alexander fahlberg

  • Alexander von Loebell | Früher Illusionen, heute Bio-Karotten | Unternehmer | Erfolg | Business | Mindset

    · UNLEARNING - Erfolg Non-Konform | Der Podcast für

    EP:029 | Alexander von Loebell | Heute haben wir die den Alexander von Loebell im Gespräch. Alexander hat eine wirklich spannende Geschichte. Er hat in verschiedenen Leitungspositionen wie beispielsweise bei Entertainment München, Sat1 und Pro7 und schließlich in der Marketingabteilung bei der Kirch-Gruppe gearbeitet.  Heute betreibt Alexander eine Biolebensmittelkette in Kolumbien. und war Speaker auf der BIOFACH - einer der größten Biomessen. Wie er dazu gekommen seinen Management-Job mit tollen Kollegen und einem super Gehalt in Deutschland gegen das Leben als Biobauer einzutauschen, das und viele andere wichtige Dinge für Unternehmer erfährst du in diesem Interview. Du darfst also gespannt sein. Inhalte des Interviews mit Alexander Hartmann Wie Alexander von Loebell die Erfahrungen bei Pro7 geholfen haben eine Bio-Lebensmittelkette in Kolumbien zu gründen und erfolgreich zu machen Alexander von Loebell teilt seine Erfahrungen in Kolumbien zu Zeiten der FARC Wie er aus einem therapeutischen Hobby seine Lebensfunktion gefunden hatte Warum er vor über 13 Jahren seine ersten Bio-Lebensmittelmarkt in Kolumbien gegründet hat Welche Dinge er in einem der ehemals gefährlichsten Länder der Welt gelernt hat Was Alexander von Loebell über den Sinn des Lebens denkt Wie er Alexander von Loebell mit negativen Gedanken umgegangen ist Warum es manchmal gut ist ins kalte Wasser zu springen Welchen Punkt er von seinem Vater gelernt hat und warum das für jeden Unternehmer wichtig ist Wie dir NLP hilft, wenn du dich in einem verzweifelten Zustand befindest Warum das Mindeset so wichtig ist und was Alexander von seinem Vater und Urgroßvater gelernt hat, das dir in deinem Unternehmen weiterhelfen wird Wie er zu seiner Bio-Lebensmittelkette in Kolumbien gekommen Wie sein Unternehmen seine Sichtweise auf Lebensmittel verändert hat Was seine Vision für Bioplaza ist Wie er die Expansion von Bioplaza finanziert Welche Empfehlungen Alexander von Loebell an Unternehmer hat, die sich in Kolumbien eine Existenz aufbauen wollen Alexander von Loebell gibt konkrete Tipps worauf du als Unternehmer in Kolumbien achten solltest Warum Alexander von Loebell der Meinung ist, dass Kolumbien das Deutschland von 30 Jahren ist   Willst du die 11 Schritte um dein eigenes Business starten? Hinterlasse bei iTunes eine Bewertung zu diesem Podcast. Schreibe wie dir die Folge 029 mit Alexander von Loebell gefallen hat (optional). Klicke hier und abonniere meine Facebook-Seite (optional). Schreibe eines SMS (LOS + deine E-Mail Adresse) an die 71117 (falls du aus Deutschland kommst) oder an die +491786662111 (für alle anderen Länder). Dadurch erhältst du die Folge bequem auf dein Telefon. Mach den Podcast bekannter. Sharing is caring.

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  • 00:57:54

    Alternative Medicine - AIRC126

    · Aprende ingles con inglespodcast de La Mansión del Inglés-Learn English Free

    Alternative Medicine - AIRC126 In this episode we'll be speaking about alternative medicine (aromatherapy, acupuncture etc.) Más podcasts para mejorar tu ingles en: http://www.inglespodcast.com/  More podcasts to improve your English at: http://www.inglespodcast.com/  Listener Feedback: Salui http://www.sobreperrospod.es/ En hora buena Salvi Melguizo y Ana Sánchez por llegar a 100 episodios de Sobre Perros!! http://fisiosmterapia.com/podcast/ Voice message from Pilar from Madrid Email from Carlos "I am trying now to get the Cambridge First Certificate, so I was looking for some audios in the internet in order to train my listening skills when I found your podcasts by chance. I´d like to tell you that not only are your podcasts really useful to improve my listening and grammar skills, but they are also very funny, I have a good time with them. (I really enjoy them). Actually, I usually go running twice or three times a week and I do that listening to your episodes. Sometimes you guys make me laugh and people who look at me running and laughing. They probably think that I am absolutely crazy. Does that happen to you Reza, when you’re reading on the bus or train? Alternative medicine Email from Eva Garcia Romo Hello Craig! It’s me again! Sorry, but nowadays I teach English in a wellness clinic to therapists, personal trainers and so on, and I really need your help to talk about vocabulary and expressions in this area. Would it be possible to have something about this in a podcast? Thanks in advance for your always kind help. Best regards Eva Wikipedia: "Alternative medicine is any practice that is put forward as (presented as) having the healing effects of medicine, but does not originate from evidence gathered using the scientific method. Nor is it part of biomedicine, nor contradicted by scientific evidence or established science." Examples include new and traditional medicine practices such as homeopathy, naturopathy, chiropractic, energy medicine, various forms of acupuncture, acupressure, traditional Chinese medicine, cupping, Ayurvedic medicine, Sekkotsu, Reiki, Bach flowers remedies, aromatherapy, Alexander technique, crystal healing, Shiatsu, reflexology, chromotherapy/colour therapy and Christian faith healing. We don’t have time to speak about ALL the difference types, but we’re going to look at four kinds of alternative medicine and see if we believe that they actually work. We’ll look at HOMEOPATHY, ACUPUNCTURE, AROMATHERAPY and The ALEXANDER TECHNIQUE Vocab: To treat (treatment), to treat someone FOR something “I’m being treated for high uric acid.” Placebo = a fake treatment with no physical/scientific basis for success, often used in clinical trials (Do/carry out/conduct) research Scientific studies Pseudoscience - a claim, belief, or practice presented as scientific, but which does not follow scientific method. A charlatan = someone who pretends (fingir) to know something that s/he really doesn’t “Mind over matter” = believing that your thoughts can in themselves produce physical effects To cash in (on something) = to make money from a popular trend or fad eg. “The shopkeeper is cashing in on the popularity of crystal healing by starting to sell expensive healing crystals in his shop.” A practitioner = a person who practices (alternative/conventional) medicine Conventional medicine = not alternative medicine (eg. radiation chemotherapy) New Age = the modern equivalent of the hippie/flower power movement HOMEOPATHY What is homeopathy? “Homeopathy is a natural form of medicine used by over 200 million people worldwide to treat both acute and chronic conditions. It is based on the principle of ‘like cures like’. In other words, a substance taken in small amounts will cure the same symptoms it causes if it were taken in large amounts. The holistic nature of homeopathy means each person is treated as a unique individual and their body, mind, spirit and emotions are all considered in the management and prevention of disease. Taking all these factors into account a homeopath will select the most appropriate medicine based on the individual’s specific symptoms and personal level of health to stimulate their own healing ability. Homeopathic medicines are safe to use as they rarely cause side-effects. This means when used appropriately under the guidance of a qualified homeopath they can be taken by people of all ages, including babies, children and pregnant or breastfeeding women.” (source: The British Homeopathic Association) Homeopathy isn’t just taking herbal medicine. Caffeine is prescribed by homeopaths (under the name 'coffea') as a treatment for insomnia. Wikipedia: Homeopathic preparations are not effective for treating any condition; large-scale studies have found homeopathy to be no more effective than a placebo, suggesting that any positive feelings that follow treatment are only due to the placebo effect and normal recovery from illness. http://www.quackwatch.com/  - “Your Guide to Quackery, Health Fraud, and Intelligent Decisions” ACUPUNCTURE What is Acupuncture? Acupuncture is a form of alternative medicine and a key component of traditional Chinese medicine (TCM) involving thin needles being inserted into the body. TCM theory and practice are not based upon scientific knowledge, and acupuncture is commonly described as pseudoscience. There is a diverse range of acupuncture theories, involving different philosophies. Techniques vary depending on the country. It is most often used for pain relief, though it is also used for a wide range of other conditions. It is generally only used in combination with other forms of treatment. The conclusions of many trials and numerous systematic reviews of acupuncture are largely inconsistent. An overview of medical reviews found that acupuncture is not effective for a wide range of conditions. It may be effective for only chemotherapy-induced nausea/vomiting, postoperative nausea/vomiting, and idiopathic headache. It may alleviate certain kinds of pain. Evidence suggests that short-term treatment with acupuncture does not produce long-term benefits. Some research results suggest acupuncture can alleviate pain, though the majority of research suggests that acupuncture's effects are mainly due to placebo. Craig has tried acupuncture to alleviate a uric acid attack. Reza has had success with acupuncture to increase his energy levels. AROMATHERAPY What is Aromatherapy? Aromatherapy is the practice of using the natural oils extracted from flowers, bark (corteza), stems (tallos), leaves (hojas), roots (raizes) or other parts of a plant to enhance psychological and physical well-being. The inhaled aroma from these "essential" oils is widely believed to stimulate brain function. Essential oils can also be absorbed through the skin, where they travel through the bloodstream and can promote whole-body healing. (source: www.aromatherapy.com/ ) There is no good medical evidence that aromatherapy can either prevent or cure any disease, but it might help improve general well-being. (source: Wikipedia) THE ALEXANDER TECHNIQUE The Alexander Technique (developed in the 1890’s), named after Frederick Matthias Alexander, is an educational process that develops the ability to realign posture and to avoid unnecessary muscular and mental tension. Alexander believed the individual's self-awareness (conciencia de sí mismo) could be inaccurate, resulting in unnecessary muscular tension such as when standing or sitting with body weight unevenly distributed, holding one's head incorrectly, walking or running inefficiently, and responding to stressful stimuli in an exaggerated way. Alexander said that those who habitually "misused" their muscles could not trust their feelings (sensory appreciation) when carrying out activities or responding to situations emotionally. The effectiveness of the Alexander Technique is uncertain because of insufficient evidence. There is evidence suggesting the Alexander Technique is helpful for long-term back pain, long-term neck pain, and may help people cope with Parkinson's disease, but little evidence that it helps any other medical conditions. From http://www.alexandertechnique.com/   "The Alexander technique is a way of learning how you can get rid of harmful tension in your body." The Alexander Technique is a way to feel better, and move in a more relaxed and comfortable way... the way nature intended. An Alexander Technique teacher helps you to identify and lose the harmful habits you have built up over a lifetime of stress and learn to move more freely. The Alexander Technique is for you if you are ready to feel more comfortable in your own body. The Alexander Technique can also help you if: You suffer from repetitive strain injury or carpal tunnel syndrome (trapped nerve). (strain = esfuerzo, estrés, esguince, presión, tensión) You have a backache or stiff neck and shoulders (tortícolis) . You become uncomfortable when sitting at your computer for long periods of time. You are a singer, musician, actor, dancer or athlete and feel you are not performing at your full potential. ...and now it's your turn to practise your English. Do you have a question for us or an idea for a future episode? Send us a voice message and tell us what you think. https://www.speakpipe.com/inglespodcast   Send us an email with a comment or question to craig@inglespodcast.com or belfastreza@gmail.com. If you would like more detailed shownotes, go to https://www.patreon.com/inglespodcast  Our 11 lovely sponsors are: Lara Arlem Zara Heath Picazo Mamen Juan Leyva Galera Sara Jarabo Corey Fineran from Ivy Envy Podcast Jorge Jiménez Raul Lopez Rafael Daniel Contreras Aladro Manuel Tarazona Carlos Garrido Manuel García Betegón   Más podcasts para mejorar tu ingles en: http://www.inglespodcast.com/  More podcasts to improve your English at: http://www.inglespodcast.com/  On next week's episode: 10 Spanish words we need in English        

