Episoder
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“When I was working at the Times and the Times Magazine, on one Tuesday morning, the towers fell. September 11, 2001. The magazine had a 10-day lead time, so it was a weekly that was essentially 10 days old by the time it came out. We came to work and realized the world had changed, and the entire process, the magazine had been made for over a hundred years, had to be thrown out the window. We had to create a new magazine in 36 hours that would in some way speak to this very different, scary, and interesting world we were now in. In those 36 hours, we usually would take months to produce a magazine. If you take all of its aspects, it’s a long journey. However, we made a magazine in 36 hours that, in some ways, was the best magazine I ever made because of the urgency of the moment.”
Adam Moss was the editor of New York magazine, The New York Times Magazine, and 7 Days. As editor of New York, he also oversaw the creation of five digital magazines: Vulture, The Cut, Daily Intelligencer, Grub Street, and The Strategist. During his tenure, New York won forty-one National Magazine Awards, including Magazine of the Year. He was an assistant managing editor of The New York Times with oversight of the Magazine, the Book Review, and the Culture, and Style sections, as well as managing editor of Esquire. He was elected to the Magazine Editors’ Hall of Fame in 2019. He is the Author of The Work of Art: How Something Comes from Nothing.
Episode Website
www.creativeprocess.info/pod
Instagram:@creativeprocesspodcast
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How has feminism changed in light of the way we live now?
DEAN SPADE (Author of Love in a F*cked Up World: How to Build Relationships, Hook Up & Raise Hell Together) on recognizing political conditions in personal relationships.
MARILYN MINTER (Artist, Feminist) on sexual agency, beauty & her creative process.
TEY MEADOW (Author of Trans Kids: Being Gendered in the Twenty-First Century) on the necessity of creating an inclusive environment & argues that diverse storytelling is crucial for healthy development.
ELLEN RAPOPORT (Creator, Exec. Producer of Minx) on the evolution of feminism, the divides that emerged in the 70s over pornography & sex work.
LAURA EASON (Emmy-nominated Producer, Screenwriter · Three Women, House of Cards) on the significance of representing ordinary women’s experiences.
SHARMEEN OBAID-CHINOY (Oscar & Emmy-winning Director of Diane von Furstenberg: Woman in Charge · Forthcoming Star Wars film) on the legacy of von Furstenberg.
SARA AHMED (Author, The Feminist Killjoy Handbook) reclaims the stereotypes, calling for solidarity among feminists.
INTAN PARAMADITHA (Author, The Wandering) reflects on the importance of intergenerational knowledge among women.
DIAN HANSON (Editor) on participating in the sex-positive movements of the 1960s to creating niche fetish magazines.
KATE MUETH (Neo-Political Cowgirls Founder) on the importance of finding meaning in creative work, community & storytelling in human experience.
Listen to full interviews
Episode Website
www.creativeprocess.info/pod
IG:@creativeprocesspodcast
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Manglende episoder?
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Peter Weller is a renowned theater and Hollywood actor. His performances in films such as RoboCop and Naked Lunch garnered him much critical and commercial success over the years. His television acting and directing credits include Sons of Anarchy, Dexter, and 24. Unbeknownst to most, Weller has spent decades honing his appreciation for the visual and musical arts through his studies of the Renaissance era. Earning a Master's in Roman architecture from Syracuse University before moving on to a PhD in Renaissance Art from UCLA. Dr. Weller has just written a book, Leon Battista Alberti in Exile: Tracing the Path to the First Modern Book on Painting.
“Art transcends time and culture—the beauty of it. People worry about the world now. I remind them to go live in 1968, a time of preparing to go to the moon while people died for their beliefs. This is a difficult time in a republic that’s supposed to be free, but music was leading the way. It’s actually harmonious, transcending culture and time. That might be the greatest gift of our transcendence.”
Episode Website
www.creativeprocess.info/pod
Instagram:@creativeprocesspodcast
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“I met Miles backstage at the Hollywood Bowl—the last gig he ever played. Miles asked, “Who’s that white boy?” I introduced him to Bob Thiele Jr., whose father produced Coltrane. When Miles discovered this, he said, “Well, you can hang,” following this friendly gesture with me walking Miles to his car. I did not know he was dying. I kissed him on both cheeks. And 18 days later, he was gone.”
