Episoder
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What does it mean to be Welsh?
The writer Jan Morris said Wales was ‘a distinctly separate and often vehement idea’. But what is that idea? Do you need to understand Welsh to grasp it?
How is Wales … different? And is it going to become even more unlike England?
Ros Taylor talks to Swansea University professor Martin Johnes and Plaid Cymru Senedd member Heledd Fychan about the history of the Welsh nationalist movement and the future of the Welsh language.
‘There’s lots of angst with being Welsh.’ — Heledd Fychan, Plaid Cymru Senedd member
‘The idea that you should take decisions about Wales in Wales has become a political norm. Has devolution made any practical difference to life in Wales? Probably not, to be honest.’ — Prof Martin Johnes
‘Part of the problem is that in many ways we have a one-party state in Wales… Wales is a very small place and Wales suffers from the fact it doesn’t have a diversity of opinions.’ — Martin Johnes
‘Can you believe that in 2024, despite 25 years of devolution, it’s not been normalised that children in Wales should learn Welsh history?’ — Heledd Fychan
JAM TOMORROW is written and presented by Ros Taylor. The producer is Jade Bailey. Voiceovers are by Seth Thevoz. Music is by Dubstar and artwork by James Parrett. The managing editor is Jacob Jarvis and the group editor is Andrew Harrison. JAM TOMORROW is a Podmasters production.
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The expulsion of Asians from Uganda in 1972 was brutal.
Twenty eight thousand refugees arrived in Britain. The government scrambled to find homes and jobs for them.
Not everyone was pleased about it. But if Ugandan Asians held British passports they had the right to come here — and most of them thrived. Why did they do well — and can it teach us anything about how we treat refugees?
Neena Lakhani was 14 when she was forced to leave Uganda. She tells Ros Taylor what it was like to start a new life in Britain, while King’s College London professor Jonathan Portes talks about what happened to the East Asian migrants who arrived.
‘My father said please don’t touch my children. You can kill me but don’t kill my children.’ - Neena Lakhani
‘Everybody around us was welcoming, and that was such a joy.’ - Neena Lakhani
‘The benefits of promoting successful integration, as we know with the East African Asians, are very large.’ - Jonathan Portes
JAM TOMORROW is written and presented by Ros Taylor. The producer is Jade Bailey. Voiceovers are by Seth Thevoz. Music is by Dubstar and artwork by James Parrett. The managing editor is Jacob Jarvis and the group editor is Andrew Harrision. JAM TOMORROW is a Podmasters production.
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In 1969, three kilometres under the North Sea, drillers found something that would change Britain completely.
It would transform us into an oil-producing nation, fuel Thatcherism in the 1980s, feed resentment in Scotland — and yet all of it happened largely out of sight of most Britons.
How did North Sea oil and gas change us? What’s life like for the dwindling group of people who work in the industry? And can drilled-out fields actually help to combat global heating?
“At peak production, the revenue from North Sea profits were taxed at 95 percent.” – Jon Gluyas, chair in geoenergy, carbon capture and storage at Durham University
“People are not blind to what is happening in the industry… It’s hard for older workers.” – photographer and oil worker Peter Iain Campbell
“There’s no doubt about the impact the burning of fossil fuels has had on our environment. We also have to acknowledge how it has utterly transformed our society over the last 50 years.” – Peter Iain Campbell
A selection of Peter Iain Campbell’s photos of North Sea oil installations are on his website.
JAM TOMORROW is written and presented by Ros Taylor. The producer is Jade Bailey. Voiceovers are by Seth Thevoz. Music is by Dubstar and artwork by James Parrett. The managing editor is Jacob Jarvis and the group editor is Andrew Harrision. JAM TOMORROW is a Podmasters production.
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The Lionesses’ Euro victory captivated English football fans – but this success was once unimaginable.
In 1921, the English Football Association banned women from playing on any of its pitches, a ban that would remain in place for 50 years. Who were the women who fought back? How did they defy all odds to get the women’s game to where it is today?
In for Ros Taylor, Jade Bailey talks to Jean Williams, visiting professor at the University of Reading, about the early pioneers of women’s football, the ban that prevented them from playing, and reasons to be optimistic about the women’s game.
“It’s really important that women’s football began as a professional entertainment, in the same way that men’s professional football was at the time.”
“In 1921, the FA says that no club that is affiliated with the FA should allow women to play on their grounds, which is every professional and amateur club in the country.”
“The business model of women’s football totally changes, and it invents a myth that women’s football isn’t as spectacular as men’s, and because people live with that myth for 50 years it still influences what we have today.”
“For me, female-owned, female-run, and feminist values are the future of women’s football.”
