Episodes
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Whoa. This season has been a heavy season. Narrative Drive and Conflict Triangles are two major concepts that can - and will - transform your writing. In this episode, Melanie and I summarize everything we learned this season. -V
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Eye in the Sky reminds me of the ‘greater good’ questions I discussed in class during high school - there’s no right or wrong answer but there are always consequences. This movie is an excellent example of how tension and escalating stakes combine with conflict triangles and narrative drive to create a compelling story. This isn’t an action movie but I couldn’t take my eyes off the screen for fear of missing something. Join us this week to discover how to craft stories that linger after the cover is closed. -M
“Eye in the Sky creates a fascinating amount of tension. It does this by setting up a situation at the beginning that has multiple courses of action and outcomes, and then it delays the decision until the last possible moment.” Melanie Hill
Related Story Nerd Episodes
The Woman King (Season 8 Episode 2)
Our Best Advice (Season 8 Episode 11)
The Help (Season 11 Episode 5)
For access to writing templates and worksheets, and more than 70 hours of training (all for free), subscribe to Valerie's Inner Circle.
To learn to read like a writer, visit Melanie's website.
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Missing episodes?
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Your reader doesn't have to like the protagonist but she does have to empathize with him because if empathy is absent, your story is in trouble. In this episode Melanie and I study conflict triangles and narrative drive, but we also have an interesting side conversation about empathy and likeability. If you're writing an unlikeable character, or if you're writing a quiet, character-driven story, this episode is for you. -V
"The protagonist does not have to be likable, but you've got to be careful that you don't place the reader's empathy on another character." - Valerie Francis
For access to writing templates and worksheets, and more than 70 hours of training (all for free), subscribe to Valerie's Inner Circle.
To learn to read like a writer, visit Melanie's website.
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Holy moly, this is a good movie! It's an especially good movie to study for anyone writing a quiet, character-driven story. THE WIFE originally aired as Episode 4 of Season 6 when Melanie was studying stakes and I was studying empathy. But honestly, this is one of those rare films that novelists (and memoirists!) can study to learn just about any storytelling principle. -V.
*Programming Note: In next week's episode we review the movie NYAD, not GONE BABY GONE as indicated in the intro.
For access to writing templates and worksheets, and more than 70 hours of training (all for free), subscribe to Valerie's Inner Circle.
To learn to read like a writer, visit Melanie's website.
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This movie is a masterclass on characters, character development, cast design and the relationships between characters. It honestly doesn't get any better than this. So no matter what kind of story you're writing, grab your notepad and dive in! -V.
For access to writing templates and worksheets, and more than 70 hours of training (all for free), subscribe to Valerie's Inner Circle.
To learn to read like a writer, visit Melanie's website.
Follow Valerie on X, Instagram and Threads @valerie_francis
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Melanie chose Lego Batman from the vault because, in addition to being a really well-written story, it made her laugh. And that, imo, is the mark of superior writing. This episode originally aired in Season 5 when Melanie was studying resonance. If you're curious about what that is, and how it can truly enhance your storytelling, be sure to give this episode a listen. - V.
For access to writing templates and worksheets, and more than 70 hours of training (all for free), subscribe to Valerie's Inner Circle.
To learn to read like a writer, visit Melanie's website.
Follow Valerie on X, Instagram and Threads @valerie_francis
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Melanie and I are taking a short mid-winter/mid-summer break, so while we recharge our batteries we're reposting some of our favourite episodes starting this week with THE GODFATHER. Wow, there just aren't too many movies with this level of storytelling craft in them. I had a whole lot to say about this classic film and I know that no matter which genre you're writing in, there's something in this episode to help you. Enjoy! - V.
For access to writing templates and worksheets, and more than 70 hours of training (all for free), subscribe to Valerie's Inner Circle.
To learn to read like a writer, visit Melanie's website.
Follow Valerie on X, Instagram and Threads @valerie_francis
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We visit the joys of multiplot stories this week. Valerie discovers (again) the issues with multiplot stories in movies, and I investigate how the different timelines impact the narrative drive. We both learnt what happens to a story when conflict triangles and curiosity and concern are absent - a cautionary tale for writers. -M
“A character can’t un-know something or completely ignore something that is right in front of them.” Melanie Hill.
RELATED STORY NERD EPISODES
Nashville Season 5, Episode 5
As Good as it Gets Season 6, Episode 5 (Empathy)
For access to writing templates and worksheets, and more than 70 hours of training (all for free), subscribe to Valerie's Inner Circle.
To learn to read like a writer, visit Melanie's website.
