Relaterede
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Backstage at the Vinyl Cafe welcomes listeners into the warm and comforting world of the Vinyl Cafe. Each episode features stories about Canada’s favourite fictional family: Dave, Morley and the kids, narrated by the late Stuart McLean and recorded live in concert. For the first time ever, long-time producer Jess Milton shares rare, behind-the-scenes stories from her 15 years touring, travelling, laughing, and recording with her close friend Stuart.
This is a world that is rooted in kindness, connection, and the laughter of recognition. A world that brings people together to rejoice in our ridiculousness. A world where we celebrate the small triumphs over the adversities of the everyday: like trying to find the perfect gift for someone you love, or the first Christmas without your sister; like trying to stage manage the school Christmas pageant, or trying to defrost a turkey with a hairdryer (we’ve all done that, right?).
Join us. New episodes every Friday.
Hosted on Acast. See acast.com/privacy for more information.
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Lights Out is an American old-time radio program devoted mostly to horror and the supernatural. Created by Wyllis Cooper and then eventually taken over by Arch Oboler, versions of Lights Out aired on different networks, at various times, from January 3, 1934 to the summer of 1947 and the series eventually made the transition to television. Lights Out was one of the earliest radio horror programs, predating Suspense and Inner Sanctum
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Murder at Midnight was an old-time radio show featuring macabre tales of suspense, often with a supernatural twist. It was produced in New York and was syndicated beginning in 1946. The show's writers included Robert Newman, Joseph Ruscoll, Max Ehrlich and William Norwood, and it was directed by Anton M. Leder. The host was Raymond Morgan, who delivered the memorable lines of introduction over Charles Paul's effective organ theme: "Midnight, the witching hour when the night is darkest, our fears the strongest, and our strength at its lowest ebb. Midnight, when the graves gape open and death strikes." A total of 50 episodes were produced. Ten shows were syndicated and rerun on Mutual in 1950.
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Inner Sanctum Mystery, also known as Inner Sanctum, is a popular old-time radio program that aired from January 7, 1941, to October 5, 1952. It was created by producer Himan Brown and was based on the imprint given to the mystery novels of Simon & Schuster. In all, 526 episodes were broadcas
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در برنامه‌ی پیرنگ نگاهی می‌اندازیم به نمونه‌هایِ برجسته‌‌ی داستان کوتاه ایرانی. در خواندن یا بازخوانیِ هر اثر نقش عنصرِ داستانیِ عمده‌ای را که به اثر تمایز بخشیده، اجمالاً بررسی می‌کنیم و امیدواریم که در ضمنِ معرفیِ هر داستان، برای شنوندگان نوعی تمرینِ فکری فراهم کنیم که در نتیجه‌ی آن هم درک بهتری از معنای داستان ممکن بشود و هم لذت عمیق‌تری از فرمِ ادبی آن.
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What do you think of when you hear the word Oklahoma? A new podcast from KOSU, AIR and This Land Press offers a fictional take on the 46th state.
From Franz Kafka to Rodgers and Hammerstein, writers both foreign and domestic have been speculating about Oklahoma for more than a century. Oklahoma is more than a place, it’s an idea.
The new audio series, based on the book Imaginary Oklahoma from This Land Press, offers a complex picture of the pan-shaped land through a simple, ghostly narrative. -
MonkeyTales – a hopepunk audio fiction anthology series
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Broadway Is My Beat, a radio crime drama, ran on CBS from February 27, 1949 to August 1, 1954. With Anthony Ross portraying Times Square Detective Danny Clover, the show originated from New York during its first three months on the air. For the remainder of the series, the role of Detective Danny Clover was portrayed by Larry Thor. The series featured music by Robert Stringer, and scripts by Peter Lyon. John Dietz directed for producer Lester Gottlieb (eventually succeeding him as producer). Bern Bennett was the original announcer. Beginning with the July 7, 1949 episode, the series was broadcast from Hollywood with producer Elliott Lewis directing a new cast in scripts by Morton S. Fine and David Friedkin. The opening theme of "I'll Take Manhattan" introduced Detective Danny Clover, a hardened New York City cop who worked homicide "from Times Square to Columbus Circle -- the gaudiest, the most violent, the lonesomest mile in the world." Danny Clover narrated the tales of the Great White Way to the accompaniment of music by Wilbur Hatch and Alexander Courage, and the recreation of Manhattan's aural tapestry required the talents of three sound effects technicians (David Light, Ralph Cummings, Ross Murray). Bill Anders was the show's announcer, as was Joe Walters. The supporting cast included regulars Charles Calvert (as Sgt. Gino Tartaglia) and Jack Kruschen (as Sgt. Muggavan), with episodic roles filled by television, radio, and film stars such as Eve McVeagh, and such radio actors as Irene Tedrow, Barney Phillips, Virginia Gregg, Anthony Barrett, Herb Butterfield, Lamont Johnson, Herb Ellis, Hy Averback, Edgar Barrier, Betty Lou Gerson, Cathy Lewis, Harry Bartell, Sheldon Leonard, Martha Wentworth, Lawrence Dobkin, Howard McNear, and Mary Jane Croft.
