Episoder
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Director Paul Schrader discusses his new film, Oh, Canada, with fellow Director Alex Ross Perry in a Q&A at the DGA theater in New York. In the conversation, he discusses casting multiple Actors in roles across timelines and how he played with this element visually, how as both the Writer and Director, he works to include nothing that will make it to the cutting room floor so he can shoot economically, and how he chose to film in a variety of colors and aspect ratios to portray a story taking place over a long timespan.
The film follows the Miller siblings, a former musician, a writer and an artist, who all contend with challenging shifts in their marriages. As their lives change, their relationships are put to the test, bringing them closer to their partners or pushing them further apart.
See photos and a summary of this event below:
https://dga.org/en/Events/2025/January2025/Oh_Canada_QnA_1224
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Director Halina Reijn discusses her new film, Babygirl, with fellow Director Spike Jonze in a Q&A at the DGA theater in Los Angeles. In the conversation, she discusses finding a tone for what she describes as “a comedy of manners”, working with her Composer to create a soundtrack that follows the seduction over the drama, and finding Actors that could inhabit seductive roles with comedic turns.
The film follows a high powered businesswoman who begins a taboo relationship with a much younger intern at her company. As the secret affair deepens, she puts her career and family on the line.
See photos and a summary of this event below:
https://dga.org/en/Events/2025/February2025/Babygirl_QnA_1224
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Manglende episoder?
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Director Edward Burns discusses his new film, Millers in Marriage, with fellow Director Doug Atchison in a Q&A at the DGA theater in Los Angeles. In the conversation, he discusses how he works as a Director while being one of the central Actors to the film, how he artfully utilizes locations and resources to work effectively on small budgets, and collaborating with his Actors to discover more authentic arcs from his characters.
The film follows the Miller siblings, a former musician, a writer and an artist, who all contend with challenging shifts in their marriages. As their lives change, their relationships are put to the test, bringing them closer to their partners or pushing them further apart.
See photos and a summary of this event below:
https://dga.org/Events/2025/February2025/MillersInMarriage_QnA_1224
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Director James Mangold discusses his new film, A Complete Unknown, with fellow Director Guillermo del Toro in a Q&A at the DGA theater in Los Angeles. In the conversation, he discusses how he intended on making the songs integral scenes instead of separating the drama from the action, how he sought to bring out the impact of Dylan through the figures around him, and the musical and acting performances of his ensemble Cast.
The film follows a young Bob Dylan as he arrives in New York City, performing and forging relationships with his folk contemporaries of Greenwich Village. As he begins his meteoric rise, he strives to break free of his folk identity, culminating in a groundbreaking and controversial performance that reverberates worldwide.
See photos and a summary of this event below:
https://dga.org/Events/2025/February2025/ACompleteUnknown_QnA_1224
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Director William Goldenberg discusses his new film, Unstoppable, with fellow Director Ben Affleck in a Q&A at the DGA theater in Los Angeles. In the conversation, he discusses coming into directing a feature for the first time after working as an editor, seeking to make the wrestling scenes as authentic as he could, and having the real Anthony Robles advise and even wrestle in some scenes of the film.
The film tells the inspiring true story of competitive athlete Anthony Robles, who was born with one leg. With the unwavering support of his mother, the encouragement of his coaches, and his own indomitable spirit, Anthony fights through adversity and defies the odds to become an NCAA division 1 champion wrestler.
See photos and a summary of this event below:
https://dga.org/Events/2025/January2025/Unstoppable_QnA_1224
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Director Pablo Larraín discusses his new film, Maria, with fellow Director Mike Mills in a Q&A at the DGA theater in Los Angeles. In the conversation, he discusses his process of finding the little details in his film worlds, the importance of architecture in the cinematography of his films, and how he worked with Actor Angelina Jolie to establish the presence of the titular character.
The film follows the famed soprano as she retreats to Paris after a glamorous and tumultuous life in the public eye. With time to settle and reflect, she reckons with both her legacy and her identity.
See photos and a summary of this event below:
https://dga.org/Events/2025/January2025/Maria_QnA_1224
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Director Marielle Heller discusses her new film, Nightbitch, with fellow Director Ritesh Batra in a Q&A at the DGA theater in New York. In the conversation, she discusses her unique approach to casting the child Actors in search of a more authentic onscreen relationship with their parents, finding filming locations that say a lot about her characters without delving into their backgrounds within the film’s story, and how she sought to achieve a deliberate level of ambiguity through her deconstruction of the traditional motherhood myth.
Based on the novel by Rachel Yoder, the film tells the story of a woman who has paused her career to be a stay-at-home mom for her new baby. As she becomes increasingly overburdened with the stress of her new responsibilities, her maternal instincts begin to manifest in canine form.