Follow Valerie on X, Instagram and Threads @valerie_francis
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If you're writing a story with multiple protagonists/POVs, or if you're tackling a big social issue in your story, then you'll want to study The Help. As it happens, it's also a cracking example of Conflict Triangles and Narrative Drive - and that's what Melanie and I talk about in this week's episode. - V.
"The bigger the scope of the issue, the smaller the scope of your story." Valerie Francis
For access to writing templates and worksheets, and more than 70 hours of training (all for free), subscribe to Valerie's Inner Circle.
To learn to read like a writer, visit Melanie's website.
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This week one of mystery writing’s deadly sins makes a guest appearance. Valerie and I discuss if the appearance is welcome or not. A Simple Favour has good examples of how Narrative Drive works - great for my topic. However, it wasn’t so good for Valerie’s study of Conflict Triangles, so we see how superficial a story can be when the conflict isn’t complex. -M.
"After studying this movie, I understand that multiple narrative drive devices can be used simultaneously." Melanie Hill
Related Story Nerd Episodes
Knives Out (Season 1, Episode 107)
The Gentlemen (Season 8, Episode 806)
The Good Liar (Season 9, Episode 906)
For access to writing templates and worksheets, and more than 70 hours of training (all for free), subscribe to Valerie's Inner Circle.
To learn to read like a writer, visit Melanie's website.
Follow Valerie on X, Instagram and Threads @valerie_francis
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In BELFAST, Kenneth Branagh does something that most, if not all, new writers do. In a movie, it's kind of hard to spot because filmmakers have access to tools (like costume design, cinematography, and a musical score) that obscure it. In a novel, it's obvious —stark even — because all we have is black text on a white page. It's laid bare for all readers to see, and readers don't like it. Here it is ... in BELFAST the protagonist is passive. He's observing the action but not part of the action (and he's not a narrator either). So what can we do about it? Tune in to this week's episode to find out. - V.
"I felt like I should have liked it. I felt like that there was like, if I didn't like it, then there was something wrong with me." - Melanie Hill
For access to writing templates and worksheets, and more than 70 hours of training (all for free), subscribe to Valerie's Inner Circle.
To learn to read like a writer, visit Melanie's website.
Follow Valerie on X, Instagram and Threads @valerie_francis
Follow Melanie on X, Instagram and Facebook @MelanieHillAuthor
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Sometimes we learn more from our mistakes than our successes - that’s my story and I’m sticking to it this week! Narrative drive is an important storytelling principle to learn and this week’s movie is an example of poor story structure resulting in terrible narrative drive. A mystery writer should have control of the information. Valerie’s study of conflict triangles was more fruitful than my area of study this week. The conflict triangle is present and clear to see. -M
"Narrative drive is all about information and the emotions it creates in the readers. It’s also about understanding your role as the writer to control that information." - Melanie Hill
Related Story Nerd Episodes
Late Night (Season 1, Episode 101)
Doubt (Season 11, Episode 1101)
For access to writing templates and worksheets, and more than 70 hours of training (all for free), subscribe to Valerie's Inner Circle.
To learn to read like a writer, visit Melanie's website.
Follow Valerie on X, Instagram and Threads @valerie_francis
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It's a brand new season and that means Melanie and I are studying two new topics: narrative drive and conflict triangles. Conflict and page-turners are usually associated with action stories, thrillers and the like. But DOUBT is a quiet, character-driven film that is so expertly crafted it grabs the viewer's attention immediately and holds it right to the bitter end. Seriously, there's so much for novelists in here. -V.
"The main conflict in a story is between the protagonist and the antagonist, right? Fine. We all understand that. But if that's all we got, then our story is like a tug of war." Valerie Francis
For access to writing templates and worksheets, and more than 70 hours of training (all for free), subscribe to Valerie's Inner Circle.
To learn to read like a writer, visit Melanie's website.
Follow Valerie on X, Instagram and Threads @valerie_francis
Follow Melanie on X, Instagram and Facebook @MelanieHillAuthor
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We've reached the end of another season and so we're wrapping up our best advice and a-ha moments just for you. Tune in to hear what we have to say about writing female characters and using female archetypes. We also share why it's crucial for you to use the first half of your story to set up everything that happens in the second half. (Hint: it all about brain science!) - V.
"One of our most hardwired expectations is that anything that reads like the beginning of a new pattern, that is a setup, will, in fact, be a setup with a corresponding payoff." - Lisa CronFor access to writing templates and worksheets, and more than 70 hours of training (all for free), subscribe to Valerie's Inner Circle.
To learn to read like a writer, visit Melanie's website.
