Episodes
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Aisha Ford is an award-winning filmmaker studying as a 4th year grad film student at NYU Tisch School of the Arts. Over the past few years, she has written and directed short films that have broadcasted on platforms such as the American Black Film Festival Independent TV series and at multiple film festivals across the country.
Her recent accomplishments include: the recipient of the Tisch School of the Arts Dean’s Fellowship, the Spike Lee Film Production Grant and the prestigious NYU Wasserman Award for her 2nd year short “Royal.” She is also the recipient of the British Academy of Film and Television Arts HBO Scholarship. In 2019, she was chosen as one of the fellow MFAs to attend the Sundance Film Festival, on behalf of the BET Blackhouse Foundation.
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Thank you so much for listening to the show! Please remember to SUBSCRIBE, RATE, + REVIEW the show- I would really appreciate it. It helps other screenwriters who are interested in this story to find the show a little easier.
If you are interested in becoming a guest, sponsoring the show, or have any other inquiries, please send an email to [email protected]!
Need to read more scripts? Join my club- we read scripts together every week! My profile name is @aquilliam and the club is called Beat Sheet Pod.
You can listen to every episode of The Beat Sheet on Apple Podcasts, Spotify, Soundcloud, and Stitcher!
You can click here to subscribe to the podcast everywhere via this RSS feed!
The official hashtag for the podcast is #beatsheetpod
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Jahmela Yarbrough hails from Winston-Salem, North Carolina! She is a producer and actress, known for First, First (2014) and In-Between. She currently shares and executive role with her husband, Brandon Yarbrough, as the head of Yarbrough Studios. The studio's mission is:
WE ARE A TEAM OF VISIONARY FILMMAKERS FUELED BY FAITH WHO CRAFT WITH PURPOSE IN ORDER TO TELL STORIES THAT ARE EMPOWERING AND LEAVE VIEWERS WITH HOPE.––
Thank you so much for listening to the show! Please remember to FOLLOW, RATE, + REVIEW the show- I would really appreciate it. It helps other screenwriters who are interested in this story to find the show a little easier.
If you are interested in becoming a guest, sponsoring the show, or have any other inquiries, please send an email to [email protected]!
You can listen to every episode of The Beat Sheet on Apple Podcasts, Spotify, Soundcloud, and Stitcher!
You can click here to subscribe to the podcast everywhere via this RSS feed!
The official hashtag for the podcast is #beatsheetpod
Please be sure to follow us on social media as well! You can find the show everywhere:
Instagram | @beatsheetpod
Twitter | @beatsheetpod
Facebook | The Beat Sheet
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Missing episodes?
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B. Monét is a writer/director who graduated from Spelman College with a B.A. in English. She hails from Silver Spring, Maryland and holds an MFA from New York University in Film and Television with a concentration in writing and directing. In her films, she poses questions about identity, society, race, and culture. It is vital to her that under-represented people are shown in film, media, and television.
Her award-winning short film Q.U.E.E.N. has screened at over a dozen festivals including Cannes Short Film Corner and premiered on Magic Johnson's channel ASPiRE. Additionally, B. Monét was a runner-up in the First Time Female Filmmakers Contest with Women and Hollywood. She was also named the 2017 Horizon Award Winner through Cassian Elwes, Christine Vachon and Lynette Howell - Taylor at the Sundance Film Festival. As well as a recipient of the Adrienne Shelly Foundation grant and a directing fellow for Film Independent's residency program Project Involve.
Additionally, she is one of the winners for the #NewView Film Competition with Glamour and Girlgaze which champions the voices of female filmmakers. She is also one of the filmmakers in the Tisch Other Showcase that focuses on diverse artists whose voices are underrepresented in the television industry.
Last year, she directed a branded short film entitled She’s Revolutionary on the #MeToo founder Tarana Burke for Levi’s and Girlgaze. She’s been fortunate to work with Reese Witherspoon, Janet Jackson, Rosario Dawson, Chika, Rapsody and Shangela for brands like Crate and Barrel, Estee Lauder, Uber, OkayAfrica, OkayPlayer, and Hyundai.