Peter Weller is a renowned theater and Hollywood actor. His performances in films such as RoboCop and Naked Lunch garnered him much critical and commercial success over the years. His television acting and directing credits include Sons of Anarchy, Dexter, and 24. Unbeknownst to most, Weller has spent decades honing his appreciation for the visual and musical arts through his studies of the Renaissance era. Earning a Master's in Roman architecture from Syracuse University before moving on to a PhD in Renaissance Art from UCLA. Dr. Weller has just written a book, Leon Battista Alberti in Exile: Tracing the Path to the First Modern Book on Painting.
Weller has also contributed an essay remembering his friend Miles Davis for Jazz and Literature. The book, co-edited by Mia Funk, features many of her interviews and artworks, as well as poetry, art, and essays by our contributors.
Episode Website
www.creativeprocess.info/pod
Instagram:@creativeprocesspodcast
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How do our personal lives influence the art we make?
JIM SHEPARD (Author of The Book of Aron, Project X, & The World to Come starring Casey Affleck, Vanessa Kirby, Katherine Waterston · Winner of the PEN New England Award, The Story Prize) explores historical human dilemmas, the emotional imagination and literature's role in extending empathetic understanding. He discusses the importance of self-education and curiosity.
LAURA EASON (Emmy-nominated Producer, Screenwriter, Playwright · Three Women · House of Cards · The Loudest Voice) on how we can live multiple lives through the arts. She highlights the significant role the arts have played in her upbringing and daily life, emphasizing the value of listening to others. As a showrunner, Laura discusses how her work in the theater, where she often adapted literary classics, prepared her for working in the writers’ room of House of Cards, adapting the creator’s vision.
BENOIT DELHOMME (Award-winning Cinematographer · Artist · Director · At Eternity’s Gate · The Theory of Everything ·The Scent of Green Papaya) talks about the intrinsic pleasure found in art and cinematography. He likens operating a handheld camera to playing an instrument and emphasizes the importance of personalizing one's craft to imbue it with soul and freedom.
JOHN PATRICK SHANLEY (Academy Award, Tony & Pulitzer Prize-winning Writer/Director · Doubt · Moonstruck · Danny and the Deep Blue Sea · Joe Versus the Volcano) recounts his personal journey from The Bronx to becoming a writer. He emphasizes the importance of embracing one's life experiences, even the seemingly ordinary ones, as gold for storytelling. Shanley reflects on his collaborations with actors Philip Seymour Hoffman and Meryl Streep and their dedication to their craft.
MARK GOTTLIEB (Vice President & Literary Agent at Trident Media Group) explores storytelling as a timeless art form, comparing books to the oil paintings of new media. He comments on the transformative power of stories, which he believes can manifest in various forms—from books to movies and TV shows.
ANTHONY WHITE (Artist) reflects on the role of visual arts in democracy and civil disobedience. Historical events like the Eureka Stockade, with its spirit of rebellion, have inspired his art.
MICHAEL BEGLER (Showrunner · Writer & Executive Producer of Perry Mason and The Knick) discusses the importance of storytelling in understanding our history and emotions. He stresses that the arts, drawing from personal experiences, help us connect on a deeper level beyond hard news.
To hear more from each guest, listen to their full interviews.
Episode Website
www.creativeprocess.info/pod
Instagram:@creativeprocesspodcast
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What influence do billionaires have on politics, journalism, and the technology that shapes our lives? What drives people to seek absolute power, and how can we hold them accountable?
Darryl Cunningham is a cartoonist and author of Science Tales, Psychiatric Tales, The Age of Selfishness, and Billionaires: The Lives of the Rich and Powerful. Cunningham is also well-known for his comic strips, which have been featured on the websites Forbidden Planet and Act-i-vate collective, among others. others. His more recent work includes a graphic novel on Elon Musk, titled Elon Musk: Investigation into a New Master of the World.
“For me, it was art and the creative process of writing and drawing that brought me out of darkness and created a community I could plug into. It's an example of how creativity can make you feel better. I used my talent to help pull myself out of the pit of darkness I had fallen into. That's quite a good image.”
Episode Website with Feature Article
www.creativeprocess.info/pod
Instagram:@creativeprocesspodcast
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Where does our intuition come from? How are lifelong creative partnerships formed and what role do friendship and personal connection play? How do our personal lives influence the art we make?