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  • Alexander Hartmann | Von der Pleite zum Ausnahmetalent | Erfolg | Mindset | Business | Geld

    · UNLEARNING - Erfolg Non-Konform | Der Podcast für

    EP:028 | Alexander Hartmann | Heute haben wir Alexander Hartmann im Gespräch. Alexander Hartmann ist Autor, HighPerformance-Coach und einer der erfolgreichsten Hypnotiseure Europas. Er ist bekannt aus TV-Formaten wie „The Next Uri Geller“ oder seinen Gastauftritten in zahlreichen Fernsehsendungen bei RTL, Pro7, VOX, Sat1 und ZDF. In seinen Vorträgen und Seminaren zeigt er, wie man eigene Muster und Verhaltensweisen anhand neurologisch fundierter Techniken besser erkennen, verstehen und verändern kann. Du wirst in diesem Gespräch erfahren, wie Alexander zu dem gekommen ist was er macht und vieles mehr... Inhalte des Interviews mit Alexander Hartmann Wie du herausfindest für was du brennst - Antrieb, Motivation und Begeistertung das zu machen Wie man als One Man Show ein Business aufbaut Warum es so wichtig ist zu scheitern Warum sich Alexander Hartmann selbstständig gemacht hat Warum Alexander glaubt, dass jeder mit dem was er liebt und wofür er oder sie brennt auch irgendwohin kommt Wie er sich in den ersten Jahren seinen Lebensstandard finanziert hat Welche Dinge ihm im Leben geholfen haben, um sein Geld-Mindset zu beeinflussen Welche besonderen Lebensgesetze haben Alexanders Leben extrem beeinflusst Wie er seine Denkweise über Geld verändert hat und was du darauf lernen kannst Warum mehr Geld verlierst als du anziehst und wie du diesen Glaubenssatz zu ändern Warum es so wichtig ist, etwas zurück zu geben Welche 5 Bücher Alexander Hartmann jedem empfiehlt, der sein Leben selbst beeinflussen möchte Warum Alexander Hartmann glaubt, dass man die Brücke hinter sich abbrennen sollte Welche Techniken helfen, um seine Gefühle in Sekunden zu ändern Welche Definition Alexander Hartmann’s Definition von Glück ist Welches Geheimnis Alexander hat um mehrere Fernsehauftritte zu haben: Hausaufgaben machen, gut vorbereitet sein und wenn die Chanche kommt, nimm sie mit Welche Tipps Alexander hat, wenn du dich nebenberuflich selbstständig machen willst Warum es so wichtig ist dein Unbewusstes, dein inner Game kontrollieren solltest Wir sprechen über Ziel und Alex teilt mit uns, wie man Ziele richtig setzt Was du aus dem Film „Das beste kommt zum Schluss“ lernen wirst Willst du die 11 Schritte um dein eigenes Business starten? Hinterlasse bei iTunes eine Bewertung zu diesem Podcast. Schreibe wie dir die Folge 028 mit Alexander Hartmann gefallen hat (optional). Klicke hier und abonniere meine Facebook-Seite (optional). Schreibe eines SMS (LOS + deine E-Mail Adresse) an die 71117 (falls du aus Deutschland kommst) oder an die +491786662111 (für alle anderen Länder). Dadurch erhältst du die Folge bequem auf dein Telefon. Mach den Podcast bekannter. Sharing is caring.