B. Monét won the 2018 Best Graduate Feature Screenplay for her feature film Q.U.E.E.N. She is a recipient of the Will & Jada Smith Family Foundation grant at Fusion Film Festival, a finalist in the Women in Film Mini Upfronts Program and a Sundance Women’s Financing Intensive Project Fellow for her first feature film Q.U.E.E.N. She was selected as one of the filmmakers in the New York Stage and Film Filmmakers' Workshop at Vassar College for her Q.U.E.E.N in July 2019. Additionally, B. Monét was selected as one of the participants in the Artist Academy with the New York Film Festival and Lincoln Center.
Most recently, she was selected as one of the winners for the Queen Collective in partnership with Queen Latifah, Tribeca and P&G. Her short film Ballet After Dark is exclusively streaming on BET.
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Thank you so much for listening to the show! Please remember to SUBSCRIBE, RATE, + REVIEW the show- I would really appreciate it. It helps other screenwriters who are interested in this story to find the show a little easier.
If you are interested in becoming a guest, sponsoring the show, or have any other inquiries, please send an email to [email protected]!
Need to read more scripts? Join my club- we read scripts together every week! My profile name is @aquilliam and the club is called Beat Sheet Pod.
You can listen to every episode of The Beat Sheet on Apple Podcasts, Spotify, Soundcloud, and Stitcher!
You can click here to subscribe to the podcast everywhere via this RSS feed!
The official hashtag for the podcast is #beatsheetpod
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Sade Oyinade and Deshawn Plair are a dynamic African-American female writing/producing team based in Los Angeles.
Sade most recently was a Showrunner on the BET+ crime docu-series American Gangster: Trap Queens where Deshawn served as producer of one of the most popular episodes profiling Delrhonda “Big Fifty” Hood. Prior to that, both Sade and Deshawn worked on the award-winning TV One series Unsung and Unsung Hollywood which is where their partnership began. On Unsung, Sade was Co-Executive Producer and Deshawn was a Producer and Production Supervisor. They received multiple NAACP Image Awards under the series. Both women are also directors. Sade directed the 2017 short film Yemi's Dilemma and the AIDS short Who Do You Know? which aired on ASPIRE TV. After serving as an apprentice to award-winning director Qasim Basir on his Sundance selected film, A Boy, A Girl, A Dream, Deshawn made her directorial debut with the 2019 provocative short film on gun violence, First Day Back, starring Loretta Devine and Aisha Hinds. The pair wrote and produced the short that was a featured selection in multiple film festivals and won Best Narrative Short at the International Black Film Festival. The film received distribution after premiering at the Bronze Lens Film Festival and is now streaming on UMC.TV and Amazon Prime.
Deshawn and Sade were selected as participants in the 2019 PGA Fellowship: Producers Guild Power of Diversity Master Workshop with their feature script Better Than I Know Myself. The film is an adaptation of an Essence Magazine best-selling novel by Virginia DeBerry and Donna Grant. Most recently, the duo served as Co-Executive Producers of the UMC.TV comedy series For the Love of Jason and were half of the writing team for the series. Also, the pair wrote a project for BETHer titled A Long Look in the Mirror that aired on Oct 17, 2020 for Breast Cancer Awareness Month as a part of the Waiting Room series.
As a duo, they aim to tell positive stories that have meaning and impact within their community using their diverse backgrounds as inspiration. Deshawn grew up in the foster care system and was directly affected by the mass incarceration issue in this country through the imprisonment of her mother. Sade is a First-generation American
with Nigerian parents who tightly held onto their culture leading her to navigate finding a place in two different worlds. Together they embrace tackling hard issues while highlighting the good in it all.
Sade is from Silver Spring, Maryland. Deshawn hails from Kalamazoo, MI.
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Kara Lee Corthron is a playwright, author, and TV writer based in Los Angeles. Her full-length plays include AliceGraceAnon (New Georges), Holly Down in Heaven (Forum Theatre, DC area), Listen for the Light (Know Theatre of Cincinnati), Welcome to Fear City (CATF and Kansas City Rep, Kilroys' List 2016), Etched in Skin on a Sunlit Night (InterAct Theatre, Philadelphia), What Are You Worth?, and Time and a Half. Kara is the author of the young-adult novels, The Truth of Right Now from Simon & Schuster/Simon Pulse and Daughters of Jubilation from Simon & Schuster Books for Young Readers.