See photos and a summary of this event below:
https://dga.org/Events/2025/January2025/Nightbitch_QnA_1124
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Directors Scott Beck and Bryan Woods discusses their new film, Heretic, with fellow Director Michael Mohan in a Q&A at the DGA theater in Los Angeles. In the conversation, they discuss working with Actor Hugh Grant to establish the look, presence and psychology of the antagonist, making every shot intentional in order to mimic the theme of control in the film, and using sound and atmosphere to craft a horror movie that prioritizes dread over jump scares.
The film follows two young women ensnared in a deadly game of cat and mouse when they knock on the door of the diabolical Mr. Reed. Trapped in his home, they must turn to their faith if they want to make it out alive.
See photos and a summary of this event below:
https://dga.org/Events/2025/January2025/Heretic_QnA_1124
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Director Christine Swanson discusses her new film, Albany Road, with fellow Director Shaz Bennett in a Q&A at the DGA theater in Los Angeles. In the conversation, she discusses favoring snowy locations for a setting not typical for the story she wanted to tell, progressively adding color to the film’s palette to indicate the growth of the two leads, and how she aimed to tell a story featuring unsung character types she’s known in her life.
The film tells the story of Celeste Simmons, a New York executive on her way to the most important meeting of her career. Forced to share a rental car with her ex-fiancé’s mother, she discovers that the mother is hiding a major secret about her ex.
See photos and a summary of this event below:
https://dga.org/Events/2025/January2025/AlbanyRoad_QnA_1124
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Director Jack Huston discusses his new film, Day of the Fight, with fellow Director Gus Van Sant in a Q&A at the DGA theater in Los Angeles. In the conversation, he discusses how he aimed to turn a typical fight story on its head, how he worked with his Cinematographer to capture the black and white look of the film, and finding an Actor that could convey the range of pathos between fighting and interpersonal melodrama that the role demanded.
The film shows a day in the life of Mikey “Irish Mike” Flanigan, a champion boxer getting ready for his first fight since leaving prison. As he prepares for the most important fight of his life, he reconnects with the people he was closest to and tries to make things right.
See photos and a summary of this event below:
https://dga.org/en/Events/2025/January2025/DayOfTheFight_QnA_1124
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Director Luca Guadagnino discusses his new film, Queer, with fellow Director Daniel Scheinert in a Q&A at the DGA theater in Los Angeles. In the conversation, he discusses how he and Actor Daniel Craig worked together to discover the lead character, the importance of choreography in this and all of his projects, and how he worked with Composers Trent Reznor and Atticus Ross to create a soundtrack with layers of meaning.
Based on the novella by William S. Burroughs, the film follows William Lee, who recounts his life in 1950s Mexico City among American expatriate college students and bar owners. After he becomes infatuated with a younger man, they both set out to find a hallucinogenic drug in the amazon that will bring them closer together.
See photos and a summary of this event below:
https://dga.org/en/Events/2024/Dec2024/Queer_QnA_1124
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Director Andrew Boodhoo Kightlinger discusses his new film, Lost on a Mountain in Maine, with fellow Director Laurie Collyer in a Q&A at the DGA theater in New York. In the conversation, he discusses taking influence from 80s and 90s backwoods films such as Homeward Bound and Stand By Me, emphasizing a use of practical effects and real locations for a tactile experience, and the process of casting the young lead with wilderness experience.
The film tells the inspiring true story of 12-year-old Donn Fendler, who becomes trapped on a treacherous mountain when a fast-moving storm separates him from his family. With no food or proper clothing, he begins a desperate fight for survival in the unforgiving wilderness of northern Maine.
See photos and a summary of this event below:
https://dga.org/en/Events/2025/January2025/LostOnAMountainInMaine_QnA_1124
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Director Edward Berger discusses his new film, Conclave, with fellow Director Jay Roach in a Q&A at the DGA theater in Los Angeles. In the conversation, he discusses casting his Actors in roles playing in extremes from one another, how he collaborated with his Cinematographer to closely convey the protagonist’s point of view, and working with his Costume Designer to craft authentic and eye-catching designs reflective of their real-world influence.
The film follows Cardinal Lawrence, who is tasked with leading one of the world’s most ancient events: the selection of a new Pope. Surrounded by powerful religious leaders in the halls of the Vatican, he soon uncovers a trail of deep secrets that could shake the very foundation of the Roman Catholic Church.
See photos and a summary of this event below:
https://dga.org/en/Events/2025/January2025/Conclave_QnA_1124
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Director Malcolm Washington discusses his new film, The Piano Lesson, with fellow Director David E. Talbert in a Q&A at the DGA theater in Los Angeles. In the conversation, he discusses his process of expanding on a traditional play adaptation beyond the original text, searching for a “punchline” in the pacing of his editing, and shooting the film in sequence to allow his production to evolve in conjunction with the story.
