Episoder
-
You can now text us anonymously to leave feedback, suggest future content or simply hurl abuse at us. We'll read out any texts we receive on the show. Click here to try it out!
Welcome back to Bad Dads Film Review, where this week we slither into our Top 5 Snakes in movies and TV, and shed our skins with two slinky features: the gritty 2023 Hong Kong action flick The Pig, the Snake and the Pigeon, and a far more family-friendly offering in Patchwork Pals.
Top 5 Snakes in Film & TV
Kaa â The Jungle Book (1967/2016)
Hypnotic eyes, silky voice, and a penchant for wrapping himself around unsuspecting jungle creaturesâKaa is the ultimate slithering villain. Whether voiced by Sterling Holloway or Scarlett Johansson, he leaves a lasting impression.Nagini â Harry Potter series
Voldemortâs devoted reptilian sidekick and eventual Horcrux, Nagini is both a terrifying presence and a tragic figure with a deeper backstory revealed in Fantastic Beasts.Snake Plissken â Escape from New York (1981)
OK, not a literal snakeâbut Kurt Russellâs eye-patched anti-hero is too iconic to leave off. Heâs venomous in attitude if not species.The Basilisk â Harry Potter and the Chamber of Secrets (2002)
A giant snake living in Hogwartsâ plumbing system? Sure. Just donât look it in the eyes.Sir Hiss â Disneyâs Robin Hood (1973)
This snooty, sycophantic serpent floats around in a basket and gets on everyoneâs nervesâjust the sort of snake you love to hiss at.Main Feature: The Pig, the Snake and the Pigeon (2023)
Directed by Wong Ching-po, this brutal neo-noir action thriller tells the story of Mok, a terminally ill gangster who finds out he has only days to live. With nothing left to lose, he sets out on a violent spree to go out in a blaze of infamy. But as his legend grows, so does the bounty on his headâand he becomes prey for a series of contract killers with styles as flamboyant as they are deadly.
With its hyper-stylized violence, morally bankrupt characters, and pitch-black humour, this one is not for the faint of heart. Itâs a fever dream of bloodshed, masculinity, and fatalism, with moments that almost border on the surreal. The action choreography is tight, the visuals are stylish, and the tone walks a fine line between grindhouse and art film. There are snakes hereânot just the metaphorical kindâand theyâre not easy to charm.
Kids TV: Patchwork Pals
In need of something to balance out the darkness? Enter Patchwork Pals, the gentle animated show aimed at preschoolers. Each short episode centres on a different soft toy animal who has a problemâand must find a creative, cooperative solution. The snake in Patchwork Pals is a colourful, friendly creature who isn't scary at allâjust a bit stuck and in need of help from their pals.
Wholesome, sweet, and ideal for very young viewers, itâs the kind of thing that soothes minds and teaches emotional intelligence, problem-solving, and kindness.
Whether youâre charmed or chilled, this weekâs show is full of bite. đđ„đ¶đŹ
We love to hear from our listeners! By which I mean we tolerate it. If it hasn't been completely destroyed yet you can usually find us on twitter @dads_film, on Facebook Bad Dads Film Review, on email at [email protected] or on our website baddadsfilm.com.
Until next time, we remain...
Bad Dads -
You can now text us anonymously to leave feedback, suggest future content or simply hurl abuse at us. We'll read out any texts we receive on the show. Click here to try it out!
Welcome back to Bad Dads Film Review, where this week we tackle one of the more provocative and unexpected Southern dramas of the 2000s: Black Snake Moan. Directed by Craig Brewer (coming off the back of Hustle & Flow), this 2006 film is a steamy, blues-soaked morality tale thatâs equal parts sweaty melodrama, redemption story, and twisted fairy tale.
Set in the heat-hazed Deep South, the film centres around Lazarus (Samuel L. Jackson), a recently heartbroken, God-fearing bluesman trying to make sense of his life after his wife leaves him. One morning he discovers Rae (Christina Ricci), a beaten, half-naked young woman, lying unconscious on the roadside outside his home.
Rae, it turns out, is in the grip of a destructive form of hypersexuality, fuelled by childhood trauma and exacerbated by the departure of her boyfriend Ronnie (Justin Timberlake), who's been sent off to the military. Convinced that heâs been given a sign from God, Lazarus decides to "cure" Rae of her demonsâby chaining her to his radiator and keeping her indoors until sheâs healed.
Yes, you read that right.
Samuel L. Jackson gives one of his more underrated performances here, dialling down the swagger and leaning into quiet intensity. Christina Ricci is absolutely fearlessâvulnerable, unhinged, and magnetic. Together, their dynamic is unpredictable and uncomfortable, but strangely compelling.
Black Snake Moan is not one for a casual Friday night with the kids. Itâs adult in every senseânarratively, thematically, and visually. But for those looking for a film that gets under the skin, challenges moral assumptions, and leans into some serious swampy weirdness, itâs worth the plunge.
Itâs also a rare thing: a redemption story thatâs not afraid to be messy, ambiguous, and morally murky. You might not love it, but you probably wonât forget it.
Like the blues songs it honours, Black Snake Moan is raw, aching, and full of contradictions. Itâs about broken people trying to find healing in a world that doesnât offer easy answers. Misunderstood by some, championed by others, itâs a film that howls with pain but hums with strange hope.
đžâïžđ„đŸđšâđ§âđŠđż
We love to hear from our listeners! By which I mean we tolerate it. If it hasn't been completely destroyed yet you can usually find us on twitter @dads_film, on Facebook Bad Dads Film Review, on email at [email protected] or on our website baddadsfilm.com.
Until next time, we remain...
Bad Dads -
Manglende episoder?
-
You can now text us anonymously to leave feedback, suggest future content or simply hurl abuse at us. We'll read out any texts we receive on the show. Click here to try it out!
đŹ Miracle Mile (1988)
Welcome back to Bad Dads Film Review! This week weâre taking a trip back to the late â80s for a cult favourite that defies expectations and genre conventions: Miracle Mile. Written and directed by Steve De Jarnatt, this 1988 thriller starts like a quirky romantic comedy before turning into a full-blown apocalyptic nightmare. Itâs a film that asks a terrifying question: what would you do if you knew the world was endingâin 70 minutes?
Harry (Anthony Edwards), a sweet, slightly awkward musician, meets Julie (Mare Winningham) in Los Angeles and sparks fly. They arrange to meet later that night, but fate intervenes when Harry accidentally sleeps through his alarm. Arriving at the diner hours late, heâs met with confusionâuntil a random call on a payphone changes everything.