TV: YOU (Netflix), seasons 2 and 3; Servant (Apple TV), season 3; The Flight Attendant on HBO Max. Also, Kings (NBC) from 2008-2009.
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Thank you so much for listening to the show! Please remember to SUBSCRIBE, RATE, + REVIEW the show- I would really appreciate it. It helps other screenwriters who are interested in this story to find the show a little easier.
If you are interested in becoming a guest, sponsoring the show, or have any other inquiries, please send an email to [email protected]!
Need to read more scripts? Join my club- we read scripts together every week! My profile name is @aquilliam and the club is called Beat Sheet Pod.
You can listen to every episode of The Beat Sheet on Apple Podcasts, Spotify, Soundcloud, and Stitcher!
You can click here to subscribe to the podcast everywhere via this RSS feed!
The official hashtag for the podcast is #beatsheetpod
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Shantira Jackson is a Chicago transplant based in Los Angeles. She is currently a writer for “The Amber Ruffin Show” on the Peacock Network and “Big Mouth” on Netflix. She was most recently a writer and consulting producer for the new "Saved By The Bell" reboot and has worked as a consulting producer on CNN’s “She The People” and as a staff writer for the late-night talk show “Busy Tonight” on E!, NPR’s “Ask Me Another”, and BET's "50 Central". She has also written for the “Writer's Guild Awards”, “The Webby Awards” and “The ESPYS”. You can also catch her as a co-host on the podcast “Busy Philipps Is Doing Her Best”
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Thank you so much for listening to the show! Please remember to FOLLOW, RATE, + REVIEW the show- I would really appreciate it. It helps other screenwriters who are interested in this story to find the show a little easier.
If you are interested in becoming a guest, sponsoring the show, or have any other inquiries, please send an email to [email protected]!
You can listen to every episode of The Beat Sheet on Apple Podcasts, Spotify, Soundcloud, and Stitcher!
You can click here to subscribe to the podcast everywhere via this RSS feed!
The official hashtag for the podcast is #beatsheetpod
Please be sure to follow us on social media as well! You can find the show everywhere:
Instagram | @beatsheetpod
Twitter | @beatsheetpod
Facebook | The Beat Sheet
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Tanya Barfield’s TV credits include Mrs America (FX), Raising Dion (Netflix), The Americans (FX, WGA Award/S4), Ray Donovan (Showtime) and Here Now (HBO). Barfield’s Mrs. America episode “Shirley” was nominated for Outstanding Writing (Primetime Emmy Award and Black Reel Award), as well as an NAACP Image Award. The series is currently nominated for a WGA Award. Tanya shares a WGA Award win for her work on Season 4 of The Americans. Barfield has projects in development at Netflix, Bad Robot and Sony. As a playwright, Tanya’s work has been seen off-Broadway, regionally and around the world. Her plays include: Bright Half Life, The Call and Blue Door. She is a recipient of a PEN America Playwriting Award, a LAMDA Literary Award, a Lilly Award recognizing extraordinary women in theatre, the inaugural Lilly Award Commission and a Helen Merrill Award. In addition to television writing, Barfield is the Co-Director of the Juilliard Playwrights Program.
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Thank you so much for listening to the show! Please remember to SUBSCRIBE, RATE, + REVIEW the show- I would really appreciate it. It helps other screenwriters who are interested in this story to find the show a little easier.
If you are interested in becoming a guest, sponsoring the show, or have any other inquiries, please send an email to [email protected]!
Need to read more scripts? Join my club- we read scripts together every week! My profile name is @aquilliam and the club is called Beat Sheet Pod.
You can listen to every episode of The Beat Sheet on Apple Podcasts, Spotify, Soundcloud, and Stitcher!
You can click here to subscribe to the podcast everywhere via this RSS feed!
The official hashtag for the podcast is #beatsheetpod
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Natalie Jasmine Harris is a queer-identified, Black writer/director and producer from Maryland. Her creative work often exists within the coming-of-age genre, which she views as an essential tool to re-imagine liberation for young girls, the Black community, and LGBTQ+ individuals.