Erland Cooper (Scottish composer, producer, and multi-instrumentalist) explores the emotional and transformative effects of music and visual arts. He underscores how music can transport individuals to different places and evoke emotional responses and relates his personal experiences of homesickness for his native Orkney.
Debora Cahn (television creator, writer, and Emmy-nominated showrunner and executive producer of Netflix’s The Diplomat) discusses the craft of long-form storytelling in television. She highlights the process of building immersive worlds and the challenge of integrating ideas into narratives that resonate with audiences on a universal level.
Julian Lennon (singer-songwriter and documentary filmmaker, founder of The White Feather Foundation, and photographer/author of Life’s Fragile Moments) reflects on the influence of his heroes and teachers and remembers the thing his mother taught him. He speaks about the importance of empathy, respect, and positivity, and how these values shape his creative and humanitarian efforts.
Ed Zwick (Academy-Award-winning writer, director, and producer, and author of Hits, Flops, and Other Illusions) analyzes the elusive nature of talent and the magical moments in casting where undeniable potential shines through. Zwick shares insights into the subtle and unspoken aspects of directing that elevate a performance and bring a story to life.
Chris Blackwell (Founder of Island Records and inductee of the Rock & Roll Hall of Fame) highlights the importance of instinct in recognizing and nurturing talent. He recounts his initial hesitation before signing Cat Stevens to Island Records. He shares how artistic partnerships grow out of personal connections and friendship.
Joy Gorman Wettels (Executive producer of UnPrisoned and the founder of Joy Coalition) highlights stigmatized social issues through her storytelling. She emphasizes that humanizing these issues by creating relatable, empathetic characters can lead to real-world change and understanding.
Rick Carnes (Songwriter and President of the Songwriters Guild of America) discusses the fundamental elements of songwriting and how music marks significant moments in people’s lives. He elaborates on his creative process and the importance of mindfulness and emotional awareness in writing meaningful songs.
To hear more from each guest, listen to their full interviews.
Episode Website
www.creativeprocess.info/pod
Instagram:@creativeprocesspodcast
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“I think a lot of joy comes from helping others. One of the things that I've been really focusing on is finding that balance in life, what’s real and what’s true and what makes you happy. How can you help other people feel the same and have a happier life? I think whatever that takes. So if that's charity, if that's photography, if that's documentary, if that's music, and I can do it, then I'm going to do it.
From traveling, especially in Ethiopia, Kenya, and even South America, we just see these scenarios and situations where they don't have enough support or finances. Anything I’m involved in, a good percentage goes to The White Feather Foundation. From what I witnessed, I just wanted to be able to help. My best teacher ever was Mum because I watched her live through life with dignity, grace, respect, and empathy. To me, those are some of the key things that are most important in living life. I think you have to love everybody and yourself. Respect is a real key issue, not only for people but for this world that we live in, Mother Earth. It's of key importance that we honor and respect this beautiful little blue ball that we live on.”
Julian Lennon is a Grammy-nominated singer-songwriter, photographer, documentary filmmaker, and NYTimes bestselling author of the Touch the Earth children’s book trilogy. This autumn, Whispers – A Julian Lennon Retrospective is being presented at Le Stanze della Fotografia, culminating in the publication of Life’s Fragile Moments, his first photography book. It features a compilation of images that span over two decades of Lennon's unique life, career, adventures, and philanthropy. He founded The White Feather Foundation in 2007, whose key initiatives are education, health, conservation, and the protection of indigenous cultures. He was the executive producer of Kiss the Ground and other environmental documentaries and was named a Peace Laureate by UNESCO in 2020.
www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcastPhoto credit: © 2024, Julian Lennon. All rights reserved.
Life’s Fragile Moments, published by teNeues, www.teneues.com, August 2024. 27,5 x 34 cm |10 5/6 x 13 3/8 in., 240 pages, Hardcover, approx. 200 color photographs, texts English & German ISBN: 978-3-96171-614-2 -
What is the power of photography? How do images and songs bookmark our lives, reminding us of what we care about, who we love, and what it means to be alive?
