Episoder
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Independent filmmaker Don Cunningham joins Troy and I to talk about Paul Naschy and how he has influenced Don’s work. We discuss favorite Naschy movies with our guest naming some surprising choices. I love getting different perspectives on the icon’s career and this conversation has a few curves I was not expecting.
Of course, we could barely wait to ask about Don’s wonderful short film THE CASTLE OF BARON FINCH (2024). For this movie Mr. Cunningham writes, directs, produces and stars making him very much a man following in Paul Naschy’s footsteps. We dig into the production process, the genesis of the film’s story and the influences other than Naschy. The film is a (mostly) black & white silent movie featuring a vampire or two and a poor lovestruck soul with a moonlight and hair problem, so naming Jacinto Molina’s work as a major touchstone is perhaps a bit obvious. But this atmospheric little cinematic love letter stands on its own just fine. Don gives some details on the film’s release and places to see it. Oh! And I’ve scattered a bit of the fantastic score by Andreu Jacob into the latter half of the show as well.
If you have any comments or questions [email protected] is the place to send them. If you want to reach out to Don’s you can message him on Facebook at https://www.facebook.com/CastleBaronFinch or through email at [email protected] – thanks for listening!
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The Naschycast opens the podcast mailbag, dusts off the cobwebs and answers a few questions. Like, why have we waited so long to respond to emails! We could plead a combination of busyness and laziness but that is not an excuse worthy of our fine listeners so we simply apologize and get on with the show.
We work our way through nearly a year of messages with only a few brief trips down barely connected side roads. We discuss the golden age of bootleggers and the discoveries made during that glorious time. Troy announces an upcoming release from his Celtic band The Secret Commonwealth and Rod goes through a listing of the commentary tracks the two of us have contributed to various Blu-Ray releases. And all of this culminates in a feline squabble in the background that signals that things have gone on long enough. We wrap up the show with a tune from another of Troy’s bands, The Exotic Ones. Enjoy!
Remember, [email protected] is the place to send us your thoughts and I swear we will eventually read them out – unless you don’t want us to! Thanks for listening.
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Manglende episoder?
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Troy and I are joined by fellow podcaster Robert Kelly, host of Record All Monsters and author of Record All Monsters: the Book of the Essays from the Podcast. Don’t worry – he eventually explains the book’s title and his fascination with kaiju films.
Robert came to his love of Naschy in a very different manner than either of your Naschycast hosts, getting an unexpected full-strength version of WEREWOLF VS THE VAMPIRE WOMAN (1971) as a gift at far too young an age. The ways in which this may have warped his movie loving mind come under discussion as well as his more adult thoughts about the werewolf as a monster. We use the recent Vinegar Syndrome Blu-Ray as a reference to compare some of the differences in the Spanish and English dubs with crazy Pierre getting attention once again. The conversation ranges from odd spots in the narrative to random details that stick in our minds so don’t expect a coherent march through a synopsis. We were much more interested in picking each other’s brains about Naschy’s werewolf films and other favorites from his career. If you have half as much fun as we did you’ll completely enjoy yourself!
If you have any comments or questions [email protected] is the place to write. We do plan to record an email episode in the near future so now is the time. Thank you very much for listening and we’ll be back soon
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The Naschycast returns for a brief overview of the Paul Naschy Blu-Rays that are currently available in Region A. Troy and I decided to record this show to give our North American listeners an indication of the wealth of high-definition offerings still on retail shelves – as long as you search the right retailers! Consider this also a warning that these wonderful discs don’t stay available forever and, in many cases, when they’re gone they are gone for good.
We tried and failed to do a chronological rundown of the Blu-Rays that have come out over the last eight years or so with nods toward some blank spots in Naschy’s career we’d like to see filled with HD glory. The individual companies that have been releasing these Spanish horror classics have been doing us all a good service and let’s hope the releases continue past next year’s long awaited DR. JEKYLL AND THE WOLF MAN!
If you have any comments [email protected] is the place to send them. We hope that you have had a good 2023 and that 2024 will be even better! Thank you for listening.
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This episode we are joined by Jon Kitley to talk about his love of and history with Paul Naschy! Readers of Horror Hound magazine are aware of his regular column ‘They Came from the Krypt’ but he has also published the book ‘Discover The Horror’ which is part genre exploration and part autobiography. Both Troy and I recommend it.
