Episoder
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Hey everyone, an important announcement in this episode. Please tune in because there's some great bonus info for you as well!
Follow the show on Twitter: @treasurescast
Your hosts are Anne Kirn (@house_of_darkly) and Emily Kardamis (@corruptedgem).
Intro, outro, and interstitial music is "Welcome!" by RoccoW, used under Creative Commons.
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We talk with Garrett Schultz about audio storytelling, how we've constantly reinvented the oral tradition of stories, and how sound alone can be a narrator.
Guest plugs: Destrier Audio, Hello From The Magic Tavern
Follow the show on Twitter: @treasurescast
Your hosts are Anne Kirn (@house_of_darkly) and Emily Kardamis (@corruptedgem).
Intro, outro, and interstitial music is "Welcome!" by RoccoW, used under Creative Commons.
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Manglende episoder?
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We talk with Amanda Freberg about Supermarket Sweep, the comfort of familiar media, and the joy in the wholesomeness of a very loud sweater (among other things.)
Guest plugs: All's Fair in Lava and Floor
Follow the show on Twitter: @treasurescast
Your hosts are Anne Kirn (@house_of_darkly) and Emily Kardamis (@corruptedgem).
Intro, outro, and interstitial music is "Welcome!" by RoccoW, used under Creative Commons.
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We talk with Mimi Chiu about World Ballet Day, the joy of watching the expertise of another, and appreciating all of the details and work that go into an art form.
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We talk with Drew Davenport about Tom Waits, finding media that clicks with you at a formative time in your life, and the dangers of experimental folk music.
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We talk with Stephen Poon about collecting R2D2 figures and memorabilia, whether you choose to start collecting or stumble upon it, and learning to appreciate details through a focused collection.
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We talk with Arnie Niekamp about metanarrative, stories about stories, and how fiction intersects with the reality of our own lives.
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We talk with Glen Tickle about The Adventures of Buckaroo Banzai Across the 8th Dimension, discovering a film years after its moment, and the limit of knowledge of a creative work.
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We talk with Amy Liz Wilbur about creating characters for TTRPGs, the joy in the careful construction of backstory, and dynamic character development through games.
Follow the show on Twitter: @treasurescast
Your hosts are Anne Kirn (@house_of_darkly) and Emily Kardamis (@corruptedgem).
Intro, outro, and interstitial music is "Welcome!" by RoccoW, used under Creative Commons.
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We talk with Bria Davis about Cats (2019), committing to the bit regardless of quality, and the camaraderie of shared experience.
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We talk with Stad St. Fleur about edutainment games, a golden age for a genre, and revisiting comforts of the past.
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We talk with Tim Sniffen about accommodating ghosts, adapting to uncertainty, and knowing yourself better by learning to co-exist with the unknowable.
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We talk with Liz Anderson about My Chemical Romance, the music and art that grounds us, and shaking off the need to be "cool."
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We talk with Ryan DiGiorgi about media preservation, restoration, and what "version" of a piece of media is the intended experience.
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We talk with Christina Woods about mix tapes and playlists, building narratives in music, and finding that perfect song for what you need.
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We talk with Skyler Badalament-Tirrell about Magic Pengel, baked-in nostalgia, and games that can function as your own personal island.
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We talk with Kate McNally about Nancy Drew games, the satisfaction of a well-designed puzzle, and the comfort in a familiar formula.
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As a holiday treat, we here at Guilty Treasures bring you a brand-new concept, a wild foray into the hypothetical, as we have dared to ask the most important of questions: Who Would You Trust With A Sword?
Please enjoy this backdoor pilot of a show we hope to bring you in the new year via Patreon! Thank you for listening, and have a happy new year! -
We talk with Eleanor Pollitt about unproduced movie scripts, the detail and collaboration that goes into a movie production, and the joy in the potential of what never was.
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We talk with Jesse Bowser about Kingdom Hearts, diving into a series for the long haul, and the joy in stumbling upon the absurd.
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