Buy Legendary Lionesses: The England Women's Football Team, 1972-2022 through our affiliate bookshop and you'll help fund Jam Tomorrow by earning us a small commission for every sale. Bookshop.org's fees help support independent bookshops too.
Written, presented and produced by Jade Bailey. Original music by Dubstar. Artwork by Jim Parrett. Managing Editor: Jacob Jarvis. Group Editor: Andrew Harrison. Jam Tomorrow is a Podmasters Production.
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Mock cream. Lord Woolton Pie. For 14 years the government put draconian restrictions on how much Britons could eat. Each meal had to be carefully planned and every scrap of food eked out to avoid waste. But at the end of it, Britons were healthier than ever before.
Was it the best of times or the worst of times? Turned out it could be both — depending on who you were. And the rationing that kept Britons fed played a part in the deaths of millions of colonial subjects in India.
Ros Taylor talks to Lizzie Collingham, author of The Taste of War: World War Two and the Battle for Food, about rationing, wartime diets and the Bengal famine.
• “The poor were basically living on a diet of cheap white bread and sugary tea. When the war came along people got the opportunity to go into war industries and earn more money – and rationing ensured that everyone had access to meat and milk.”
• “The middle classes did very well on Dig for Victory, because they grew themselves all the things they missed, like asparagus and peas and lettuce.”
• “It was a calculated decision to export hunger to the colonies.”
Written and presented by Ros Taylor. Produced by Jade Bailey. Voiceovers by Seth Thévoz. Original music by Dubstar. Artwork by Jim Parrett. Managing Editor: Jacob Jarvis. Group Editor: Andrew Harrison. Jam Tomorrow is a Podmasters production.
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Some say it was the greatest ever feat of European engineering. A few even think that we wouldn’t have joined the European Economic Community without it. Others complained it ate up ten times as much as its original budget, and no-one else wanted it.
Why did we decide to build Concorde? Why did we almost abandon it? And how did it become both an object of national pride and an albatross around the neck of British Airways?
Ros Taylor talks to Concorde pilot John Tye and visiting fellow of King’s College London Tom Kelsey about the supersonic bird, and what it can teach us about big infrastructure projects.
• “Secrecy was incredibly important in maintaining public support for Concorde.” – Tom Kelsey
• “I remember phoning up one day and saying “How many people are on the BA003 tonight?” There were only three.” – John Tye
• “She was one of mankind’s greatest technical achievements and she could have gone on physically a lot longer.” – John Tye
Written and presented by Ros Taylor. Produced by Jade Bailey. Voiceovers by Seth Thévoz. Original music by Dubstar. Artwork by Jim Parrett. Managing Editor: Jacob Jarvis. Group Editor: Andrew Harrison. Jam Tomorrow is a Podmasters production.
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The Green Belt is a powerful symbol of rural England — and Labour knows it. The new government says it wants to build on unlovely bits of green belts. A lot of people don’t like that.
Who decided there should be Green Belts? What are they really for? How did they get so big? And how is the government ever going to overcome the opposition of homeowners who treasure their views and have absolutely no personal interest in house prices falling?
Ros Taylor talks to LSE professor Paul Cheshire and journalist Jonn Elledge about the problems facing Labour as it tries to persuade Britons of the need for more housing and infrastructure. And Paul Cheshire sets out a plan to free up land near railway stations for housing.
• “More of Surrey is covered by golf courses than is covered by houses or domestic buildings.” – Paul Cheshire
• “We have a planning system that very much privileges the rights of people to say no, and never the reasons why we should say yes.” – Jonn Elledge
• “In effect our local government system fines a community that allows houses to be built.” – Paul Cheshire
Written and presented by Ros Taylor. Produced by Jade Bailey. Original music by Dubstar. Managing Editor: Jacob Jarvis. Group Editor: Andrew Harrison. Jam Tomorrow is a Podmasters production
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In their heyday women’s magazines sold 12 million copies a week. And at their best, these magazines changed women’s lives. They advised, they inspired, they gave us a glimpse of a different way of being — and that was as true of Cosmopolitan as it was of the feminist magazine Spare Rib.
In our Season 2 finale, Ros Taylor talks to Sam Baker, who edited Just Seventeen, Company, Cosmopolitan and Red, about what it was like to play such a big role in teenage girls’ lives, and Roisin Boyd, a member of the Spare Rib collective.