As you might expect from such a conversation, the three of us range all over the place touching on more topics than we could comfortably list. Suffice to say that we discuss horror conventions (where we all met), non-fiction horror genre books (which we all collect) and our shared fascination with movies and monstrous stories. Of course, we do finally get around to talking about Naschy with Jon falling squarely on my side of the critical Mummy divide! It is about time I had someone to stand with me on that hill! HORROR RISES FROM THE TOMB was our guest’s introduction to the great man’s work and it becomes a big part of our chat. As a bonus, the legendary Spanish character actor Victor Israel gets more than a few minutes of glowing examination too. We had a great time talking Naschy and we hope you’ll enjoy listening.
If you have any comments or question [email protected] is the place to send your emails. Thank you for checking out the show and we’ll be back soon.
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Marc McCloud drops by the show to discuss Naschy’s tale of the Inquisition in France. Marc is the owner of Orbit DVD and a longtime friend of Troy and I, but this is the first time we’ve ever talked about our mutual love of the films of Paul Naschy. Our guest chose Naschy’s directorial debut as the topic and we were happy to oblige.
Religious hypocrisy is a big part of our conversation and this gets us into the thorny area of what to call the subset of exploitation films of which this is a part. We note the influence of the Catholic Church on the nature of the fears that undergird the horrors of the film and wonder about the connections to the Nunsploitation genre. The villains of the story come under scrutiny with an eye toward how they use their relative places of power to extract their desires from those around them. And we speak a little about the ways that women had to work to accomplish things in the society ruled by male religious leaders. Join us for what I will refuse to call a ‘romp’ through INQUSISTION.
We end the show with a short email from Kurt and if you’d like to send us your thoughts [email protected] is the address. Thank you for listening!
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We return to the Beyond Naschy series with guest Bob Sargent making the choice of film this time out.
ORLOFF AND THE INVISIBLE MAN (1970) is not a movie that is often called out as a favorite of even the most hardened Euro-Cult horror fanatics. In the past it has been mistaken as a Jess Franco effort with the director’s name, Pierre Chevalier, suspected of being another of the prolific filmmaker’s many pseudonyms. This appears to not be factual but anyone stumbling across this movie unaware couldn’t be blamed for making that assumption. It shares many of the standard tropes and oddities of one of Franco’s color gothics from the period which makes it a good companion piece of Franco’s EROTIC RITES OF FRANKENSTEIN (1973) and DRACULA, PRISONER OF FRANKENSTEIN (1972). It even sports Franco’s original Orloff actor Howard Vernon as ‘Professor’ Orloff who has somehow created an invisible man for the usual mad scientist reasons. The film’s story is a mish-mash of prematurely buried daughters, accidental murders and greedy servants who are not above a bit of graverobbing. Add to that one of the strangest rape sequences in cinema history and some obviously missing story pieces and you have an entertaining if often confusing 76 minutes.
We talk about the cast and crew, including their various Naschy connections. We discuss the missing scenes that can be glimpsed in the French trailer for the film and in the extras included on the old Image DVD. We find some moments of real beauty in the cinematography and some unintentionally funny scenes that just don’t work. The English dialog causes quite a few laughs as we quote some standout circular conversations. Part of our discussion centers on the term ‘guilty pleasure’ and how each of the three of us feel about applying that overused phrase to our love of Euro-Cult cinema. As you might expect, there are more than a few verbal trips down barely connected cinema paths with the final forty-five minute mailbag section becoming a memory lane remembrance of our late friend Craig Ledbetter.
If you’d like to add you voice to the show [email protected] is the place to send your thoughts and questions. Troy and I are very happy that Bob has joined us again and with a little luck we will have around for the rest of this year’s shows! Thanks for listening
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Troy and I bring you a brief email episode to round out October. There are questions to address and opinions to discuss so check it out. We do take some occasional editorial privilege but are happy to pass along information about a subtitled DVD of THE TRANSEXUAL (1977) out there on the world wide web. Some talk of Monster Bash is on tap along with some news about upcoming episodes of Wild, Wild Podcast. And what is this we are told about a film in which Victor Israel plays the lead? This must be found! Also, a listener passes along information about a Laurel and Hardy podcast that has escaped our attention until now. But luckily, we remain the rumbling tummy ache of podcasting!
If you want to add your voice to the show [email protected] is the place to send all missives. We look forward to your notes and thank you listening to the podcast. Oh – and Happy Halloween!
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Troy and I once again welcome Bob Sargent to the Naschycast! This time we discuss one of our favorite Paul Naschy’s horror tales, THE HUNCHBACK OF THE MORGUE (1973).
