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One of the premier electric bassists of contemporary jazz, Mark Egan has distinguished himself over the past five decades with his distinctive fretless bass sound that has graced countless jazz and pop albums as well as award-winning movie and television soundtracks. An in-demand New York City studio musician who has played on multi-gold and platinum-selling recordings by Sting, Arcadia, Marc Cohn,GRP Christmas, Mecano and Joan Osborne, Egan has also recorded with a wide variety of artists from pop stars like Roger Daltrey, Sophie B. Hawkins, Marianne Faithfull, Judy Collins, Cyndi Lauper and Art Garfunkel to jazz notables like David Sanborn, John McLaughlin, John Abercrombie, Randy Brecker, Gato Barbieri, Freddy Cole, Jim Hall, Joe Beck, Pat Martino, Mark Murphy and Larry Coryell.
A charter member of the Pat Metheny Group (formed in 1977) and member of the Gil Evans Orchestra for 13 years, Egan has 14 albums as a leader to his credit and another 10 as a co-leader of Elements, the fusion band he formed in 1982 with his Pat Metheny Group bandmate, drummer Danny Gottlieb.
Egan discusses his latest album release "Cross Currents", his process when creating the album and practices routines.
Mark Egan "Cross Currents"
Mark Egan Website
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Craft Brewed Music Podcast
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Joris Teepe is an acoustic and electric bassist from Amsterdam and has lived in New York since 1992. He has led his own groups for 30 years and recorded 22 CD’s as a leader or co-leader and over 60 CD’s as a sideman.
Arriving in New York in 1992 with just his bass and a suitcase, he took lessons with bassist Ron Carter, quickly met many musicians and started to work a lot. A year later he recorded his first CD, with a band co-led by saxophonist Don Braden and featuring pianist Cyrus Chestnut, drummer Carl Allen and trumpeter Tom Harrell. From that point everything really took off for Joris and he became a bassist in great demand. He has been working with the “who-is-who in Jazz”, such as Benny Golson, Sonny Fortune, Rashied Ali, Billy Hart and Randy Brecker.
Teepe has composed 95 original compositions, including pieces for Symphony Orchestra & Small Jazz Group and Symphony Orchestra, Big Band, and Choir. He leads his own big band in New York, playing exclusively his own music, and performs his own repertoire as a guest soloist with local big bands. The JORIS TEEPE REAL BOOK will be released in 2024.
Joris Teepe Website
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Tom’s musical roots with on the acoustic bass, an instrument he started playing at age 9 and took to so naturally that within a few years he was performing with internationally known players such as Freddie Hubbard, James Moody, Nat Adderly, Sonny Stitt and Stan Kenton.
At age 17, Tom would create a musical alter ego when he began playing the electric bass. Intrigued by the endless possibilities of the instrument, he began developing his now signature style best described as deep, soulful grooves merging seamlessly into acrobatic, horn-like soloing.
Gaining a reputation that soon traveled beyond his native St. Louis, Tom relocated to New York City, where he quickly gained work with multiple groups. Further accolades came through a recording with guitar great Bill Connors and tours with tenor saxophonist Michael Brecker in the world-renowned jazz-fusion group Steps Ahead. Additional tours and recordings with Brazilian pianist Tania Maria and guitarist Al DiMeola followed.
On episode 124 of The Bass Shed Podcast, Tom discusses his latest recording "NEW START", the production of the album, his writing process, the gear he uses live and in the studio and more.
Tom Kennedy - "New Start" on Spotify
https://open.spotify.com/album/7KvXyweoy8GYAT7KdDYSKq?si=N2p-FWRzQeuAKGFbqcTa1A
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Reggie Hamilton was born in NYC. He spent his formative years on the east coast and started playing bass at age 11. He was also fortunate enough to have New York bassist Kim Clarke as his first teacher.
Two years later, Reggie would take up the acoustic bass to strengthen his foundation as a bassist. Much of Reggie’s early playing experiences were spent in R&B and jazz clubs.
He later worked as a house bassist in Atlantic City. Although Reggie had declined a scholarship at the Philadelphia Music Academy, he studied double bass with Craig Thomas and Philadelphia Orchestra’s Neil Courtney. He also studied composition with Dennis Sandole.
