Episoder
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Presenting an episode from Noiser and Airship's podcast History Daily.
On History Daily, they do history, daily. Every weekday, Lindsay Graham (American Scandal, American History Tellers) takes you back in time to explore a momentous moment that happened âon this dayâ in history. This episode is about our favorite kind of history, film history.
The day is May 1, 1941. Orson Wellesâ revolutionary debut âCitizen Kaneâ premieres in New York after a bitter battle to suppress the film.
Learn more about History Daily.
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Something different from the creator of The Industry is coming soon. Here's a short preview of Stories My Brother Used To Tell.
My older brother Eric would often tell stories of his misspent youth at family gatherings. Seemingly always about a car or girl or both, these ridiculous stories seemed almost impossible to believe. Now, after years of pestering, I've gotten him to share a few of those stories in a new podcast.
Subscribe wherever you're subscribed to The Industry or use this link: Stories My Brother Used To Tell
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In 1982 British filmmakerJames Scott had made an Academy Award winning adaptation of a Graham Greene novella. Adapting another Greene novella, this time as a feature length film, seemed like a natural progression of things. He had Greene's blessing to take his novella Loser Takes All and turn into a film that would feature stage star Robert Lindsay and Molly Ringwald. He had every element in place. Almost. The only thing left was getting American distribution. And that was found when a deal was struck with Miramax. All that James Scott had to do in order to get his modest British comedy made was deal with a producer named Harvey Weinstein, who had a lot of ideas on how this film should be made.
Links
James Scott's Website
Sources
Rizov, Vadim. The Legend of Harvey Scissorhands. MTV.com, August 9, 2013.
https://www.mtv.com/news/zs4qqu/harvey-weinstein-snowpiercer-cuts
Ringwald, Molly. All The Other Harvey Weinsteins. The New Yorker, October 17, 2017.
https://www.newyorker.com/culture/cultural-comment/all-the-other-harveys
Robert Lindsay: 'Monster' Weinstein blacklisted me. BBC.com, November 9, 2017.
https://www.bbc.com/news/av/entertainment-arts-41927167
Connelly, Christopher. The Heartbreak Kid. Premiere Magazine, July 1990.
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Elaine May will always be best known for her comedy with Mike Nichols and her screenwriting skills. However, as a director May is an uncompromising force who seemingly would do whatever it takes to get her vision on the screen. This episode looks at the great lengths May went to in order to get Mikey and Nicky, a lifelong passion project made, and what that lack of compromise cost her.
Author Patrick Cooper, director of photography/cameraman Jack Cooperman, and an unnamed crewmember help tell this story of a seemingly simple production that was anything but.
Links
Check out Patrick Cooper's book Aren't You Gonna Die Someday?
Courtney Kocak's podcasts are Podcast Bestie and The Bleeders
Articles
Before the Snyder Cut: Look back at other Hollywood director's cuts (ew.com)
Cock, Jay. Cinema: Hit Men. Time Magazine. January 31st, 1977.
https://content.time.com/time/subscriber/article/0,33009,918649,00.html
MIKEY AND NICKY - HOLLOW SQUARE PRESS
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The death of actor Peter Sellers in 1980 also seemed like the death of the Pink Panther film series. Instead, director Blake Edwards decided it was a new beginning. A beginning of numerous lawsuits, several flops, and one unseen television pilot. Author John LeMay and actor Charlie Schlatter help tell the story of what happened when Blake Edwards kept trying to keep the Panther on the hunt.
Sources
Books
LeMay, John. Trailing the Pink Panther Films: An Unauthorized Guide to the Pink Panther Series. Bicep Books, January, 2022.
Oldham, Gabriella. Blake Edwards: Interviews. University Press of Mississippi, December, 2017.
Wasson, Sam. A Splurch in the Kisser: The Movies of Blake Edwards. Wesleyan University Press, July, 2011.
Articles
"Sellerâs Widow Wins $1 Million Damages Over Panther Film" AP News. AP Services, May 24, 1985. https://apnews.com/article/39ab5abec851ab132d99965780aa6a7e
"Film maker Blake Edwards filed a $180 million lawsuit..." UPI Archives. September 28, 1983. https://www.upi.com/Archives/1983/09/28/Film-maker-Blake-Edwards-filed-a-180-million-lawsuit/1090433569600/
"BLAKE EDWARDS SUED BY MGM/UA" New York Times. Aljean Harmetz. April 17, 1984. https://www.nytimes.com/1984/04/17/movies/blake-edwards-sued-by-mgm-ua.html
Links
Closing Night: Victor Victoria episode
Transcription Available at The Industry Podcast website.
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Alan Dean Foster is an accomplished author in his own right, but in this episode of The Industry, he shares his process of writing movie novelizations and some of the more interesting novelizations he's done. From Star Wars, Alien, The Thing, The Black Hole, and even a very special episode of Maude, Alan shares many of his experiences in this unique writing world.