This film’s inspired madness is certainly worth talking about and we find some fresh areas to explore. The relative ease that Naschy’s poor hunchback Gotho has kidnapping women for the mad doctor’s experiments is a topic of some debate. Also, the fact that several characters have some knowledge of what is going on but they never compare notes well enough to raise the necessary alarm is something puzzled over. We notice that it doesn’t help that the local cops can’t seem to find a clue when it’s sitting right in front of them lying straight to their faces! Seriously – how suspicious does Orla have to be before you follow that nutcase around just to check up on things?
Bob brings up some interesting questions that we’ve never examined before including the presence of some very odd decorations in a certain apartment. I think I’ve solved one of them but the other is still a mystery. Maybe you can help us out.
If you have any comments or suggestions or if you have a guess about what that strange hanging object in Rosanna Yanni’s place might be [email protected] is the place to send them. Thank you for listening!
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Bob Sargent returns to the show to discuss a very early Paul Naschy screen appearance. Rescued from Spanish language-only obscurity by the online fan-subbing community AGONIZANDO EN EL CRIMEN (1968) is a strange crime story centered on a serial killer obsessed with medical professionals - and their hands! This one is not easy to see but is it worth seeking out? Boy, do we have a lot to say.
Troy, Bob and I dig into the production of the film and how Naschy’s original job on this project was behind the camera. We spot a few interesting locations including a very familiar set of steps that are a big part of Naschy’s cinematic legacy. The film’s writer/star comes under scrutiny with Naschy’s pointed comments about fellow leaving no doubt about why these two men never worked together again. On the other hand, this movie’s director, Enrique López Eguiluz, played a major role in making Jacinto Molina into the horror movie star we know and love to this day.
We take our time and really pull this one apart with occasional sideroads into the Hammer Dracula films and the on-set shenanigans of Klaus Kinski. It can’t be helped! We have a lot to say about the Juan Logar’s wide-eyed, maniacal but still somehow detached performance. We chuckle over the casual 1960’s style of misogyny and the silly idea that a woman might become a surgeon. Madness! And it all circles round to an embarrassing discussion of how best to hide a murder boner. We are a strange trio.
We end the episode with a few new pieces of mail sent to [email protected] and if you have anything you’d like to tell us, that is the place. Thank you for listening to the show and we’ll be back soon.
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This short show is comprised of two segments of Troy and I reading several emails and answering questions sent to the podcast. Many topics are hashed over.
Originally this was to be an even briefer episode but I waited long enough that more emails came in allowing us to add extra responses. Never say that procrastination doesn’t sometimes have an upside!
If you have any comments, questions or ideas about the show [email protected] is the place to let us know. I think we’ll continue to handle new emails in this way as we go forward. Unless the listeners don’t like the shorter shows. We’ll see. Thanks for listening!
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The NaschyCast returns with a long episode to reward your patience.
Bob Sargent was the man behind the excellent 1990’s cult movie fanzine Videooze. His issue devoted to Paul Naschy was a major contributor to my early knowledge of the man’s filmography and allowed for fans to have a roadmap to his career. Mr. Sargent is a huge fan of Naschy and reached out recently to gab about our shared fascination with the great Spanish Horror icon. Of course, Troy and I couldn’t wait to get him in front of a Zoom mic and pick his brain about Euro-Horror in general and Naschy in specific. He was even kind enough to put together a list of his personal Top Ten favorite films by Senor Molina! This a is a lively conversation and it ranges over the decades and across a dozen different topics. You might even learn a little about how Videooze came about and who Mr. Sargent credits with pushing him into self-publishing.
If you have any comments or questions [email protected] is still the address to send things to. We’ll be back soon with a short episode focused on answering a few emails.
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Troy and I (finally) return with a new episode!
This time we dive back into the Franco pool of cool and look longingly at the luminous Soledad Miranda. SHE KILLED IN ECSTASY (1971) was the final collaboration between the young actress and Jess Franco before her untimely passing. While it is generally not considered their best film together it contains many scenes that display the brilliance that they could achieve. Soledad’s skills are on full display in her role as a vengeful wife extracting blood from the people who hounded her husband into suicide. As the story plays out, she runs the gamut of human emotions from deep concern and grief-stricken to seductively aloof and finally filled with violent rage. Her performance is mesmerizing and is carried out so well that she could have embodied her character without dialog and still communicated every nuance necessary to engage the viewer. She was a powerhouse screen presence and her loss is only more deeply felt when watching her in this film.