Natalie received her BFA from NYU's Tisch School of the Arts in May 2020, where she graduated with Honors and received her department's award for Excellence in Community Service. Natalie is a 2020 recipient of the Directors Guild of America’s Student Film Award for Outstanding Directorial Achievement and The Black Film Space 2020 Black Filmmaker Fund.
Passionate about the intersections between filmmaking and social justice, Natalie worked for Elizabeth Warren's Presidential Campaign in 2019 as a Video Intern and recently created a short documentary in collaboration with TIME Magazine and the Biden/Harris campaign.
Natalie is currently entering the festival circuit with her NYU thesis short film, "Pure," which received two student film grants from NYU as well as The Toronto LGBT Film Festival’s RE:Focus Film Fund. She is simultaneously developing Pure into a feature-length script of the same name that she hopes to become her feature directorial debut one day. The New Orleans Film Festival recently invited Natalie to pitch the film at their annual 2020 South Pitch Competition, where she was a finalist.
As a producer, Natalie is currently producing a short animated film directed by Terrance Daye and a feature film directed by Kerry LeVielle. When she's not making films, Natalie loves to dabble in astrology, poetry, and baking - scones are her specialty :)
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Thank you so much for listening to the show! Please remember to FOLLOW, RATE, + REVIEW the show- I would really appreciate it. It helps other screenwriters who are interested in this story to find the show a little easier.
If you are interested in becoming a guest, sponsoring the show, or have any other inquiries, please send an email to [email protected]!
You can listen to every episode of The Beat Sheet on Apple Podcasts, Spotify, Soundcloud, and Stitcher!
You can click here to subscribe to the podcast everywhere via this RSS feed!
The official hashtag for the podcast is #beatsheetpod
Please be sure to follow us on social media as well! You can find the show everywhere:
Instagram | @beatsheetpod
Twitter | @beatsheetpod
Facebook | The Beat Sheet
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Born and raised in Baltimore, MD, Nia has been a writer since the day her mother first put a pencil in her hand. Although writing has always been Nia’s passion, her mother’s emphasis on education led Nia to become an elementary school teacher. She has taught children for more than twenty years and raised her own two children along the way. However, Nia’s passion for storytelling cannot be quenched.
After years of writing for national magazines, completing two anthologies of poetry, writing children’s stories, drafting a novel, writing short stories, short films, and completing two feature film scripts, Nia made the bold move to Los Angeles in 2005, to pursue the dream of reaching global audiences with her writing.
reated in 2006, the short film Temporary Loss of Power, which explores the human dynamic of gender, race, and power, was her first foray into filmmaking. Then, in 2007 Nia worked on a short sci-fi film, called F*ck you, Pay Me, with indie writer-director Chris Derrick. Since then, Nia has been writing, and planning projects for her own independent production company, Audaz Entertainment.
In 2008, Nia received a surprise birthday present in the announcement of her being matched with her requested mentor, Catherine Hardwicke through the Women In Film Mentor Program. Since Ms. Hardwicke’s film Thirteen, Nia has been following Catherine as a source of inspiration for her own filmmaking career.
Under the banner of Audaz Entertainment, in April 2009, Nia hosted the 1st Annual Muslim Artists Expo in Baltimore, MD to feature the work of graphic artists, photographers, spoken word artists, and musicians. In the same month, Nia’s script, Chrysalis, a feature-length, crime drama, was selected as a Quarter-Finalist in the 13th Annual Fade In Awards. It received high marks for the premise, structure, characterization, dialogue, and overall storytelling.
That same year, Nia also worked as Associate Producer on the indie documentary, Deen Tight, a film that explores the world of Hip-Hop and Islam. Nia is currently shooting a documentary in both L.A. and her hometown, Baltimore, Maryland. Not Your Average tells the story of her venture into filmmaking as an African-American, Muslim Woman.
Nia is currently in post-production of her original series, Vengeful, the first police detective series led by a Black woman, since 1974’s Get Christie Love. Nia is also the mother of two college students with special needs, including her son with Autism.