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X minus one was effectively the return of Dimension X, and although the opening sequence was revamped and the announcer became Fred Collins, the stories were still as bizarre and intriguing as its predecessor. The first X minus one shows used scripts from Dimension X, but soon created new shows, employing the talents of many great sci–fi authors, including staff writers Ernest Kinoy and George Lefferts, Asimov, Bradbury and Heinlein.
From the far horizons of the unknown come transcribed tales of new dimensions in time and space. These are stories of the future, adventures in which you'll live in a million could–be years on a thousand maybe worlds. The National Broadcasting Company, in co–operation with Street and Smith, publishers of Astounding science fiction magazine, presents....X minus one.....
The series was cancelled after the 126th broadcast on January 9th, 1958. However, the early 1970s brought a wave of nostalgia for old time radio; an experimental new episode was created in 1973, "The Iron Chancellor" by Robert Silverberg, but it failed to revive the series. NBC also tried broadcasting the old recordings, but their irregular once-monthly scheduling kept even devoted listeners from following the broadcasts.
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Roger, le père de Marika, souffre de démence et tente de s’acclimater à sa nouvelle vie en institution. Un jour, sans crier gare, il se met à appeler Marika du nom de Margot. Il continue les jours suivants et n’en démord plus, le bonheur dans les yeux à chaque fois qu’il la voit. Qui est cette Margot, dont personne autour de lui n’a jamais entendu parler? Et surtout, comment Marika composera-t-elle avec cette nouvelle identité? Si elle veut garder le contact avec son père, arrivera-t-elle à… Devenir Margot? Production : Babel Films Scénarisation et réalisation : Marika Lhoumeau Conception sonore : Jean-Philippe Goyette Produit avec le soutien financier du Fonds Bell et la collaboration de Télé-Québec
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40 ans après les événements, la série balado La nuit des longs couteaux replonge dans la petite et la grande histoire pour comprendre comment une simple conférence entre premiers ministres provinciaux a pu donner lieu à l’une des plus grandes fractures qu’ait connues le pays. Production: Les productions Bazzo Bazzo et L’actualité - Réalisation: Élodie Gagnon Scénarisation: Élodie Gagnon et Julie Blackburn Recherche : Julie Blackburn Narration Guillaume Bourgault-Côté Conception sonore et musique : Francis Thibault
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Ranger Bill is a Christian radio program from the 1950s, produced by Moody Radio. With over 200 episodes produced, Ranger Bill stars Miron Canaday as the title character and Stumpy Jenkins and Ed Ronne, Sr as Grey Wolf. The main character, Ranger Bill, is a forest ranger located in the town of Knotty Pine along the Rocky Mountains. The show describes the various tales of the adventures of Ranger Bill and his friends.
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Counterspy was an espionage drama radio series that aired on the NBC Blue Network and Mutual from May 18, 1942 to November 29, 1957. David Harding was the chief of the United States Counterspies, a unit engaged during World War II in counterintelligence against Japan's Black Dragon and Germany's Gestapo. United States Counterspies was a fictional government agency devised by the program's creator, Phillips H. Lord after Lord "had a certain amount of difficulty with J. Edgar Hoover over story content in Gang Busters." Mandel Kramer played Peters, Harding's assistant.
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The Zero Hour (aka Hollywood Radio Theater) was a 1973–74 American radio drama anthology series hosted by Rod Serling. With tales of mystery, adventure and suspense, the program was broadcast for two seasons. Some of the scripts were written by Serling. Originally placed into syndication on September 3, 1973, the series was picked up by the Mutual Broadcasting System in December of that year. The original format featured five-part dramas broadcast Monday through Friday with the story coming to a conclusion on Friday. Including commercials, each part was approximately 30 minutes long. Mutual affiliates could broadcast the series in any time slot that they wished. In 1974, still airing five days a week, the program changed to a full story in a single 30-minute installment with the same actor starring throughout the week in all five programs
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Starring Brian Donlevy as Steve Mitchell, Dangerous Assignment is a product of the Cold War, with mystery and intrigue cropping up across the globe. Mitchell, an agent for an unnamed U.S. goverment agency, is dispatched to some exotic, faraway place at the beginning of each episode.