We dig into why we enjoy this film as much as we do with much attention paid to the strength of the central performance. We point to reoccurring plot elements within Franco’s work and his love of a certain visual metaphor involving boats at sea. We discuss the movie’s odd choice to rush past the possible mad scientist idea at the beginning to get to the righteous vengeance at the heart of things. We try to define what makes Soledad such a memorable screen actress even as this film refuses to even give her character a first name. Each of the murders is dissected as we try to understand what Franco might have had in mind as his story gains force, climaxing in a fascinating sequence in which the director is himself the victim. It certainly raises some questions about Jess’ sexual desires and points toward what might have been included in future unrealized projects.
We hope you enjoy the episode and if you have any comments [email protected] is the show’s address. Thank you for listening and we’ll be back soon. I promise!
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Post-apocalyptic stories don’t turn up in the Golden Age of Spanish Horror as frequently as I would like and until a listener asked us about REFUGE OF FEAR (1974) neither of us were aware of it being part of that sub-genre. Of course, once we learned about the cast, we immediately tracked down a copy and here we are!
Also known as CREATION OF THE DAMNED the film tells the story of a small group of survivors of a possible nuclear war. These five people live in a cramped underground complex while trying to wait out the effects of radiation on the world above. The teenage son of one couple is obsessed with trying to stay in contact with the outside by shortwave radio. He lives in the hope that his girlfriend is somehow still alive but is becoming less sure of that possibility while the pair of married couples are having problems of their own. The husbands are ex-military so are using their training to maintain order but as the film begins tensions are in evidence. One wife drinks and knits while the other tries to sleep away as many hours as she can. Soon, the cracks that begin to appear in the walls of their concrete bunker aren’t the most dangerous breaks in their lives as mentally fragile people start to fracture.
REFUGE OF FEAR (1974) has a generally bad reputation which both Troy and I feel is a shame. We were drawn to see this film because it stars the wonderful Patty Shepard who, along with Craig Hill, appeared in a couple of Paul Naschy’s films. She and Hill have he most screentime and are good in their roles with the script giving them some juicy dramatic meat to chew on. The interesting script comes under discussion even as we try to not spoil the turns things take in the final act. We both feel that the director lets the film down a bit and we dig into the possible reasons for that. And we once again find a film that is richly deserving of a quality Blu-Ray release. I think this could be considered a much better film if a good print was made available.
If you have any comments on the film or anything else [email protected] is the address. Or we can be found lurking over at the show’s FaceBook page as well. Thanks for listening!
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The Naschycast returns to the films of Amando De Ossorio for a romp through the jungle!
THE NIGHT OF THE SORCERERS (1974) a.k.a. The Night of the Witches follows a small group of researchers seeking to document the endangered species of a fictional country in Africa. They make camp near a (miniature) village and then learn from a native about the supernatural history of the area. Of course, we have been made aware of the odd rituals of ‘Bumbasa’ in a prologue showing the kidnapping, rape and beheading of a British lady in 1910 on an altar that seemingly transforms her into a leopard demon! Or, at least, a fanged disembodied head that can turn and snarl at the camera! It’s a wild ride.
Troy and I hack our way through the jungle foliage to get a good look at this strange little film. As he had done with his Blind Dead movies Ossorio is clearly trying to create a new monster of his own design. But the leopard demons offer some technical hurdles that the writer/director’s usual low budget is often unable to jump. We discuss the various forms in which we see the creatures onscreen trying to decide which of them is most effective. Since these three forms are simply leopard stock footage, fake leopard heads partially hidden by leaves and female members of the cast running in slow motion through the jungle night it can be difficult to make a conclusive choice. And Ossorio throws in enough sex and blood to keep an exploitation audience distracted from the inherent silliness of the pieces of his narrative that don’t always work. But where does this film fall in the legacy of this legendary Spanish horror filmmaker? We share our opinions and hope to hear yours.
The podcast can be reached at [email protected] where you can send your thoughts on this episode’s film or Amando De Ossorio’s career as a whole. We’d love to hear from you! Thank you for listening and we’ll be back soon with more from the Golden Age of Spanish Horror.
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Re-upload of this episode! Originally released October, 2020.
Filmmaker Jaume Balagueró made the big time when he co-directed 2007’s REC but he is a much more accomplished than a found footage zombie film would imply. His feature film debut THE NAMELESS (1999) managed to both brilliantly adapt a Ramsey Campbell horror novel and find a smart way to darken the wrenching finale of the tale. Over the last twenty years he has become one of Spain’s hidden masters of taut thrillers and smart horror tales. The only complaint I have with his career is that I wish he had more completed films released but I continue to hope for more excellent cinema from him in the future.