The caller, believing heâs reached his father, is panicked: nuclear war is imminent. The U.S. has already launched its missiles and retaliation is on the way. Harry suddenly has the burden of knowing the world may end in just over an hourâand worse still, nobody believes him.
The film unfolds in real-time as Harry tries to find Julie and escape the city, all while chaos slowly blooms around them. The once-quirky atmosphere turns dark, frantic, and despairing, as Los Angeles begins to tear itself apart in anticipation of annihilation.
Underrated in its time, Miracle Mile has grown a strong cult following thanks to its uncompromising narrative and haunting synth-heavy Tangerine Dream score. Itâs one of those films you watch once and canât quite shake.
Miracle Mile isnât one for the kids. The growing sense of dread, sudden violence, and bleak ending make it better suited to older teens and adults who can appreciate its boldness and craft. Itâs a film about the end of the worldâon a very human scale.
It also feels eerily prescient in the age of social media, misinformation, and global anxiety. The panic is contagious, and the idea that everything could fall apart in a matter of minutes hits harder than ever.
A strange, sad, and singular film, Miracle Mile is one of the great what-would-you-do thrillers. It doesnât offer easy answers or comforting closure, but what it does provide is a uniquely gripping vision of love, fear, and impending doom. A true '80s oddity thatâs well worth rediscovering.
đ„đđđđšâđ§âđŠđż
We love to hear from our listeners! By which I mean we tolerate it. If it hasn't been completely destroyed yet you can usually find us on twitter @dads_film, on Facebook Bad Dads Film Review, on email at [email protected] or on our website baddadsfilm.com.
Until next time, we remain...
Bad Dads -
You can now text us anonymously to leave feedback, suggest future content or simply hurl abuse at us. We'll read out any texts we receive on the show. Click here to try it out!
Welcome back to Bad Dads Film Review, where this week weâre dusting off the golf clubs and heading to the green for one of Adam Sandlerâs most beloved and chaotic comedies: Happy Gilmore. Directed by Dennis Dugan and released in 1996, this sports-comedy cult classic swings hard with juvenile gags, unexpected heart, and more fistfights than youâd ever expect in a golf movie.
Happy Gilmore (Sandler) is a failed hockey player with a temper problem and a surprisingly powerful slapshot. After discovering that his unique (and deeply unorthodox) swing can drive a golf ball the length of a football field, he stumbles into the PGA tourânot out of love for the sport, but to raise money to save his beloved grandmotherâs house from foreclosure.
But golf, as it turns out, is full of smug pros, snooty country clubs, and unspoken rules. Happyâs arrivalâcomplete with loud trousers, foul language, and literal wrestling movesâruffles feathers, especially with tour golden boy Shooter McGavin (a scene-stealing Christopher McDonald), who quickly becomes Happyâs nemesis.
With the help of former pro Chubbs Peterson (Carl Weathers, complete with a wooden hand) and love interest/publicist Virginia Venit (Julie Bowen), Happy sets out to conquer golf in his own anarchic way. Thereâs also an unforgettable appearance from Bob Barkerâyes, that Bob Barkerâin one of the most unexpected and hilarious cameos in movie history.
Happy Gilmore is probably best suited to older kids and teens thanks to the language and violence (including a man being hit by a Volkswagen and another being mauled by an alligator). But for grown-up kids of the â90s, itâs a nostalgic gem that still delivers laughsâoften in spite of itself.
Itâs not highbrow, itâs not subtle, and itâs certainly not refined, but it knows exactly what it is: a hilarious, scrappy underdog sports comedy with a foul mouth and a huge heart.
Happy Gilmore is loud, juvenile, and a little bit stupidâand thatâs exactly why it works. Itâs a goofy celebration of doing things your own way, sticking it to pompous gatekeepers, and punching your way to success⊠even on the golf course. Fore! âłïžđđšâđ§âđŠđż
We love to hear from our listeners! By which I mean we tolerate it. If it hasn't been completely destroyed yet you can usually find us on twitter @dads_film, on Facebook Bad Dads Film Review, on email at [email protected] or on our website baddadsfilm.com.
Until next time, we remain...
Bad Dads -
You can now text us anonymously to leave feedback, suggest future content or simply hurl abuse at us. We'll read out any texts we receive on the show. Click here to try it out!
đŹ Missouri Breaks: The Ballad of Missouri Bill (2024)
Welcome back to Bad Dads Film Review! This week weâre heading westâway westâwith a striking little indie feature that punches well above its weight: Missouri Breaks: The Ballad of Missouri Bill. Directed by Jarrod Christman and Weston Grillo, this 2024 low-budget Western was filmed entirely in the Idaho wilderness and tells a stripped-back, gritty story of one manâs battle with his past and the unforgiving land around him.
Set in the Idaho Territory in 1880, we follow the quiet, haunted figure of Missouri Billâplayed with quiet intensity by Jon Grilloâa veteran of the Civil War whoâs fled the violence of the East for a new life out West. But peace proves elusive. When a ghost from Billâs bloody past emerges in the form of a mysterious pursuer, heâs forced to confront both physical and psychological demons in a brutal showdown thatâs as much about memory as it is survival.
Shot on location with a local cast and crew, this film leans into its limitations. Thereâs no grandiose shootouts or sweeping vistas hereâjust dusty trails, tense silences, and character-driven storytelling. The production design is minimalist but authentic, and the cinematography makes excellent use of the rugged Idaho landscape. The musicâwritten and performed by director Jarrod Christmanâunderscores the mournful tone, adding a real sense of place and mood.
Though made on a shoestring budget, Missouri Breaks: The Ballad of Missouri Bill is all about doing more with less. It's a quiet film, meditative in places, but with sharp edges. Think The Assassination of Jesse James on a micro-budget. The story isnât breaking new ground, but its sincerity and focus on internal conflict give it emotional weight. And while the dialogue is sparse, the performancesâparticularly Grilloâsâcarry the emotional load with surprising depth.
This one may fly under the radar for most, but for fans of the genreâor anyone who appreciates a slow-burn indie drama with a dusty heartâthis is well worth your time. Itâs rough, itâs raw, and itâs got a heart as heavy as a saddlebag full of regrets.
Final Verdict:
A rugged, introspective indie Western that favours mood and character over action and spectacle. One for the lonesome cowboy in all of us. đ€ đđšâđ§âđŠđżWe love to hear from our listeners! By which I mean we tolerate it. If it hasn't been completely destroyed yet you can usually find us on twitter @dads_film, on Facebook Bad Dads Film Review, on email at [email protected] or on our website baddadsfilm.com.
Until next time, we remain...