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The Big Story is an American radio and television crime drama which dramatized the true stories of real-life newspaper reporters. The only continuing character was the narrator, Bob Sloane.
Radio
The Big Story
Genre Crime drama
Running time 30 minutes
Country of origin United States
Language English
Syndicates NBC
Starring Bob Sloane
Announcer Ernest Chappell
Written by Gail Ingram
Arnold Perl
Max Ehrlich
Directed by Tom Vietor
Harry Ingram
Produced by Bernard J. Prockter
Original release April 2, 1947 – March 23, 1955
Opening theme Ein Heldenleben
Sponsored by Pall Mall cigarettes, the program began on NBC Radio on April 2, 1947. With Lucky Strike cigarettes sponsoring the last two seasons, it was broadcast until March 23, 1955.
The radio series was top-rated, rivalling Bing Crosby's Philco Radio Time.
Produced by Barnard J. Prockter, the shows were scripted by Gail Ingram, Arnold Pearl and Max Ehrlich. Tom Vietor and Harry Ingram directed the series. Gail and Harry Ingram were husband and wife. The theme was taken from Ein Heldenleben ("A Hero's Life"), a tone poem by Richard Strauss.
Prockter was inspired to create the program after hearing about a man who was freed from a life sentence in jail by the work of two newspaper reporters in Chicago. Most of the stories in the show dealt with stories about closed cases. Ross Eaman, in his book, Historical Dictionary of Journalism, wrote that the program was "originally intended to honour reporters ignored by Pulitzer committees ...." Jim Cox also cited that plan in his book, Radio Crime Fighters: More Than 300 Programs from the Golden Age.
Each week the program recognized the reporter who wrote the story on which that episode was based and the newspaper in which the story appeared. The reporter received $500, was interviewed on the air and was acknowledged in the introduction, as in this example:
Pall Mall, famous big cigarette, presents The Big Story, another in a thrilling series based on true experiences of newspaper reporters. Tonight, to Russ Wilson of the Des Moines Tribune goes the Pall Mall award for The Big Story. Now, the authentic and exciting story of "The Case of the Ambitious Hobo."
From Wikipedia, the free encyclopedia -
Alfred Damon Runyon (October 4, 1880 – December 10, 1946) was an American newspaperman and short story writer. The Damon Runyon Theater radio series dramatized 52 of Runyon's short stories in weekly broadcasts running from October 1948 to September 1949 (with reruns until 1951). The series was produced by Alan Ladd's Mayfair Transcription Company for syndication to local radio stations. John Brown played the character "Broadway", who doubled as host and narrator. The cast also comprised Alan Reed, Luis Van Rooten, Joseph Du Val, Gerald Mohr, Frank Lovejoy, Herb Vigran, Sheldon Leonard, William Conrad, Jeff Chandler, Lionel Stander, Sidney Miller, Olive Deering and Joe De Santis. Pat O'Brien was initially engaged for the role of "Broadway". The original stories were adapted for the radio by Russell Hughes. "Broadway's New York had a crisis each week, though the streets had a rose-tinged aura", wrote radio historian John Dunning. "The sad shows then were all the sadder; plays like For a Pal had a special poignance. The bulk of Runyon's work had been untapped by radio, and the well was deep
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On July 7, 1943, the CBS Radio Network launched the long-running radio series called Casey, Crime Photographer, (originally called Flashgun Casey). The show was very successful. It was renamed in April 1944 to Casey, Press Photographer, and again in June 1945 to Crime Photographer. It was finally called Casey, Crime Photographer in March 1947. The radio series was cancelled on November 16, 1950.
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40 ans après les événements, la série balado La nuit des longs couteaux replonge dans la petite et la grande histoire pour comprendre comment une simple conférence entre premiers ministres provinciaux a pu donner lieu à l’une des plus grandes fractures qu’ait connues le pays.
Production: Les productions Bazzo Bazzo et L’actualité - Réalisation: Élodie Gagnon
Scénarisation: Élodie Gagnon et Julie Blackburn
Recherche : Julie Blackburn
Narration Guillaume Bourgault-Côté
Conception sonore et musique : Francis Thibault -
Expectant is a six-part audio series that muddies fiction and non-fiction as a woman faces the prospect of becoming a parent during the climate crisis.
Through conversations with climate researchers, parents, mental health experts and childfree families, she grapples with grief, hope, and the biggest decision of her life: should she bring a child into this world?
Written and performed by Pippa Johnstone. Music by Laura Reznek. Sound design and mixing by Robyn Edgar. Dramaturgy by Karina Palmitesta. Artwork by Hannah Campbell.
This series is supported by the Canada Council for the Arts and the Ontario Arts Council.