Julian Lennon is a Grammy-nominated singer-songwriter, photographer, documentary filmmaker, and NYTimes bestselling author of the Touch the Earth children’s book trilogy. This autumn, Whispers – A Julian Lennon Retrospective is being presented at Le Stanze della Fotografia, culminating in the publication of Life’s Fragile Moments, his first photography book. It features a compilation of images that span over two decades of Lennon's unique life, career, adventures, and philanthropy. He founded The White Feather Foundation in 2007, whose key initiatives are education, health, conservation, and the protection of indigenous cultures. He was the executive producer of Kiss the Ground and other environmental documentaries and was named a Peace Laureate by UNESCO in 2020.
“I think a lot of joy comes from helping others. One of the things that I've been really focusing on is finding that balance in life, what’s real and what’s true and what makes you happy. How can you help other people feel the same and have a happier life? I think whatever that takes. So if that's charity, if that's photography, if that's documentary, if that's music, and I can do it, then I'm going to do it.
From traveling, especially in Ethiopia, Kenya, and even South America, we just see these scenarios and situations where they don't have enough support or finances. Anything I’m involved in, a good percentage goes to The White Feather Foundation. From what I witnessed, I just wanted to be able to help. My best teacher ever was Mum because I watched her live through life with dignity, grace, respect, and empathy. To me, those are some of the key things that are most important in living life. I think you have to love everybody and yourself. Respect is a real key issue, not only for people but for this world that we live in, Mother Earth. It's of key importance that we honor and respect this beautiful little blue ball that we live on.”
www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcastPhoto credit: © 2021 Marilyn Clark
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“Today, someone is putting the finishing touches on a machine- learning algorithm that will change the way you relate to your family. Someone is trying to design a way to communicate with animals in their own language. Someone is designing a gene that alters bacteria to turn your poop bright blue when it’s time to see the doctor. Someone is cleaning up the mess someone else left behind seventy years ago yesterday. Today, someone just had an idea that will end up saving one thing while it harms another…
To be a maker in this moment— to be a human today— is to collaborate with the world. It is to create and be created, to work and be worked on, to make and be made. To be human is to tinker, create, fix, care, and bring new things into the world. It is to design. You— yes, you!— might design products or policy, services or sermons, production lines or preschool programs. You might run a business, make art, or participate in passing out meals to the poor. You may write code or pour concrete, lobby for endangered species legislation or craft cocktails. Wherever you fit in, you are part of shaping the world. This is design work.”
– Assembling Tomorrow
A Guide to Designing a Thriving FutureScott Doorley is the Creative Director at Stanford's d. school and co author of Make Space. He teaches design communication and his work has been featured in museums and architecture and urbanism and the New York Times. Carissa Carteris the Academic Director at Stanford's d. schooland author of The Secret Language of Maps. She teaches courses on emerging technologies and data visualization and received Fast Company and Core 77 awards for her work on designing with machine learning and blockchain. Together, they co authored Assembling Tomorrow: A Guide to Designing a Thriving Future.
www.scottdoorley.com
www.snowflyzone.com
https://dschool.stanford.edu/
www.penguinrandomhouse.com/books/623529/assembling-tomorrow-by-scott-doorley-carissa-carter-and-stanford-dschool-illustrations-by-armando-veve/www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast -
How can we design and adapt for the uncertainties of the 21st century? How do emotions shape our decisions and the way we design the world around us?
Scott Doorley is the Creative Director at Stanford's d. school and co author of Make Space. He teaches design communication and his work has been featured in museums and architecture and urbanism and the New York Times. Carissa Carter is the Academic Director at Stanford's d. school and author of The Secret Language of Maps. She teaches courses on emerging technologies and data visualization and received Fast Company and Core 77 awards for her work on designing with machine learning and blockchain. Together, they co authored Assembling Tomorrow: A Guide to Designing a Thriving Future.
“Today, someone is putting the finishing touches on a machine- learning algorithm that will change the way you relate to your family. Someone is trying to design a way to communicate with animals in their own language. Someone is designing a gene that alters bacteria to turn your poop bright blue when it’s time to see the doctor. Someone is cleaning up the mess someone else left behind seventy years ago yesterday. Today, someone just had an idea that will end up saving one thing while it harms another…
To be a maker in this moment— to be a human today— is to collaborate with the world. It is to create and be created, to work and be worked on, to make and be made. To be human is to tinker, create, fix, care, and bring new things into the world. It is to design. You— yes, you!— might design products or policy, services or sermons, production lines or preschool programs. You might run a business, make art, or participate in passing out meals to the poor. You may write code or pour concrete, lobby for endangered species legislation or craft cocktails. Wherever you fit in, you are part of shaping the world. This is design work.”
