to See. Two carefully placed track lights can focus light exactly where it’s needed, illuminating key areas of your studio.
D) Keep Each Set of Lights on Its Own Switch
While dimmers aren’t ideal, having separate switches for different lighting systems is a must. I usually place downlights on one switch, strip lights on another, and track lighting on a third. This way, you can easily control each type of lighting and fine-tune everything through your smartphone app.
ConclusionThe biggest takeaway for studio lighting is to stay creative and trust your artistic instincts to set the vibe and mood for your workspace. Don’t skimp on lighting—stick to LED systems and embrace color-changing lights. While I’m partial to Philips Hue, there are other great high-end brands out there as well.
Works Cited:
Kolbert, Dan, et al. Pretty Good House: A Guide to Creating Better Homes. Newtown, CT, The Taunton Press, 2022. -
FREE Soundproofing Workshop: https://www.soundproofyourstudio.com/workshop
When it comes to running a studio, one area that often gets overlooked is power. But clean, reliable power is essential for avoiding ground loops, electrical noise, and keeping your gear safe from surges or voltage fluctuations. In this article, we’re going to break down the various power protection options available for studios and help you understand how to set up a system that keeps your equipment and your sound clean. This topic came up in a recent conversation with a client of mine who was wondering about star grounding, transformers, power conditioners, UPS units, and balanced power systems. Before we break down all your options I want to first mention the importance of wiring your studio correctly to begin with before even considering power conditioners or UPS units.
Practical Tips for Studio Power SetupBefore choosing the right power equipment, following best practices for studio wiring is crucial for avoiding noise and ground loops. Here are some key tips:
Dedicated Circuits for Audio: Wire all audio equipment on its own 15 or 20-amp breaker, depending on power needs. While computers can introduce noise, it’s often best to keep them on the same circuit to avoid ground loops.Separate Circuit for Non-Audio: Lights and non-audio electrical outlets should be on a separate circuit to minimize interference.Panel Management: Try to place the audio circuits on the same leg of your panel if possible, though this can be tricky to balance with other loads.EMI Reduction: Keep electrical and audio lines at least 1 foot apart at all times to reduce the risk of electromagnetic interference (this includes ethernet lines used for audio transmission).Star Grounding: Do You Need It?
Star grounding is a method where all the ground connections for your studio are routed to a single point, or "star." This helps avoid ground loops, which can cause hum and other interference in audio systems. While star grounding is a good practice for reducing noise, it’s not always practical in smaller home studios—especially if you are not wiring your studio from scratch with an electrician involved.
Best Practice Tip: If you're building a studio where you can easily run wiring through the walls and have a talented electrician who understands the concept of star grounding then it is a great solution. However, if you do not want to spend the extra money for star grounding or don't have the ability to rewire your entire studio than star grounding is not a good option.
There are several ways to protect your studio’s power, each with its own pros and cons. Let’s walk through the most common options.
The SolaHD 23-23-210-8 provides voltage regulation, surge protection, and power conditioning, which helps protect your equipment from unstable power and electrical noise like electromagnetic interference (EMI) or radio-frequency interference (RFI). While it improves overall power quality and can reduce noise, it doesn’t specifically address ground loops unless you’re using an isolation transformer designed for that purpose. This system is great if you are wiring your studio from the ground up because it will protect multiple outlets in different rooms without the need to buy multiple individual power conditioners.
Recommendation: The SolaHD is great if you want to regulate voltage and protect against surges and noise, but if your primary concern is ground loops, you might need to look into grounding solutions or use an isolation transformer.
Power Conditioners: Clean Power for Audio GearPower conditioners, such as the Furman M-8x2, are a more familiar solution for many studio owners. These units filter the power coming into your gear, smoothing out surges and spikes while also providing noise filtering. While not nearly as robust as the other models on my list, the Furman M-8x2 ensures that your gear receives consistent voltage and power surge protection, which can help protect your home studio gear and provide some cleaning up of the power at the same time.
Recommendation: If you notice your power fluctuating or you live in an area prone to brownouts or surges, a voltage regulator/power conditioner combo is a great solution. Keep in mind, though, that these protect only what’s plugged into them directly, not the entire room.
The Furman F1500 UPS is a great example of a unit that combines power conditioning with a UPS. A UPS (Uninterruptible Power Supply) ensures that your sensitive gear—like computers, DAWs, and audio interfaces—stay powered during short-term outages, giving you time to save work and shut down safely. This unit also provides surge protection and power conditioning.
Recommendation: This unit might be one of the best options for home studios where you notice the power going out frequently. For example, my studio has many outages per year. This unit would be a great addition so that I don't lose work or suffer any damages to my gear due to surges when the power comes back on.
