Episoder
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-Often considered his best and most accessible album, So was an immediate commercial success and transformed Gabriel from a cult artist into a mainstream star, becoming his best-selling solo release. Thomas Lennon makes his debut on The 500 to talk about the former Genesis frontman’s hits and deep cuts on 1987’s “So”.
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DistroKid Artist Of The Week: Nicotine Dolls
https://www.youtube.com/watch?v=A-_1ghwGlvs
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Despite encountering multiple speed bumps in the recording process and fractures within the band that were becoming more prevalent, Buffalo Springfield released their second album before band members like Neil Young and Stephen Stills went on to even bigger things. Adam Ferrara stops by to talk about tracks like “Mr. Soul” and “Broken Arrow.”
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DistroKid Artist Of The Week: Nathan Jacques
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Manglende episoder?
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Happy Trails” is an album recorded from performances at the Fillmore East & West venues. Most of the tracks are reworkings of some of Bo Diddley's tracks. Quicksilver Messenger Service was very influential but wasn’t commercially successful The 500 invited Wayne Federman & DJ Morty Coyle back to unpack “Happy Trails”, the last QMS album to feature their original lineup.
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DistroKid Artist Of The Week: Giant Sand
https://youtu.be/tQBa7c2e5Zk?si=ENrMInRN9RMn_4xa
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Elvis Presley’s popularity began to wain as the 1960s went on. In 1968, he was asked to do a Christmas special but decided to sing songs from his catalog instead. The decision proved to be a wise one, as the popularity of the TV special provided Elvis a career resurgence. Josh Wolf returns to The 500 to discuss the live album “From Elvis In Memphis” and his love of The King.
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DistroKid Artist Of The Week: Brigitte Calls Me Baby
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Fun House was the second studio album from the Stooges. While it wasn’t commercially successful, it had a tremendous cult following in what would become an emerging punk rock scene later on in the 1970s and early 1980s. Greg Fitzsimmons makes his first appearance since 2020 to talk about the album and one of the more unique singing voices, Iggy Pop.
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DistroKid Artist Of The Week: The Youth Ahead
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-The Flying Burrito Brothers helped forge the connection between rock and country with their 1969 debut album, The Gilded Palace of Sin. What they lacked in longevity, they made up for with a big influence in rock and country music. Long-time blues guitarist Kenny Wayne Shepherd and friend of The 500 Wayne Federman discuss Gram Parsons and more with Josh.
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Kenny Wayne Shepherd Tour Dates & “Dirt On My Diamons 2”
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DistroKid Artist Of The Week: Yarn
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Comedian Jordan Jensen dives into the rebellious angst and pop-punk anthems of Green Day's 1994 album Dookie
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DistroKid Artist Of The Week: Face to Face
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“Transformer” is considered an influential landmark of the glam rock genre, which includes Lou Reed's most successful single, "Walk on the Wild Side", which touched on controversial topics of sexual orientation, gender identity, and prostitution. Penn Jillette is considered one of the iconic magicians of our time and joins The 500 to talk about Lou’s career from the Velvet Underground and beyond.
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DistroKid Artist Of The Week: John-Allen Weiss
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John Mayall and the Bluesbreakers served as a rite of passage for guitar players who would go on to be a part of other major bands. Eric Clapton was one of those legendary members who passed through the band. Joe Bonamassa and Wayne Federman join this week’s episode, discuss “Blues Breakers with Eric Clapton, " and geek out over guitars.
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DistroKid Artist Of The Week: Walter Trout
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Nuggets was a compilation of some of the earliest psychedelic and garage rock from the late 1960s. Before he joined Patti Smith as her guitarist, Lenny Kaye was a music critic in the New York scene and collected these Artyfacts from the first psychedelic era. DJ Morty Coyle also weighs in one of the pivotal collection released in the early 1970s.
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DistroKid Artist Of The Week: Kikagaku Moyo
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R.E.M.’s 1983 debut album “Murmur” contained the blueprint for much of what music would sound like in the coming years. Josh and this week’s guest, Adam Pally, discuss tracks like “Radio Free Europe” and “Talk About The Passion”, breaking down the vocal influence Michael Stipe had, and ranking the band’s place among great American musicians.
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Trailer To Adam’s New Series “The Throwback” on Peacock
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DistroKid Artist Of The Week: The Ocean Blue
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The Best of Little Walter is a foundational piece of blues rock that inspired artists like Led Zeppelin, The Rolling Stones, and Eric Clapton. Little Walter revolutionized live harmonica playing (both in style and technologically). Comedian & Impressionist James Adomian returned to the podcast to discuss the album and jam with JAM on the hand harmonica.