– Assembling Tomorrow
A Guide to Designing a Thriving Futurewww.scottdoorley.com
www.snowflyzone.com
https://dschool.stanford.edu/
www.penguinrandomhouse.com/books/623529/assembling-tomorrow-by-scott-doorley-carissa-carter-and-stanford-dschool-illustrations-by-armando-veve/www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcastImage credit: Patrick Beaudouin
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“The opportunity is that we have never had a public that is more passionate and obsessed with visual imagery. If the owners of the best original imagery in the world can't figure out how to take advantage of the fact that the world has now become obsessed with these treasures that we have to offer as museums, then shame on us. This is the opportunity to say, if you're spending all day scrolling on Instagram looking for amazing imagery, come and see the original source. Come and see the real work. Let us figure out how to make that connection.”
Stephen Reily is the Founding Director of Remuseum, an independent research project housed at Crystal Bridges Museum of American Art in Bentonville, Arkansas. Funded by arts patron David Booth with additional support by the Ford Foundation, Remuseum focuses on advancing relevance and governance in museums across the U.S. He works with museums to create a financially sustainable strategy that is human-focused, centering on inclusion, diversity, and important causes like climate change. During his time as director of the Speed Art Museum in Louisville, KY, Reily presented Promise, Witness, Remembrance, an exhibition in response to the killing of Breonna Taylor and a year of protests in Louisville. In 2022, he co-wrote a book documenting the exhibition. As an active civic leader, Reily has been a part of numerous community organizations and boards, like the Reily Reentry Project, supporting expungement programs for Kentucky citizens, Creative Capital, offering grants for the arts, and founded Seed Capital Kentucky, a non-profit that aims to improve the food economy in the area.A Yale and Stanford Law graduate, Reily clerked for U.S. Supreme Court Justice John Paul Stevens before launching a successful entrepreneurial career, experiences he draws upon for public engagement initiatives.
https://remuseum.org
https://crystalbridges.org
www.stephenreily.com
www.kentuckypress.com/9781734248517/promise-witness-remembrance
www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast -
How can museums remain relevant in the digital age, where visual imagery is more accessible than ever? What role do museums play in fostering creativity and innovation in their communities?
Stephen Reily is the Founding Director of Remuseum, an independent research project housed at Crystal Bridges Museum of American Art in Bentonville, Arkansas. Funded by arts patron David Booth with additional support by the Ford Foundation, Remuseum focuses on advancing relevance and governance in museums across the U.S. He works with museums to create a financially sustainable strategy that is human-focused, centering on inclusion, diversity, and important causes like climate change. During his time as director of the Speed Art Museum in Louisville, KY, Reily presented Promise, Witness, Remembrance, an exhibition in response to the killing of Breonna Taylor and a year of protests in Louisville. In 2022, he co-wrote a book documenting the exhibition. As an active civic leader, Reily has been a part of numerous community organizations and boards, like the Reily Reentry Project, supporting expungement programs for Kentucky citizens, Creative Capital, offering grants for the arts, and founded Seed Capital Kentucky, a non-profit that aims to improve the food economy in the area.A Yale and Stanford Law graduate, Reily clerked for U.S. Supreme Court Justice John Paul Stevens before launching a successful entrepreneurial career, experiences he draws upon for public engagement initiatives.
“The opportunity is that we have never had a public that is more passionate and obsessed with visual imagery. If the owners of the best original imagery in the world can't figure out how to take advantage of the fact that the world has now become obsessed with these treasures that we have to offer as museums, then shame on us. This is the opportunity to say, if you're spending all day scrolling on Instagram looking for amazing imagery, come and see the original source. Come and see the real work. Let us figure out how to make that connection.”
https://remuseum.org
https://crystalbridges.org
www.stephenreily.com
www.kentuckypress.com/9781734248517/promise-witness-remembrance
www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast -
“What is imaginary tends to become real -- that’s a quote from the founder of Surrealism, André Breton. We daydream of a better world, and this could be a very vague daydream. The idea of utopianism that I'm putting forward in the book is not a detailed, orderly, rational model of the city utopia. It’s this free floating, desirous model of the body utopia, which is unfinished and imperfect. It's always in transformation. These dreams and daydreams that we have are guiding our actions, influencing our day-to-day behavior if we let them. Our imagination is always involved in creating reality. The opposition between the two, reality and the imaginary, is not a stark one; they're porous. I’ve just co-curated a major exhibition of Surrealism, reflecting on the 100 years since the Manifesto of Surrealism, so I'm very much in this moment where I'm trying to explain to the public the value of this movement.