Bad Dads -
You can now text us anonymously to leave feedback, suggest future content or simply hurl abuse at us. We'll read out any texts we receive on the show. Click here to try it out!
Welcome back to Bad Dads Film Review, where this week we take the red pill and tumble down the rabbit hole into the genre-defining cyberpunk classic that is The Matrix (1999). Prepare for slow-mo shootouts, existential dread, and the most influential sunglasses in cinema history.
Written and directed by the Wachowskis, The Matrix dropped like a black-leather-clad bomb on the sci-fi landscape in 1999 and changed the game forever. Keanu Reeves stars as Neo, a disillusioned computer hacker who learns that his reality is a simulated construct designed by sentient machines to subjugate humanity. Waking up to the "real world" â a dystopian nightmare where humans are harvested for energy â Neo is recruited by the mysterious Morpheus (Laurence Fishburne) and the fiercely cool Trinity (Carrie-Anne Moss) to help fight back.
The plot may be straight out of a philosophy seminar, but itâs delivered with style, intensity, and more bullet-time than you can dodge.
It turns out the dads still know kung fu. Revisiting The Matrix was a treat â we all had memories of our minds being blown by it the first time around, and it's still astonishing how well it holds up. While the sequels sparked debate, this original entry is tight, clever, and endlessly entertaining. A particular highlight was rediscovering how well the film balances its heady concepts with genuine emotion and momentum.
We couldnât help but chuckle at the turn-of-the-millennium cool factor, but thereâs no denying that The Matrix still feels cool â and crucially, smart. It walks the line between popcorn blockbuster and brainy thriller with serious finesse.
The Matrix remains one of the most influential films of the last 30 years. It changed action cinema, reshaped science fiction, and made philosophy sexy â all while kicking ass in slow motion. Whether youâre here for the kung fu, the coding metaphors, or just to watch Agent Smith get punched in the face, thereâs always a reason to plug back in.
đđ„ïžâïžđšâđ§âđŠđż
We love to hear from our listeners! By which I mean we tolerate it. If it hasn't been completely destroyed yet you can usually find us on twitter @dads_film, on Facebook Bad Dads Film Review, on email at [email protected] or on our website baddadsfilm.com.
Until next time, we remain...
Bad Dads -
You can now text us anonymously to leave feedback, suggest future content or simply hurl abuse at us. We'll read out any texts we receive on the show. Click here to try it out!
Welcome back to Bad Dads Film Review, where this week we lock, stock, and double-tap our way into the gloriously over-the-top world of Hot Fuzz (2007), the second film in Edgar Wrightâs beloved Cornetto Trilogy. With an outrageous body count and a razor-sharp script, itâs a love letter to action movies â by way of twee English village life.
Directed by Edgar Wright and written by Wright and Simon Pegg, Hot Fuzz stars Simon Pegg as Nicholas Angel, a no-nonsense London supercop whoâs so good at his job that heâs making everyone else look bad. As a result, heâs reassigned to the sleepy village of Sandford, where crime seems suspiciously low â and the residents suspiciously Stepford.
Teamed up with the bumbling but big-hearted PC Danny Butterman (Nick Frost), Angel initially struggles with Sandfordâs slower pace â until a series of grisly âaccidentsâ reveals something darker lurking beneath the surface. Cue a rampage of pensioners, hidden agendas, and a spectacular finale with more gunfire than the M25 at rush hour.
This is one we could all agree on: Hot Fuzz is a near-perfect comedy that rewards repeat viewings. Itâs cleverly constructed, endlessly quotable (âThe greater good!â), and absolutely packed with details that make it a joy to dissect. Whether youâre a fan of action movies, British humour, or seeing Timothy Dalton with a smug smile and a hedge trimmer, thereâs something here for you.
Hot Fuzz takes the quiet menace of rural England and sets it ablaze with blockbuster spectacle and sharp comedy. Itâs both homage and original, firing on all cylinders from start to finish. If you like your action with a side of Bakewell tart and local shop for local people energy, this oneâs a must-watch.
đđ§šđłđźââïžđšâđ§âđŠđż
We love to hear from our listeners! By which I mean we tolerate it. If it hasn't been completely destroyed yet you can usually find us on twitter @dads_film, on Facebook Bad Dads Film Review, on email at [email protected] or on our website baddadsfilm.com.
Until next time, we remain...
Bad Dads -
You can now text us anonymously to leave feedback, suggest future content or simply hurl abuse at us. We'll read out any texts we receive on the show. Click here to try it out!
Welcome back to Bad Dads Film Review, where this week we take a look at the explosive and controversial biopic Machine Gun Preacher (2011), directed by Marc Forster and starring Gerard Butler. Itâs the story of one manâs radical transformation from violent criminal to war-zone humanitarian â and yes, itâs exactly as subtle as it sounds.
đŹ Main Feature: Machine Gun Preacher (2011)
Gerard Butler stars as Sam Childers, a former drug-dealing biker who finds religion, cleans up his act, and then takes on a much bigger mission: fighting warlords in Sudan to protect orphaned children. Itâs an incredible true story â emphasis on incredible â based on Childers' memoir Another Manâs War.
Childers, after a spiritual awakening, travels to East Africa and builds an orphanage on the frontlines of a brutal civil war. As he witnesses the atrocities committed by the Lordâs Resistance Army (LRA), he becomes increasingly militant, armed with both a Bible and a machine gun. The film asks: Can violent action be justified in the name of good?
This one left us mixed. Thereâs no denying the storyâs power â a man tries to make good by fighting evil in its rawest form. But the filmâs lack of subtlety, uneven pacing, and one-note characters made it tough to connect emotionally. It wants to be gritty and spiritual at the same time, but often ends up caught between a sermon and a shootout.
Still, thereâs something undeniably compelling about the real-life Sam Childers, and the movie does manage to provoke thought, even if it doesnât always land gracefully.
Machine Gun Preacher is part faith-based redemption arc, part action-revenge flick, and it doesnât always reconcile the two. Itâs bold, loud, and full of conviction â much like its protagonist â but whether it inspires or exhausts may depend on your taste for moral ambiguity served with automatic weapons.
We love to hear from our listeners! By which I mean we tolerate it. If it hasn't been completely destroyed yet you can usually find us on twitter @dads_film, on Facebook Bad Dads Film Review, on email at [email protected] or on our website baddadsfilm.com.
Until next time, we remain...
Bad Dads -
You can now text us anonymously to leave feedback, suggest future content or simply hurl abuse at us. We'll read out any texts we receive on the show. Click here to try it out!