• “If you looked at Cosmopolitan, it was about how you should look, you were objectified… it was about how you should perform for men.” – Roisin Boyd
• “The sense of someone knowing you were thinking something almost before you thought it.” – Sam Baker
• “She had the idea of producing badges that said ‘Don’t Do It, Di’ … There was a lot of humour. You need humour to keep sane.” – Roisin Boyd
Written and presented by Ros Taylor. Produced by Jade Bailey. Original music by Dubstar. Managing Editor: Jacob Jarvis. Group Editor: Andrew Harrison. Jam Tomorrow is a Podmasters production.
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When it comes to intervention in the Middle East, there is one word that sums up British hubris. And that word is Suez. But did Britain learn from one of our most infamous mistakes in the Middle East? Far from it. From opposing the construction of the Suez Canal, then repeatedly going to war to defend it, and most recently bombing Houthi rebels trying to disrupt Red Sea trade, Britain is preoccupied with this vital shipping route — and convinced it can change the course of history in the Middle East.
Ros Taylor talks to Nigel Ashton, professor of history at the London School of Economics and the author of False Prophets: British Leaders’ Fateful Fascination with the Middle East from Suez to Syria, about a disaster that dealt a fatal blow to British imperial ambition.
• “Eden saw Nasser as a dictator out of the Hitler and Mussolini mode, with his hands round Britain’s economic windpipe.”
• “Blair had a remarkable case of historical amnesia.”
Written and presented by Ros Taylor. Produced by Jade Bailey. Original music by Dubstar. Managing Editor: Jacob Jarvis. Group Editor: Andrew Harrison. Jam Tomorrow is a Podmasters production.
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In our latest look into postwar history: decriminalising homosexuality. In 1967 — for the first time in more than 400 years — two men over 21 were legally allowed to have sex, in private, with each other. But the fight for equality was very far from won.
Campaigner Peter Tatchell and Hugo Greenhalgh, whose book The Diaries of Mr Lucas: Notes from a Lost Gay Life is published this month, tell Ros Taylor what life was like for gay men in the late 20th century. It’s a story of pickups in Marble Arch, vicious homophobia, and illegal liaisons with the Kray gang.
• “It was an absolute goldmine of lost queer history.” – Hugo Greenhalgh
• “The gay scene went from being a community of sorts to something far more commercial in the 1970s and 80s. It left Mr Lucas behind. He was always a man of the shadows.” — Hugo Greenhalgh
• “In 1983 I fought the notorious Bermondsey by-election… the dirtiest, most violent and definitely most homophobic election in Britain in the 20th century. It was like living through a low-level civil war.” – Peter Tatchell
• “The 1990s coincided with a huge coming out of LGBT+ people. That mass coming out was key to helping change hearts and minds.” – Peter Tatchell
Buy The Diaries of Mr Lucas: Notes from a Lost Gay Life through our affiliate bookshop and you’ll help fund [name of podcast] by earning us a small commission for every sale. Bookshop.org’s fees help support independent bookshops too.
Written and presented by Ros Taylor. Produced by Jade Bailey. Original music by Dubstar. Managing Editor: Jacob Jarvis. Group Editor: Andrew Harrison. Jam Tomorrow is a Podmasters production
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Coal: filthy, dangerous, and vital to Britain’s economy — but not any more. What did coal mining really mean to people? And why is coal so key to the biggest issues in politics — from the founding of the NHS, to Thatcherism, and even the issue of who should take the blame for the climate emergency?
Ros Taylor talks to Joerg Arnold, a historian at the University of Nottingham, and Ian Winwood, whose family were coal miners in Yorkshire, about why you have to understand the black stuff to understand Britain.
• “It was just so brutal.” – Ian Winwood on the Miners’ Strike.
• “The Thatcher government was taken by surprise that the miners weren’t united, but they were quick to exploit that split.” – Joerg Arnold
• “Nobody openly acknowledged that we were going to phase out coal.” – Joerg Arnold
• “They talk about the Red Wall. In 2019 when much of the Red Wall went blue but Barnsley didn’t. That’s not going to happen.” – Ian Winwood
Written and presented by Ros Taylor. Produced by Jade Bailey. Original music by Dubstar. Managing Editor: Jacob Jarvis. Group Editor: Andrew Harrison. Jam Tomorrow is a Podmasters production
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National service has become part of the mythology of a braver, stronger Britain, where young men did their duty for their country and ended up having a damn good time doing it. But did they? What did people really think of National Service — and why were so many of them utterly relieved when it came to an end?
Ros Taylor talks to Richard Vinen, a historian at King’s College London and author of National Service: A Generation in Uniform, and Martin Stone, who joined the RAF in 1950.