S. D. Chrostowska is professor of humanities at York University, Canada. She is the author of several books, among them Permission, The Eyelid, A Cage for Every Child, and, most recently, Utopia in the Age of Survival: Between Myth and Politics. Her essays have appeared in such venues as Public Culture, Telos, Boundary 2, and The Hedgehog Review. She also coedits the French surrealist review Alcheringa and is curator of the 19th International Exhibition of Surrealism, Marvellous Utopia, which runs from July to September 2024 in Saint-Cirq-Lapopie, France.
https://profiles.laps.yorku.ca/profiles/sylwiac/
www.sup.org/books/title/?id=33445
https://chbooks.com/Books/T/The-Eyelid
https://ciscm.fr/en/merveilleuse-utopiewww.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcastImage credit:
Guy Girard, La canicule des sirènes, 1997, oil on canvas, 92 x 73 cm -
As Surrealism turns 100, what can it teach us about the importance of dreaming and creating a better society? Will we wake up from the consumerist dream sold to us by capitalism and how would that change our ideas of utopia?
S. D. Chrostowska is professor of humanities at York University, Canada. She is the author of several books, among them Permission, The Eyelid, A Cage for Every Child, and, most recently, Utopia in the Age of Survival: Between Myth and Politics. Her essays have appeared in such venues as Public Culture, Telos, Boundary 2, and The Hedgehog Review. She also coedits the French surrealist review Alcheringa and is curator of the 19th International Exhibition of Surrealism, Marvellous Utopia, which runs from July to September 2024 in Saint-Cirq-Lapopie, France.
“What is imaginary tends to become real -- that’s a quote from the founder of Surrealism, André Breton. We daydream of a better world, and this could be a very vague daydream. The idea of utopianism that I'm putting forward in the book is not a detailed, orderly, rational model of the city utopia. It’s this free floating, desirous model of the body utopia, which is unfinished and imperfect. It's always in transformation. These dreams and daydreams that we have are guiding our actions, influencing our day-to-day behavior if we let them. Our imagination is always involved in creating reality. The opposition between the two, reality and the imaginary, is not a stark one; they're porous. I’ve just co-curated a major exhibition of Surrealism, reflecting on the 100 years since the Manifesto of Surrealism, so I'm very much in this moment where I'm trying to explain to the public the value of this movement.”
https://profiles.laps.yorku.ca/profiles/sylwiac/
www.sup.org/books/title/?id=33445
https://chbooks.com/Books/T/The-Eyelid
https://ciscm.fr/en/merveilleuse-utopiewww.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast -
Can silence be painted? How can artists capture interior states, solitude, and the passing of time? How are the homes we live in a reflection of the people who inhabit them? How can we read a painting to piece together the life of the artist?
From 1 June to 13 July 2024, Hauser & Wirth presents Vilhelm Hammershøi: Silence in its new gallery location in Basel. This exhibition celebrates the renowned Danish artist, Vilhelm Hammershøi, for its first solo exhibition, and presents 16 works from private collections curated by art historian Felix Krämer.
Art historian and writer Florian Illies commented on Hammershøi's work: “One often forgets that Hammershøi, despite this self-restraint, was an artist who had traveled a lot…who knew the artists of his time. But its effect was completely different…He does the exact opposite to everyone else. And it is precisely this difference that makes him so special. This mystery is what makes him so compelling to us today.” Hammershøi’s works defy genre or movements, utilizing elements inspired by the Old Master in combination with his present, private sphere, and speak to contemporary viewers with timeless motifs, yet communicate profound meanings between themselves.
https://www.hauserwirth.com/hauser-wirth-exhibitions/vilhelm-hammershoi-silence
www.hauserwirth.comwww.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcastInterior with the Artist’s Wife, Seen from Behind 1901
Oil on canvas
45 x 39 cm / 17 3/4 x 15 3/8 in
Photo: Annik Wetter Photographie
Image courtesy of Hauser & Wirth -
How can we free ourselves from fear and social barriers to live more fulfilling and meaningful lives? What does it take to overcome trauma and turn it into triumph, and failure into reinvention? How can we shine a light on the marginalized and misunderstood to create social change that transforms the lives of women?
