Bölümler
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In a world dominated by the notion of autonomy, free choice, and consent, Akiko Takeyama takes us on a thought-provoking journey into the heart of Japan's adult video industry in her groundbreaking book, Involuntary Consent The Illusion of Choice in Japan’s Adult Video Industry. With an ethereal blend of ethnography and critical analysis, Takeyama challenges the pervasive idea that participation in the adult entertainment industry is always a matter of free will. Instead, she introduces us to the complex concept of "involuntary consent," shining a light on a phenomenon that resonates far beyond the boundaries of Japan's AV industry.
The Paradox of Involuntary Consent
At the core of Takeyama's narrative lies the paradox of involuntary consent, a concept that questions the very foundations of modern societies built on principles of autonomy, choice, and equality. In a world where the adult entertainment industry alone generates billions of dollars annually, the narrative of consent has taken center stage. However, Takeyama's meticulous exploration reveals that beneath this facade of consent often lies a murky world of coercion and pressure.
Behind-the-Scenes Realities
"Involuntary Consent" delves into the behind-the-scenes negotiations and abuses within Japan's adult video industry. While the industry's glossy exterior may suggest willing participation, Takeyama uncovers a troubling reality where sex workers, predominantly women, are frequently pressured to comply with production companies' expectations and demands. This issue extends beyond the borders of Japan, as the US Department of State has recognized forced performance as a human rights violation.
Dualistic Contract-Making
One of the book's central arguments is that the framework of contract-making within the adult entertainment industry is inherently dualistic. It often creates a binary where consent and pleasure are pitted against coercion and pain. Sex workers, employed on a contractual basis, find themselves outside the protective purview of standard labor and employment laws, leaving them vulnerable to exploitation and abuse.
Global Implications
The book's significance transcends the borders of Japan. The series of arrests and trials of former talent agency owners and executives within the Japanese AV industry led to a call for systematic investigations. The US Department of State's recognition of forced performance as a human rights violation underscores the global ramifications of the issue. "Involuntary Consent" serves as a poignant reminder that the exploitation and coercion within the adult entertainment industry are not confined to one nation but are indicative of broader systemic issues.
Akiko Takeyama is a Professor of Women, Gender, and Sexuality Studies at the University of Kansas. She is also the Director of the Centre for East Asian Studies.
Bing Wang receives her PhD at the University of Leeds. Her research interests include diasporic Chinese cultural identity and critical heritage studies.
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I am talking today to Mingwei Song about his new book, Fear of Seeing: A Poetics of Chinese Science Fiction (Columbia UP, 2023). The book is a sweeping account of contemporary Chinese science fiction that begins by asking, has “anything new arrived with the new century that redefined contemporaneousness?” As listeners might guess, in Song’s account, the aesthetics of science fiction are the new and invigorating arrival on the scene of Chinese literature. Whether it be the technological sublime of Liu Cixin or the bodily horrors of Han Song, new wave Chinese science fiction engages with the problem of representing China with what Song identifies as the poetics of the invisible. Song shows how the invisible functions in chapters dedicated to both the major contemporary figures mentioned above, as well canonical writers like Lu Xun, and the newest and edgiest science fiction writers that have recently emerged onto the literary scene in China. Fear of Seeing shows how science fiction given “a country deprived of liberal imagination” a “multitude of new dreams.” At the same time, he suggests, the utopian (as well as quite dystopian) possibilities, political and aesthetic, opened up by new wave Chinese science fiction exist in an ambivalent relationship to state power. We will discuss these points as well as many others in detail in the following interview.
Julia Keblinska is a postdoc at the East Asian Studies Center at the Ohio State University specializing in Chinese media history and comparative socialisms.
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Eksik bölüm mü var?
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Edo-period Japan was a golden age for commercial literature. A host of new narrative genres cast their gaze across the social landscape, probed the realms of history and the fantastic, and breathed new life into literary tradition. But how to understand the politics of this body of literature remains contested, in part because the defining characteristics of much early modern fiction—formulaicness, reuse of narratives, stock characters, linguistic and intertextual play, and heavy allusion to literary canon—can seem to hold social and political realities at arm’s length.