Balanced Power Conditioners: The Top Of The Line SolutionBalanced power systems, like the EquiTech Model 1.5R and the Furman P-2400 AR, offer a high end solution for reducing noise and interference. Balanced power delivers equal voltage on both the hot and neutral wires, which dramatically reduces electrical noise and hum. The EquiTech Model unit can power up to 12 outlets, while the Furman offers 14. These are both high end and expensive units. The EquiTech Model 1.5R costs $2,990 while the Furman P-2400 AR costs $993.43.
Recommendation: If you want a top of the line solution that gives you peace of mind, these two options are your best bet. Some people swear by balanced power, but you are paying for higher quality gear. These units are geared toward high-end, professional environments where electrical interference and power purity are crucial, such as high-end recording studios, broadcast facilities, or other mission-critical applications requiring the best possible power conditioning.
Answering My Client's Questions: What Should You Choose?He was wondering how these various options compare. Here’s what I told him:
For clean, isolated power, a transformer is the way to go, though it’s usually a bigger investment and best for commercial setups.For regulating voltage and conditioning power, the Furman P-2400 AR is excellent. It ensures stable power and clean filtering for critical gear.For backup power during outages, the Furman F1500 UPS is a great option to keep your most important gear (like your DAW or computer) safe.For comprehensive, clean power that is top of the line, a balanced power system like the EquiTech 1.5R or the Furman P-2400 AR offers the best long-term solutions for high end studios. They will power multiple outlets and significantly reduce noise and interference across your studio. Final Thoughts: What’s Best for Your Studio?Every studio has different needs, but in general, asking your electrician about installing a star grounded set up if you are building a new studio is the best option. If you can't do a star grounded system still follow my basic electrical install tips. Then use the SolaHD 23-23-210-8 for extra conditioning and surge protection on your audio circuit. This will be a more cost effective way to ensure protection if you have multiple rooms or multiple outlets that you want to protect. If you do all those things you probably won't need an expensive power conditioner for your studio. I like the term don't fix a problem you don't have. In this case power conditioners may not be needed and are quite costly.
If you don't have the luxury of wiring your studio then a power conditioner is a great option. Honestly, the Furman 8x2 is a tried and true piece of gear that will work for all home studios. The UPS is great as well, but you don't have to buy a UPS built into your power conditioner, but it is a nice streamlined approach. If you opt for the higher end balanced conditioners they are a great option if you have the budget, but might not be necessary for your average home studio.
If you're working on designing a studio and want professional help reach out! I’m always happy to help.
Links to Products:Furman M-8x2 (affiliate link)Furman P-2400 AR (affiliate link)Furman F1500 UPSEquiTech 1.5R Balanced PowerSolaHD Transformer -
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IntroductionIn today’s home recording studio world, high-quality audio transmission over Cat5/Cat6 has become a game changer. From real-time audio processing to networked systems that allow for future scalability, audio over IP (AoIP) solutions offer a flexible, affordable way to streamline your workflow. In this guide, we’ll explore the best systems for home studios, what hardware and software you’ll need, and a price breakdown for each option.
***I am using affiliate links below***
1. Dante by AudinateWhy It’s Great for Home Studios:
Scalability: Easily expand your setup as your studio grows.Compatibility: Works with popular audio brands like Focusrite, PreSonus, and Yamaha.Low Latency: Perfect for real-time recording and monitoring.Software Flexibility: Dante Virtual Soundcard runs on your computer without extra hardware.Hardware Needed:
Dante-Enabled Audio Interfaces: Focusrite RedNet X2P ($1,300) or Yamaha Tio1608 ($1,550).Dante Switch: Netgear ProSAFE GS724T ($300).Optional Dante PCIe Card: Audinate Dante PCIe-R ($750).Software Needed:
Dante Virtual Soundcard: ($50).Dante Controller: Free software for managing your Dante network.Estimated Price: $1,680 - $3,000 for a basic setup.
Best For: Small to large home studios that require real-time recording and monitoring with the ability to expand over time.
2. AVB (Audio Video Bridging)Why It’s Great for Home Studios:
Cost-Effective: Affordable and reliable for home studio budgets.Synchronization: Ensures perfect sync between audio and video.Simple Setup: Works with AVB-compliant switches for easy network creation.Hardware Needed:
AVB Interfaces: MOTU 828es ($995) PreSonus StudioLive 32R ($1,700).AVB-Compliant Switch: Extreme Networks X440-G2 (~$750).Software Needed:
PreSonus UC Surface (free) for StudioLive or MOTU AVB Control (free).Estimated Price: $1,745 - $2,450 for a basic setup.