SLEEP TIGHT (2011) is both a thriller and a character study of a deeply unhappy man named Cesar. As the concierge of a Barcelona apartment building, he presents a pleasant face to the upper middle-class residents but behind this mask he seethes with rage at their contented lives. Since he is incapable of being happy, he staves off his suicidal ideation by finding ways to make the people he serves in the building miserable. In both small ways and large he wages a one-man war to make them uncomfortable, embarrassed or inconvenienced in any way he can imagine. But he reserves his most vicious attention for Clara, a beautiful single woman of such sunny disposition as to seem angelic. She is the focal point of Cesar’s most persistent activities aimed at making her life unbearable. His repeated failures to change her optimistic outlook seem to only enrage him further until he finally resolves to escalate things to violence. But will circumstances allow his plans to succeed?
Troy and I dig into this film and its themes but we do our best not to spoil the final act’s shocks and surprises. Indeed, we begin the show with a discussion of several recent viewings to get the Halloween season off to the right start. We touch on THE GHOST AND MISTER CHICKEN, THE OPEN HOUSE, THE CHANGLING, the remake of THE BLOB and our plans for 2020’s indoor October 31st. It’s been a strange year, folks. We end the show with a listener email that prompts a series of interesting horror icon mash-ups. We hope you enjoy the episode and if you have any comments [email protected] is the show’s address. Thank you for listening and we’ll be back soon.
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The busiest years of Paul Naschy’s career were the early 1970’s. Moving from one project to the next at incredible speed he often finished one film while still writing the final draft of another and negotiating a deal for a third. During this period, he produced some of his best work including a large percentage of the movies that still define his image as a Spanish horror icon. But a few of his films from the 1970’s were thrillers that, for various reasons, were rarely distributed outside of Spain or even dubbed into English. This has made it very difficult to see these movies and for non-Spanish speakers to comprehend them in the rare instances of locating a copy to watch. Thank the strs for the fun-subbing community out there on the internet!
Troy and I finally get a chance to see TODOS LOS GRITOS DEL SILENCIO (1975) and we are so happy that not even the crappy VHS sourced print can dull our enthusiasm. Yes, there are a few scenes that are a little too dark to be sure of what we’re supposed to be seeing but the fact that solid subtitles are onscreen means that we can follow the story anyway. And that turns out to be very important with this film because it is a twisty murder mystery that falls easily within the giallo genre even if it doesn’t have a few of the usual elements you might expect. ALL THE SCREAMS OF SILENCE has very little blood since the killer’s preferred method of dealing death is a silenced gun (hence the title) and the amount of flesh on display is low which might factor into this thriller being so underseen for the past forty plus years. No gore or nudity? What were they thinking? But the film does have a great performance from Naschy as a journalist chasing the bullet-slinging murderer while at the same time trying to locate his missing girlfriend. Are the two mysteries connected? With a script by Jacinto Molina you can bet some surprises are coming in the third act.
We begin the episode with some news about the upcoming Blu-Ray release of TOMBS OF THE BLIND DEAD and hint at a few more commentary tracks from the Naschycast down the road. Also, we mention a new podcast project coming soon from our buddy Adrian Smith that will be of interest to fans of European Cult cinema. And we end the show with several letters from listeners that put some fresh ideas in our head for possible YouTube projects too. If you have any comments on the podcast [email protected] is the address and we’d love to hear from you. Thanks for listening to the show!
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Years ago I decided that, because I did not want to watch SHADOWS OF BLOOD (1988), we would not cover it on the Naschycast. I could simply see no upside to wallowing in what we knew was commonly considered the star’s worst film. I suspected that it would be a painful and depressing experience so I opted to avoid it and instead seek out less reviled fodder for the show. But then a friend pointed Troy and I toward a humorous Australian podcast called Finding Desperado. In that show the hosts conduct a hunt for a lost film that eventually finds them bemusedly watching SOB as part of their research. After listening to the eight hilarious episodes of this podcast I realized that these two funny men had pointed the way toward covering this movie – puzzled confusion. So, we decided to finally dive into what I’ll forever refer to as Naschy’s Nadir.