Welcome back to Bad Dads Film Review, where this week weâre taking a neon-lit, blood-soaked trip through the moody underworld of Bangkok with Nicolas Winding Refnâs Only God Forgives (2013). If you thought Drive was a stylish slow burn, this one cranks up the stillness, strips back the dialogue, and drops you into a hallucinatory revenge opera thatâs equal parts mesmerizing and maddening.
Ryan Gosling stars as Julian, a quiet, emotionally blank drug smuggler running a Muay Thai gym as a front in Bangkok. When his volatile brother Billy is murdered for committing an unspeakable crime, their monstrous mother Crystal (Kristin Scott Thomas) arrives in town demanding vengeance. Julian is reluctantly pulled into a spiral of violence and surreal symbolism, facing off against Chang (Vithaya Pansringarm), a sword-wielding police lieutenant who dispenses his own brutal, godlike justice.
Refn drenches the screen in glowing reds and deep shadows, pairing every scene with an eerie, droning score from Cliff Martinez. The film is light on plot and even lighter on dialogueâGosling speaks fewer than 20 linesâbut the atmosphere is thick enough to cut with a katana.
Only God Forgives is a fever dream of a filmâicy cold yet visually scorching. Itâs like a revenge thriller thatâs been put through a Lynchian blender, leaving behind a hushed, haunted meditation on masculinity, vengeance, and judgement. If you want action, go elsewhere. If you want mood and madness, step right in.
đ„âïžđčđđšâđ§âđŠđż
We love to hear from our listeners! By which I mean we tolerate it. If it hasn't been completely destroyed yet you can usually find us on twitter @dads_film, on Facebook Bad Dads Film Review, on email at [email protected] or on our website baddadsfilm.com.
Until next time, we remain...
Bad Dads -
You can now text us anonymously to leave feedback, suggest future content or simply hurl abuse at us. We'll read out any texts we receive on the show. Click here to try it out!
Welcome back to Bad Dads Film Review! This week, we're diving whiskers-first into the utterly bonkers, wildly inventive indie oddity that is Hundreds of Beavers â a film that may be about trapping furry woodland critters but ends up capturing something much rarer: pure, anarchic cinematic joy.
Directed by Mike Cheslik and starring frequent collaborator Ryland Brickson Cole Tews, Hundreds of Beavers is a near-silent, black-and-white slapstick adventure set in a surreal 19th-century frontier. It follows a hapless, hard-drinking applejack salesman (Tews) who finds himself stranded in a snowy wilderness and must learn the ways of the wildâspecifically how to trap beaversâin order to survive, thrive, and maybe even win the heart of a fur traderâs daughter.
What makes this film stand out isnât just its lo-fi commitment to absurdityâitâs the hand-crafted world of practical effects, person-in-costume beavers, and cartoon physics that turn it into a live-action Looney Tunes episode by way of Buster Keaton.
đ§ Why We Loved It
Slapstick Supremacy: Tews delivers a physical performance that channels Chaplin, Keaton, and even a little Mr. Bean. Itâs a film where a single man getting smacked in the face by an anthropomorphic beaver trap is not just funnyâitâs art.Pure Visual Comedy: Thereâs barely a word of dialogue, but it doesn't matter. The storytelling is crystal clear through a perfect blend of timing, performance, and imaginative visuals. Itâs modern silent cinema done right.DIY Wonder: This is microbudget filmmaking at its most inspired. The inventiveness and sheer commitment of the cast and crew to an utterly ridiculous premise makes this a cult classic in the making.A Celebration of the Absurd: From farting outhouses to exploding traps to a cast of fully costumed beavers engaging in battle, this is a film that leans all the way into its nonsense, but never loses sight of structure or charm.Hundreds of Beavers is a joyous, gonzo achievementâa slapstick snowstorm of ingenuity, beaver costumes, and frontier lunacy. It doesnât take itself seriously, but it seriously delivers on laughs, creativity, and heart. Whether you're a connoisseur of physical comedy or just want to see a man wage war against the local fauna in increasingly unhinged ways, this is a film that rewards the curious.
Itâs not just one of the most original comedies weâve seen recentlyâitâs one of the most original films full stop. đŠ«âïžđŹ
We love to hear from our listeners! By which I mean we tolerate it. If it hasn't been completely destroyed yet you can usually find us on twitter @dads_film, on Facebook Bad Dads Film Review, on email at [email protected] or on our website baddadsfilm.com.
Until next time, we remain...
Bad Dads -
You can now text us anonymously to leave feedback, suggest future content or simply hurl abuse at us. We'll read out any texts we receive on the show. Click here to try it out!
Welcome back to Bad Dads Film Review! This episode swings open some metaphorical and literal portals as we explore our Top 5 Gates in film and TV, take aim with the tense WWII drama Enemy at the Gates, and finish off with an animated sci-fi detour through Stargate Infinity.
đŻ Top 5 Gates
The Gate (1987) â A cult horror favourite where kids accidentally open a portal to a hellish dimension in their backyard. Lesson learned: donât play records backwards.Stargate (1994) â The OG interstellar gateway. A ring-shaped relic that opens up a wormhole to another world and kicked off a massive franchise. A literal game-changer.Heavenâs Gate (1980) â Famously one of the biggest flops in cinema history (but with a critical reappraisal in recent years), Michael Ciminoâs ambitious Western tackled big themes and cost even bigger bucks.Hellâs Gate (Constantine, 2005) â Whether in comics or Keanu Reevesâ stylish supernatural noir, the concept of opening the gate to hell has never looked cooler (or more dangerous).Jurassic Parkâs Gate â âWelcome⊠to Jurassic Park.â Those massive doors swing open, John Williams' music swells, and cinematic history is made.đ„ Main Feature: Enemy at the Gates (2001)
Directed by Jean-Jacques Annaud, this WWII epic sets its sights on the Battle of Stalingrad through the scope of famed Soviet sniper Vasily Zaitsev (Jude Law). In the ruins of the war-torn city, Vasily becomes a national hero, his legend weaponised as Soviet propaganda. But his true test comes in a deadly cat-and-mouse game against Major König (Ed Harris), an elite German marksman sent to eliminate him.
The film excels in creating an oppressive, rubble-filled atmosphere where every movement could be your last. Law plays Zaitsev with quiet resolve, while Harris brings ice-cold precision to his Nazi counterpoint. Though not entirely historically accurate, the film blends tension, romance, and war spectacle into a compelling drama.
đœ Kids/TV Feature: Stargate Infinity (2002â2003)
The Stargate franchiseâs lone animated outing aimed at younger audiences, Infinity takes place 30 years after the original film. A new team of cadets and their alien allies must travel through the Stargate to find the truth about a mysterious alien artifact, while being pursued by evil forces trying to stop them.