Best For: Small to medium-sized home studio setups that are budget-conscious but need reliable audio performance.
3. SoundGrid by WavesWhy It’s Great for Home Studios:
Real-Time Processing: Great for integrating Waves plugins into live recording and mixing.High Channel Count: Supports multiple devices and high channel counts for large setups.Waves Ecosystem: Seamless integration with Waves plugins.Hardware Needed:
SoundGrid Audio Interface: DiGiGrid MGB ($3,000) or any Soundgrid Compatible Interface ($1,050+)Optional: Waves SoundGrid Proton Server ($849) Switch: Netgear ProSAFE GS716T ($230).Software Needed:
SoundGrid Studio: Free with SoundGrid hardware.Optional Plugins: Waves Plugin Bundles (~$200 - $600 depending on the bundle).Estimated Price: $1,280 - $4,079+ for a basic setup, depending on the hardware and plugins used.
Best For: Home studios that already use Waves plugins and need real-time processing for recording and mixing.
For home studio setups using Waves SoundGrid, a DiGiGrid MGB or another SoundGrid-compatible interface is essential to convert your audio into the network. However, the Waves Proton Server is optional. While not required for the system to function, it provides the power needed for real-time Waves plugin processing, making it a great addition for those working in live sound or heavy plugin environments.
4. Q-SYS by QSC (AES67 Support)Why It’s Great for Home Studios:
All-in-One Solution: Integrates audio, video, and control into one system.Highly Customizable: Perfect for flexible home studio setups that may expand into video or streaming.AES67 Support: Provides compatibility with other AoIP systems like Dante.Hardware Needed:
Q-SYS Core 110f (~$2,300): Integrates audio, video, and control in one system.DB25 to Phoenix Connector Cable ($100-200) - Allows you to patch from your audio interface into the Core 110f and convert that audio to ethernet.Software Needed:
Q-SYS Designer Software: Free with the Q-SYS system.Estimated Price: $3,000 - $4,000 for a basic setup.
Best For: Advanced home studios or content creators who want to integrate audio, video, and control into a single networked solution.
ConclusionWhen deciding which system to use in your home recording studio, it's important to consider both your current needs and future scalability.
Best All-Around Choice: Dante is the most flexible and future-proof option, perfect for growing studios.Best Budget Option: AVB offers a reliable, cost-effective solution for small to mid-sized studios.Best for Real-Time Processing: SoundGrid is ideal if you need real-time plugin processing with high channel counts.Best for Advanced Needs: Q-SYS is a powerful, all-in-one system for studios incorporating both audio and video production.No matter your choice, investing in audio over Cat5/Cat6 systems will ensure that your home recording studio is equipped for today’s demands while staying flexible for future expansions.
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Since building my home recording studio, I’ve learned a lot—especially about what really matters in the long run. One thing I often see first-time studio builders overlook is focusing solely on soundproofing and acoustics, while missing the bigger picture: how you’ll use the room and how to set up your audio lines for the best workflow.
The truth is, you’ll eventually care more about how efficiently your studio runs and how comfortable it feels than about perfect acoustics or obsessing over specific soundproofing materials.
Yes, soundproofing and acoustics are important. But the point of this article is to encourage you to think bigger and design like a pro. Consider how you want to use your studio and what audio setup best supports your needs.
A single room can’t be perfect for everything. If your primary goal is mixing, your design approach will be vastly different from someone using their room for band rehearsals. Sure, your room can have multiple purposes, but it should be optimized for what you’ll use it for 80% of the time.
With this focus, everything else—soundproofing, acoustics, lighting, audio wall boxes, cable runs, electrical, and HVAC—will fall into place more easily. Trying to build a room for mixing, rehearsing, live recording, and Dolby Atmos all at once is overcomplicating things.
If you’re lucky enough to build multiple rooms, you can dive into the more complex world of designing spaces for specific purposes, much like traditional studios where the live room and control room serve very different functions.
It’s easy to get so wrapped up in designing soundproof walls that you overlook how you’ll actually wire your studio. From my experience, there are three main ways to manage your cabling:
A) Using a Snake or Individual XLR Cables
This is often the simplest and most cost-effective solution. Running a snake or individual XLR cables to the back of your room lets you easily connect instruments like drums and guitars to your interface by your desk.
While this is my current setup, it does have drawbacks—namely, the constant challenge of tripping over cables. Careful cable management is required to keep things organized, but the upside is easy access for repairs and re-routing.
B) Snake in the Wall with Custom Wall Boxes
If you want a cleaner, more professional look or are working with multiple rooms, consider running a snake through the walls to a custom wall plate. Companies like Redco make it easy to connect your XLR cables directly into the wall near your instruments, making for a clean and efficient setup.