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  • 00:48:52

    ResiDANCE #153 Alexander Popov Guest Mix

    · ResiDANCE - house, deep house, techno, electro-house, progressive, edm mix - Европа Плюс Official

    01. Flying Decibels - The Road (Alexander Popov Remix) 02. Digital X feat. Sylvia Tosun - The Beginning 03. Alexander Popov - People 04. Tenishia feat. Jonathan Mendelsohn - Sun Comes Again 05. Wish I Was - Never Loved Me (Alexander Popov Remix) 06. Alexander Popov - Substance 07. ID - ID 08. Bobby Neon & Nick Arbor feat. Lokka Vox - What You Said (Alexander Popov Remix) 09. Alexander Popov & M11 - Last To Leave 10. Feel - Prince Of Percia 11. Alexander Popov - Awake The Flow 12. Alexander Popov - Eyes To Heaven 13. Alexander Popov & Eller Van Buuren - Clarity 14. Alexander Spark & Abstract Vision - Identity (Abstract Vision Remix) 15. Alexander Popov & Christian Burns - One More Time (ARDI Remix)

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  • Alexander Marci | Vom Party-Promoter zum Online Unternehmer | Business | Marketing | Erfolg | Mindset

    · UNLEARNING - Erfolg Non-Konform | Der Podcast für

    EP:037 | Alexander Marci | Heute haben wir den Alexander Marci im Gespräch. Alexander hat eine sehr interessante Geschichte und er hat nach dem Studium sein erstes Unternehmen gegründet, war zwischenzeitlich Party-Promoter in Las Vegas und hat nun zwei Firmen und war mit einer der Firmen schon bei RTL, SAT1, VOX und in verschiedenen Zeitungen zu sehen. Und wir sprechen heute mit ihm  über den Business-Aufbau, wie man mit Existenzängsten umgeht und Alexander Marci gibt dir eine konkrete Anleitung, wie du ein Online Business von Null aufbaust um damit schon innerhalb weniger Wochen Geld verdienen kannst. Du darfst also gespannt sein. Inhalte des Interviews mit Alexander Marci Wie ist Alexander Marci mit Existenzängsten umgegangen Wie Alexander seine Stärken herausgefunden hat und wie dir das weiterhilft Wie er aus einem Promoter-Job in Las Vegas eine deutschlandweite bekannte Flirt Universität entstanden ist Welche Erfolgskriterium wichtig ist, um ein Business aufzubauen Tipps wie du Ängste überwinden kannst Was Flirten mit Business zu tun hat Alexander Marci erzählt, wie sie ins Fernsehen gekommen sind Was Alexander empfiehlt, wenn du dein eigenes Business starten willst Wie du ein Problem bei deinen Kunden herausfindest Welchen Tipp Alexander hat, um schnell online Geld zu verdienen Welche konkrete Anleitung hat, wenn du mit einem Online Business starten willst Willst du dich kostenlos zum Webinar anmelden kannst Hinterlasse bei iTunes eine Bewertung zu diesem Podcast. Schreibe wie dir die Folge 037 mit Alexander Marci gefallen hat (optional). Klicke hier und abonniere meine Facebook-Seite (optional). Schreibe eines SMS (TIM + deine E-Mail Adresse) an die 71117 (falls du aus Deutschland kommst) oder an die +491786662111 (für alle anderen Länder). Dadurch erhältst du die Folge bequem auf dein Telefon. Mach den Podcast bekannter. Sharing is caring.

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  • ”Spild” af Carl Hansen Fahlberg (1)

    · Pharaos Cigarer

    Karsten Pharao læser de sidste side af Carl Nielsens ”Min fynske Barndom” og afrunder med et lille essay ”Den fynske Sang” fra Carl Nielsen bog ”Levende Musik” fra 1925. Og så begynder han på en ny roman. Denne gang drejer det sg om dansk litteraturs første proletar-roman. Den er fra 1905 og hedder ”Spild” med undertitlen ”Silhuetter fra forbryderverdenen”. Forfatteren hedder Carl Hansen Fahlberg, og han kendte som politibetjent alt til den side af tilværelsen, som udspillede sig i de allerfattigste miljøer på Vesterbro og Nørrebro. I de første kapitler bliver vi præsenteret for Madam Knudsen og hendes søn Anton, der er en rigtig skidt knægt, der ikke kan holde på et ærligt arbejde i mere end 1½ time, og som elsker det dårlige selskab han er faldet i.

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  • 00:41:28

    Alexander Christiani – Brauchen Unternehmen Storytelling?

    · Leaders Cafe: Unternehmensführung, Mitarbeitermotivation und Strategie auf höchstem Niveau

    Für Alexander Christiani steht fest: Ohne Storytelling geht es nicht. Weder im Marketing, noch in der Unternehmensführung. Der Beitrag Alexander Christiani – Brauchen Unternehmen Storytelling? erschien zuerst auf Leaders Cafe.

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  • Folge 71: Rente mit Dividende Teil 2 - Interview mit Alexander

    · Finanzrocker - Individuell Vermögen aufbauen

    In Folge 71 des Finanzrocker-Podcasts habe ich eine Premiere für Dich: den ersten Gast, der schon zum zweiten Mal dabei ist. Erneut habe ich Alexander vom Blog "Rente mit Dividende" zu Gast. Viele Leute haben es sich gewünscht und dieses Gespräch geht nochmal 10 Minuten länger als das erste.Wir sprechen über Dividenden-ETFs, die amerikanische Erbschaftssteuer für deutsche Anleger, verschiedene Unternehmen und die Strategie der Nachkäufe von Alexander. Das Gespräch hat erneut eine Menge Spaß gemacht. Ich glaube, Du merkst, dass wir beide in unserem Element waren und ziemlich in die Tiefe gehen.Mehr zum Thema Besteuerung bei amerikanischen Aktien erfährst Du in diesem Artikel und mehr über Nachlasssteuer und Erbschaftssteuer in den USA hier. Es ist wichtig, dass die Dividendenanleger für dieses Thema sensibilisiert werden. Es sind aber wesentlich mehr als die immer wieder propagierten 60.000 Dollar. Alexander und mir war der Sachverhalt auch noch nicht richtig klar. Wir geben hier weder Tipps noch eine Rechtsberatung. Es geht rein um die Sensibilisierung für das Thema. Ein paar weitere Infos findest Du auch noch hier. Falls Du den ersten Teil noch nicht kennst, solltest Du ihn Dir hier anhören. Auf das Wordshuffle und die Vorstellung habe ich dieses Mal verzichtet. Dafür gibt es wieder viele Infos rund um die Dividende.Präsentiert wird Dir diese Folge von Starmoney, der führenden deutschen Online-Banking Software für Privat- und Firmenkunden. Die Software lässt sich zum Festpreis oder im Flat-Abo für PC, Mac, im Web oder als App kaufen. Und für Dich als Hörer des Finanzrocker-Podcasts gibt es bis zum 16.04.2017 15 % Rabatt auf die neuen Versionen Starmoney 11, Starmoney 11 Deluxe und Starmoney Business 8. Dazu musst du nur den Code „Finanzrocker“ auf starmoney.de eingeben. Wer es vorher lieber erstmal testen möchte, kann dies 60 Tage lang in Ruhe machen und sich erst danach entscheiden.Shownotes Alexander von Rente mit DividendeZur Homepage von AlexanderZum Blog von AlexanderZum Live-Depot von AlexanderZum Gastartikel von Alexander auf meinem BlogZum Dividendenadel-BuchTargetGeneral DynamicsOmega HealthcareEine ausführlich Zusammenfassung des Gesprächs findest Du im Blog.

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  • 00:49:25

    ResiDANCE #101 Alexander Popov Guest Mix (101)

    · ResiDANCE - house, deep house, techno, electro-house, progressive, edm mix - Европа Плюс Official

    Alexander Popov Feat. Christina Novelli - Paradise (Husman Remix) Alexander Popov - Multiverse (Original Mix) Alexander Popov - ID Manse Ft Cornelia Jakobs - We Come Alive (Extended Mix) Alexander Popov & Digital X - Spacewalk (Original Mix) Hellberg - All The Way (Extended Mix) Alexander Popov & Jonathan Mendelsohn - World Like This (Original Mix) Thomas Newson & Magnificence - Tonight (Extended Mix) (feat. Alex Joseph) Armin van Buuren & Andrew Rayel - Eiforya (Alexander Popov Remix) Alexander Popov - ID Alexander Spark - Formentera (Extended Mix) Matvey Emerson & Stephen Ridley - I Know You Care (Alexander Popov Remix) Moby - Go (Hardwell Remix) Alexander Popov & Andrew Rayel [...]