Sharmeen Obaid-Chinoy is an Oscar and Emmy award-winning Canadian-Pakistani filmmaker whose work highlights extraordinary women and their stories. She earned her first Academy Award in 2012 for her documentary Saving Face, about the Pakistani women targeted by brutal acid attacks. Today, Obaid-Chinoy is the first female film director to have won two Oscars by the age of 37. In 2023, it was announced that Obaid-Chinoy will direct the next Star Wars film starring Daisy Ridley. Her most recent project, co-directed alongside Trish Dalton, is the new documentary Diane von Fürstenberg: Woman in Charge, about the trailblazing Belgian fashion designer who invented the wrap dress 50 years ago. The film had its world premiere as the opening night selection at the 2024 Tribeca Festival on June 5th and premiered on June 25th on Hulu in the U.S. and Disney+ internationally. A product of Obaid-Chinoy's incredibly talented female filmmaking team, Woman in Charge provides an intimate look into Diane von Fürstenberg’s life and accomplishments and chronicles the trajectory of her signature dress from an innovative fashion statement to a powerful symbol of feminism.
“As a filmmaker, I've always made films about extraordinary women whose lives are faced with extenuating circumstances who've had adversity thrown at them and who've risen to the occasion. And when I began to look at Diane's story, for me, Diane is a fashion designer, but she's so much more. Her central ethos is woman before fashion, and we felt it was very important to take that ethos and weave it into the spine of our film, and make it about the woman.
In making this film, every single person who we called whose voice we wanted to include wanted to contribute. They wanted to say something about Diane, because she had left such a mark on their lives. Our producers’ jobs, Tracy and Fabiola, was to juggle those schedules. How do you juggle the schedule of secretary Hillary Clinton with Oprah Winfrey? How do you make sure that Anderson Cooper and Mark Jacobs, you know, in the filming time that we had, that we could put all of these people together? But Diane's friendships run deep with people, and people made sure to make time.You know, she was a single mother, and I think that young single mothers watching this film will feel for Diane, especially single mothers who are trying to be entrepreneurs, and creating businesses, and trying to find their way into the world to be able to raise a family. To do that as an immigrant in a new country is challenging, and Diane shows you just how challenging it is. In making choices about living her life, in being with her children or expanding her business, there were sacrifices that were made, and those sacrifices are boldly put on the screen for viewers to watch.”
www.hulu.com/movie/diane-von-furstenberg-woman-in-charge-95fb421e-b7b1-4bfc-9bbf-ea666dba0b02
https://www.disneyplus.com/movies/diane-von-furstenberg-woman-in-charge/1jrpX9AhsaJ6
https://socfilms.comwww.creativeprocess.info
www.oneplanetpodcast.org
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“As a filmmaker, I've always made films about extraordinary women whose lives are faced with extenuating circumstances who've had adversity thrown at them and who've risen to the occasion. And when I began to look at Diane's story, for me, Diane is a fashion designer, but she's so much more. Her central ethos is woman before fashion, and we felt it was very important to take that ethos and weave it into the spine of our film, and make it about the woman.
In making this film, every single person who we called whose voice we wanted to include wanted to contribute. They wanted to say something about Diane, because she had left such a mark on their lives. Our producers’ jobs, Tracy and Fabiola, was to juggle those schedules. How do you juggle the schedule of secretary Hillary Clinton with Oprah Winfrey? How do you make sure that Anderson Cooper and Mark Jacobs, you know, in the filming time that we had, that we could put all of these people together? But Diane's friendships run deep with people, and people made sure to make time.You know, she was a single mother, and I think that young single mothers watching this film will feel for Diane, especially single mothers who are trying to be entrepreneurs, and creating businesses, and trying to find their way into the world to be able to raise a family. To do that as an immigrant in a new country is challenging, and Diane shows you just how challenging it is. In making choices about living her life, in being with her children or expanding her business, there were sacrifices that were made, and those sacrifices are boldly put on the screen for viewers to watch.”