We dig into the genesis of this film starting with some details about the low career point that Naschy had come to by the mid-1980’s. We doubt that he would have participated in this shot on video ‘production’ if he had had anything better as an alternative but chance often leads the dance in movie making. We discuss Lord Sidney Ling who is the writer/director responsible for this film including his bizarre history as a fabulist of the highest order. Finding Desperado relates much more detail about this strange man and his self-aggrandizing nature but we concentrate on what might have influenced the poorly thought out ‘story’ he concocted for SHADOWS OF BLOOD. We trudge through the film trying to understand what might have been intended, occasionally getting lost in the dull sameness of the events onscreen. The sloppy narrative follows two escaped lunatics as they walk (and walk) around Amsterdam murdering random people in a competition to see who can kill the most victims. It is a mostly embarrassing exercise in senseless tedium that, even with its short running time, will test the most devoted Naschy fan. I’m just glad we finally have this one behind us!
We have a couple of emails at the end of the show including an amazing tale from listener Kurt that reads like a possible future noir film. His brief life story is well worth knowing. If you want to add your story to the podcast [email protected] is the address where we can be reached. Let us know what’s on your mind! And thanks for listening to the show.
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We begin our eleventh year of the show by having a Satanic discussion!
Author and podcaster Samm Deighan returns to dig into two specific Paul Naschy films. In both EXORCISM (1975) and INQUISITION (1977) Naschy plays a man of God working to help his flock overcome the influence of The Evil One. In one he is a paragon of virtue and in the other he is definitely not. Both films feature women placed in horrible positions by outside forces that seem to be Satanic in origin. But in each case the question of the how or even if these terrible things are happening is central to story. Are these people possessed by the Devil or is there a more human quality to the awful events depicted?
Samm, Troy and I engage in a freewheeling discussion of these movies jumping from topic to topic as one point leads to another. The conversation assumes that you are familiar with both films and spoilers are certainly in the air. Religion is the main part of our talk but we also look at the obvious class commentary layered into the scripts. We talk about the movies that influenced these Naschy classics and how some later movies may have taken some ideas from them for sleazier effect. We drag in everything from HIGH PLAINS DRIFTER (1973), MALIBIMBA (1979) and ANGEL HEART (1987) as we look at different ways of portraying the Dark One onscreen. Of course, as with any such chat, we end up ranging off the main topic which is how we somehow end up in nipple territory again! I’m not sure how this happens but I’m going to blame Samm. Yeah! It’s her fault. I also make time for a short anecdote about subjecting my unsuspecting beloved to a Jess Franco directed Fu Manchu film. Give her your sympathy.
We end the show with an email that was sent to [email protected] in which we are asked to make a terrible purchasing choice. It takes us a while to decide! You can ask similar question or tell us your favorite onscreen Satan at that same address. Thank you for listening and we’ll be back soon.
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As 2020 rolls on we continue to bring new voices onto the show! This time Troy and I sit down with the amazing Samm Deighan to talk about the joys of Spanish horror. Miss Deighan is an associate editor of Diabolique Magazine and co-host of the Daughters of Darkness Podcast. She is also the editor of Lost Girls: The Phantasmagorical Cinema of Jean Rollin and her book on Fritz Lang’s M (1931) is a must read for those interested in movie serial killers. We are very lucky to have her on the show!
While the main subject of this episode is the brilliant and underseen A BELL FROM HELL (1973) there is no way to be a guest on the Naschycast without talking a (long) while about the hirsute icon of the genre – Paul Naschy! That means that at some point chest hair is brought up and hairpieces are discussed. It cannot be avoided.
Samm comes with a list of her favorite Naschy films and manages to gives us a fresh perspective on a couple of them. The repressed Spanish society is a major topic with the country’s rigid genre roles playing into the ways that these stories are told. A BELL FORM HELL is especially interesting when examining the skewed power dynamics of the story with the wheelchair bound aunt exerting her control over the only male in the family. Also, we dig into the often bizarre 1970’s film attitude toward rape as a plot point or harmless joke with the women sometimes seeming to long for the act or even encourage it. Repressive cultures shape psyches into twisted forms! The genre’s common scenes of animal cruelty get into the mix with Samm’s take on modern sensibilities bringing some unexpected laughs to Troy and I. But nothing can prepare you for the out-of-left-field discussion of Yeti nipples! You’ll just have to listen to understand. Plus, Troy and Samm briefly talk about their mutual love for the severely neglected folk horror film EYES OF FIRE (1983) and their wonder that it has yet to appear on any form of digital media. What is up with that?
If you have any comments or questions the show can be reached at [email protected] or over on the podcast’s FaceBook page. Thank you for listening!
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