Episoder
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But is it an allegory? Made under Nazi occupation, French filmmaker Marcel Carné created magical medieval fantasy about the devil and his minions who invade a castle full of beautiful, disillusioned lovers and wreak havoc. Maybe they can… love the devil away?
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If you’d like to watch ahead for next week’s film, we will be discussing and reviewing Marcel Carné’s Les Visiteurs du Soir 1942).
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Ron “The C[l/r]own Prince of Sports Movies” Shelton brings us the ultimate sexy minor league baseball movie that strikes a surprising chord of division between your humble hosts. Which of us is the seasoned podcaster who never really rose in the ranks and which is the young hotshot with a million dollar arm and a five cent brain? Either way, we both agree that the Costner/Sarandon/Robbins trio is an all-star cast.
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If you’d like to watch ahead for next week’s film, we will be discussing and reviewing Marcel Carné’s Les Visiteurs du Soir 1942).
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Manglende episoder?
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We are Random Acts of Cinema. You subscribed to our podcast. Prepare to listen. Fairy tales get that inimitable Reiner-treatment in this nostalgic classic picked for Mike's birthday enjoyment. Prepare for the "leads" to take a back seat to a supporting casts that exceeds all reasonable expectations.
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If you’d like to watch ahead for next week’s film, we will be discussing and reviewing Ron Shelton's Bull Durham (1988).
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French comedic powerhouse Jacques Tati finally makes his first appearance on the podcast with an introduction to his gentle homage to silent-era character Monsieur Hulot himself. And this time, he’s at the beach. And brother, I don’t have to tell you that there will be some… les shenanigans.
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If you’d like to watch ahead for next week’s film, we will be discussing and reviewing Rob Reiner’s The Princess Bride (1987).
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Wait, so that Ozzie-Osborne-like-bad guy from G.I. Joe who could change the color of his skin made a prequel of that totally problematic Heath Ledger movie from the early 2000s? Well, not quite. Actually, you know what, that’s pretty much exactly what happened. Join us as we discuss Zoltan Korda’s remake of a remake of a remake that was eventually remade, remade, remade, and remade again. We are joined by our good friend Max to contemplate Victorian imperialism, sun blindness, and the real color of pineapple.
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If you’d like to watch ahead for next week’s film, we will be discussing and reviewing Jacques Tati’s Monseiur Hulot’s Holiday (1939).
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Greg Mottola’s takes the viewer on a frantic ride through Manhattan… and into our hearts. Sort of. Really he just reaffirms our love for Parker Posey and somehow gets one of the hosts on the side of Leiv Schrieber for the first time.
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If you’d like to watch ahead for next week’s film, we will be discussing and reviewing Zoltan Korda’s Four Feathers (1939).
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It’s number 4. It’s Fellini. It’s a beloved and highly influential 1970s nostalgia-infused takedown of everyday people living in and under fascist Italy. And yet for all of these things, it’s truly one of a kind.
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If you’d like to watch ahead for next week’s film, we will be discussing and reviewing Greg Mottola’s The Daytrippers (1996).
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There’s a reading of this movie as Jean Renoir’s exercise in delayed gratification. What’s a cancan? Is that a cancan? Will they cancan? Oh no they can’t cancan!! But maybe, just maybe… No they can’t! And then just when you’ve given up all hope: they can cancan! And by god, they do. (Spoiler alert.)
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If you’d like to watch ahead for next week’s film, we will be discussing and reviewing Federico Fellini’s Amarcord (1973).
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Director Brad Silberling’s modern spiritual masterpiece dares to propose a world filled with unseen angels, who look upon humanity with a detached sense of whimsy. Until a brash, brilliant, and beautiful heart surgeon dares to question a universe who steals the life of one of her patients, and one of these angels… falls for her. In more ways than one.
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If you’d like to watch ahead for next week’s film, we will be discussing and reviewing Jean Renoir’s French Cancan (1954).
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Come gather 'round children, it's high time ye learned. About a hero named Harlan County and a devil named Duke Power.