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  • 01:31:26

    Alexander Hartmann ★ Reality Hacking bringt dich aufs nächste Level

    · DNX Podcast ???? Marcus Meurer

      Alex ist der Experte für den Erfolgsfaktor Unterbewusstsein. Alexander Hartmann ist einer der erfolgreichsten Hypnotiseure Europas, international gefragter Redner und Spiegel Bestseller Autor. Durch seine TV-Show „Alexander Hartmann – Reality Hacker“ (A&E), sowie seine Gastauftritte in zahlreichen Fernsehsendungen bei RTL, Pro7, VOX, Sat1 und ZDF, hat er sich als der Experte für das Thema Unterbewusstsein etabliert. Wie kannst du dein volles Potential nutzen, deine Ziele mit Leichtigkeit erreichen und deine Realität hacken wie andere einen Computer? Willkommen in Alexander's Welt des Reality Hackings! Gib mir bitte eine kurze Bewertung auf iTunes und abonniere die Show! Schreib mir dein Feedback auch gerne an  marcus@lifehackz.co. Sicher dir jetzt kostenlos das ultimative DNX Erfolgskit für Online Unternehmer mit meinen 7 Erfolgsgeheimnissen für deine persönliche und finanzielle Freiheit ???? [www.dnxnews.de] Komm jetzt in die kostenlose DNX LIFE HACKZ Facebook Community mit tausenden von gleichgesinnten Lifehackern???? [www.dnxcommunity.de]  Sei bei der nächsten DNX Konferenz in Berlin dabei (20€ Gutscheincode "DNX-PODCAST")  ???? [www.dnx-berlin.de] 1.000 Dank, Dein Marcus Shownotes Alexander's Website Wie erschaffen wir unseren Erfolg selbst? Video von Alexander Hartmann Alexander Hartmann "Mit dem Elefant durch die Wand: Wie wir unser Unterbewusstsein auf Erfolgskurs bringen. Eine Gebrauchsanweisung" Inner Game Alexander Hartmann YouTube Channel Alexander Hartmann auf Facebook Mastermind Gruppe auf Facebook Hypnose Revolution - Hypnose Revolution - Lernen Sie die Geheimnisse der Hypnose Alexander Hartmann Blog Reality Hacker Wikipedia: Das Beste kommt zum Schluss Ellusionist: Magic beyond belief MZVD - Magischer Zirkel Deutschland Tim Ferris - Die 4-Stunden-Woche Tony Robbins "Money: Die 7 einfachen Schritte zur finanziellen Freiheit" Tony Robbins "Wie aus kleinen Veränderungen große Unterschiede werden: 365 Lektionen für mehr Selbstdisziplin" Napoleon Hill "Denke nach und werde reich"

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  • Francois Delsarte and F. Matthias Alexander - Part 7

    · Body Learning: The Alexander Technique

    (This podcast is primarily for students and teachers of the Alexander Technique.) Jeando Masoero, an Alexander Technique teacher in Montpelier, France talks with Robert Rickover about the goldmine of information relating to Alexander's Delsarte-inspired use of the mirror that can be found in Alexander's books. They then discuss some important implications for today's students and teachers of the Alexander Technique that can be drawn from an understanding of how Alexander taught for the first few decades of his teaching career. Inclued are implications relating to marketing and to Skype teaching. The full series of Delsarte/Alexander podcasts can be found here: BodyLearningCast.com/delsarte Jeondo's email: profjeando@gmail.com Robert's website: AlexanderTechniqueNebraska.com More information about the Alexander Technique: AlexanderTechnique.com You can learn how to support this and other Alexander Technique websites at AlexTechExpress.com/support

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  • 00:42:51

    100%-podden möter Alexander Rudenstam #12

    · 100%-podden

    I det tolfte avsnittet av 100%-podden möter du Alexander Rudenstam, mannen som jag levt nära i tolv år. Just nu befinner sig denne rebell och livsnjutare på den grekiska ön Lesbos, där han njuter av livet, diskar på Osho Afroz, tar emot klienter och genomför små kurser. När detta sänds pågår årets stora festival på Osho-centret och Alexander är en av koordinatorerna.Det finns många saker som engagerar Alexander Rudenstam. Han har till exempel en oblyg relation till kvinnans kön och manifesterar sitt intresse för det djupt feminina genom sitt konstprojekt vaginarts.Han vill också bidra till en värld där människor vågar vara sig själva och ser det som att rädsla bidrar till att människor inte lever sin potential. Så på lågvarv driver han projektet "Den dolda potentialen". Men just nu är han alltså i Grekland och planen är att resan går vidare till Japan och senare till Colombia, landet där Alexander föddes och där hans rötter på faderssidan finns.Lycka till i ditt nya liv Alexander, jag vinkar numera på håll. Våra båtar har glidit ifrån varandra.Då och då bloggar Alexander och här kan du finna hans hemsida. 100%-podden är mitt projekt där jag, Charlotte Rudenstam, möter fantastiska människor som älskar livet. Du kan lyssna här, men det är ännu smidigare om du prenumererar på podden i podcastappen i din smarta mobil eller surfplatta. Sök 100%-podden så hittar den rätt.I appen kan du lyssna på avsnitten i din takt. Det kommer ett nytt avsnitt varje onsdag med en ny spännande människa.Du kan också bidra till det här projektet genom att skriva en recension i din podcastapp - det gör att den placeras högre i sökmotorerna och att fler utanför mitt personliga nätverk kan hitta podden.Just nu gör jag 100%-podden helt idéellt och är du en person som vill vara med och stödja poddens budskap, med pengar, sponsring eller på något annat sätt - ta gärna kontakt.Min tanke är  att #100procentpodden ska vara ett uthålligt projekt, med ett avsnitt varje vecka året runt.Dessutom kommer det då och då specialavsnitt.Som mitt eget sommarprogram 2015  eller avsnitt på engelska. Här det det första, en intervju med Andrew Barnes, som bara älskar tantra. Kärlek till dig, för att du är just du.

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  • 00:13:42

    Hangover House: An Obscure Modern Masterpiece

    · Ted Wells living : simple

    Few people know of one of the best modern houses in the United States, and even fewer have ever seen it. The designer of Richard Halliburton's house (1938) in Laguna Beach, William Alexander Levy, would never again produce such an exceptional building nor work for such an eccentric client. He met Paul Mooney in 1930 and the two men became lovers. By that time, Mooney had a prolific professional and personal relationship as editor and ghostwriter to Richard Halliburton, the world-traveling adventurer, who at the time was as famous as Charles Lindbergh and Amelia Earhart. Alexander was only 27 years old when he received the commission for the Halliburton's house. Alexander drew upon European contemporary architecture and created flat-roofed boxes of concrete and glass in a clear expression of the International Style of modernism. He hoped to create a house that soared like the modern spirit of Halliburton. Mies van der Rohe's work and his experimental concrete buildings of the 1920s, along with Le Corbusier's L'Esprit Nouveau Pavilion (1924-25) and his famous Villa Savoye (1928-29) would influence Alexander. In 1936, the first major and well-publicized concrete dams, Hoover Dam and Grand Coulee Dam were built, securing concrete as a practical and modern material in the United States. Frank Lloyd Wright, Alexander's teacher, had used concrete at the Larkin Building (1904) and Unity Temple (1905-07), but Wright most exploited its structural characteristics in the cantilevered concrete decks at Fallingwater (1936-37). At the Halliburton House, simple rectangular boxes of reinforced, poured-in-place concrete define the house. The boxes' two open sides facing the ocean and the canyon are filled with thin steel frames of industrial windows. Cantilevered concrete stairs wrap the exterior's southwest corner to the entry door. The interior contains a gallery, the living and dining rooms, a small kitchen, two bathrooms and three bedrooms one each for Halliburton, Mooney, and Alexander. The roof is a deck with unobstructed views in all directions. Mooney named it Hangover House because of the dramatic setting overlooking the canyon. The words are impressed into the concrete retaining wall near the entry. The three men were aware of the obvious pun. Later, Alexander assisted Arnold Schoenberg, the composer, with the redesign of Schoenberg's Brentwood studio. Alexander befriended Ayn Rand, and provided quotes for her book, The Fountainhead (1943). Some of Rand's descriptions in the book of the Heller House are thinly disguised references to the Halliburton House. Alexander continued to practice architecture and interior design and by 1950 had moved permanently to West Hollywood. He died in 1997. For more information see the book, Horizon Chasers: The Lives and Adventures of Richard Halliburton and Paul Mooney, by Gerry Max. It's the story of Halliburton, the quintessential world traveler of the 20th century and his gifted editor and ghost writer, Paul Mooney, with first hand accounts by William Alexander and others.The book is published by McFarland & Company, April 2007. Download the podcast below.