• “I did have one near death mistake there… I thought that’s it, I’ve probably had it.” – Martin Stone
• “The category of people who are keenest on it at the beginning are public schoolboys. By the end of the 1950s they’re deferring.” – Richard Vinen
• “The best week I ever had there was flying sea cadets round in a Tiger Moth, doing some aerobatics for them. A Tiger Moth is easy to fly, but difficult to fly well.” – Martin Stone
• “It’s balls.” – Richard Vinen on the notion that men got to meet others from different social classes.
Written and presented by Ros Taylor. Produced by Jade Bailey. Original music by Dubstar. Artwork by Jim Parrett. Managing Editor: Jacob Jarvis. Group Editor: Andrew Harrison. Jam Tomorrow is a Podmasters production
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Swish… thwack. After the war, one British tradition continued unabated: beating children in schools. It wasn’t until the early 1990s that it was completely outlawed. Why was the UK so attached to corporal punishment and what it did it take to change the law?
Ros Taylor talks to journalist Andrew Brown, who was beaten as a boy, and University of Sheffield historian Heather Ellis about why beatings were seen as an important preparation for life — especially life defending the remains of the British Empire.
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• “The first time it was more shocking and humiliating than painful, but it could be bloody painful too.” – Andrew Brown
• “It had to do with an elite model of masculinity which argued that to bring out the manly character in boys they were required to withstand considerable levels of bodily pain — and to be seen to bear them.” – Heather Ellis
• “It wasn’t until I came across the novels of Simon Raven that I realised there might be people who got enjoyment out of it, and that was despite reading a lot of James Bond.” – Andrew Brown
Written and presented by Ros Taylor. Produced by Jade Bailey. Original music by Dubstar. Managing Editor: Jacob Jarvis. Group Editor: Andrew Harrison. Jam Tomorrow is a Podmasters production
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After the War, Britain was broke and broken – even broker than France. America was faced with a stark choice: invest billions in a shattered Europe or watch its citizens go hungry, or worse, Communist. So how did the Marshall Plan come to be? And what sort of Britain did it rebuild beyond the Welfare State?
Ros Taylor talks to Benn Steil, director of international economics at the Council on Foreign Relations in New York, and military historian Dr. Steph Hinnershitz about the aid package Britain needed, but wants to forget.
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• “A rubble heap, a charnel house, a breeding ground of pestilence and hate.” – Winston Churchill describes Europe after the War
• “We grossly underestimated the destruction to the European economy by the War… Millions of people in the cities are slowly starving.” – William L Clayton, 1947
• “The State Department knew that if it didn’t prop up Britain and take over her security responsibilities, we might be headed towards a Third World War.” – Benn Steil
Written and presented by Ros Taylor. Produced by Jade Bailey. Original music by Dubstar. Managing Editor: Jacob Jarvis. Group Editor: Andrew Harrison. Jam Tomorrow is a Podmasters production
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Ros Taylor’s exploration of Britain’s postwar identity crisis continues. After the War, Britain was broke and broken. Between 1947 and 1981 over a million Britons left for a new life in Australia, some for just £10 passage. Ros looks at the lives of the ‘Ten Pound Poms’, their conflicted identities, the legacy of the racist ‘White Australia’ policy… and how a country that was once desperate for (white) migrants became a role model for immigration hardliners who wanted a points-based system in the UK.
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• “The ‘White Australia’ policy was designed to keep Australia white and English-speaking… It was Gough Whitlam’s reforms that made Australia more accepting of diversity.” – Prof Catherine Cole
• “The Ten Pound Poms didn’t just change Australia. They’re changing Britain now.” – Ros Taylor
Written and presented by Ros Taylor. Produced by Jade Bailey. Voiceovers by Eliza Davis Beard and Bryan Kassulke. Original music by Dubstar. Managing Editor: Jacob Jarvis. Group Editor: Andrew Harrison. Jam Tomorrow is a Podmasters production
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A new fortnightly series of Ros Taylor’s exploration of the post-War promises Britain made to itself… and whether they were kept. In this edition: the quest for cheap, easy-to-access, stigma-free contraception wasn’t the simple progression to female freedom that you might think.
The wartime emancipation of women – not just into work but into “fraternisation” with American servicemen – created a stereotype of “loose” women and racist judgment against Black GIs. Birth control in the 50s was dangerous and hard to obtain. And one of the key advocates of the Pill was Enoch Powell.
With new interviews and archive material, Ros explores the long and winding road to women’s control of their own fertility… and whether our new obsession with “wellness” might be taking women backwards.
(Listener note: this edition contains contemporary quotes from the 40s and 50s featuring antiquated racial language).