Follow Valerie on X, Instagram and Threads @valerie_francis
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I have been looking forward to this episode since the start of the season. I specifically selected Hanna so we could study fight scenes and weapons handling with female characters - Hanna doesn’t disappoint. I consider aspects of female fight scenes and firing pistols. Valerie wasn’t so lucky this week. Hanna is light on story because the action scenes take up a lot of space. However she did find a strong example of another story telling principle…join us to find out what it was. - M.
"Not surprisingly, women fight differently from men. There are significant things to understand about the sociological, psychological, biological and bio-chemical differences between male and female characters." Melanie Hill
For access to writing templates and worksheets, and more than 70 hours of training (all for free), subscribe to Valerie's Inner Circle.
To learn to read like a writer, visit Melanie's website.
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Quite often, stories that don't work have more to teach us than the stories that do. Maybe Maria Semple's novel (upon which this film is based), is simply one that's challenging to adapt to the screen. Whatever the case, this move has missed the mark on some basic storytelling principles (it has too many backstory info dumps, a Deus Ex Machina, and weak narrative drive). If you want to understand the impact these things have on a story, and on the reader/viewer, this episode is for you! - V.
"If exposition is not used properly, it will ruin your story." Valerie Francis
For access to writing templates and worksheets, and more than 70 hours of training (all for free), subscribe to Valerie's Inner Circle.
To learn to read like a writer, visit Melanie's website.
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Novellas are the ace up your writerly sleeve! They enable you to practice all of the principles of storytelling in a shorter, more manageable form. That's going to make you a much better novelist because your story will be focused and you won't get lost in your manuscript. And oh, the best part? Novellas are on the rise. - V.
*Script note: In the episode, I mention that Jenna Bush recommended two novellas in her March 2024 bookclub. That is incorrect. She recommended one — THE HOUSE ON MANGO STREET (Sandra Cisneros)
For access to writing templates and worksheets, and more than 70 hours of training (all for free), subscribe to Valerie's Inner Circle.
To learn to read like a writer, visit Melanie's website.
Follow Valerie on X, Instagram and Threads @valerie_francis
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Crazy Rich Asians pitches two female leads against each other - sounds excellent right? Not so fast… This should set up an epic battle of wills as one fights against traditions she doesn’t understand while the other fights to retain order and tradition. This week, I find out what happens when the protagonist doesn’t plausibly match, then surpass, the antagonist. Valerie discusses how superficial innovation doesn’t hide questionable male characters or Asian stereotypes.
"When I watched Rachel and Eleanor this week, I found Eleanor more fascinating and as a result, Rachel’s victory using game theory was hard to believe." - Melanie Hill
RELATED STORY NERD EPISODES
August Osage County (Season 8, Episode 1)
Everything, Everywhere, All at Once (Season 7, Episode 6)
For access to writing templates and worksheets, and more than 70 hours of training (all for free), subscribe to Valerie's Inner Circle.
To learn to read like a writer, visit Melanie's website.
Follow Valerie on X, Instagram and Threads @valerie_francis
Follow Melanie on X, Instagram and Facebook @MelanieHillAuthor
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This movie was way ahead of its time. It's a brilliant example of the heroine's journey and Melanie walks us through all 10 phases as outlined in Maureen Murdock's THE HEROINE'S JOURNEY: A WOMAN'S QUEST FOR WHOLENESS. Thanks to its excellent use of setups and payoffs, it also has an ending that is both surprising and inevitable.
"One of our most hardwired expectations is that anything that reads like the beginning of a new pattern, that is a setup, will, in fact, be a setup with a corresponding payoff." - Lisa Cron
For access to writing templates and worksheets, and more than 70 hours of training (all for free), subscribe to Valerie's Inner Circle.
To learn to read like a writer, visit Melanie's website.
Follow Valerie on X, Instagram and Threads @valerie_francis
Follow Melanie on X, Instagram and Facebook @MelanieHillAuthor
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The marketing for this film highlights Judi Dench, but she's barely in it at all. As fans of hers, Melanie and I were disappointed. The movie is ok but it wasn't what we expected and that soured our experience of the story. Melanie still did a study of female archetypes and I still studied setups and payoffs, but the real lesson this week is what happens when a story doesn't meet audience (or reader) expectations. -V.
"Female characters don't have to be based on female archetypes, and vice versa for male archetypes and male characters." - Melanie Hill
For access to writing templates and worksheets, and more than 70 hours of training (all for free), subscribe to Valerie's Inner Circle.
To learn to read like a writer, visit Melanie's website.
Follow Valerie on X, Instagram and Threads @valerie_francis
Follow Melanie on X, Instagram and Facebook @MelanieHillAuthor
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