Since arriving in Los Angeles, Reggie has toured and/or recorded with a wide array of artists including Seal, Eros Ramazzotti, Babyface, Thalia, Queen Latifah, Billy Childs, Christina Aguilera, Anita Baker, Bette Midler, George Duke, Whitney Houston, Stanley Clarke, David Lynch, John Mellencamp, Warren Zevon, Mariah Carey, Tina Turner and many, many others.
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International Society of Bassists
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Darek Oles (Oleszkiewicz) was born on February 20, 1963 in Wroclaw, Poland. At the age of five Oles began his music education at the State Music School in Wroclaw. Piano was his first instrument, but later he played guitar, electric bass and finally at eighteen years old, he switched to accoustic bass. While in his teens he played with amateur groups, evolving in popular music styles from rock, blues, jazz-rock to straight ahead jazz. In the early 1980’s, Oles participated in various jazz festivals and national competitions for young musicians. In 1983, he was the most awarded musician at the Jazz Juniors in Cracow, winning the first individual prize, first prize for jazz composition and a second prize in jazz combo category. Later that year Oles was invited by Jan Ptaszyn Wroblewski, a jazz legend in Poland, to join saxophonist’s quartet on tour.
In the following five years Darek Oles was working steadily with some of the best jazz bands in the country such as: Zbigniew Namyslowski Quartet, Tomasz Szukalski Quartet, Henryk Majewski Quintet, Wojciech Karolak Trio and Andrzej Jagodzinski Trio and Jan Ptaszyn Wroblewski Quartet. With those groups he recorded for Polish Jazz, Polskie Nagrania, East Wind and also for the radio and television in Poland and abroad. Darek was touring extensively in Poland, France, Germany, Czech Republic, Cuba, Mexico and performed at major festivals, concerts and jazz club venues.
In 1988, Darek Oles arrived in Los Angeles with a simple plan in mind: to broaden his musical horizon. One year later he received a full scholarship from California Institute Of The Arts and began studies with the legendary bassist Charlie Haden. After graduation in 1992, he accepted a teaching position at the Institute, where he has been conducting jazz ensembles and teaching bass ever since. Since 2002 Oles has been a jazz faculty member at the University Of California in Irvine.
Aside from his teaching duties, Darek Oles has been very active as a performer and became one of the most sought after bass players on the West Coast. “Oles” (his American nick-name) had the opportunity to perform and record with the greatest masters in jazz. A partial list of his collaborations include: Brad Mehldau, Billy Higgins, Pat Metheny, Joe Lovano, Eddie Henderson, Charles Lloyd, John Abercrombie, Bennie Maupin, Lee Konitz, Peter Erskine, Alan Pasqua, Bennie Wallace, Victor Lewis, Harvey Mason, Dave Grusin, Art Farmer, Horace Silver, Alice Coltrane, Ravi Coltrane, James Newton, Arthur Blythe, Lew Tabackin, Steve Kuhn, Gary Smulyan, Ronnie Cuber, Billy Hart, Kevin Hays, Munyungo Jackon, Steve Hass, Toshiko Akiyoshi, Marian McPartland, Janis Siegel, Bob Brookmeyer, Curtis Fuller, Roy McCurdy, Tom Harrell, Larry Goldings, Bill Stewart, Chris Potter, Kei Akagi, Billy Childs, Bob Sheppard, Joe LaBarbera, Bill Cunliffe, Patrice Rushen, Bennie Golson, Piotr Baron, Teri Lynn Carrington, Buddy De Franco, Terry Gibbs, Anthony Wilson Nonet and Los Angeles Jazz Quartet.
Moods in Freedom on Spotify
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Kathryn is a member of several contemporary music ensembles including the renowned Australian ELISION Ensemble, Fonema Consort (NYC), and the Echoi Ensemble (LA). She has performed as a guest artist with various adventurous international ensembles such as Klangforum Wien, Ensemble MusikFabrik, Delirium Musicum, Ensemble Dal Niente, and Ensemble Vertixe Sonora.