• “Since no ‘decent’ woman was having sex outside marriage, it was unthinkable to promote ways of avoiding pregnancy.” – Ros Taylor
• “When it came to sex, most of the risk fell on women. And yet ‘loose’ women were blamed for luring men – and spreading disease.” – Ros Taylor
• “Women’s sexual desires were never taken into account on contraception, only men’s – and the pill didn’t really change that.” – Dr Claire Jones
• “The Pill recast the whole choreography of relationships.” – Mary Kenny
Written and presented by Ros Taylor. Produced by Jade Bailey. Voiceovers by Imogen Robertson and Seth Thévoz. Original music by Dubstar. Managing Editor: Jacob Jarvis. Group Editor: Andrew Harrison. Jam Tomorrow is a Podmasters production.
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From the producers of Jam Tomorrow - a brand new show looking at the tectonic shifts in global power occurring right before our eyes, called This Is Not A Drill.
Presented by ex-BBC News host and Washington correspondent Gavin Esler with a series of co-hosts including Oz Katerji, This Is Not A Drill takes a look at the expanding threats to global stability from Ukraine to the Middle East to China; exploring the dangers, corruption, conflicts and power struggles happening around the world. New episodes out every Wednesday.
If you enjoy the show and want to subscribe, visit https://listen.podmasters.uk/TINADjtfd?at=1001l39LM
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A Jam Tomorrow special: Identity cards. What happens when principles come up against panic? When a high minded determination not to collect private info runs up against a society which depends on data? Ros Taylor charts the history of “show us your papers” from wartime security concerns to football hooliganism, benefit fraud crackdowns, Blairite control freakery and our modern obsession with asylum seekers.
Speaking to experts including New Labour ID card advocate Liam Byrne she finds that this is one post war nightmare that could return. Is State ID coming whether we like it or not?
We’ve got more Jam Tomorrow specials coming over the summer. Follow us so you don’t miss any.
• “Every decade or so there’s been a problem where somebody says the ID card is the solution.” – Jon Agar
• “If you are from a marginalised group you know we already live in a papers, please society.” – Rob Ford
• “Yes, people are happy to unlock their device is using biometric data. That’s not the same as the government storing everybody’s name or face on the database.” – Edgar Whitley
Written and presented by Ros Taylor. Produced by Jade Bailey. Voiceovers by Imogen Robertson. Original music by Dubstar. Lead producer: Jacob Jarvis. Group Editor: Andrew Harrison. Jam Tomorrow is a Podmasters production
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Season finale: Since the War, Britons experienced an explosion of choice in food, services, work, utilities, even belief and sexuality. But did ever-increasing choices really lead us to the promised land? Why are we lost in a maze of competing phone contracts, train fares, and “options” from schools and hospitals – where choice is bewildering and meaningless?
In the last episode of this season, Ros Taylor finds out how choice and competition shaped the post-privatisation world from rail to energy to education – and where it let us down. Does more choice make people more empowered or just more fearful? And how do you run a society when you can choose your own truth?
• “Choice has liberated people and made life worth living. But in public services, it hasn’t worked so well…” – Ros Taylor
• “Parents who looked at more schools were more likely to find the whole thing stressful – and worry if they’d made the right choice.” – Aveek Bhattacharya
• “How do you incentivise a public service to do the best it can? The idea was to introduce some fake competition.” – John Appleby
• “When people feel fearful and insecure, their appetite for choice shrinks.” – Ros Taylor
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Written and presented by Ros Taylor. Produced by Jade Bailey. Voiceovers by Imogen Robertson. Original music by Dubstar. Lead producer: Jacob Jarvis. Group Editor: Andrew Harrison. Jam Tomorrow is a Podmasters production.
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The post-war dream was anchored in ideas of Britain as a Christian nation. Now we’re a polyglot country of different faiths and none. Can religious belief still tie Britain together? Should we want it to? Ros Taylor looks at the Church of England’s journey from its unifying role in the Second World War to its search for a new identity in a world of charismatic evangelicals, shifting sexualities and new ethnic communities. Does the CofE have to change or disappear?
• “Donating to the church collection isn’t enough. Some of us want a side of social justice with our sermon.” – Ros Taylor
• “The Church of England is essentially about the feeling of being English… and that’s been squandered by the clergy.” – Linda Woodhead
• “We think of London as the most socially liberal city in the country – but it’s actually the most socially conservative. And a major part of that is the type of Christianity and Islam followed by migrants.” – Tomiwa Owolade
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Written and presented by Ros Taylor. Produced by Jade Bailey. Voiceovers by Imogen Robertson. Original music by Dubstar. Lead producer: Jacob Jarvis. Group Editor: Andrew Harrison. Jam Tomorrow is a Podmasters production.
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