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  • Alexander the Great - Part Two

    · Military History Podcast

    Alexander then met Darius at Issus, where he again defeated a much larger Persian Army. In the course of this battle, Alexander captured Darius' family, including Queen Stateira (who would later die in capitivity), and his daughter (the most beautiful woman in the world). For the next few years, Alexander captured Egypt and several port cities including Tyre. Eventually, Alexander headed eastward and defeated Darius for the last time at Gaugamela. Darius, however, managed to get away, but was later killed by his brother Bessus. Soon after this battle, Alexander met King Porus of India at the Hydaspes River. Alexander defeated King Porus, but this battle discouraged his men from fighting any longer. After a long trek, which resulted in 3/4 of his men dying, Alexander returned to Babylon where he was either killed or assassinated. After his death, his kingdom was split into three regions under the Antigonids, the Seleucids, and the Ptolemies. For more information, read Alexander by Plutarch, Extreme War by Terrence Poulos, and Military History Quarterly (Spring 1998): Alexander the Killer Military History Podcast is sponsored by Armchair General Magazine

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  • 00:19:20

    Book Club: Alexander the Great by Philip Freeman

    · Muscle For Life with Mike Matthews

    If you like to read biographies to find ideas, models, systems, habits, etc. that extraordinary people have used to improve their lives and achieve great things, then you want to read this book because Alexander the Great wasn’t just one of the greatest military geniuses of all time, he was also, to quote the author, “...perhaps more than any other man in history, the absolute embodiment of pure human ambition with all its good and evil consequences.” In short, Alexander was a man who conquered much of the ancient world simply because he could, and for that reason, he’s one of my personal favorite characters in history. Here’s a guy who took about fifty thousand troops and went on a truly epic journey: he marched them thousands of miles to the ends of the known world and led them to victory in scores of sieges, battles, and skirmishes, including many where they were out-numbered several times over, and ultimately toppled the Persian empire and created what is still one of the largest kingdoms ever. You just can’t help but admire someone who dared such great deeds. Now, some people are going to be “triggered” by my horrible, violent words and whine about how Alexander was nothing but a maniacal, genocidal, mass-murdering thug LITERALLY HITLER, and to them I say...you’re stupid. Yes, he killed a lot of innocent people, but writing him off as a psychopath is far too simplistic. He was a man of his times and no better or worse than pretty much every other general in the ancient world, including celebrated figures like Hannibal and Caesar. Furthermore, as Freeman explains in the end of this book, a compelling argument can be made that Alexander’s escapades laid the foundation of Western culture. Specifically, in later years, the Romans were so fascinated with Alexander’s exploits that they developed an intense interest in Hellenic philosophy and literature and disseminated far and wide, from the sands of Syria to the shores of Britain. Then there’s the fact that the New Testament and most other popular early Christian literature was written in Greek, which was almost universally spoken as a result of Alexander’s conquests, enabling it to go “viral” in a way that simply couldn’t have happened were it to have been written in Jesus’ native language, Aramaic. It’s very possible, Freeman says, that without Alexander, Christianity would have remained a local phenomenon and we would be living in a very different world today. Anyway, regardless of how you feel about what he did, I promise that you can benefit from learning about Alexander’s life, and out of the several biographies I’ve read on him, this is my favorite. Want to be notified when my next book recommendation goes live? Hop on my email list and you’ll get each new installment delivered directly to your inbox. Click here: https://www.muscleforlife.com/signup/

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  • 01:18:34

    #013 - Das eigene Verhalten ist ein Multiplikator für die Welt - Interview mit Alexander Schledewits

    · Du bist der wichtigste Mensch | Der Podcast auf deinem Weg zum Erfolg

    Heute habe ich einen absoluten Herzensmenschen in meiner Show: Alexander Schledewits Alexander gründet zurzeit eine Hilfsorganisation, um den Hunger in dieser Welt zu stillen. Vor einigen Wochen war er in Uganda, um sich vor Ort selbst ein Bild zu machen. Denn dorthin fließt der Großteil der Gelder, die Alexander aktuell sammelt.  Über genau diese Reise, möchte ich mit Alexander sprechen, welche Ziele er in den nächsten Jahren hat, und wie du ihn dabei unterstützen kannst.   Erlebe mit mir gemeinsam den wundervollen                                                  Alexander    Infos zu Alexander: Alexander bei Facebook 22 Stars - Das Projekt von Stella Romana Airoldi   Alexander´s Buchtipps: Die Welt verändern - David Bornstein Elon Musk - Wie Elon Musk die Welt verändert   Du möchtest mehr von mir und diesem Podcast erfahren? Besuch mein Facebook Profil Folge mir auf Instagram Die "Du bist der wichtigste Mensch" Facebook Community Du bist der wichtigste Mensch - Youtube Channel Du bist der wichtigste Mensch - Homepage

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  • Francois Delsarte and F. Matthias Alexander - Part 2

    · Body Learning: The Alexander Technique

    (This podcast is primarily for students and teachers of the Alexander Technique.) Jeando Masoero, an Alexander Technique teacher in Montpelier, France talks with Robert Rickover about the strong influence Delsarte's work had on Alexander and the Alexander Technique, including what Alexander included from Delsarte, and what he left out. The full series of Delsarte/Alexander podcasts can be found here: BodyLearningCast.com/delsarte Jeondo's email: profjeando@gmail.com Robert's website: AlexanderTechniqueNebraska.com More information about the Alexander Technique: AlexanderTechnique.com You can learn how to support this and other Alexander Technique websites at AlexTechExpress.com/support

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  • Mantis Radio 199 + Timothy Alexander

    · Mantis Radio

    Mantis Radio 199 + Timothy Alexander DVNT Emika – Count Backwards (Kryptic Minds remix) [Ninja Tune] Parris – Blue [Idle Hands] Sensational + Kruton – You In The Right Spot [Power Vacuum] Bintus – S.E.G. [Shipwrec] J. Tijn – Infuse (Skee Mask remix) [Resin] Kalter Ende – Report (Andreas Florin remix) [CONCERN] Noumeno – Brain Muff [Haunter Records] Kerridge – FLA·1 [Downwards] In Darkness There Is Light – Music for People Who Like Faded Photographs [unreleased] A Vengeance – CAIRO [Darkfloor Sound] Rabit & Dedekind Cut – R&D-iii [Ninja Tune] J:Kenzo – Enter Valarak [Tempa] Meat Beat Manifesto – Zenta! [Metropolis] Black Sun Empire – Cold Crysis [Shadows Of The Empire] Youngsta & Seven – Architects [Tempa] TIMOTHY ALEXANDER Timothy Alexander – Encompassing Fragility Casual Violence – Anabiosis Soj – Annulled Religion Cage Suburbia – The Vault Tomohiko Sagae – Perversion Ansome – Tony Phooka – Armspin ADMX 71 – My Theme Song Primitive World – Purple Caps (Not Waving remix) Timothy Alexander – Untitled Timothy Alexander – Masculinity SRNDR – As Said, As It Started Svreca – Vilna (Orphx remix) Surgeon – Sheffield Muggerscum Out (The Black Dog remix) Timothy Alexander – Malevolence III Timothy Alexander – Tread In The Ash Chris Page – Pedestrian (Timothy Alexander remix) Casual Violence – And Know Me Refracted – Ascent Antonio De Angelis – Kristal Large (Exium remix)

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  • 00:59:44

    OMT LIVE: Alexander Klöpping over Blendle

    · OMT LIVE

    if(typeof(jQuery)=="function"){(function($){$.fn.fitVids=function(){}})(jQuery)};jwplayer('jwplayer-117').setup({"aspectratio":"16:9","width":"100%","primary":"html5","image":"https://cdn.onemorething.nl/uploads//2014/05/live-alexander-klopping.jpg","file":"https://www.youtube.com/v/zbLe0RA5di4"}); Abonneer je gratis op OMT LIVE in iTunes Alexander Klöpping opent een nieuw seizoen OMT LIVE in een gloednieuwe OMT-studio. Studio Hofplein – met een onmiskenbaar Rotterdams uitzicht – is vanaf nu de vaste stek van OMT en de maandagavond is de vaste avond voor OMT LIVE. We gaan met Alexander uitgebreid in op z’n nieuwe product Blendle, de iTunes voor kranten en tijdschriften. Verder duiden we het nieuws, bespreken we apps en gadgets én is de onvervalste So You Think You’re a Fanboy Quiz weer terug. meer… The post OMT LIVE: Alexander Klöpping over Blendle appeared first on One More Thing.