David C. Atherton offers a new approach to understanding the relationship between the challenging formal features of early modern popular literature and the world beyond its pages. Focusing on depictions of violence—one of the most fraught topics for a peaceful polity ruled over by warriors—he connects concepts of form and formalization across the aesthetic and social spheres. Atherton shows how the formal features of early modern literature had the potential to alter the perception of time and space, make social and economic forces visible, defamiliarize conventions, give voice to the socially peripheral, and reshape the contours of community. Through careful readings of works by the major writers Asai Ryōi, Ihara Saikaku, Chikamatsu Monzaemon, Ueda Akinari, and Santō Kyōden, Writing Violence: The Politics of Form in Early Modern Japanese Literature (Columbia UP, 2023) reveals the essential role of literary form in constructing the world—and in seeing it anew.
Jingyi Li is a PhD Candidate in Japanese History at the University of Arizona. She researches about early modern Japan, literati, and commercial publishing.
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To a lively cast of international players that shaped Manchuria during the early twentieth century, At the Frontier of God's Empire: A Missionary Odyssey in Modern China (Oxford UP, 2023) adds the remarkable story of Alfred Marie Caubrière (1876-1948). A French Catholic missionary, Caubrière arrived in Manchuria on the eve of the Boxer Uprising in 1899 and was murdered on the eve of the birth of the People's Republic of China in 1948. Living with ordinary Chinese people for half a century, Caubrière witnessed the collapse of the Qing empire, the warlord's chaos that followed, the rise and fall of Japanese Manchukuo, and the emergence of communist China. Caubrière's incredible personal archive, on which Ji Li draws extensively, opens a unique window into everyday interaction between Manchuria's grassroots society and international players. His gripping accounts personalize the Catholic Church's expansion in East Asia and the interplay of missions and empire in local society.
Through Caubrière's experience, At the Frontier of God's Empire examines Chinese people at social and cultural margins during this period. A wealth of primary sources, family letters, and visual depictions of village scenes illuminate vital issues in modern Chinese history, such as the transformation of local society, mass migration and religion, tensions between church and state, and the importance of cross-cultural exchanges in everyday life in Chinese Catholic communities. This intense transformation of Manchurian society embodies the clash of both domestic and international tensions in the making of modern China.
Shu Wan is currently matriculated as a doctoral student in history at the University at Buffalo. As a digital and disability historian, he serves in the editorial team of Digital Humanities Quarterly and Nursing Clio. On Twitter: @slissw.
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Late Classical Chinese Thought (Oxford University Press, 2023) is Chris Fraser's topically organized study of the Warring States period of Chinese philosophy, the third century BCE. In addition to well-known texts like the Zhuangzi, Xunzi, and Mencius, Fraser's book introduces readers to Lu's Annals, the Guanzi, the Hanfeizi, the Shangjun Shu, and excerpts from the Mawangdui silk manuscripts. Beginning with a chapter on "The Way," or the dao, Late Classical Chinese Thought explores topics in metaphysics, metaethics, ethics, political philosophy, epistemology, and philosophy of language and logic. By focusing on topics rather than texts, the book aims to show how philosophical discourse happened in the philosophically productive period of the third century.
Malcolm Keating is Associate Professor of Philosophy at Yale-NUS College. His research focuses on Sanskrit works of philosophy in Indian traditions, in the areas of language and epistemology. He is the author of Language, Meaning, and Use in Indian Philosophy (Bloomsbury Press, 2019) and host of the podcast Sutras & Stuff.
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From the 1850s until the mid-twentieth century, a period marked by global conflicts and anxiety about dwindling resources and closing opportunities after decades of expansion, the frontier became a mirror for historically and geographically specific hopes and fears. From Asia to Europe and the Americas, countries around the world engaged with new interpretations of empire and the deployment of science and technology to aid frontier development in extreme environments. Through a century of political turmoil and war, China nevertheless is the only nation to successfully navigate the twentieth century with its imperial territorial expanse largely intact.