This approach is more complex and expensive but ideal for higher-end studios or anyone prioritizing a polished aesthetic. You can even add a patch bay to easily route different audio signals to your interface—a great option if you want to reconfigure your channels depending on the session.
For more advanced setups, check out Redco or ProAudioLA, and take a look at SoundTools’ audio-over-Cat5 system for an innovative option.
C) Ethernet System with Specialty Interfaces
The most advanced and versatile option is to run audio over ethernet using shielded cables and specialty interfaces. This system allows for flexibility, especially in larger homes or studios with multiple rooms.
For instance, I’m working with a client who will run ethernet from his studio to different rooms in his house, allowing him to record from any room while controlling everything from his main mixing desk in the garage. It’s a powerful, but highly technical, solution.
Popular Ethernet-Based Audio Systems:Dante by Audinate – Scalable and compatible with major audio brands like Focusrite and PreSonus, Dante is perfect for growing home studios.AVB (Audio Video Bridging) – An affordable and straightforward option, especially with MOTU and PreSonus gear.SoundGrid by Waves – Designed for real-time processing with plugins, great for studios already using Waves.AES67 – Ideal for studios with equipment from different manufacturers, providing universal interoperability.Q-SYS by QSC – More than just audio, Q-SYS integrates control and video for advanced studio setups. Conclusion: Think HolisticallyThe most important takeaway here is to think holistically about your studio design. Don’t leave critical infrastructure like audio cabling until the last minute—it should be integrated with your electrical system from the start. Plus, you’ll need to consider electromagnetic interference (EMI) between audio and electrical lines.
I recommend beginning your research on audio networks alongside your soundproofing and acoustic plans. This way, you’ll end up with a home recording studio that truly meets your needs.
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When I first soundproofed my own studio, I chose the I-B1 clips from the Soundproofing Company. They were affordable, easy to install, and provided decent sound isolation. However, after years of working with various soundproofing products and testing different methods, I've changed my perspective. Today, I want to share why I've come to prefer Hush Frame Rafts, and why I believe they're a superior choice for home studio soundproofing.
The primary reason I now favor Hush Frame Rafts is the improved sound isolation they offer due to their silicone decoupling feature. Unlike the I-B1 clips, which are entirely metal, Hush Frame Rafts and their competitors, like RISC-1 clips, use rubber or silicone to decouple the clip from the studs or joists. This added layer of decoupling significantly reduces sound transmission, making these products more effective for serious soundproofing needs.
That said, I-B1 clips are still a viable option if you're working within a tighter budget. They do provide good sound isolation and are certainly better than nothing, but if you're aiming for the highest level of soundproofing, I now recommend opting for clips with rubber or silicone components.
Another key reason I've switched to Hush Frame Rafts is their low-profile design. In home studios, every inch of ceiling height counts, and even gaining a fraction of an inch can make a big difference in the feel of the room. Hush Frame Rafts, paired with 1x3 furring, only add about 1" of extra space to your wall or ceiling system. This is a significant advantage over other options like the RISC-1 clips, which, while offering similar isolation benefits, don’t provide the same low-profile benefit.
One of the underrated advantages of Hush Frame Rafts is their compatibility with wood furring strips. Most contractors are more comfortable working with wood, especially when attaching wood to wood, and this makes the installation process smoother. Since soundproofing can be overwhelming for many builders, anything that simplifies the job is a huge plus. Using wood furring instead of metal also makes sourcing materials easier, which is another win for both the builder and the client.
Feedback from experienced contractors is invaluable, and my contractor in Nashville, Henry Thompson, had nothing but praise for Hush Frame Rafts. He noted how much more elastic and decoupled the system felt compared to the I-B1 clips, which he believes contributes to better sound isolation. When a seasoned professional like Henry gives a product the thumbs up, it reinforces my confidence in recommending it.
Another aspect of Hush Frame that I appreciate is the quality of their instruction manuals. Designing complex home studio builds requires precise information, and Hush Frame provides detailed manuals that cover multiple options and diagrams for different load capacities. This level of detail allows me to easily design varying wall and ceiling types for my clients, ensuring that each build meets the specific needs of the space. Other manufacturers simply don’t offer the same depth of information, which is another reason Hush Frame stands out.
In the past, I’ve written about my preference for I-B1 clips, but my experience over time has led me to change my mind. Hush Frame Rafts offer better sound isolation through rubber or silicone decoupling, a low-profile design that maximizes ceiling height, and ease of use with wood furring. Combined with positive feedback from contractors and comprehensive instruction manuals, these factors make Hush Frame Rafts my top recommendation for home recording studio design. If you’re serious about soundproofing, I believe they’re worth the investment.
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