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  • 00:03:01

    Allemande in Am (HWV 478) HANDEL

    · Classical Music Free

    George Frideric HANDEL 1685-1759Our version ofAllemande in Am (HWV 478)George Frideric HANDEL 1685-1759© 2012 Shiloh Worship Music COPY FREELY;This Recording is copyrighted to prevent misuse, however,permission is granted for non-commercial copying-Radio play permitted. Www.ShilohWorshipMusic.com Georg Friedrich Händel (1685-1759)George Frideric Handel(from Wikipedia) George Frideric Handel, born in the same year as Johann Sebastian Bach and Domenico Scarlatti. By Thomas Hudson (1749)George Frideric Handel SignatureGeorge Frideric Handel (German: Georg Friedrich Händel; pronounced [ˈhɛndəl]) (23 February 1685 – 14 April 1759) was a German-British Baroque composer, famous for his operas, oratorios, anthems and organ concertos. Handel was born in 1685, in a family indifferent to music. He received critical musical training in Halle, Hamburg and Italy before settling in London (1712) and becoming a naturalised British subject in 1727.[1] By then he was strongly influenced by the great composers of the Italian Baroque and the middle-German polyphonic choral tradition.Within fifteen years, Handel, a dramatic genius, started three commercial opera companies to supply the English nobility with Italian opera, but the public came to hear the vocal bravura of the soloists rather than the music. In 1737 he had a physical breakdown, changed direction creatively and addressed the middle class. As Alexander's Feast (1736) was well received, Handel made a transition to English choral works. After his success with Messiah (1742) he never performed an Italian opera again. Handel was only partly successful with his performances of English Oratorio on mythical and biblical themes, but when he arranged a performance of Messiah to benefit the Foundling Hospital (1750) the critique ended. The pathos of Handel's oratorios is an ethical one. They are hallowed not by liturgical dignity but by the moral ideals of humanity.[2] Almost blind, and having lived in England for almost fifty years, he died a respected and rich man.Handel is regarded as one of the greatest composers of all time, with works such as Water Music, Music for the Royal Fireworks and Messiah remaining popular. Handel composed more than forty operas in over thirty years, and since the late 1960s, with the revival of baroque music and original instrumentation, interest in Handel's operas has grown. His operas contain remarkable human characterisation—especially for a composer not known for his love affairs.Early yearsHandel's baptismal registration (Marienbibliothek in Halle)Handel was born in 1685 in Halle, Duchy of Magdeburg, to Georg Händel and Dorothea Taust.[3] His father, 63 when his son was born, was an eminent barber-surgeon who served to the court of Saxe-Weissenfels and the Margraviate of Brandenburg.[4] According to Handel's first biographer, John Mainwaring, he "had discovered such a strong propensity to Music, that his father who always intended him for the study of the Civil Law, had reason to be alarmed. He strictly forbade him to meddle with any musical instrument but Handel found means to get a little clavichord privately convey'd to a room at the top of the house. To this room he constantly stole when the family was asleep".[5] At an early age Handel became a skillful performer on the harpsichord and pipe organ.[6]Händel-Haus (2009) – birthplace of George Frideric HandelEntrance of Teatro del Cocomero in FlorenceHandel and his father travelled to Weissenfels to visit either Handel's half-brother, Carl, or nephew, Georg Christian,[7] who was serving as valet to Duke Johann Adolf I.[8] Handel and the duke convinced his father to allow him to take lessons in musical composition and keyboard technique from Friedrich Wilhelm Zachow, the organist of the Lutheran Marienkirche. He learned about harmony and contemporary styles, analysed sheet music scores, learned to work fugue subjects, and to copy music. In 1698 Handel played for Frederick I of Prussia and met Giovanni Battista Bononcini in Berlin.From Halle to ItalyThe Hamburg Opera am Gänsemarkt in 1726In 1702, following his father's wishes, Handel started studying law under Christian Thomasius at the University of Halle;[9] and also earned an appointment for one year as the organist in the former cathedral, by then an evangelical reformed church. Handel seems to have been unsatisfied and in 1703, he accepted a position as violinist and harpsichordist in the orchestra of the Hamburg Oper am Gänsemarkt.[10] There he met the composers Johann Mattheson, Christoph Graupner and Reinhard Keiser. His first two operas, Almira and Nero, were produced in 1705.[11] He produced two other operas, Daphne and Florindo, in 1708. It is unclear whether Handel directed these performances.According to Mainwaring, in 1706 Handel travelled to Italy at the invitation of Ferdinando de' Medici, but Mainwaring must have been confused. It was Gian Gastone de' Medici, whom Handel had met in 1703–1704 in Hamburg.[12] Ferdinando tried to make Florence Italy's musical capital, attracting the leading talents of his day. He had a keen interest in opera. In Italy Handel met librettist Antonio Salvi, with whom he later collaborated. Handel left for Rome and, since opera was (temporarily) banned in the Papal States, composed sacred music for the Roman clergy. His famous Dixit Dominus (1707) is from this era. He also composed cantatas in pastoral style for musical gatherings in the palaces of cardinals Pietro Ottoboni, Benedetto Pamphili and Carlo Colonna. Two oratorios, La Resurrezione and Il Trionfo del Tempo, were produced in a private setting for Ruspoli and Ottoboni in 1709 and 1710, respectively. Rodrigo, his first all-Italian opera, was produced in the Cocomero theatre in Florence in 1707.[13] Agrippina was first produced in 1709 at Teatro San Giovanni Grisostomo, the prettiest theatre at Venice, owned by the Grimanis. The opera, with a libretto by cardinal Vincenzo Grimani, and according to Mainwaring it ran for 27 nights successively. The audience, thunderstruck with the grandeur and sublimity of his style,[14] applauded for Il caro Sassone.Move to LondonGeorge Frideric Handel (left) and King George I on the River Thames, 17 July 1717, by Edouard Jean Conrad Hamman (1819–88).In 1710, Handel became Kapellmeister to German prince George, Elector of Hanover, who in 1714 would become King George I of Great Britain.[15] He visited Anna Maria Luisa de' Medici and her husband in Düsseldorf on his way to London in 1710. With his opera Rinaldo, based on La Gerusalemme Liberata by the Italian poet Torquato Tasso, Handel enjoyed great success, although it was composed quickly, with many borrowings from his older Italian works.[16] This work contains one of Handel's favourite arias, Cara sposa, amante cara, and the famous Lascia ch'io pianga.In 1712, Handel decided to settle permanently in England. He received a yearly income of £200 from Queen Anne after composing for her the Utrecht Te Deum and Jubilate, first performed in 1713.[17][18]One of his most important patrons was the young and wealthy Richard Boyle, 3rd Earl of Burlington.[19] For him Handel wrote Amadigi di Gaula, a magical opera, about a damsel in distress, based on the tragedy by Antoine Houdar de la Motte.The conception of an opera as a coherent structure was slow to capture Handel's imagination[20] and he renounced it for five years. In July 1717 Handel's Water Music was performed more than three times on the Thames for the King and his guests. It is said the compositions spurred reconciliation between the King and Handel.[21]Cannons (1717–18)Main article: Handel at CannonsThe Chandos portrait. The 1st Duke of Chandos was an important patron for Handel.In 1717 Handel became house composer at Cannons in Middlesex, where he laid the cornerstone for his future choral compositions in the twelve Chandos Anthems.[22] Romain Rolland stated that these anthems were as important for his oratorios as the cantatas were for his operas.[23] Another work he wrote for the Duke of Chandos, the owner of Cannons, was Acis and Galatea: during Handel's lifetime it was his most performed work. Winton Dean wrote, "the music catches breath and disturbs the memory".[24]In 1719 the Duke of Chandos became one of the main subscribers to Handel's new opera company, the Royal Academy of Music, but his patronage of music declined after he lost money in the South Sea bubble, which burst in 1720 in one of history's greatest financial cataclysms. Handel himself invested in South Sea stock in 1716, when prices were low[25] and sold before 1720.[26]Royal Academy of Music (1719–34)Main article: Royal Academy of Music (company)Handel House at 25 Brook Street, Mayfair, LondonIn May 1719 Lord Chamberlain Thomas Holles, the Duke of Newcastle ordered Handel to look for new singers.[27] Handel travelled to Dresden to attend the newly built opera. He saw Teofane by Antonio Lotti, and engaged the cast for the Royal Academy of Music, founded by a group of aristocrats to assure themselves a constant supply of baroque opera or opera seria. Handel may have invited John Smith, his fellow student in Halle, and his son Johann Christoph Schmidt, to become his secretary and amanuensis.