Based on the acclaimed play by August Wilson, the film navigates the lives and legacies of the Charles family. In the aftermath of the great depression, a brewing battle lurks over what to do with the family heirloom - a piano documenting the family history with carvings made by an enslaved ancestor.
See photos and a summary of this event below:
https://dga.org/en/Events/2025/January2025/PianoLesson_QnA_1124
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Director Levan Akin discusses his new film, Crossing, with fellow Director Victoria Hochberg in a Q&A at the DGA theater in Los Angeles. In the conversation, he discusses how immersing himself in the community lead to him wanting to make this film, his control over the camera allowing the audience to feel as if they’re exploring the city on their own, and his thought process behind how he chose to handle the reveal at the end of the film.
Screened as part of the DGA’s Global Cinema Series, the film tells the story of Lia, a retired teacher, who has promised to find her missing niece. Her search takes her to Istanbul, where she meets a lawyer fighting for trans rights, and gets closer than ever to finding her missing family.
See photos and a summary of this event below:
https://dga.org/en/Events/2024/Dec2024/GCS_Crossing_1124
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Director Ridley Scott discusses his new film, Gladiator II, with fellow Director Fede Alvarez in a Q&A at the DGA theater in Los Angeles. In the conversation, he discusses how he decided on casting Actor Paul Mescal in the lead role, how he distances himself from the post process so he and his team have space to do their best work, and which of his legacy films he would preserve if he could only choose one.
The sequel to Scott's 2000 film Gladiator takes place years after the events of the first film and follows Lucius—who as a child witnessed the revered hero Maximus die at the hands of his uncle. As his home is conquered and he is forced to fight as a gladiator in the Colosseum, Lucius attempts to reclaim everything he has lost.
See photos and a summary of this event below:
https://dga.org/Events/2025/January2025/GladiatorII_QnA_1124
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Director Lynn Dow discusses her new film, Bull Street, with fellow Director Sarah Pirozek in a Q&A at the DGA theater in New York. In the conversation, she discusses casting her main character based on key scenes modeled off her own experiences, filming in significant locations in her family’s hometown, and the trials on set that allowed her to improve her directing technique as a first-time Director.The film tells the story of LouEster, a small-town personal injury lawyer who was raised by her grandmother after her mother died in childbirth. When an entitled Ivy League lawyer questions their ownership of their home and its surrounding land, the stage is set for a clash of privilege against family.See photos and a summary of this event below:https://dga.org/en/Events/2024/Dec2024/BullStreet_QnA_1124
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Director Marc Levin discusses his new film, An American Bombing: The Road to April 19th, with fellow Director Alexandra Pelosi in a Q&A at the DGA theater in New York. In the conversation, he discusses the differences he encountered in returning to this subject with a fresh lens years later, taking the subject matter and using it as an examination of a bigger picture, and using the information he found to question about possible dangers in the future.Screened as part of the DGA’s Documentary Series, the film tells the story surrounding the deadliest act of homegrown terrorism in U.S. history. Featuring firsthand accounts from survivors and law enforcement, the film examines the lasting impact of the bombing and effects still felt today.See photos and a summary of this event below:https://dga.org/en/Events/2024/Dec2024/DocSeries_AnAmericanBombing-1024
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Director Jon M. Chu discusses his new film, Wicked, with fellow Director Shawn Levy in a Q&A at the DGA theater in New York. In the conversation, he discusses his process of conceptualizing the musical sequences in conjunction with the stunt work behind them, conceptualizing his vision for Oz and the kinds of sets for his film, recording almost all of the musical sequences live and authentically on-set.Based on the Tony Award-winning musical, the film is set years before Dorothy's arrival in Oz and follows the unlikely college-days friendship between popular girl Glinda and the misunderstood Elphaba. As their lives begin to take very different paths, an encounter with the famous Wizard of Oz puts their relationship at a crossroads.See photos and a summary of this event below:https://dga.org/Events/2025/January2025/Wicked_QnA_1124
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Director Parker Finn discusses his new film, Smile 2, with fellow Director Mike Flanagan in a Q&A at the DGA theater in Los Angeles. In the conversation, he discusses how he returned to the idea to explore the same concept through a vastly different lens, working with Actor Naomi Scott to bring the duality of her character’s public persona and isolation to life, and choreographing color-laden horror scenes for his pop star character in what he describes as “inspired by Wes Craven as it is Bob Fosse”.The film tells the story of Skye Riley, a pop star about to embark on a world tour when she begins to experience increasingly terrifying and inexplicable events. Overwhelmed by escalating horrors and the pressures of fame, she is forced to face her past.See photos and a summary of this event below:https://dga.org/en/Events/2024/Dec2024/Smile2_QnA_1024
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