Though short-lived (just one season), Infinity expands the Stargate universe into new territories, focusing on teamwork, intergalactic ethics, and colourful, kid-friendly action. It didnât achieve the cult status of SG-1 or Atlantis, but it remains an interesting chapter for completists.
Whether it's opening up ancient wormholes, sneaking through war-torn ruins, or accidentally unleashing demonic forces in your back garden, gates in storytelling are rarely just about whatâs on the other sideâtheyâre about what gets let in. Step through with us, if you dare. đ«đȘđđŹ
We love to hear from our listeners! By which I mean we tolerate it. If it hasn't been completely destroyed yet you can usually find us on twitter @dads_film, on Facebook Bad Dads Film Review, on email at [email protected] or on our website baddadsfilm.com.
Until next time, we remain...
Bad Dads -
You can now text us anonymously to leave feedback, suggest future content or simply hurl abuse at us. We'll read out any texts we receive on the show. Click here to try it out!
Welcome back to Bad Dads Film Review! This week, weâre paging through the murky corridors of mystery, rare books, and Satanic secrets with Roman Polanskiâs atmospheric thriller The Ninth Gate (1999). Adapted from Arturo PĂ©rez-Reverteâs novel The Club Dumas, the film stars Johnny Depp as Dean Corso, a rare book dealer whose latest assignment drags him deep into a web of occult intrigue.
Setting the Scene: Leather Bindings and Hidden Symbols
Dean Corso is a sleazy but skilled rare book expert hired by the wealthy and enigmatic Boris Balkan (Frank Langella) to authenticate one of the few remaining copies of The Nine Gates of the Kingdom of Shadows, a 17th-century tome said to summon the Devil himself. Balkan believes only one of the copies is genuine, and he tasks Corso with traveling across Europe to examine all three. As Corso delves deeper, people connected to the books start turning up dead, and he finds himself pursued by cultists, a mysterious woman with supernatural abilities (Emmanuelle Seigner), and his own growing paranoia.
Part noir detective story, part supernatural thriller, The Ninth Gate moves at a deliberately slow pace, building dread and unease through long shadows, whispered dialogue, and a creeping sense of danger. The mystery surrounding the bookâs origin and the authenticity of its illustrations becomes Corsoâs obsession. Each encounter along his journey offers new cluesâor misdirectionsâabout the bookâs true purpose, and whether the devil himself is guiding Corsoâs path.
The film culminates in a quiet but unsettling resolution that subverts expectations. Itâs less about explosive revelations and more about slow, unnerving transformation, with Corsoâs character gradually shifting from skeptic to something far more⊠initiated.
At its core, The Ninth Gate explores the timeless Faustian dilemmaâhow far one will go in pursuit of forbidden knowledge. Corso is less driven by belief than by greed and curiosity, but his journey reveals how seductive and consuming power can be. The book becomes a mirror reflecting the soul of each seeker, with deadly results for those who aren't worthyâor perhaps not wicked enough.
Not one for younger viewers, this is a slow-burn adult thriller with a strong sense of place and purpose. The Ninth Gate rewards patience and attention, especially for fans of mysteries, the occult, or anyone whoâs ever gotten lost in a bookshop and wondered what might be lurking in the rarest of volumes.
So light a candle, pour a brandy, and dust off your first editionâbecause The Ninth Gate invites you into a world where stories hold secrets and books just might bite back. đđ„đŻïž
We love to hear from our listeners! By which I mean we tolerate it. If it hasn't been completely destroyed yet you can usually find us on twitter @dads_film, on Facebook Bad Dads Film Review, on email at [email protected] or on our website baddadsfilm.com.
Until next time, we remain...
Bad Dads -
You can now text us anonymously to leave feedback, suggest future content or simply hurl abuse at us. We'll read out any texts we receive on the show. Click here to try it out!
Welcome back to Bad Dads Film Review! In this episode, weâre diving into a trio of "the"-titled features, starting with our Top 5 Definite Articles in film and TV, followed by a look at Steven Spielbergâs semi-autobiographical drama The Fabelmans, and rounding off with the delightful antics of The Smurfs.
Top 5 Definite Articles in Film and TV:
The Godfather (1972) - A cinematic masterpiece that redefined the crime genre and gave us one of the most iconic characters in film history, Don Vito Corleone.The Dark Knight (2008) - Christopher Nolanâs gritty take on Gothamâs hero brought depth, realism, and a legendary performance from Heath Ledger as the Joker.The Office (2005-2013) - A sitcom that revolutionized mockumentary-style comedy and introduced the world to Michael Scottâs awkward brilliance.The Thing (1982) - John Carpenterâs chilling horror-thriller remains a benchmark for practical effects and paranoia-driven storytelling.The Matrix (1999) - A sci-fi classic that questioned reality and revolutionized action choreography with its "bullet time" visuals.Main Feature: The Fabelmans (2022)
Directed by Steven Spielberg, The Fabelmans is a semi-autobiographical film that reflects on the legendary filmmakerâs own life, capturing the wonder, complexity, and challenges of growing up in a family where art and reality often intersect. Gabriel LaBelle stars as Sammy Fabelman, a young boy enchanted by the power of cinema, with Michelle Williams and Paul Dano portraying his loving but imperfect parents.Set in the 1950s and 60s, the film chronicles Sammyâs discovery of filmmaking and his growing passion amidst family tensions and personal dilemmas. Spielberg crafts a deeply personal story that explores how art can be an escape, a confrontation, and a way of understanding the world. With a blend of nostalgia and emotional depth, The Fabelmans showcases the directorâs love for the medium while delving into the challenges of family life. Itâs a celebration of creativity, dreamers, and the power of storytelling.
The Smurfs
For the little ones (and the young at heart), The Smurfs bring a mix of charm, humour, and life lessons. Originally created by Belgian cartoonist Peyo, the tiny blue characters have enchanted audiences for generations. The 1980s animated series and subsequent films follow Papa Smurf, Smurfette, Brainy, and their fellow Smurfs as they navigate the magical forest, often thwarting the evil plans of the bumbling wizard Gargamel and his cat Azrael.These pint-sized adventurers deliver plenty of laughs, but the stories often come with underlying messages about cooperation, kindness, and problem-solving. Whether through the classic cartoon or recent movies, The Smurfs remain a colorful and fun escape.