In Birth of the Geopolitical Age: Global Frontiers and the Making of Modern China (Stanford University Press, 2023), Dr. Shellen Xiao Wu demonstrates how global examples of frontier settlements refracted through China's unique history and informed the making of the modern Chinese state. Dr. Wu weaves a narrative that moves through time and space, the lives of individuals, and empires' rise and fall and rebirth, to show how the subsequent reshaping of Chinese geopolitical ambitions in the twentieth century, and the global transformation of frontiers into colonial laboratories, continues to reorder global power dynamics in East Asia and the wider world to this day.
This interview was conducted by Dr. Miranda Melcher whose doctoral work focused on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
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Parks M. Coble's book The Collapse of Nationalist China: How Chiang Kai-shek Lost China's Civil War (Cambridge UP, 2023) revisits one of the most stunning political collapses of the twentieth century. When Japan surrendered in September 1945, Chiang Kai-shek seemed triumphant—one of the Big Four Allied leaders of the war and head of a government firmly allied with the United States. Yet less than four years later he would be forced into a humiliating exile in Taiwan. It has long been recognized that hyperinflation was a critical factor in this collapse. As revenues plummeted during the war against Japan, Chiang’s government simply printed currency to cover its debts resulting in rapid inflation. When World War II ended it was assumed that with eastern China returned, ports opened, and financial support from the U.S. assured, the currency could be stabilized. But in fact, Chiang was obsessed with defeating the communists and the printing presses accelerated the production of banknotes which rapidly lost value.
Why didn’t the nationalist government tackle the issue of hyperinflation before it was too late? The fundamental flaw of the Chiang government was that he centralized all authority in his own hands and established overlapping and competing agencies. This approach fostered bureaucratic infighting which he alone could resolve. In the financial realm the competing elements were within his wife’s family, her brother T. V. Soong (Song Ziwen) and brother-in-law H. H Kung (Kong Xiangxi). The new archival records reveal a bitter and often very petty rivalry between the two men that started in the 1930s and continued even after they were in exile in the United States after 1949.
The tragedy for China was that both men ultimately bent to Chiang’s wishes to provide money and suppressed any effort to alter the policy. T. V. Soong especially recognized the dangers of the inflationary policy, but his ambition and jealousy of his brother-in-law led him to cave when under pressure to produce more currency. Records in the Hoover Archives show how little understanding Chiang had of finance and how little interest he had dealing with it. The structure of the Chiang government meant that almost nothing could be done without sustained attention from the leader. Thus in 1947 when the collapse of the fabi (legal tender) currency was imminent, Chiang waited a year before authorizing a replacement currency, the disastrous gold yuan. My study suggests that the most important factor in the collapse of the Chiang government was its organization as an authoritarian system designed for control but ineffective at getting things done.
Parks M. Coble is the James L. Sellers Professor of History at the University of Nebraska-Lincoln.
Dong Wang is collection editor of Asian Studies books at Lived Places Publishing (New York & the UK), H-Diplo review editor, incoming visiting fellow at Freie Universität Berlin, research associate at Harvard Fairbank Center (since 2002), a member of the Royal Institute of International Affairs, director of the Wellington Koo Institute for Modern China in World History (Germany & USA), and an elected Fellow of the Royal Asiatic Society of Great Britain and Ireland.
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Margaret Hillenbrand’s On the Edge: Feeling Precarious in China (Columbia UP, 2023) examines the negative cultural forms that have emerged in response to China’s exclusionary contemporary socioeconomic system. Hillenbrand considers the social strain exerted on members of the “underclass,” the 300 million migrant workers whose toil has underwritten China’s economic rise since the passing of the command economy. She describes the socio-legal condition of disenfranchisement, an internal displacement or “civic-half life” experienced by marginalized workers, as “zombie citizenship,” a purposefully inflammatory definition that evokes both the workers’ experience of civic suspension and their class others’ fears of falling into similar abjection. In this compelling narrative, contemporary Chinese social, legal, and cultural life is wrapped in an ambient mood of jeopardy.