Equally passionate and experienced as an orchestral musician, Kathryn served as a core member of the Hawaii Symphony Orchestra for three consecutive seasons from 2014-2017 and has performed with the Ojai Festival Orchestra, Phoenix Symphony, New West Symphony, California Chamber Orchestra, Lucerne Festival Alumni Orchestra, Pacific Lyric Opera, Maui Chamber Orchestra, and Hawaii Opera Theater.
Kathryn received her Doctor of Musical Arts degree in Contemporary Music Performance from the University of California San Diego, Master of Music degree from McGill University, and Bachelor of Music degree from the New England Conservatory of Music.
In Fall 2023, Kathryn joined the faculty of the University of the Pacific Conservatory of Music as Assistant Professor of Practice in String Bass.
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Matt Hare is well known as a performer and educator. He is on faculty at the University of California at Irvine, Concordia University, and Saddleback College. Dr. Hare also teaches several sections of Music Appreciation and History of Rock online and in the classroom at Saddleback College. He is a string coach at Irvine, Laguna Hills, Trabuco Hills, and University high schools. He frequently gives recitals and master classes that often include his own transcriptions and arrangements.
Dr. Hare is a long-time member of the International Society of Bassists. He was a clinician for their Young Bassists’ program at the 2009 convention at Penn State, and the 2011 convention in San Francisco.
He holds a BA from Bloomsburg University, a MM from Butler University and a DMA from the University of Iowa. Major teachers include Mark R. Jelinek, Diana Gannett, David Murray and Volkan Orhon.
Dr. Matt Hare Performs "Barber 10 13"
Karr - Koussevitsky Bass
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Bryan Beller has maintained a multi-faceted career as a bassist, composer, solo artist and clinician for over 25 years, earning his reputation as a uniquely talented yet supremely tasteful team player for instrumentally-minded artists.
He is a founding member of The Aristocrats which is one of the hottest acts in rock/fusion today; their 2019 release You Know What…? debuted at #2 on the Billboard Jazz Chart. The Aristocrats also just released a new album titled “Duck” that Brian will speak about.
Brian Beller has been Joe Satriani’s touring bassist since 2013, and also tracked Satriani’s complete 2022 album The Elephants Of Mars. He was Steve Vai’s choice for the 2009 live CD/DVD Where The Wild Things Are, and he also toured and recorded in the “band” Dethklok, a tongue-in-cheek extreme metal band borne of the hit Cartoon Network “Adult Swim” show Metalocalypse.
He’s been a musical partner of freak/genius guitarist Mike Keneally (Frank Zappa) for over 20 years and 10 albums.
In addition, Beller’s solo album catalog includes a 2003 release View, 2008 release Thanks In Advance, and the 2011 release Wednesday Night Live, as well as an Alfred instructional DVD. all of which have received widespread acclaim.
Brian has also been Contributing Editor for Bass Player Magazine, and a former VP of SWR bass amps.
On The Bass Shed Podcast Brian discusses his latest release with The Aristocrats, his early days in music, bass gear and a lot of other fascinating topics.
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Russell was lucky to grow up in a musical family in Chagrin Falls, Ohio. His mother played the bassoon, his father played the french horn, and his step-father taught saxophone and played jazz. He began playing the bass in 4’th grade, but his interest in classical music began to spark when he began studying with Tracy Rowell and joined the Cleveland Orchestra Youth Orchestra (COYO) his sophomore year. It wasn’t until attending the inaugural summer of the National Music Festival in Floyd, Virginia that he considered pursuing music as a career.
He earned a bachelors degree in Music Performance from the Cleveland Institute of Music in 2015 before going on to earn a Master’s degree at Boston University and a Master of Musical Arts at Yale. He was also a founding member of the disciplinary performance group Artists By Any Other Name based in New York City. During this time, he also found a love of teaching and of encouraging students to reach their fullest potential.
Thompson is currently pursuing his doctorate at the University of North Texas with Jeff Bradetich. His previous teachers have included Tracy Rowell, Max Dimoff, Edwin Barker, and Don Palma. He plays on a bass made by Oregon luthier Seth Kimmel and a bow by Louis Morizot.