This episode dives deep into the importance of the small thingsâwhether itâs a single word that gives a title its iconic flair, a passion for filmmaking that shapes a life, or little blue creatures teaching big lessons. Stay tuned for a blend of reflection, nostalgia, and
We love to hear from our listeners! By which I mean we tolerate it. If it hasn't been completely destroyed yet you can usually find us on twitter @dads_film, on Facebook Bad Dads Film Review, on email at [email protected] or on our website baddadsfilm.com.
Until next time, we remain...
Bad Dads -
You can now text us anonymously to leave feedback, suggest future content or simply hurl abuse at us. We'll read out any texts we receive on the show. Click here to try it out!
Welcome back to Bad Dads Film Review!
This episode, weâre stepping into the eerie and unsettling world of The Mist (2007), a harrowing adaptation of Stephen Kingâs novella directed by Frank Darabont. Known for adapting Kingâs works with finesse (The Shawshank Redemption, The Green Mile), Darabont delivers a tense, claustrophobic horror film that dives deep into human nature when fear and desperation take hold.
Setting the Scene: Monsters in the Mist
The story begins in the small town of Bridgton, Maine, where a violent storm causes a power outage. Artist David Drayton (Thomas Jane) and his young son Billy (Nathan Gamble) venture into town for supplies, along with their neighbour Brent Norton (Andre Braugher). As a mysterious mist rolls in, trapping them and other townspeople in a supermarket, it becomes clear that terrifying, deadly creatures lurk in the fog.
But the true horror emerges not from the creatures outside but from the growing paranoia, fear, and fanaticism inside the store. The group splinters as Mrs. Carmody (Marcia Gay Harden), a religious zealot, gains followers by declaring the mist an act of divine retribution. Tensions rise, and survival becomes as much about navigating human threats as it is about avoiding the nightmarish creatures.
Why It Stands Out
Psychological Horror Over Monsters:
The Mist isnât just about creepy creaturesâit's a study of how fear can turn people against each other. The tension is unrelenting, and the real danger becomes the people succumbing to fear and fanaticism.That Ending:
The gut-wrenching, bleak finale remains one of the most divisive and shocking in horror film history. Deviating from Kingâs original ending, Darabont delivers a twist so nihilistic it haunts viewers long after the credits roll.Powerful Performances:
Thomas Jane shines as a desperate father trying to protect his son, while Marcia Gay Hardenâs Mrs. Carmody is an unsettling portrayal of religious extremism. The supporting cast, including Toby Jones and William Sadler, bring depth and authenticity to their roles.Atmosphere and Tension:
The supermarket setting is a perfect microcosm of societal collapse. Claustrophobic, tense, and rife with dread, the film captures the mounting hysteria and desperation.A Dadâs Take
The Mist is a great watch for horror fans, but itâs not just about monsters. Itâs a disturbing exploration of human nature, moral dilemmas, and the choices we make when all hope seems lost. Itâs a reminder that sometimes, the scariest monsters are the ones inside us.
Final Thoughts
Frank Darabontâs The Mist is a horror film that lingers long after viewing. Itâs terrifying, tragic, and thought-provoking, delivering a uniquely unsettling experience. For dads who appreciate psychological horror and impactful storytelling, itâs a must-watchâjust donât expect a happy ending.
So, join us as we venture into the mist, dissecting the filmâs themes, unforgettable moments, and that notorious ending. Itâs Bad Dads Film Review at its darkest! đ«ïžđčđż
We love to hear from our listeners! By which I mean we tolerate it. If it hasn't been completely destroyed yet you can usually find us on twitter @dads_film, on Facebook Bad Dads Film Review, on email at [email protected] or on our website baddadsfilm.com.
Until next time, we remain...
Bad Dads -
You can now text us anonymously to leave feedback, suggest future content or simply hurl abuse at us. We'll read out any texts we receive on the show. Click here to try it out!
Welcome back to Bad Dads Film Review!
This episode, weâre diving into the Top 5 Tarantino Moments, revisiting the high-stakes drama of ER, and wrapping up with some animated sci-fi fun with Duck Dodgers.
Top 5 Tarantino Moments
Quentin Tarantino has given us some of the most unforgettable moments in modern cinema. His signature mix of sharp dialogue, brutal violence, and unexpected humor makes his films stand out. Here are five of his most iconic moments:
The âRoyale with Cheeseâ Conversation â Pulp Fiction (1994)
Before anything even happens, Vincent (John Travolta) and Jules (Samuel L. Jackson) discuss European fast food with absurd detail, setting the tone for Tarantinoâs unique blend of casual conversation and impending violence.The Tavern Standoff â Inglourious Basterds (2009)
What starts as a simple undercover mission turns into a slow-burn, tension-filled masterpiece. The suspense, the performances, and that final explosion of violence make this one of Tarantinoâs greatest scenes.Mr. Blondeâs Dance â Reservoir Dogs (1992)
Michael Madsenâs sadistic yet strangely charming dance to Stuck in the Middle with You before torturing a cop is pure Tarantinoâcool, unsettling, and unforgettable.The Bride vs. The Crazy 88 â Kill Bill: Volume 1 (2003)
Uma Thurmanâs battle against a seemingly endless wave of sword-wielding assassins is one of the greatest action sequences in modern cinema, complete with Tarantinoâs love for stylized violence.Candyland Dinner â Django Unchained (2012)
Leonardo DiCaprioâs chilling performance as Calvin Candie reaches its peak during this tense dinner scene. The reveal of Djangoâs plan and the real-life glass-smashing moment make this unforgettable.Main Feature: ER
Before Tarantino became a household name, he directed an episode of ER in 1995 titled Motherhood. While he didnât get to add any of his trademark bloodbaths, his influence is evident in the episodeâs fast-paced, chaotic energy, whip-smart dialogue, and stylish camera work.
Beyond Tarantinoâs contribution, ER was one of the defining medical dramas of the â90s and early 2000s. It delivered intense, emotionally charged episodes with a cast led by George Clooney, Julianna Margulies, and Noah Wyle. The series set the gold standard for hospital dramas, balancing medical realism with compelling character arcs.
Kids Feature: Duck Dodgers
Shifting gears completely, we end this episode on a lighter note with Duck Dodgers, the hilarious sci-fi spin on Daffy Duckâs adventures. Originally appearing in the 1953 short Duck Dodgers in the 24Âœth Century, the series expanded in the early 2000s, bringing us more of Daffyâs over-the-top antics as an incompetent space hero battling the evil Martian Commander.