Through close readings of diverse texts, performances, and films that both amplify and diffuse the violent conflicts of dispossession and dislocation, she makes the case for culture’s capacity to “intervene palpably in social experience.” The cultural forms Hillenbrand introduces and analyzes themselves teeter on the edge, on one hand, the edge of exploitation and aesthetic empowerment. The ugly feelings these works evoke affectively concretize the “ever-impending dissolution of that apparent boundary” between those already on the cliff’s edge and those who may yet come to share this precarious space. I look forward to probing the complexities of this freighted and violent cultural work with our guest.
Julia Keblinska is a postdoc at the East Asian Studies Center at the Ohio State University specializing in Chinese media history and comparative socialisms.
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Dr Pierce Salguero talks with Rev. Nathan Jishin Michon, a postdoctoral fellow at Ryukoku University and an ordained priest in the Shingon Buddhist tradition. Our conversation touches on diverse Buddhist healing rituals and the role of light in Shingon practice and cosmology. We discuss the playfulness and innovation in modern Japanese Buddhism, and the rise of chaplaincy after the 3.11 tsunami and nuclear disaster. We also talk about Nathan’s ethnographic work in Japan, as well as their experiences volunteering in a “listening cafe.”
Resources mentioned in the episode:
Pierce Salguero, Buddhism and Medicine: An Anthology of Modern and Contemporary Sources (2019)
Jivaka Project
Nathan’s dissertation: “Awakening to Care: Formation of Japanese Buddhist Chaplaincy” (2020)
Nathan Michon, A Thousand Hands: A Guidebook to Caring for Your Buddhist Community (2016)
Nathan Michon, Refuge in the Storm: Buddhist Voices in Crisis Care (2023)
Dr. Pierce Salguero is a transdisciplinary scholar of health humanities who is fascinated by historical and contemporary intersections between Buddhism, medicine, and crosscultural exchange. He has a Ph.D. in History of Medicine from the Johns Hopkins School of Medicine (2010), and teaches Asian history, medicine, and religion at Penn State University’s Abington College, located near Philadelphia.
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In this interview we deep dive into the historiographical issues of the texts in The Rise of the Mongols: Five Chinese Sources (Hackett, 2021), edited and translated by Christopher P. Atwood, with Lynn Struve. For a complementary, more general interview of the book dealing with the period under discussion listeners can also check out the July 2023 interview with Professor Atwood over at the Chinese Literature Podcast.
Rise of the Mongols offers readers a selection of five important works that detail the rise of the Mongol Empire from a Chinese perspective. Three of these works were written by officials of South China's Southern Song dynasty and two are from officials from North China writing in the service of the Mongol rulers. Together, these accounts offer a view of the early Mongol Empire very different not just from those of Muslim and Christian travelers and chroniclers, but also from the Mongol tradition embodied in The Secret History of Mongols.
The five Chinese source texts (in English translation, each with their own preface):
Selections from Random Notes from Court and Country since the Jianyan Years, vol.2, by Li Xinchuan
"A Memorandum on the Mong-Tatars," by Zhao Gong
"A Sketch of the Black Tatars," by Peng Daya and Xu Ting
"Spirit-Path Stele for His Honor Yelü, Director of the Secretariat," by Song Zizhen
"Notes on a Journey," by Zhang Dehui
Also included are an introduction, index, bibliography, and appendices covering notes on the texts, tables and charts, and a glossary of Chinese and transcribed terms.
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The conventional story of Hong Kong celebrates the people who fled the mainland in the wake of the establishment of the People’s Republic of China in 1949. In this telling, migrants thrived under British colonial rule, transforming Hong Kong into a cosmopolitan city and an industrial and financial hub. Unsettling Exiles: Chinese Migrants in Hong Kong and the Southern Periphery During the Cold War (Columbia UP, 2023) recasts identity formation in Hong Kong, demonstrating that the complexities of crossing borders shaped the city’s uneasy place in the Sinophone world.