[28] By 1723 he had moved into a Georgian house at 25 Brook Street, which he rented for the rest of his life.[29] This house, where he rehearsed, copied music and sold tickets, is now the Handel House Museum.[30] During twelve months between 1724 and 1725, Handel wrote three outstanding and successful operas, Giulio Cesare, Tamerlano and Rodelinda. Handel's operas are filled with da capo arias, such as Svegliatevi nel core. After composing Silete venti, he concentrated on opera and stopped writing cantatas. Scipio, from which the regimental slow march of the British Grenadier Guards is derived,[31] was performed as a stopgap, waiting for the arrival of Faustina Bordoni.In 1727 Handel was commissioned to write four anthems for the coronation ceremony of King George II. One of these, Zadok the Priest, has been played at every British coronation ceremony since.[32] In 1728 John Gay's The Beggar's Opera premiered at Lincoln's Inn Fields Theatre and ran for 62 consecutive performances, the longest run in theatre history up to that time.[citation needed] After nine years Handel's contract was ended but he soon started a new company.The Queen's Theatre at the Haymarket (now Her Majesty's Theatre), established in 1705 by architect and playwright John Vanbrugh, quickly became an opera house.[33] Between 1711 and 1739, more than 25 of Handel's operas premièred there.[34] In 1729 Handel became joint manager of the Theatre with John James Heidegger.A musical portrait of Frederick, Prince of Wales and his sisters by Philip Mercier, dated 1733, using Kew Palace as its plein-air backdropThe Queen's Theatre in the Haymarket in London by William CaponHandel travelled to Italy to engage seven new singers. He composed seven more operas, but the public came to hear the singers rather than the music.[35] After two commercially successful English oratorios Esther and Deborah, he was able to invest again in the South Sea Company. Handel reworked his Acis and Galatea which then became his most successful work ever. Handel failed to compete with the Opera of the Nobility, who engaged musicians such as Johann Adolf Hasse, Nicolo Porpora and the famous castrato Farinelli. The strong support by Frederick, Prince of Wales caused conflicts in the royal family. In March 1734 Handel directed a wedding anthem This is the day which the Lord hath made, and a serenata Parnasso in Festa for Anne of Hanover.[36]Opera at Covent Garden (1734–41)In 1733 the Earl of Essex received a letter with the following sentence: "Handel became so arbitrary a prince, that the Town murmurs". The board of chief investors expected Handel to retire when his contract ended, but Handel immediately looked for another theatre. In cooperation with John Rich he started his third company at Covent Garden Theatre. Rich was renowned for his spectacular productions. He suggested Handel use his small chorus and introduce the dancing of Marie Sallé, for whom Handel composed Terpsichore. In 1735 he introduced organ concertos between the acts. For the first time Handel allowed Gioacchino Conti, who had no time to learn his part, to substitute arias.[37] Financially, Ariodante was a failure, although he introduced ballet suites at the end of each act.[38] Alcina, his last opera with a magic content, and Alexander's Feast or the Power of Music based on John Dryden's Alexander's Feast starred Anna Maria Strada del Pò and John Beard.In April 1737, at age 52, Handel apparently suffered a stroke which disabled the use of four fingers on his right hand, preventing him from performing.[39] In summer the disorder seemed at times to affect his understanding. Nobody expected that Handel would ever be able to perform again. But whether the affliction was rheumatism, a stroke or a nervous breakdown, he recovered remarkably quickly .[40] To aid his recovery, Handel had travelled to Aachen, a spa in Germany. During six weeks he took long hot baths, and ended up playing the organ for a surprised audience.[41]Deidamia, his last and only baroque opera without an accompagnato, was performed three times in 1741. Handel gave up the opera business, while he enjoyed more success with his English oratorios.[citation needed]OratorioFurther information: List of Handel's OratoriosHandel by Philip MercierIl Trionfo del Tempo e del Disinganno, an allegory, Handel's first oratorio[42] was composed in Italy in 1707, followed by La Resurrezione in 1708 which uses material from the Bible. The circumstances of Esther and its first performance, possibly in 1718, are obscure.[43] Another 12 years had passed when an act of piracy caused him to take up Esther once again.[44] Three earlier performances aroused such interest that they naturally prompted the idea of introducing it to a larger public. Next came Deborah, strongly coloured by the Anthems[45] and Athaliah, his first English Oratorio.[46] In these three oratorios Handel laid foundation for the traditional use of the chorus which marks his later oratorios.[47] Handel became sure of himself, broader in his presentation, and more diverse in his composition.[48]It is evident how much he learnt from Arcangelo Corelli about writing for instruments, and from Alessandro Scarlatti about writing for the solo voice; but there is no single composer who taught him how to write for chorus.[49] Handel tended more and more to replace Italian soloists by English ones. The most significant reason for this change was the dwindling financial returns from his operas.[50] Thus a tradition was created for oratorios which was to govern their future performance. The performances were given without costumes and action; the performers appeared in a black suit.[51]Caricature of Handel by Joseph Goupy (1754)In 1736 Handel produced Alexander's Feast. John Beard appeared for the first time as one of Handel's principal singers and became Handel's permanent tenor soloist for the rest of Handel's life.[52] The piece was a great success and it encouraged Handel to make the transition from writing Italian operas to English choral works. In Saul, Handel was collaborating with Charles Jennens and experimenting with three trombones, a carillon and extra-large military kettledrums (from the Tower of London), to be sure "...it will be most excessive noisy".[53] Saul and Israel in Egypt both from 1739 head the list of great, mature oratorios, in which the da capo and dal segno aria became the exception and not the rule.[54] Israel in Egypt consists of little else but choruses, borrowing from the Funeral Anthem for Queen Caroline. In his next works Handel changed his course. In these works he laid greater stress on the effects of orchestra and soloists; the chorus retired into the background.[55] L'Allegro, il Penseroso ed il Moderato has a rather diverting character; the work is light and fresh.During the summer of 1741, the 3rd Duke of Devonshire invited Handel to Dublin to give concerts for the benefit of local hospitals.[56] His Messiah was first performed at the New Music Hall in Fishamble Street, on 13 April 1742, with 26 boys and five men from the combined choirs of St Patrick's and Christ Church cathedrals participating.[57] Handel secured a balance between soloists and chorus which he never surpassed.The use of English soloists reached its height at the first performance of Samson. The work is highly theatrical. The role of the chorus became increasingly import in his later oratorios. Jephtha was first performed on 26 February 1752; even though it was his last oratorio, it was no less a masterpiece than his earlier works.[58]Later yearsGeorge Frideric Handel in 1733, by Balthasar Denner (1685–1749)In 1749 Handel composed Music for the Royal Fireworks; 12,000 people attended the first performance.[59] In 1750 he arranged a performance of Messiah to benefit the Foundling Hospital. The performance was considered a great success and was followed by annual concerts that continued throughout his life. In recognition of his patronage, Handel was made a governor of the Hospital the day after his initial concert. He bequeathed a copy of Messiah to the institution upon his death.[60] His involvement with the Foundling Hospital is today commemorated with a permanent exhibition in London's Foundling Museum, which also holds the Gerald Coke Handel Collection. In addition to the Foundling Hospital, Handel also gave to a charity that assisted impoverished musicians and their families.In August 1750, on a journey back from Germany to London, Handel was seriously injured in a carriage accident between The Hague and Haarlem in the Netherlands.[61] In 1751 one eye started to fail. The cause was a cataract which was operated on by the great charlatan Chevalier Taylor. This led to uveitis and subsequent loss of vision. He died eight years later in 1759 at home in Brook Street, at age 74. The last performance he attended was of Messiah. Handel was buried in Westminster Abbey.