Embracing the storytelling passion and filmmaking vision of Nia Malika Dixon, the partners and executive staff of Audaz Entertainment have come together for the distinct purpose of creating quality, compelling, diverse & inclusive, motion pictures for worldwide exhibition.–––
Thank you so much for listening to the show! Please remember to SUBSCRIBE, RATE, + REVIEW the show- I would really appreciate it. It helps other screenwriters who are interested in this story to find the show a little easier.
If you are interested in becoming a guest, sponsoring the show, or have any other inquiries, please send an email to [email protected]!
Need to read more scripts? Join my club- we read scripts together every week! My profile name is @aquilliam and the club is called Beat Sheet Pod.
You can listen to every episode of The Beat Sheet on Apple Podcasts, Spotify, Soundcloud, and Stitcher!
You can click here to subscribe to the podcast everywhere via this RSS feed!
The official hashtag for the podcast is #beatsheetpod
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Oh yeah, we're in Season 5 now. Hello summer!
Dreux Dougall is a drama and sci-fi screenwriter hailing from Silver Spring, Maryland.
As a Guyanese-American, she grew up seeing the world from a different lens, and became an avid bookworm for fantasy, romance, and mystery novels.
Her love of books led her into the world of television writing, and soon after moving to LA, her pilot “In Pursuit” was selected as a quarter-finalist in the Fresh Voices Screenwriting Competition, which she developed into a short film that lives on YouTube.
She was also 1 out of 10 people chosen to participate in the 2019 Writers Assistant Network (WAN) Writers' Workshop.
She has served as a Writers’ PA on the HBO show Lovecraft Country, a Showrunner's Assistant on the AppleTV animated show Central Park, and a Writers’ Assistant on the Netflix comedy, The Upshaws.
She is currently repped by Abrams Artist Agency and managed by First Friday Entertainment.
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Thank you so much for listening to the show! Please remember to SUBSCRIBE, RATE, + REVIEW the show- I would really appreciate it. It helps other screenwriters who are interested in this story to find the show a little easier.
If you are interested in becoming a guest, sponsoring the show, or have any other inquiries, please send an email to [email protected]!
Need to read more scripts? Join my club- we read scripts together every week! My profile name is @aquilliam and the club is called Beat Sheet Pod.
You can listen to every episode of The Beat Sheet on Apple Podcasts, Spotify, Soundcloud, and Stitcher!
You can click here to subscribe to the podcast everywhere via this RSS feed!
The official hashtag for the podcast is #beatsheetpod
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It's summer and everything is upside down and topsy turvy for me- so what better time to have a switch up than right now, friends?
We're in Season 5 now because I have just declared it to be so. Season 4 was just a couple of episodes, but that's ok! This is my theme park!
Welcome to Summer 2021. I hope these episodes inspire you to get some pages done between all that outside you're getting into.
You got this. And I do, too. Enjoy the episodes and leave a review!
(The rhymes write themselves)
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Thank you so much for listening to the show! Please remember to SUBSCRIBE, RATE, + REVIEW the show- I would really appreciate it. It helps other screenwriters who are interested in this story to find the show a little easier.
If you are interested in becoming a guest, sponsoring the show, or have any other inquiries, please send an email to [email protected]!
Need to read more scripts? Join my club- we read scripts together every week! My profile name is @aquilliam and the club is called Beat Sheet Pod.
You can listen to every episode of The Beat Sheet on Apple Podcasts, Spotify, Soundcloud, and Stitcher!
You can click here to subscribe to the podcast everywhere via this RSS feed!
The official hashtag for the podcast is #beatsheetpod
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Here's a drinking game: if you take a sip of water every time you hear me say "um" in this episode, you will have consumed your required amount for the day.
I also said that you were going to get a new episode today, but I love you and I Iied. I switched the whole structure up after I uploaded this episode! So get ready- exciting news next week about the show!
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Thank you so much for listening to the show! Please remember to SUBSCRIBE, RATE, + REVIEW the show- I would really appreciate it. It helps other screenwriters who are interested in this story to find the show a little easier.
If you are interested in becoming a guest, sponsoring the show, or have any other inquiries, please send an email to [email protected]!
Need to read more scripts? Join my club- we read scripts together every week! My profile name is @aquilliam and the club is called Beat Sheet Pod.
You can listen to every episode of The Beat Sheet on Apple Podcasts, Spotify, Soundcloud, and Stitcher!