Links
Dan Delgado on Twitter and Bluesky
Visit Alan Dean Foster's website
Alan Dean Foster's Memoir of his novelization work
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Back in the 1970s and 80s if you walked into a bookstore you would undoubtedly had seen whatever the newest movie was in theaters sitting on a display in book form. The movie novelization is a world unto itself. We take a look at what it takes to adapt a movie to a novel, why the differences can be interesting, and get into why they exist in the first place. With insight from novelization experts Alan Dean Foster and Tim Waggoner, podcast host Paxton Holley, and filmmaker Whit Stillman, the rare filmmaker who has novelized his own films.
Links
Dan Delgado on Twitter and Bluesky
Listen to Paxton Holley's I Read Movies Podcast
Visit Tim Waggoner's website
Visit Alan Dean Foster's website
Buy Whit Stillman's books
If you like the show you can support by clicking here: Buy Me A Coffee.
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By the 1960's director Alfred Hitchcock was at the absolute height of his powers. He had reached the point where he could make any movie he wanted. Yet as the decade rolled on. Hitchcock seemingly had project after project he had developed not blossom into a feature film. What was keeping Hitchcock from making the movies he really wanted to make? We attempt to answer this question with help from HitchCon's Joel Gunz and author Shawn Levy.
Links:
Listen to Lew Wasserman's story on Glitter and Might: Glitter and Might (pod.link)
Check out HitchCon '23: HitchCon International Alfred Hitchcock Conference
Kaleidescope Test Footage: Alfred Hitchcock's Kaleidoscope Footage - YouTube
Hitchcock documentary: Hitchcock - Reputations - YouTube
If you like the show you can support it by clicking here: Buy Me A Coffee.
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Presenting two episodes from Noiser and Airship's podcast History Daily.
On History Daily, they do history, daily. Every weekday, Lindsay Graham (American Scandal, American History Tellers) takes you back in time to explore a momentous moment that happened âon this dayâ in history.
First up itâs. The First Flight of the Wright Brothers:
December 17, 1903. Orville and Wilbur Wright achieve the first powered, sustained and controlled airplane flight in history.
Then it's The Spruce Goose Takes Flight:
November 2, 1947. American aviator Howard Hughes risks his life and reputation by taking to the skies in the largest aircraft ever built: the Spruce Goose.
Learn more about History Daily.
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Peter Bogdanovich's final film, She's Funny That Way, came and went and barely anyone seemed to notice. However, it wasn't the movie he really made. What Peter actually filmed was a black and white screwball comedy called Squirrels to the Nuts. What happened is a typical story. The movie didn't test well and the studio changed the film completely, and no surprise the studio version bombed anyway. The original version? That was believed lost to history.
Or so we thought.
A few years later, James Kenney (possibly the world's biggest Bogdanovich fan) found the original version in tact. On eBay.
This episode features James Kenney, documentarian Bill Teck, and Louise Stratten (Peter's ex-wife and Squirrels co-screenwriter) all helping to tell this story which seems to have an actual Hollywood Ending.
Sources:
Peter Bogdanovich Had a Vision for This Film. Now Itâs Finally Being Seen. - The New York Times (nytimes.com)
âYou Saved One of My Best Picturesâ: My Adventures with Peter Bogdanovich and his Lost, Last Picture Show â TrembleâŠSighâŠWonder⊠(tremblesighwonder.com)
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A new season of The Industry with Dan Delgado is coming soon. More stories of overlooked film history. This season features a lost and found director's cut, the show going on and on without it's star, the biggest director in Hollywood consistantly not getting his movies made, and the joys of movie novelizations.
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Step into the captivating world of Broadway musicals with Closing Night, a new narrative theater history podcast. In Season 1, we explore the magical musicals that graced the stage of the Marquis Theatre, beginning with the controversial demolitions that birthed its legacy. Join us as we chronicle the rich history of some remarkable shows at one of Broadway's youngest venues, unveiling their untold stories through rare audio clips and behind-the-scenes insights as well as interviews with industry experts, actors, and creative teams. We'll relive the excitement and artistic energy that brought these musicals to Broadway and what led up to their closing night. Whether you're a theater enthusiast, creative artist, or history buff, come enjoy this journey through some gems of Broadway that came and went from the Marquis Theatre.
You can find Closing Night wherever you get podcasts or you can find it here: https://broadwaypodcastnetwork.com/podcast/closing-night/
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There's a new autobiographical period movie that's recently been released about a young kid who is so fascinated by the movies he makes his own films at home, and eventually has a successful Hollywood career. No, I'm not talking about The Fabelmans.
Patrick Read Johnson's newly released 5-25-77 may seem like an attempt to cash in The Fabelmans buzz, but his films production predates the new Spielberg film by well over a decade.
The Industry first covered 5-25-77 back in 2019 when Johnson thought he was on the verge of releasing it. Fast forward three more years and 5-25-77 is hitting streaming via Showtime, not to mention a short theatrical release back in Sept. This episode of The Industry is a rerelease of our original episode about 5-25-77 plus a new update with Johnson to see what it took to get him to finally cross the finish line and what he'll do now that he's finally crossed it.