Final Thoughts
From Tarantinoâs most iconic moments to high-stakes hospital drama and Looney Tunes in space, this episode has something for everyone. So grab a
We love to hear from our listeners! By which I mean we tolerate it. If it hasn't been completely destroyed yet you can usually find us on twitter @dads_film, on Facebook Bad Dads Film Review, on email at [email protected] or on our website baddadsfilm.com.
Until next time, we remain...
Bad Dads -
You can now text us anonymously to leave feedback, suggest future content or simply hurl abuse at us. We'll read out any texts we receive on the show. Click here to try it out!
Welcome back to Bad Dads Film Review!
This episode, weâre diving into one of Quentin Tarantinoâs most underrated filmsâJackie Brown (1997). Adapted from Elmore Leonardâs novel Rum Punch, this crime thriller showcases Tarantinoâs signature style but with a more mature and restrained approach compared to Pulp Fiction or Reservoir Dogs.
Setting the Scene: A Game of Survival
Pam Grier stars as Jackie Brown, a flight attendant caught smuggling money for arms dealer Ordell Robbie (Samuel L. Jackson). When sheâs busted by the ATF, she finds herself caught between law enforcement and Ordell, who wonât hesitate to eliminate loose ends. With the help of bail bondsman Max Cherry (Robert Forster), Jackie hatches a plan to outmanoeuvre both sides and secure her own future.
Why It Stands Out
Pam Grierâs Iconic Performance â A true 70s blaxploitation star, Grier delivers a powerhouse performance that cements Jackie Brown as one of Tarantinoâs best-written characters.Samuel L. Jackson as Ordell Robbie â Charismatic, chilling, and endlessly quotable, Jacksonâs villain is both funny and terrifying.Robert Forsterâs Career Revival â As the world-weary Max Cherry, Forster brings a grounded, heartfelt presence that earned him an Oscar nomination.A Different Tarantino â While still packed with sharp dialogue and memorable characters, Jackie Brown leans more into slow-burn tension and character depth rather than hyper-stylized violence.Elmore Leonardâs Influence â The film stays true to the novelâs sharp plotting and richly drawn characters, making for a crime thriller with real emotional weight.Themes: Trust, Betrayal, and Second Chances
Unlike Tarantinoâs usual revenge-driven stories, Jackie Brown is about survival and reinvention. Jackie isnât looking for paybackâsheâs trying to carve out a better life for herself in a world stacked against her. The film explores aging, regret, and loyalty, particularly in Jackieâs dynamic with Max Cherry, whose quiet admiration adds an unexpected layer of romance.
A Dadâs Take
Jackie Brown is a must-watch for fans of Tarantino, crime thrillers, and smartly written characters. While it may not have the explosive action of his other films, it offers something even betterâa masterfully crafted, character-driven story with a killer soundtrack and one of the coolest leading ladies in cinema.
So, grab a beer, settle in, and join us as we unpack one of Tarantinoâs finest films on Bad Dads Film Review! đŹđčđŒ
We love to hear from our listeners! By which I mean we tolerate it. If it hasn't been completely destroyed yet you can usually find us on twitter @dads_film, on Facebook Bad Dads Film Review, on email at [email protected] or on our website baddadsfilm.com.
Until next time, we remain...
Bad Dads -
You can now text us anonymously to leave feedback, suggest future content or simply hurl abuse at us. We'll read out any texts we receive on the show. Click here to try it out!
Welcome back to Bad Dads Film Review! This episode is all about impactâwhether itâs an explosive moment, a game-changing victory, or the sitcom that kept audiences laughing for over a decade. We kick things off with our Top 5 Bangs, followed by a review of Champions (2023), and wrap up with a nostalgic dive into The Big Bang Theory.
Top 5 Bangs
This week, we count down the most memorable bangs in pop culture. Whether itâs an earth-shattering explosion, a legendary sports moment, or even an iconic hairstyle (yes, weâre looking at you, Zooey Deschanel), weâve got a line-up of impactful moments that left a lasting impression. Expect some heated debate as we narrow down our favourites!
Champions (2023) â Underdogs with Heart
Directed by Bobby Farrelly, Champions stars Woody Harrelson as Marcus, a disgraced minor league basketball coach who, after a run-in with the law, is sentenced to community service coaching a team of players with intellectual disabilities. What starts as an obligation turns into a heartfelt journey as Marcus learns more from his team than he ever imagined.
Why It Stands Out:
Heartfelt Performances â Harrelson brings his usual charm, but itâs the cast of players who truly steal the show, delivering authentic and inspiring performances.Balancing Comedy and Emotion â The film avoids stereotypes and instead focuses on genuine relationships and growth, making for a feel-good yet meaningful experience.A Classic Underdog Story â If you love sports movies that blend humour with heartfelt moments, Champions delivers in spades.The Big Bang Theory â A Sitcom Phenomenon
Running for 12 seasons (2007â2019), The Big Bang Theory followed the lives of socially awkward physicists Leonard and Sheldon, their equally quirky group of friends, and their interactions with Penny, the aspiring actress next door.
Why It Left a Mark:
Geek Culture Goes Mainstream â The show made science, comic books, and nerd culture cool, bringing references to Star Wars, Dungeons & Dragons, and more into the mainstream.Sheldon Cooperâs Legacy â Jim Parsonsâ portrayal of Sheldon became one of TVâs most iconic characters, leading to the spinoff Young Sheldon.A Long-Lasting Impact â With its mix of smart humor and heartfelt friendships, The Big Bang Theory remains one of the most beloved sitcoms of all time.Final Thoughts
This episode is all about big moments, big emotions, and big laughs. From explosive bangs to underdog victories and geeky sitcom greatness, thereâs plenty to discuss. So grab your popcorn and join us as we break it all down on Bad Dads Film Review! đŹđđ„đș
We love to hear from our listeners! By which I mean we tolerate it. If it hasn't been completely destroyed yet you can usually find us on twitter @dads_film, on Facebook Bad Dads Film Review, on email at [email protected] or on our website baddadsfilm.com.
Until next time, we remain...
Bad Dads -
You can now text us anonymously to leave feedback, suggest future content or simply hurl abuse at us. We'll read out any texts we receive on the show. Click here to try it out!
Welcome back to Bad Dads Film Review!
This episode takes us to the heart of small-town America as we lace up our sneakers and hit the court for a review of Hoosiers (1986)âa beloved sports drama that captures the underdog spirit like few others. Whether you're a basketball fanatic or just love a good redemption story, this classic film is packed with emotion, grit, and unforgettable moments.
Directed by David Anspaugh and starring Gene Hackman, Hoosiers is the ultimate underdog story, inspired by the real-life 1954 Indiana state championship win of Milan High School. The film perfectly captures the essence of small-town basketball, where the sport is more than just a gameâitâs a way of life.