[62] More than three thousand mourners attended his funeral, which was given full state honours.Handel never married, and kept his personal life private. His initial will bequeathed the bulk of his estate to his niece Johanna. However four codicils distributed much of his estate to other relations, servants, friends and charities.[63]Handel owned an art collection that was auctioned posthumously in 1760.[64] The auction catalogue listed approximately seventy paintings and ten prints (other paintings were bequeathed).[64]WorksSenesino, the famous castrato from SienaMain articles: List of compositions by George Frideric Handel and List of operas by Handel.Handel's compositions include 42 operas, 29 oratorios, more than 120 cantatas, trios and duets, numerous arias, chamber music, a large number of ecumenical pieces, odes and serenatas, and 16 organ concerti. His most famous work, the oratorio Messiah with its "Hallelujah" chorus, is among the most popular works in choral music and has become the centrepiece of the Christmas season. Among the works with opus numbers published and popularised in his lifetime are the Organ Concertos Op.4 and Op.7, together with the Opus 3 and Opus 6 concerti grossi; the latter incorporate an earlier organ concerto The Cuckoo and the Nightingale in which birdsong is imitated in the upper registers of the organ. Also notable are his sixteen keyboard suites, especially The Harmonious Blacksmith.Handel introduced previously uncommon musical instruments in his works: the viola d'amore and violetta marina (Orlando), the lute (Ode for St. Cecilia's Day), three trombones (Saul), clarinets or small high cornetts (Tamerlano), theorbo, horn (Water Music), lyrichord, double bassoon, viola da gamba, bell chimes, positive organ, and harp (Giulio Cesare, Alexander's Feast).[65]Handel's works have been catalogued in the Händel-Werke-Verzeichnis and are commonly referred to by an HWV number. For example, Messiah is catalogued as HWV 56.LegacyA Masquerade at the King's Theatre, Haymarket (c. 1724)Handel's works were collected and preserved by two men in particular: Sir Samuel Hellier, a country squire whose musical acquisitions form the nucleus of the Shaw-Hellier Collection,[66] and abolitionist Granville Sharp. The catalogue accompanying the National Portrait Gallery exhibition marking the tercentenary of the composer's birth calls them two men of the late eighteenth century "who have left us solid evidence of the means by which they indulged their enthusiasm".[67]After his death, Handel's Italian operas fell into obscurity, except for selections such as the aria from Serse, "Ombra mai fù". The oratorios continued to be performed but not long after Handel's death they were thought to need some modernisation, and Mozart orchestrated a German version of Messiah and other works. Throughout the 19th century and first half of the 20th century, particularly in the Anglophone countries, his reputation rested primarily on his English oratorios, which were customarily performed by enormous choruses of amateur singers on solemn occasions.Since the Early Music Revival many of the forty-two operas he wrote have been performed in opera houses and concert halls.Handel's music was studied by composers such as Haydn, Mozart and BeethovenRecent decades have revived his secular cantatas and what one might call 'secular oratorios' or 'concert operas'. Of the former, Ode for St. Cecilia's Day (1739) (set to texts by John Dryden) and Ode for the Birthday of Queen Anne (1713) are noteworthy. For his secular oratorios, Handel turned to classical mythology for subjects, producing such works as Acis and Galatea (1719), Hercules (1745) and Semele (1744). These works have a close kinship with the sacred oratorios, particularly in the vocal writing for the English-language texts. They also share the lyrical and dramatic qualities of Handel's Italian operas. As such, they are sometimes performed onstage by small chamber ensembles. With the rediscovery of his theatrical works, Handel, in addition to his renown as instrumentalist, orchestral writer, and melodist, is now perceived as being one of opera's great musical dramatists.A carved marble statue of Handel, created for the Vauxhall Gardens in 1738 by Louis-François Roubiliac, and now preserved in the Victoria & Albert Museum.Handel's work was edited by Samuel Arnold (40 vols., London, 1787–1797), and by Friedrich Chrysander, for the German Händel-Gesellschaft (105 vols., Leipzig, 1858–1902).Handel adopted the spelling "George Frideric Handel" on his naturalisation as a British subject, and this spelling is generally used in English-speaking countries. The original form of his name, Georg Friedrich Händel, is generally used in Germany and elsewhere, but he is known as "Haendel" in France. Another composer with a similar name, Handl or Händl, was an Austrian from Carniola and is more commonly known as Jacobus Gallus.Musician's musicianHandel has generally been accorded high esteem by fellow composers, both in his own time and since.[68] Bach attempted, unsuccessfully, to meet with Handel while he was visiting Halle.[69] Mozart is reputed to have said of him, "Handel understands affect better than any of us. When he chooses, he strikes like a thunder bolt."[70] To Beethoven he was "the master of us all... the greatest composer that ever lived. I would uncover my head and kneel before his tomb".[70] Beethoven emphasised above all the simplicity and popular appeal of Handel's music when he said, "Go to him to learn how to achieve great effects, by such simple means".HomagesHandel Commemoration in Westminster Abbey, 1784After Handel's death, many composers wrote works based on or inspired by his music. The first movement from Louis Spohr's Symphony No. 6, Op. 116, "The Age of Bach and Handel", resembles two melodies from Handel's Messiah. In 1797 Ludwig van Beethoven published the 12 Variations in G major on ‘See the conqu’ring hero comes’ from Judas Maccabaeus by Handel, for cello and piano. Guitar virtuoso Mauro Giuliani composed his Variations on a Theme by Handel, Op. 107 for guitar, based on Handel's Suite No. 5 in E major, HWV 430, for harpsichord. In 1861, using a theme from the second of Handel's harpsichord suites, Johannes Brahms wrote the Variations and Fugue on a Theme by Handel, Op. 24, one of his most successful works (praised by Richard Wagner). Several works by the French composer Félix-Alexandre Guilmant use Handel's themes, for example his March on a Theme by Handel uses a theme from Messiah. French composer and flautist Philippe Gaubert wrote his Petite marche for flute and piano based on the fourth movement of Handel's Trio Sonata, Op. 5, No. 2, HWV 397. Argentine composer Luis Gianneo composed his Variations on a Theme by Handel for piano. In 1911, Australian-born composer and pianist Percy Grainger based one of his most famous works on the final movement of Handel's Suite No. 5 in E major (just like Giuliani). He first wrote some variations on the theme, which he titled Variations on Handel's ‘The Harmonious Blacksmith’ . Then he used the first sixteen bars of his set of variations to create Handel in the Strand, one of his most beloved pieces, of which he made several versions (for example, the piano solo version from 1930). Arnold Schoenberg's Concerto for String Quartet and Orchestra in B flat major (1933) was composed after Handel's Concerto Grosso, Op. 6/7.VenerationHandel is honored together with Johann Sebastian Bach and Henry Purcell with a feast day on the liturgical calendar of the Episcopal Church (USA) on 28 July.He is commemorated as a musician in the Calendar of Saints of the Lutheran Church on 28 July, with Johann Sebastian Bach and Heinrich Schütz.He is commemorated as a musician along with Johann Sebastian Bach on 28 July by The Order of Saint Luke in their calendar of saints prepared for the use of The United Methodist Church.EditionsBetween 1787 and 1797 Samuel Arnold compiled a 180-volume collection of Handel's works—however it was far from complete.[72] Also incomplete was the collection produced between 1843 and 1858 by the English Handel Society (found by Sir George Macfarren).[73]The 105-volume Händel-Gesellschaft edition was published in the mid 19th century and was mainly edited by Friedrich Chrysander (often working alone in his home). For modern performance, the realisation of the basso continuo reflects 19th century practice. Vocal scores drawn from the edition were published by Novello in London, but some scores, such as the vocal score to Samson are incomplete.The still-incomplete Hallische Händel-Ausgabe started to appear in 1956 (named for Halle in Saxony-Anhalt Eastern Germany, not the Netherlands). It did not start as a critical edition, but after heavy criticism of the first volumes, which were performing editions without a critical apparatus (for example, the opera Serse was published with the title character recast as a tenor reflecting pre-war German practice), it repositioned itself as a critical edition. Influenced in part by cold-war realities, editorial work was inconsistent: misprints are found in abundance and editors failed to consult important sources. In 1985 a committee was formed to establish better standards for the edition.From Wikipedia, the free encyclopedia

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