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The Industry presents How I Got Greenlit, a new podcast hosted by the Creator of HBOâs Project Greenlight Alex Keledjian and Emmy Award Winning Producer Ryan Gibson, exploring how our favorite films got made and how they made our favorite filmmakers.
This episode is part one of their two part conversation with screenwriter Chap Taylor.
Chap Taylor has written screenplays and television pilots for all of the major Hollywood studios. He's worked for such producers as Brian Grazer, Scott Rudin, Irwin Winkler, Arnold Kopelson, and for directors Wes Craven and Ridley Scott. He co-wrote the Paramount feature film Changing Lanes, starring Ben Affleck and Samuel L. Jackson, as well as uncredited work on National Treasure, Behind Enemy Lines and the remake of the horror classic, The Omen.
Links
How I Got Greenlit: https://ncpodcasts.com/how-i-got-greenlit
Chap Taylor Part 2: Apple | Spotify
Twitter: @howigotgreenlit
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The Industry is proud to present back-to-back episodes of one the best history podcasts around: History Daily.
On History Daily, they do history, daily. Every weekday, host Lindsay Graham (American Scandal, American History Tellers) takes you back in time to explore a momentous event that happened âon this dayâ in history.
Whether itâs to remember the tragedy of December 7th, 1941, the day âthat will live in infamy,â or to celebrate that 20th day in July, 1969, when mankind reached the moon, History Daily is there to tell you the true stories of the people and events that shaped our worldâone day at a time.
So if youâre stuck in traffic, bored at workâwherever you are, listen to History Daily to remind yourself that something incredible happened to make that day historic.
A co-production from award-winning podcasters Airship and Noiser.
Find out more about History Daily by checking out their website at https://www.noiser.com/history-daily.
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After Paramount Pictures' 1974 version of The Little Prince seemingly vanished into thin air, it would be decades before another big screen version would come around.
That version would be fully animated, with a voice cast that included Jeff Bridges, Rachel McAdams, Paul Rudd, Benicio Del Toro, James Franco, Ricky Gervais, Paul Giamatti and Marion Cotillard. But Paramount abruptly abandoned plans to release the film, and in this episode, The Little Prince director Mark Osborne explains what he thinks went wrong.
Plus, Patrick Oliver Jones of the Why I'll Never Make It podcast talks to the makers of the new Broadway version of The Little Prince that just opened last week.
The Little Prince on Broadway: https://thelittleprincebroadway.com
Why I'll Never Make it: https://whyillnevermakeit.com/
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Joseph Tandet was a lawyer who was not in The Industry. But when the opportunity arose to own the rights to The Little Prince, he took it.
He wound up as a producer on a big-budget movie adaptation. The 1974 version of The Little Prince had everything going for it, including Gene Wilder, musical numbers by Lerner & Loewe, Bob Fosse dancing, and Stanley Donen in what should have been his element. But something went wrong between the page and the screen.
Several years after Tandet's movie of The Little Prince became a forgotten memory, he used his ownership of the rights again, this time to mount a stage version that would never officially open.
This episode is a crossover with the Why I'll Never Make It podcast and features host Patrick Oliver Jones doing most of the hosting duties here. It also features both Little Princes: Steven Warner from the 1974 film and Anthony Rapp (Star Trek Discovery) from the 1982 Broadway edition.
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At the height of his career, Richard Williams was hailed as the next Walt Disney. He wanted to prove that animation was high art, not just something to sell toys and cereal. So he spent three decades working on a single film called The Thief and The Cobbler, which was going to be extraordinary. But he made a deal with a movie studio that he couldn't keep.
This episode of Imaginary Worlds features Garrett Gilchrist, Kevin Schreck, Neil Boyle and Greg Duffell discuss whether Hollywood or Williams's perfectionism did him in.
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How did they make a movie out of Super Mario Bros, and why did it not really resemble the game it was based on? This episode tells the story of how Super Mario Bros went down, and how an alternate cut was found, restored â and released online this year.
SMB screenwriter Parker Bennett, along with the curators of the Super Mario Bros archive, Ryan Hoss and Steven Applebaum, help tell this story of a maligned, misguided movie that now has cult status and genuine love.
We also recount the time Dennis Hopper lost it.
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The 1983 horror movie Grizzly II: Revenge boasts a cast that includes George Clooney, Laura Dern, and Charlie Sheen. But it may never have been released if not for Hungarian producer Suzanne C. Nagy, who finally made it available to audiences after 37 years.
On the latest episode of The Industry, host Dan Delgado interviews Nagy, the original producer of Grizzly II: Revenge. A sequel to the popular 1976 film Grizzly, which cashed in on the post-Jaws killer animal craze, Grizzly II: Revenge follows the story of a mama bear who attacks a large rock concert to take out her rage towards the poachers who killed her cub.
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