You can click here to subscribe to the podcast everywhere via this RSS feed!
The official hashtag for the podcast is #beatsheetpod
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This week on the beat, we have Kelsea Mayfield!
Kelsea Mayfield grew up around vibrant and passionate Black and Panamanian women—her mother, aunts, grandmothers, and older cousins—who inspired her personally and creatively with their unapologetic free spirits. Her writing centers Black womanhood, in all of its complexities, and she hopes to alleviate the pressure from Black female characters to be strong pillars.
A drama television writer, Kelsea writes female-led thrillers and mysteries, with a dabble of horror. The characters in her pilots have been described as "lived in" and she has been commended on her "marvelous control of pace and mood."
Kelsea's original pilot, DOUBLE NEGATIVE, placed in the semifinals for both the 2019 Austin Film Festival Drama Teleplay competition and the 2019 CineStory TV Retreat & Fellowship, as well as the quarterfinals in the 2021 Screencraft TV Pilot Script Competition. She has also self-published a comic book, available for purchase on Amazon Kindle.
Kelsea is currently an Assistant Location Manager/Coordinator for ABC's STATION 19. Previously, she worked on Hulu's NINE PERFECT STRANGERS.
Thank you so much for listening to the show! Please remember to SUBSCRIBE, RATE, + REVIEW the show- I would really appreciate it. It helps other screenwriters who are interested in this story to find the show a little easier.
If you are interested in becoming a guest, sponsoring the show, or have any other inquiries, please send an email to [email protected]!
Need to read more scripts? Join my club- we read scripts together every week! My profile name is @aquilliam and the club is called Beat Sheet Pod.
You can listen to every episode of The Beat Sheet on Apple Podcasts, Spotify, Soundcloud, and Stitcher!
You can click here to subscribe to the podcast everywhere via this RSS feed!
The official hashtag for the podcast is #beatsheetpod
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This week on #beatsheetpod, we have Sylvia L. Jones on the beat!
Sylvia L. Jones has been an eyewitness to history again and again. The former journalist spent more than 20 years chasing the news -- reporting on monumental events including Nelson Mandela's first visit to Chicago following his release from prison, the 9/11 terror attacks from ground zero and President Barack Obama's historic elections.
Now, she has moved on to her next chapter. In the midst of traveling the nation to cover the 2016 presidential primary elections, Sylvia decided to turn in her press credentials and try her hand in Hollywood.
Never one to waste words or time, Sylvia hit the ground running. The Chicago native leveraged her comprehensive knowledge of the city's politics and neighborhoods to help launch Showtime's "THE CHI" and USA's Suits spinoff, "PEARSON." She also developed and wrote the biopic, "THE CLARK SISTERS: FIRST LADIES OF GOSPEL," executive produced by Queen Latifah, Missy Elliott and Mary J. Blige, which aired on Lifetime. Additionally, Sylvia has earned writing and producing credits on the CBS All Access thriller, "TELL ME A STORY" Ava DuVernay’s romance anthology series, "CHERISH THE DAY" on OWN and Starz's "POWER BOOK IV: FORCE," the spinoff that features "Tommy."
Sylvia's vast experience covering local and national news has set her in close proximity with a wide array of people and has offered her a deep well of prototypes from which to draw traits. As a result, she gives voice to characters who feel real and down-to-earth -- even when their storylines are out of this world.
Sylvia earned her Bachelor of Arts degrees in Psychology and Communications at Stanford University and her Master of Science in Journalism at Northwestern University. She completed the Professional Program in Writing for Television at UCLA as well as the Producers Guild of America’s Power of Diversity Master Workshop. Sylvia splits her time between Los Angeles and Chicago. She most enjoys sleeping, aisle seats and sweet potato pie.
Thank you so much for listening to the show! Please remember to SUBSCRIBE, RATE, + REVIEW the show- I would really appreciate it. It helps other screenwriters who are interested in this story to find the show a little easier.
If you are interested in becoming a guest, sponsoring the show, or have any other inquiries, please send an email to [email protected]!
Need to read more scripts? Join my club- we read scripts together every week! My profile name is @aquilliam and the club is called Beat Sheet Pod.