Norman Dale (Gene Hackman) arrives in the tiny town of Hickory, Indiana, with a troubled past and a chance at redemption. Tasked with coaching the high school basketball team, he quickly faces resistance from the townâs passionate residents, who are sceptical of his tough, unconventional methods.
As he attempts to mold his players into a disciplined, team-first unit, Dale finds an unlikely ally in Shooter (Dennis Hopper), the town drunk and father of one of the players. Together, they battle personal demons and community pressure, leading the Hickory Huskers on an improbable journey to the state championship.
At its core, Hoosiers is about more than just basketball. Itâs about resilience, discipline, and the power of believing in yourselfâeven when others doubt you. It also explores the way a community rallies behind its team, making it a deeply personal story for many viewers.
From last-second buzzer-beaters to the struggles of redemption, Hoosiers is a film that continues to inspire generations. Whether youâre a die-hard basketball fan or just love a well-told underdog story, itâs a movie that proves heart and determination can take you further than anyone ever expected.
So grab your playbook, rally the team, and join us for another classic review! đđŹđđż
We love to hear from our listeners! By which I mean we tolerate it. If it hasn't been completely destroyed yet you can usually find us on twitter @dads_film, on Facebook Bad Dads Film Review, on email at [email protected] or on our website baddadsfilm.com.
Until next time, we remain...
Bad Dads -
You can now text us anonymously to leave feedback, suggest future content or simply hurl abuse at us. We'll read out any texts we receive on the show. Click here to try it out!
Welcome back to Bad Dads Film Review!
In this episode, we venture into the deep, mysterious world of Top 5 Forests in Film, before tackling two very different but equally gripping moviesâThe Stronghold (Bac Nord) (2020), a tense French crime thriller, and Giant Jack, a fresh take on the classic fairy tale. Whether itâs the lawless streets of Marseille or a land above the clouds, this episode has something for everyone.
Top 5 Forests in Film
Fangorn Forest â The Lord of the Rings: The Two Towers (2002)
The home of the Ents, Fangorn Forest plays a key role in the battle against Saruman. With its ancient, sentient trees, this woodland feels alive in every sense.The Forbidden Forest â Harry Potter Series (2001â2011)
A magical (and dangerous) place filled with centaurs, giant spiders, and hidden secrets, making it one of the most memorable locations in the Harry Potter universe.Sherwood Forest â Robin Hood: Prince of Thieves (1991)
This legendary forest serves as the hideout for Robin Hood and his band of outlaws as they fight against oppression and tyranny.Aokigahara (The Suicide Forest) â The Forest (2016)
Based on Japanâs infamous real-life location, this eerie and unsettling forest is the setting for a chilling supernatural horror story.Pandoraâs Bioluminescent Forest â Avatar (2009)
James Cameronâs vision of an otherworldly jungle is breathtaking, filled with glowing flora and deeply connected to the Naâvi way of life.The Stronghold (Bac Nord) (2020)
This intense French crime thriller, directed by CĂ©dric Jimenez, delivers a raw and unfiltered look at law enforcement in the high-crime districts of Marseille.
Based on true events, The Stronghold follows a trio of police officersâGreg (Gilles Lellouche), Yass (Karim Leklou), and Antoine (François Civil)âwho operate in one of Marseilleâs most dangerous neighborhoods. Frustrated by the lack of resources and overwhelmed by the escalating violence, they resort to morally questionable methods to get the job done. However, their desperation leads them down a path that threatens to destroy their careers and their lives.
The film explores the blurred line between justice and corruption, showing how the system can sometimes push good people into bad decisions. Itâs a thought-provoking look at the ethical dilemmas faced by those tasked with maintaining law and order.
Giant Jack (2024)
Created by Max Keane and produced by Netflix, Giant Jack is a heart-warming animated series about a boy and his best friendâa big, lovable garbage truck.
Hank, a six-year-old with a big imagination, spends his days exploring the world with his best friend, Trash Truck. Whether itâs helping out around town or going on fantastical adventures, their friendship fuels endless fun and learning experiences.
The series encourages kids to find joy in the little thingsâwhether itâs playing out
We love to hear from our listeners! By which I mean we tolerate it. If it hasn't been completely destroyed yet you can usually find us on twitter @dads_film, on Facebook Bad Dads Film Review, on email at [email protected] or on our website baddadsfilm.com.
Until next time, we remain...
Bad Dads -
You can now text us anonymously to leave feedback, suggest future content or simply hurl abuse at us. We'll read out any texts we receive on the show. Click here to try it out!
Welcome back to Bad Dads Film Review!
In this episode, we dive into the gripping world of espionage with A Most Wanted Man (2014), a tense and thought-provoking thriller based on the novel by John le Carré. Featuring a powerhouse performance by Philip Seymour Hoffman in one of his final roles, the film explores the murky moral territory of counterterrorism and intelligence work in a post-9/11 world.
Directed by Anton Corbijn, A Most Wanted Man takes us into the shadowy world of international espionage, set in the bustling port city of Hamburg, Germanyâa crucial location in the intelligence community, especially after the 9/11 attacks.
The film follows GĂŒnther Bachmann (Philip Seymour Hoffman), a weary but brilliant German intelligence officer leading a covert team tasked with tracking down potential terrorist threats. His latest target is Issa Karpov (Grigoriy Dobrygin), a Chechen refugee with possible extremist ties, who seeks asylum and access to a significant inheritance.
As various playersâincluding a determined human rights lawyer (Rachel McAdams), a wary banker (Willem Dafoe), and interfering American intelligence operativesâbecome entangled in the case, Bachmann is forced to navigate a treacherous web of political manoeuvring and ethical dilemmas.
This isnât your typical spy thrillerâitâs a thinking personâs espionage film, perfect for fans of John le CarrĂ©âs work or anyone who enjoys intricate, morally ambiguous storytelling. While it may be too slow-paced for younger audiences, itâs a gripping watch for those who appreciate substance over spectacle.
With its intelligent script, stellar performances, and unsettlingly realistic take on modern espionage, A Most Wanted Man is a must-watch for fans of tense, character-driven thrillers. So grab a stiff drink, light a cigarette (if you must), and join us as we unravel the shadowy world of international intelligence. đŹđđ”ïžââïžđż
We love to hear from our listeners! By which I mean we tolerate it. If it hasn't been completely destroyed yet you can usually find us on twitter @dads_film, on Facebook Bad Dads Film Review, on email at [email protected] or on our website baddadsfilm.com.
Until next time, we remain...
Bad Dads - Vis mere