On The Bass Shed Podcast, Russell candidly discusses his work as a freelance bassist as well his position as Principal Bassist of the Arkansas Symphony Orchestra, challenges and perspectives of the occupation and his practice routines.Support the Show.
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Born March 25, 1975 in Newcastle, England. Tony is a multi-instrumentalist, master bassist, composer, producer, published author and award-winning music educator; he studied at the world-renowned Berklee College of Music and graduated in 2001, receiving the prestigious 'Outstanding Performer' award. Tony is known for his 6-string electric bass technique, his blend of jazz/world-fusion compositions, and his groundbreaking music education curriculum and teaching Philosophy.
Tony has gone on to collaborate and perform with some of the world’s greatest musicians, such as: John McLaughlin, Hiromi, Herbie Hancock, Wayne Shorter, Gavin DeGraw, Hotei Tomoyasu, Dennis Chambers, Bill Evans, Mino Cinelu, Brian Blade, Mike Stern and countless others.
On The Bass Shed Podcast, Tony discusses formative years and experiences, what has fueled/inspired him to stay focused, the foundational approach to his teaching method and more
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Bassist David Rodriguez has worked with groups ranging from Isaac Hayes to Tito Puente to the Rochester Philharmonic. He studied at Juilliard, the Eastman School of Music, and Mansfield University. David is currently the Executive Producer and Executive Vice President of The New Jersey Performing Arts Center where the Milt Hinton Institute for Studio Bass is held.
The Milt Hinton Institute for Studio Bass is an immersive week of master classes, performances, small ensemble work, studio sessions, lectures and workshops on the campus of Montclair State University.Instagram / Twitter / Youtube / Website / BSA / View More Episodes
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John Peña is an in demand touring and session bassist, writer, arranger, producer, and engineer. John has performed and/or recorded with a wide variety of artitists , including: Celia Cruz, Carlos Santana, Julio Iglesias, Tania Maria, Natalie Cole, The Crusaders, Herb Alpert, Chaka Khan, Jerry Garcia, Chick Corea, Steve Vai, Diana Ross, Aretha Franklin, Ricky Martin, Barry Manilow, Larry Carlton, Michael McDonald, Joe Sample, Dave Koz, Arturo Sandoval, Dionne Warwick, Michael Brecker, David Sanborn, Patti LaBelle, Patti Austin, Kenny G, Oleta Adams, Thelma Houston and countless others.
On The Bass Shed Podcast, John speaks about his 3 album recording project LIFE, LEGACY & MUSIC and how the recording embodies the diverse aspects of his career. John also speaks about the the process of assembling the project and more.Instagram / Twitter / Youtube / Website / BSA / View More Episodes
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Jerry Jemmott is a highly respected American bass guitarist and session musician, best known for his work in the realms of blues, jazz, and R&B. He was born on May 22, 1946, in New York City.
Throughout his extensive career, Jemmott has played with numerous iconic artists, leaving a significant impact on the music industry. He is particularly known for his bass playing with B.B. King, with whom he collaborated for many years. Jemmott's distinctive bass lines contributed to the sound of numerous B.B. King recordings, and he played a crucial role in defining the blues bass style.
Aside from B.B. King, Jerry Jemmott has worked with a wide range of artists, including Aretha Franklin, Ray Charles, Freddie King, King Curtis, Wilson Pickett, and many others. His skillful and innovative bass playing has made him a sought-after session musician in the music industry.Instagram / Twitter / Youtube / Website / BSA / View More Episodes
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Playing bass was love at first pluck for Marty Isenberg. His career as a jazz musician began at the age of 12, after losing his father to cancer the year prior. A skilled amateur musician, Marty’s father kept many instruments around the house that he would play for the family. After his death, Marty would pull one of these instruments off the wall and begin teaching himself how to play by reading tablature in Bass Player Magazine. The first song he ever learned was My Own Summer by The Deftones. Playing bass was love at first pluck for Mr. Isenberg. It was a cathartic healing experience, a way to stay connected to his father, and a way to creatively express himself. He went on to study at the New School for Jazz and Contemporary Music where he majored in Jazz Performance and minored in Jazz Composition, and received his Master of Music degree from New York University. He is now a doctoral candidate at Stony Brook University where he is the teaching assistant to the jazz department chair Ray Anderson.