You can listen to every episode of The Beat Sheet on Apple Podcasts, Spotify, Soundcloud, and Stitcher!
You can click here to subscribe to the podcast everywhere via this RSS feed!
The official hashtag for the podcast is #beatsheetpod
Please be sure to follow us on social media as well! You can find the show everywhere:
Instagram | @beatsheetpod
Twitter | @beatsheetpod
Facebook | The Beat Sheet
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Welcome to Season 4, friends! Thank you for coming back. Please make sure you SUBSCRIBE + RATE the show- it will help more burgeoning screenwriters to find out conversations. Thank you in advance!
This week on the beat, we have Keisha Zollar! And you may hear her cute little dogs during parts of our conversation. We're a dog friendly show over here- especially in the middle of a pantomime.
Keisha Zollar is a writer-actress-comedienne who most recently worked as the showrunner on Fuse’s The Read with Kid Fury and Crissle as well as the Co-EP and star of Netflix’s sketch show Astronomy Club. Sher recently finished writing on the Apple Team Downey & Adam Perlman drama series based on Michael Lista’s Toronto Life article “The Sting” and is currently writing on the HBO Max animated series One Love. Before that, Keisha was the Writing Supervisor at Busy Tonight. As an actor Keisha has been seen on Netflix’s Orange is the New Black, Comedy Central, Nightcap, Middle of the Night, The Today Show, College Humor, TV Land, Funny or Die, IAF.tv, Above Average, MSNBC, MTV, and UCB Comedy. Keisha played the role of Sarah in Believe Her, a short about the moments after sexual assault. She has been featured by Glamour magazine, Fast Company, Paste magazine, etc, and has written for Bitch Flicks, FemSplain, and more.
We talk about:
how her mother's incredible sense of humor influences her writing voice how the Astronomy Club got started how she got an awesome writing job while coming back from a near-death experience (so glad you're ok!) what to do when you have a bad joke the shows that are bringing us joy during the pandemic how she got involved with the TV adaptation of my favorite podcast (after this one!), The Readand more!
Thank you so much for listening to the show! Please remember to SUBSCRIBE, RATE, + REVIEW the show- I would really appreciate it. It helps other screenwriters who are interested in this story to find the show a little easier.
If you are interested in becoming a guest, sponsoring the show, or have any other inquiries, please send an email to [email protected]!
Need to read more scripts? Join my club- we read scripts together every week! My profile name is @aquilliam and the club is called Beat Sheet Pod.
You can listen to every episode of The Beat Sheet on Apple Podcasts, Spotify, Soundcloud, and Stitcher!
You can click here to subscribe to the podcast everywhere via this RSS feed!
The official hashtag for the podcast is #beatsheetpod
Please be sure to follow us on social media as well! You can find the show everywhere:
Instagram | @beatsheetpod
Twitter | @beatsheetpod
Facebook | The Beat Sheet
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Let's talk about some of the benefits of reading scripts on a consistent basis. There are many, friends, but I just wanted to tap in and name a few. Hope it helps.
Thank you so much for listening to the show! Please remember to SUBSCRIBE, RATE, + REVIEW the show- I would really appreciate it. It helps other screenwriters who are interested in this story to find the show a little easier.
If you are interested in becoming a guest, sponsoring the show, or have any other inquiries, please send an email to [email protected]!
Need to read more scripts? Join my club- we read scripts together every week! My profile name is @aquilliam and the club is called Beat Sheet Pod.
You can listen to every episode of The Beat Sheet on Apple Podcasts, Spotify, Soundcloud, and Stitcher!
You can click here to subscribe to the podcast everywhere via this RSS feed!
The official hashtag for the podcast is #beatsheetpod
Please be sure to follow us on social media as well! You can find the show everywhere:
Instagram | @beatsheetpod
Twitter | @beatsheetpod
Facebook | The Beat Sheet
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Just wanted to quickly tap in with you and share some tips for virtual film school! xo
Thank you so much for listening to the show! Please remember to SUBSCRIBE, RATE, + REVIEW the show- I would really appreciate it. It helps other screenwriters who are interested in this story to find the show a little easier.
If you are interested in becoming a guest, sponsoring the show, or have any other inquiries, please send an email to [email protected]!