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DistroKid Artist Of The Week: Tommy Newport
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The Strokes' first full-length album, Is This It, was a pivotal moment in the sound of guitar rock in a new millennium. Comedian & Actor Paul Scheer makes his debut on The 500 to talk about his connection to the New York-based band, their very different upbringings in the greater NYC area, and tracks like “Last Nite”, “The Modern Age”, and the title track.
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DistroKid Artist Of The Week: Artless Jesus
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Bill Burr makes his first appearance in over four years on The 500 to talk about who he considers to be the greatest rock band of all-time, AC/DC. One of their top albums that stands the test of time is Highway To Hell. Their sixth studio album was the last for lead singer Bon Scott, who passed away a few months after the album’s 1979 release.
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DistroKid Artist Of The Week: SKoR
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Sean Patton’s first appearance on The 500 centers around what some consider Nine Inch Nails’ masterpiece, The Downward Spiral. The title foreshadowed what Trent Reznor’s life would become after the release of Nine Inch Nails’ second full-length studio album. Explaining the self-loathing nature of the songs on TDS, Trent Reznor said "I'm not proud to say I hate myself and don't like what I am, but maybe there is real human communication that ends up positive even though everything being said is negative."
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DistroKid Artist Of The Week: Painted Shield
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Simon & Garfunkel were a highly regarded folk act distinguished by their intuitive harmonies and Paul Simon's articulate songwriting. Parsley, Sage, Rosemary, and Thyme is largely characterized by sharp contrasts from song to song. Comedian Wendy Liebman talked about how the New York folk duo impacted her growing up in Long Island.
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DistroKid Artist Of The Week: Painted Shield
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Following the colossal success of 1982’s Thriller, it took five years for Michael Jackson to release his highly anticipated follow-up, 1987’s Bad. He once again collaborated with producer Quincy Jones as he did for Thriller and 1979’s Off the Wall, but this would be their last time working together. This final installment of the Jackson/Jones trilogy was another massive hit, selling millions of albums worldwide along with achieving more awards and accolades. Comedian & Actor Donnell Rawlings makes his first appearance to talk about Moonwalking and some of the bigger tracks from the album, including one of his favorites, "Man In The Mirror"
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DistroKid Artist Of The Week: DivaGurl
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It's not often that the guest who comes on The 500 to talk about the artist can also perform a top-notch impression of the musician, but that's what we've got this week. Saturday Night Live's James Austin Johnson is a huge Bob Dylan fan with deep knowledge of the legendary songwriter, and joins Josh to discuss Dylan's 32nd studio album and 2006 release, "Modern Times".
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DistroKid Artist Of The Week: Travis
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There are plenty of British bands who had an impact on rock and roll, but it was Cream who took the fusion of blues and rock where it had never been before, and provided a heavier sound than what was the norm in England at the time. Wheels Of Fire is their third album and is a double LP, containing one live blues record and one studio record. Wayne Federman returns for his eleventh appearance on The 500 to discuss one of his all-time favorite albums and the songs that solidified Eric Clapton as a guitar god.
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DistroKid Artist Of The Week: James & The Cold Gun
jamesandthecoldgun.com/
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Prince carved a new identity for himself on his third release, "Dirty Mind" This album was so racy that promotional copies sent to radio stations warned program directors to audition the songs before putting them on the air (in a time before Parental Advisory labels). Dirty Mind is a combination of erotic wordplay and clean, simple melodies. Comedian Ali Siddiq joined Episode 206 to talk about the influence Prince had on him in carving his own path towards becoming a comedian.
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Follow Ali on Twitter:
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Go to Ali's website for live show dates:
https://alisiddiq.com/
Follow Josh on Instagram:
https://www.instagram.com/joshadammeyers/
Follow Josh on Twitter:
https://twitter.com/JoshAdamMeyers
Follow Josh on Facebook:
https://www.facebook.com/joshameyers
Follow The 500 on Instagram:
https://www.instagram.com/the500podcast/
Follow The 500 on Twitter:
https://twitter.com/the500podcast
Follow The 500 on Facebook:
https://www.facebook.com/The500PodcastWithJAM/
Email the show: [email protected]
Check the show's website: http://the500podcast.com
DistroKid Artist Of The Week: Rizz & The Believerz
https://www.youtube.com/@RizzAndTheBelieverz
Instagram: @rizzandthebelieverz
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