Angelina Y. Chin foregrounds the experiences of the many people who passed through Hong Kong without settling down or finding a sense of belonging, including refugees, deportees, “undesirable” residents, and members of sea communities. She emphasizes that flows of people did not stop at Hong Kong’s borders but also bled into neighboring territories such as Taiwan and Macau. Chin develops the concept of the “Southern Periphery”—the region along the southern frontier of the PRC, outside its administrative control yet closely tied to its political space. Both the PRC and governments in the Southern Periphery implemented strict migration and deportation policies in pursuit of border control, with profound consequences for people in transit. Chin argues that Hong Kong identity emerged from the collective trauma of exile and dislocation, as well as a sense of being on the margins of both the Communist and Nationalist Chinese regimes during the Cold War. Drawing on wide-ranging research, Unsettling Exiles sheds new light on Hong Kong’s ambivalent relationship to the mainland, its role in the global Cold War, and the origins of today’s political currents.
Angelina Y. Chin is associate professor of history at Pomona College. She is the author of Bound to Emancipate: Working Women and Urban Citizenship in Early Twentieth-Century China and Hong Kong (2012).
Li-Ping Chen is a teaching fellow in the Department of East Asian Languages and Cultures at the University of Southern California. Her research interests include literary translingualism, diaspora, and nativism in Sinophone, inter-Asian, and transpacific contexts.
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In contemporary Japan, death isn’t what it used to be. Anne Allison’s Being Dead Otherwise (Duke UP, 2023) examines the changing realities of death as a personal and social phenomenon and an opportunity for business innovation and “self-death making.” Factors including the world’s oldest population, declining childbirth rates, and a growing number of single households mean that more Japanese are living and dying alone. Changed social and familial structures have upended some of the foundational bonds that previously defined what it meant to live, die, care for the dead, and be cared for in your own turn. Allison explores both the proliferation of new industries, services, initiatives, voluntary communities, and businesses that have popped up in response to these changes; and also the ways in which individuals faced with uncertainty about their own deaths have begun to create and plan new ways of dying for themselves. From the massive ENDEX mortuary services industry bonanza held annually in Japan’s largest exhibition venue to automated just-in-time columbaria with robotic priests on the one hand and from “ending notes”― antemortem expressions of postmortem wishes and goodbyes―to the crematorium and the bone crusher on the other, this is a thoughtful, pragmatic, and ultimately affirming look at Japan’s shifting ecology of death and its radical future potential.
Nathan Hopson is an associate professor of Japanese language and history in the University of Bergen's Department of Foreign Languages.
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Albert Welter's book The Future of China's Past: Reflections on the Meaning of China's Rise (SUNY Press, 2023) examines how China's traditional culture is being reinvented and manipulated for political purposes. Like no time before in its recent history, and certainly at no time in the history of the People's Republic, China is being shaped in terms of its past, but which past--Confucianism, Legalism, Daoism, Buddhism--or combination of pasts is being held up as the model? Given its growing economic, political, and cultural significance, it is incumbent upon us to take China's rise seriously, yet perspectives involving modern and contemporary geopolitical and intrastate dynamics are insufficient, on their own, for understanding China's rise, and the same holds true for economic analyses, however pertinent. Instead, this book looks at current engagements with models of China's past, introducing the four traditional lenses of Chinese thought and reflecting on their potential relevance for China's--and the world's--future.
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Exams, autocracy, stability, and technology have been hallmarks of Chinese society for centuries — from ancient times through to the present. Is that set to continue and how well does it work today? Yasheng Huang's book The Rise and Fall of the EAST: How Exams, Autocracy, Stability, and Technology (Yale University Press, 2023) explains how these things brought China success and why they may lead to its decline. Listen to him in conversation with Owen Bennett Jones.
Owen Bennett-Jones is a freelance journalist and writer. A former BBC correspondent and presenter he has been a resident foreign correspondent in Bucharest, Geneva, Islamabad, Hanoi and Beirut. He is recently wrote a history of the Bhutto dynasty which was published by Yale University Press.