For almost 20 years, Mr. Isenberg has been part of the rich New York City music scene. His performing career weaves though many styles of music, from jazz, to classical music, to theater and contemporary music. Mr. Isenberg pulls from all of these experiences to arrange the music of his debut album The Way I Feel Inside: Inspired by the Films of Wes Anderson, adding his own voice and reimagining the music that helped to shape his own musical identity.
Marty Isenberg Links
The Way I Feel Inside (Album)
Marty Isenberg Website
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Roberto Vally’s accomplishments within music date back to his formidable years in New York where he was awarded his Junior High School’s Music Honor Award. It was clear that Roberto was destined to pursue an education in music. From 1974-1978 he attended New York City’s legendary High School of Music and Art-depicted in Fame (1980 film). Continuing his education in music theory and classical bass he attended the highly acclaimed Julliard School from 1976-1978. There, most notably, he was mentored by the prominent professor and classical bassist, Homer Mensch.
Roberto loved every minute of his bass education, but the “itch” to perform and take his bass skills on the road eventually took hold of him. In 1979 he auditioned for a show band that toured in the US and Canada, and off he went! His ferocious playing and charismatic stage presence were extraordinary. There was no stopping him. His skills and thirst for fun and adventure brought him overseas to France, where he not only gigged, but mastered surfing and skiing. Perhaps unbeknownst to him at the time, in the midst of his playing on stage, on slopes and on surf boards, Roberto was building a remarkable set of diverse “chops” that come only with countless live stage experiences.
Years of honing live performance skills really paid off when he auditioned with Spyro Gyra. Thru 1987 and 1988 Roberto toured and recorded with Spyro Gyra, performing in over 150 concerts in the US and around the world. With Spyro Gyra he recorded “Stories Without Words”, which is to date, one of the group’s most popular albums. Touring continued for Roberto in 1990 when he joined Michael Franks on his Blue Pacific Tour-once again taking him on tour worldwide.
Westward bound. While Roberto was on tour with Michael Franks he took a leap of faith and invited Bobby Caldwell to one of the California shows with Michael, and as fate would have it, Bobby showed up and immediately asked Roberto to join his band. So in 1991, he moved to Los Angeles and started rehearsing with Bobby, To date, Roberto is playing with Bobby for an astonishing 29 year tenure!
In 1993 he took stage with Randy Crawford as her bassist, but his adept demeanor and impressive musicality led Randy to appoint him as Musical Director where he headed tours encompassing the US, Europe, Asia, Africa, and Australia for over 15+ years.
Since moving to Los Angeles, Roberto has performed and/or recorded with the following artists: George Benson, Christopher Cross, Jeffrey Osborne, Bob James, Al Jareau, Hillary Duff, Diane Schuur, David Benoit, Boz Scaggs, Kirk Whalum, Bobby Caldwell, Patti Austin, Arturo Sandoval, Larry Carlton, Marion Meadows, Jeff Golub, Peter White, Norman Brown, Paul Brown, Boney James, Ric Braun, Michael Lington, Richard Elliot, Joan Sebastian, Johnny Rivers, Euge Groove, Eric Darius, Anna BarbaraInstagram / Twitter / Youtube / Website / BSA / View More Episodes
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Double bassist P.J. Cinque joined the San Diego Symphony in 2015, having previously been a member of the Dayton Philharmonic Orchestra. In addition, P.J. serves as Assistant Principal Bass of the Chautauqua Symphony Orchestra and has performed with the Cincinnati Symphony Orchestra, the Los Angeles Philharmonic, the Utah Symphony, and the City of Birmingham Symphony Orchestra. As an educator, P.J. served as the double bass professor at Capital University in Columbus, Ohio, and has given masterclasses at Northern Arizona University and SooChow University in Taiwan.