Sharmeen Obaid-Chinoy is an Oscar and Emmy award-winning Canadian-Pakistani filmmaker whose work highlights extraordinary women and their stories. She earned her first Academy Award in 2012 for her documentary Saving Face, about the Pakistani women targeted by brutal acid attacks. Today, Obaid-Chinoy is the first female film director to have won two Oscars by the age of 37. In 2023, it was announced that Obaid-Chinoy will direct the next Star Wars film starring Daisy Ridley. Her most recent project, co-directed alongside Trish Dalton, is the new documentary Diane von Fürstenberg: Woman in Charge, about the trailblazing Belgian fashion designer who invented the wrap dress 50 years ago. The film had its world premiere as the opening night selection at the 2024 Tribeca Festival on June 5th and premiered on June 25th on Hulu in the U.S. and Disney+ internationally. A product of Obaid-Chinoy's incredibly talented female filmmaking team, Woman in Charge provides an intimate look into Diane von Fürstenberg’s life and accomplishments and chronicles the trajectory of her signature dress from an innovative fashion statement to a powerful symbol of feminism.
www.hulu.com/movie/diane-von-furstenberg-woman-in-charge-95fb421e-b7b1-4bfc-9bbf-ea666dba0b02
https://www.disneyplus.com/movies/diane-von-furstenberg-woman-in-charge/1jrpX9AhsaJ6
https://socfilms.comwww.creativeprocess.info
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"Imagination has a central role in teaching philosophical thinking because it's only imagination that can get us out of our biases and out of the fixating on the patterns that we've been tuned to."
Keith Frankish is an Honorary Professor of Philosophy at the University of Sheffield, a Visiting Research Fellow with The Open University, and an Adjunct Professor with the Brain and Mind Programme in Neurosciences at the University of Crete. Frankish mainly works in the philosophy of mind and has published widely about topics such as human consciousness and cognition. Profoundly inspired by Daniel Dennett, Frankish is best known for defending an “illusionist” view of consciousness. He is also editor of Illusionism as a Theory of Consciousness and co-edits, in addition to others, The Cambridge Handbook of Cognitive Science.
www.keithfrankish.com
www.cambridge.org/core/books/cambridge-handbook-of-cognitive-science/F9996E61AF5E8C0B096EBFED57596B42
www.imprint.co.uk/product/illusionismwww.creativeprocess.info
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“Before I decided to become a philosopher, I wanted to become a filmmaker, and in my education in France, where I'm originally from, there was a lot of emphasis placed on the humanities and arts. I still have a deep passion for the arts, and when it comes to our future, I am of two minds about the role that AI will play in how we interact with creative fields. Going back to my first love of cinema, there are various young filmmakers who are experimenting with AI systems to generate shots and short videos. They’re using it creatively. I think there is a tremendous potential there to usher in a renaissance of surrealist cinema where we can generate images and shots that could never have been made with a traditional camera, certainly not without a huge budget. Lowering the barrier to entry to artistic creation is something I'm excited about. On the other hand, of course, there are the various issues we've raised about the potential for plagiarism, for exploiting human artists, and also concerns about people gradually losing artistic skills because we have these tools available, and about the homogenization of taste. How is AI going to influence the kind of art and content entertainment we like to consume? How does engagement with AI-generated artifacts change the way we relate to art? I don't have the answer to that question, and I think it could go either way. I think it could come with good and bad. It could homogenize preferences and the little quirks we have in the way we engage with music, video, and literature—but it could also, on the other hand, supercharge creativity. That's perhaps the one thing I'd like to say about the future: I hope these new technologies are used to empower human creativity and human flourishing instead of stifling it.”
Dr. Raphael Millière is Assistant Professor in Philosophy of AI at Macquarie University in Sydney, Australia. His research primarily explores the theoretical foundations and inner workings of AI systems based on deep learning, such as large language models. He investigates whether these systems can exhibit human-like cognitive capacities, drawing on theories and methods from cognitive science. He is also interested in how insights from studying AI might shed new light on human cognition. Ultimately, his work aims to advance our understanding of both artificial and natural intelligence.
https://raphaelmilliere.com
https://researchers.mq.edu.au/en/persons/raphael-millierewww.creativeprocess.info
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