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Ben Whaley’s Toward a Gameic World: New Rules of Engagement from Japanese Video Games (U Michigan Press 2023) examines the pathbreaking engagement strategies of four Japanese video games produced between 2002 and 2015. Each of these “persuasive games” deploys a distinct strategy of engagement to push players to engage with real-world social issues and traumas: Disaster Report (2002) takes on natural disasters, Catherine (2011) addresses Japan’s declining birthrate and aging population, Metal Gear Solid V (2015, after the March 2011 Fukushima triple disaster) takes on nuclear proliferation, and The World Ends with You (2007) faces the issue of social withdrawal. These games differ in genre, platform, and mechanics, but as Whaley shows, they share an interest in using the immersive, multimedia, boundary-crossing experience of gaming to create an emotive, “persuasive” experience that prods gamers to engage with these “IRL” issues in new ways.
Nathan Hopson is an associate professor of Japanese language and history in the University of Bergen's Department of Foreign Languages.
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Before South Korea became the democracy and media powerhouse that it is today, it underwent several decades of authoritarian rule during the Cold War from the late 1940s to late 1980s. Amidst this authoritarian period, South Korea’s filmmakers, distributors, and exhibitors nevertheless found ways to push the boundaries of both cinema and politics. This is the topic of Hieyoon Kim’s Celluloid Democracy: Cinema and Politics in Cold War South Korea (University of California Press, 2023).
Kim is an Assistant Professor at the University of Wisconsin-Madison’s Department of Asian Cultures and Languages. She specializes in the intersections of dissident culture and media with a focus on Korea and has myriad publications on topics ranging from film archives, historiography, and memory.
As the global popularity of South Korean cinema continues unabated, Celluloid Democracy helps readers dive deeper into a historical context that runs deeply through many contemporary K-media artifacts, yet doesn’t receive ample coverage in English-language discourse. Listen to this episode to learn more, and stay tuned until the end for some great film recommendations.
Anthony Kao is a writer who intersects international affairs and cultural criticism. He founded/edits Cinema Escapist—a publication exploring the sociopolitical context behind global film and television—and also writes for outlets like The Guardian, Al Jazeera, The Diplomat, and Eater.
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Our lives are in countless ways defined by our citizenship. The country we belong to affects our rights, our travel possibilities, and ultimately our chances in life. Obtaining a new citizenship is rarely easy. But for those with the means—billionaires like Peter Thiel and Jho Low, but also countless unknown multimillionaires—it’s just a question of price.
As discussed in The Golden Passport: Global Mobility for Millionaires (Harvard University Press, 2023) more than a dozen countries, many of them small islands in the Mediterranean, Caribbean, and South Pacific, sell citizenship to 50,000 people annually. Through six years of fieldwork on four continents, Dr. Kristin Surak discovered how the initially dubious sale of passports has transformed into a full-blown citizenship industry that thrives on global inequalities. Some “investor citizens” hope to parlay their new passport into visa-free travel—or use it as a stepping stone to residence in countries like the United States. Other buyers take out a new citizenship as an insurance policy or to escape state control at home. Almost none, though, intend to move to their selected country and live among their new compatriots, whose relationship with these global elites is complex.
A groundbreaking study of a contentious practice that has become popular among the nouveaux riches, The Golden Passport takes readers from the details of the application process to the geopolitical hydraulics of the citizenship industry. It’s a business that thrives on uncertainty and imbalances of power between big, globalized economies and tiny states desperate for investment. In between are the fascinating stories of buyers, brokers, and sellers, all ready to profit from the citizenship trade.
This interview was conducted by Dr. Miranda Melcher whose doctoral work focused on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
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In Inglorious, Illegal Bastards: Japan's Self-Defense Force During the Cold War (Cornell UP, 2022), Aaron Herald Skabelund examines how the Self-Defense Force (SDF)—the post–World War II Japanese military—and specifically the Ground Self-Defense Force (GSDF), struggled for legitimacy in a society at best indifferent to them and often hostile to their very existence.
From the early iterations of the GSDF as the Police Reserve Force and the National Safety Force, through its establishment as the largest and most visible branch of the armed forces, the GSDF deployed an array of public outreach and public service initiatives, including off-base and on-base events, civil engineering projects, and natural disaster relief operations. Internally, the GSDF focused on indoctrination of its personnel to fashion a reconfigured patriotism and esprit de corps. These efforts to gain legitimacy achieved some success and influenced the public over time, but they did not just change society. They also transformed the force itself, as it assumed new priorities and traditions and contributed to the making of a Cold War defense identity, which came to be shared by wider society in Japan. As Inglorious, Illegal Bastards demonstrates, this identity endures today, several decades after the end of the Cold War.