Need to read more scripts? Join my club- we read scripts together every week! My profile name is @aquilliam and the club is called Beat Sheet Pod.
You can listen to every episode of The Beat Sheet on Apple Podcasts, Spotify, Soundcloud, and Stitcher!
You can click here to subscribe to the podcast everywhere via this RSS feed!
The official hashtag for the podcast is #beatsheetpod
Please be sure to follow us on social media as well! You can find the show everywhere:
Instagram | @beatsheetpod
Twitter | @beatsheetpod
Facebook | The Beat Sheet
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This week, I’m talking about how I come up with new writing ideas. This is really ironic because I’m currently suffering through outlining a feature film and it’s not going well at all. But listen, the struggle was not coming up with the idea- I have plenty of those. It’s just at this moment, the execution part is keeping me on the struggle bus. So, let’s talk about what I’m not failing at and that would be coming up with ideas. I have seven touchpoints, but I don’t use all of these all of the time, and I probably would add more if I had more time, but I told you that I’m already struggling writing this film, so let’s go already!
Thank you so much for listening to the show! Please remember to SUBSCRIBE, RATE, + REVIEW the show- I would really appreciate it. It helps other screenwriters who are interested in this story to find the show a little easier.
If you are interested in becoming a guest, sponsoring the show, or have any other inquiries, please send an email to [email protected]!
Need to read more scripts? Join my club- we read scripts together every week! My profile name is @aquilliam and the club is called Beat Sheet Pod.
You can listen to every episode of The Beat Sheet on Apple Podcasts, Spotify, Soundcloud, and Stitcher!
You can click here to subscribe to the podcast everywhere via this RSS feed!
The official hashtag for the podcast is #beatsheetpod
Please be sure to follow us on social media as well! You can find the show everywhere:
Instagram | @beatsheetpod
Twitter | @beatsheetpod
Facebook | The Beat Sheet
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Today, we're talking about pitches. Listen, I'm on my working my way up to becoming a pitch guru, a pitch master, a pitch goddess if you will- but right now, I'm still a regular degular pitch maker who's had to practice a couple of times in front of her professors and I would like to be of a little help. So, without further ado, let's talk about 3 ways to keep people awake during your pitch.
Thank you so much for listening to the show! Please remember to SUBSCRIBE, RATE, + REVIEW the show- I would really appreciate it. It helps other screenwriters who are interested in this story to find the show a little easier.
If you are interested in becoming a guest, sponsoring the show, or have any other inquiries, please send an email to [email protected]!
Need to read more scripts? Join my club- we read scripts together every week! My profile name is @aquilliam and the club is called Beat Sheet Pod.
You can listen to every episode of The Beat Sheet on Apple Podcasts, Spotify, Soundcloud, and Stitcher!
You can click here to subscribe to the podcast everywhere via this RSS feed!
The official hashtag for the podcast is #beatsheetpod
Please be sure to follow us on social media as well! You can find the show everywhere:
Instagram | @beatsheetpod
Twitter | @beatsheetpod
Facebook | The Beat Sheet
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I know last time I shared my favorite TV shows of all time, but this week is all about the films. I know some people prefer films over TV shows because the story ends in one sitting.
I just want to clarify- I'm not saying that these are the best films of all time, they're simply my personal favorites. In no particular order. So, without, further ado- here are my favorite films of all time.
Thank you so much for listening to the show! Please remember to SUBSCRIBE, RATE, + REVIEW the show- I would really appreciate it. It helps other screenwriters who are interested in this story to find the show a little easier.
If you are interested in becoming a guest, sponsoring the show, or have any other inquiries, please send an email to [email protected]!
Need to read more scripts? Join my club- we read scripts together every week! My profile name is @aquilliam and the club is called Beat Sheet Pod.
You can listen to every episode of The Beat Sheet on Apple Podcasts, Spotify, Soundcloud, and Stitcher!
You can click here to subscribe to the podcast everywhere via this RSS feed!
The official hashtag for the podcast is #beatsheetpod
Please be sure to follow us on social media as well! You can find the show everywhere:
Instagram | @beatsheetpod
Twitter | @beatsheetpod
Facebook | The Beat Sheet
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