A native of Long Island, he received his bachelor and master’s degrees from The Juilliard School with further study at the University of Cincinnati College-Conservatory of Music. His principal teachers include Homer Mensch, Timothy Cobb, Albert Laszlo, and Owen Lee. During his studies, P.J. participated in the Pacific Music Festival and spent three summers at the Aspen Music Festival and School as an orchestral fellowship recipient. P.J. is proud to be a part of the robust bass community in San Diego and enjoys coaching at local high schools, maintaining a private teaching studio, and connecting with fellow bassists at San Diego Bass Fest.
San Diego Bass Fest Website
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Kenny Lee Lewis has been a member of The Steve Miller Band for over 41 years and is now their current touring bass player. The Steve Miller Band was inducted into the Rock Hall of Fame in 2016. Kenny speaks about how he landed the gig with Miller and attributes of his artistry that have sustained him in the music industry.
Kenny, also an amateur luthier, took it upon himself to create his first custom signature series model bass while integrating the historic content and integrity of one of our most beloved founding fathers. Kenny speaks about his signature bass ..the Franklin Founding Father Five. Kenny's signature bass is formed with a piece of 200 year old Spruce which was once a used in Benjamin Franklin's House in Boston, MA.
Borrowing from the iconic designs of Leo Fender, Kenny Lee built and finished this bass with TruOil gunstock linseed oil. He left all the knotholes and imperfections visible for an antique, transparent representation- not unlike our great nation, a work still in progress. Kenny Lee also inset a silver 1954 Franklin 50 cent piece, the year that Kenny was born, and the Franklin logo is taken from the 100 dollar bill.
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Chris van Voorst van Beest is a bassist and composer who grew up in Maine and lives in Brooklyn, NY. Hailed as "a double bassist with an exceptional ability to improvise," (Erminio Garotta - Sound & Vision) Chris has performed and/or recorded with artists as diverse as Frank Kimbrough, Robert Glasper, Gabriel Kahane, and George Garzone. Sought after in a variety of musical settings, Chris is a member of a number of original music projects including The Danny Fox Trio and Garage Ellington, plays for immersive theater (Sleep No More), and collaborates with multi-media artists, most recently with choreographer Kelly Ashton Todd with whom he wrote and performed incidental music for the 45 minute dance piece 'Nest'.
Chris also writes contemporary classical music, most recently finishing his first work for orchestra 'Short Story'. The founder of his own chamber ensemble, Chris's latest concert, 'Miniatures and Improvisations', features a broad program of short pieces for trio, each piece immediately followed by an improvised response, exploring the dialogue between improvisation and composition. Chris was awarded a Dutch grant for composition in 2010 to compose music for the children's book 'The Lamplighter' and has been nominated three times for the Charles Ives Arts and Letters award.
Chris van Voorst van Beest Website
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Eric Shedd is the bassist for the Colorado based group "Birds of Play". Birds of Play is an Americana Roots quartet based in the San Juan Mountains of Southwestern Colorado. Their distinct sound is rooted in and inspired by their connection to the land in which they reside. The band features multi- instrumentalists and songwriters Alex Paul on Guitar, Upright Bass, Mandolin and Vocals; Eric Shedd on Upright Bass, Mandolin, Guitar and Vocals; Anneke Dean on Violin, Guitar and Vocals and Jack Tolan on Guitar, Mandolin, Electric Bass and Vocals.
Eric speaks about when he started playing bass, how he joined the band and the group's latest recording "Murmurations Vol. 2"
Murmurations Vol. 2 continues Murmurations Vol. 1’s explorations of the natural world and how humans connect with it. When the band launched a Kickstarter campaign for the new album, lead singer and songwriter Alex Paul noted, “The land has been instrumental in how I’ve come to write and share my musicality. It’s very tied to love — love of the land and connection to the land.”
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Bassist Zach Gilliam was born in Memphis Tennessee and moved to Nashville to pursue songwriting. After deciding to take a break from music, he moved to the small mountain town of Eagle, Colorado. While in Colorado, Zach joined the band " The Runaway Grooms"
On this episode, Zach discusses his move to Colorado from Nashville, TN and what his intentions were with the move and what ended up happening. Zach describes the recent release by "The Runaway Grooms' and how it's different from previous recordings.Instagram / Twitter / Youtube / Website / BSA / View More Episodes
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