Ran Zwigenberg is an associate professor at Pennsylvania State University.
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Godzilla emerged from the sea to devastate Tokyo in the now-classic 1954 film, produced by Tōhō Studios and directed by Ishirō Honda, creating a global sensation and launching one of the world’s most successful movie and media franchises. Awakened and transformed by nuclear weapons testing, Godzilla serves as a terrifying metaphor for humanity’s shortsighted destructiveness: this was the intent of Shigeru Kayama, the science fiction writer who drafted the 1954 original film and its first sequel and, in 1955, published these novellas.
Although the Godzilla films have been analyzed in detail by cultural historians, film scholars, and generations of fans, Kayama’s two Godzilla novellas—both classics of Japanese young-adult science fiction—have never been available in English. Godzilla and Godzilla Raids Again: The Original Novellas by Shigeru Kayama (U Michigan Press, 2023) finally provides English-speaking fans and critics the original texts with these first-ever English-language translations of Godzilla and Godzilla Raids Again. The novellas reveal valuable insights into Kayama’s vision for the Godzilla story, feature plots that differ from the films, and clearly display the author’s strong antinuclear, proenvironmental convictions.
Kayama’s fiction depicts Godzilla as engaging in guerrilla-style warfare against humanity, which has allowed the destruction of the natural world through its irresponsible, immoral perversion of science. As human activity continues to cause mass extinctions and rapid climatic change, Godzilla provides a fable for the Anthropocene, powerfully reminding us that nature will fight back against humanity’s onslaught in unpredictable and devastating ways.
Shigeru Kayama (1904–1975) was a science fiction writer and scenarist whose early stories about monsters and mutated sea creatures attracted the attention of Tōhō Studios, which asked him to draft the first two Godzilla films.
Jeffrey Angles is professor of Japanese at Western Michigan University. He is the author of Writing the Love of Boys: Origins of Bishonen Culture in Modernist Japanese Literature (Minnesota, 2011) and the award-winning translator of Orikuchi Shinobu’s The Book of the Dead (Minnesota, 2017) and Hiromi Ito’s The Thorn Puller.
Daniel Moran earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O’Connor: Her Critics, Her Publishers, Her Readers and articles on G. K. Chesterton and John Ford, he teaches research and writing at Rutgers and co-hosts the podcast Fifteen-Minute Film Fanatics, found here on the New Books Network and on X.
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How do we talk about China? It’s a question every analyst, academic, policymaker, and reporter probably needs to ask themselves.
Is China, as some of the hawks claim, an existential threat to the world order? Is it on the verge of aggressively taking the number one spot—or is it on the verge of collapse? Is it a dangerous military threat or is it—as some Chinese commentators claim—an entirely benevolent power?
Navigating this increasingly black-and-white conversation is Kerry Brown, leading China academic and author of China Incorporated: The Politics of a World Where China is Number One (Bloomsbury Publishing, 2023)
In this interview, Kerry and I talk about China’s politics, and discuss what—if anything—lies at the foundation of some of the common descriptions about China.
Kerry Brown is Professor of Chinese Studies and Director of the Lau China Institute at King's College London. He is an Associate of the Asia Pacific Programme at Chatham House, London, an adjunct of the Australia New Zealand School of Government in Melbourne, and the co-editor of the Journal of Current Chinese Affairs, run by the German Institute for Global Affairs in Hamburg. From 1998 to 2005 he worked at the British Foreign and Commonwealth Office, as First Secretary at the British Embassy in Beijing, and then as Head of the Indonesia, Philippine and East Timor Section. He is the author of almost 20 books on modern Chinese politics.
Kerry previously joined the podcast in May 2022 to talk about China Through European Eyes: 800 Years of Cultural and Intellectual Encounter (World Scientific: 2022).
You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of China Incorporated. Follow on Twitter at @BookReviewsAsia.
Nicholas Gordon is an associate editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at@nickrigordon.
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