The fight never stops. And Barbara Kopple’s beautifully specific and devastatingly timeless documentary about a grueling coal miner’s strike won’t let us forget it.
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If you’d like to watch ahead for next week’s film, we will be discussing and reviewing Brad Silberling’s City of Angels (1998).
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Bonus episode drop! We recorded this a while ago, but we’re finally releasing the rankings of our 10 highest rated criterion movies. Sure we each gave Rashomon 10 out of 10. But we also gave The Seventh Seal 10 out of 10. So… which is better? All questions will be answered!
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Please come celebrate our 300th episode with spine number 300! We grapple with our legacy, come to terms with our many failures, reaffirm old friendships, get matching outfits, mourn our losses, go on one last adventure, and have a few laughs. And because it’s Wes Anderson, we can’t help but fall for yet another flawed father figure.
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If you’d like to watch ahead for next week’s film, we will be discussing and reviewing Barbara Kopple’s Harlan County, USA (1976).
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Your humble hosts stumble happily headlong into the world of avant-pop Moroccan folk music! This week we watch what seems to be a proto-version of The Last Waltz (even though it’s not) with a documentary chronicling some of the past and and a lot of the present of the group Nass El Ghiwane.
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If you’d like to watch ahead for next week’s film, we will be discussing and reviewing Wes Anderson’s The Life Aquatic with Steve Zissou (2004).
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Bond is back! …to this podcast. We swing back into the world of Ian Fleming with the second film adaptation of his books, and perhaps the most faithful to the original source material. So does that mean the movie will be MORE or LESS racist/misogynist? Pour yourself a martini and join us to find out.
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If you’d like to watch ahead for next week’s film, we will be discussing and reviewing Ahmed El Maânouni‘s Trances(1981).
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For this week’s episode your hosts intentionally try to make the WORST episode they’ve ever recorded. No wait, that’s what this Mel Brooks movie is about. Oh, now I remember: this is actually the BEST episode we’ve ever recorded.
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If you’d like to watch ahead for next week’s film, we will be discussing and reviewing Terence Young’s From Russia With Love (1963).
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One of us is prepared to insist that this Academy Award winning film is more than just “that fish-sex movie.”
A little behind the scenes: in our recording schedule notes Mike keeps writing the title of this movie as “Shapes of Water”. For those of you who know him to be a fully-committed listman and self-professed admirer of Guillermo del Toro, this is shocking. This may is your first hint of his true feelings about this film.
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If you’d like to watch ahead for next week’s film, we will be discussing and reviewing Mel Brooks’ The Producers (1968).
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Director Jacques Demy returns to the podcast with a notably non-musical romance this time. Gone are the songs and vibrant colors, instead we are given… crushing, co-dependent gambling addictions? Can a platinum blonde Jean Moreau give us hope? Maybe just one last spin…
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If you’d like to watch ahead for next week’s film, we will be discussing and reviewing Guillermo del Toro’s The Shape of Water (2017).
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Spoiler alert. In this movie Christopher Lee stabs Boris Karloff and Boris Karloff throws acid in Christopher Lee’s face. And there’s some stuff about 19th century medical experiments, but mostly that first part.
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If you’d like to watch ahead for next week’s film, we will be discussing and reviewing Jacques Demy’s Bay of Angels (1963).
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Neither a documentary on the films of David Lynch nor a film about the man we knew as David Lynch. But an account of a young man who through circumstance and single-minded drive, would find himself in and construct just the sort of environment that could form a David Lynch. Directors Olivia Neergaard-Holm, Jon Nguyen, and Rick Barnes put the camera on a man making art and a microphone on a man looking back at his early life. And they leave it up to us to make connections between the two.
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If you’d like to watch ahead for next week’s film, we will be discussing and reviewing Robert Day’s Corridors of Blood (1959).
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For one of us, this is where it all began. You leave me breathless… ahhhhh…. That’s from a different movie though.
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If you’d like to watch ahead for next week’s film, we will be discussing and reviewing Olivia Neergaard-Holm, Jon Nguyen, and Rick Barnes’David Lynch: The Art Life (2016)
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