Episoder
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Katherine Standefer is the author of Lightning Flowers: My Journey to Uncover the Cost of Saving a Life (Little, Brown Spark 2020), which was a Finalist for the 2021 Kirkus Prize in Nonfiction, selected as a New York Times Book Review Editor’s Choice/Staff Pick, and shortlisted for the J. Anthony Lukas Work-in-Progress Prize from Columbia Graduate School of Journalism. Lightning Flowers was featured on NPR’s Fresh Air, on the goop pocast, and in O, The Oprah Magazine and People Magazine. Standefer’s previous writing appeared in The Best American Essays 2016. She was a 2018 Logan Nonfiction Fellow at the Carey Institute for Global Good and a 2017 Marion Weber Healing Arts Fellow at the Mesa Refuge. She earned her MFA at the University of Arizona and lives on a piñon- and juniper-studded mesa in New Mexico with her chickens.
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Renée Branum’s stories and essays have appeared in several publications including The Georgia Review, Narrative Magazine, The Gettysburg Review, Alaska Quarterly Review, and Lit Hub. Her story “As the Sparks Fly Upward” was included in Best American Nonrequired Reading’s 2019 anthology. She has earned MFAs in Fiction from the Iowa Writers’ Workshop and Nonfiction from the University of Montana. She was recently awarded a National Endowment for the Arts 2020 Prose Fellowship to aid in the completion of her first novel, Defenestrate, published by Bloomsbury in January 2022. She currently lives in Cincinnati where she is pursuing a PhD in Fiction Writing.
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Manglende episoder?
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I am ugly. There's a mathematical equation to prove it.
At only eight months old, identical twin sisters Ariel and Zan were diagnosed with Crouzon syndrome -- a rare condition where the bones in the head fuse prematurely. They were the first twins known to survive it.
Growing up, Ariel and her sister endured numerous appearance-altering procedures. Surgeons would break the bones in their heads and faces to make room for their growing organs. While the physical aspect of their condition was painful, it was nothing compared to the emotional toll of navigating life with a facial disfigurement.
Ariel explores beauty and identity in her young-adult memoir about resilience, sisterhood, and the strength it takes to put your life, and yourself, back together time and time again.
About Ariel:
Ariel Henley is a writer from Northern California with a B.A. in English and Political Science from the University of Vermont. She is passionate about writing as a form of activism, and hopes to use her story to promote mainstream inclusion for individuals with physical differences. Her work has appeared in The New York Times, The Atlantic, The Washington Post, and Narratively. A Face for Picasso is her debut novel.
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Suzanne Roberts is a travel writer, memoirist, and poet. Her books include the 2012 National Outdoor Book Award-winning Almost Somewhere: Twenty-Eight Days on the John Muir Trail (Bison Books, 2012), the award-winning memoir in travel essays Bad Tourist: Misadventures in Love and Travel (University of Nebraska Press, 2020), a collection of lyrical essays, Animal Bodies: On Death, Desire, and Other Difficulties (forthcoming from the University of Nebraska Press, 2022), and four collections of poetry.
Her work has been listed as "Notable" in Best American Essays and published in The New York Times, Creative Nonfiction, Brevity, The Rumpus, CNN, Longreads, ZYZZYVA, ISLE, 1966, River Teeth, Terrain, National Geographic Traveler, The Normal School, and Litro, as well as anthologized in The Kiss: Intimacies from Writers, The Pacific Crest Trailside Reader, Tahoe Blues, Southern Sin: True Stories of the Sultry South and Women Behaving Badly, Poems Dead and Undead, and in two editions of Best Women's Travel Writing.Follow Suzanne:
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Anna Qu is a Chinese American writer. She writes personal essays on identity and growing up in New York as an immigrant. Her work has appeared in Poets & Writers, Lithub, Threepenny Review, Lumina, Kartika, Kweli, Vol.1 Brooklyn, and Jezebel, among others. She holds an MFA in Creative Nonfiction from Sarah Lawrence College. Her book Made in China was published by Catapult in August 2021.
Anna serves as the Nonfiction Editor at Kweli Journal, and teaches at the low res MFA program at New England College, Sackett Street Writers’ Workshop, and Catapult. She lives in Brooklyn with her partner and their cat, Momo.
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Flash fiction, slashing word counts, and obliterating genre, oh my!
Nancy Stohlman’s latest book, Going Short: An Invitation to Flash Fiction, was a 2021 Reader Views Gold Award winner, a Next Generation Indie Book Award finalist, an International Book Award finalist, and is forthcoming as an audiobook with Blackstone Publishing. She is the author of multiple flash fiction collections and flash novels including Madam Velvet’s Cabaret of Oddities, The Monster Opera, and The Vixen Scream and Other Bible Stories. Her work has been anthologized widely, appearing in the W.W. Norton anthology New Micro: Exceptionally Short Fiction, Macmillan’s The Practice of Fiction, and The Best Small Fictions 2019, as well as adapted for both the stage and screen. She teaches at the University of Colorado Boulder and around the world.
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When I started reading BLACKTOP WASTELAND in August, on recommendation from a friend, I don't think I realized quite how much S.A. Cosby would reveal about the contradictions and complexities of rural life in the South (U.S), especially for a Black man. In his review of the novel for NPR, Gabino Iglesias wrote, "The most surprising thing about S.A. Cosby's Blacktop Wasteland, which is marketed as a crime novel, is that crime is the least important element in the book." It wasn't the prescribed genre that drew me to his work, it was the fact that I knew he was going to give a voice to a Southern Black experience that I have been hungry for ever since he-who-shall-not-be-named took the highest office in the nation. Nonetheless, it is a remarkable work in the genre and is a well-earned contribution to the American canon of Southern literature.
Listen in as S.A. and I discuss race relations in the U.S., Southern cooking, what it's like to become the peer of our heroes, and how to tell a damn good story.
Find and follow S.A. Cosby:
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Purchase BLACKTOP WASTELAND by S.A. Cosby:
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About the Book:
Deborah A. Lott grew up in a Los Angeles suburb in the 1950s, under the sway of her outrageously eccentric father. A lay rabbi who enjoyed dressing up like Little Lord Fauntleroy, he taught her how to have fun. But he also taught her to fear germs, other children, and contamination from the world at large. Deborah was so deeply bonded to her father and his peculiar worldview that when he plunged from neurotic to full-blown psychotic, she nearly followed him.
Sanity is not always a choice, but for sixteen-year-old Deborah, lines had to be drawn between reality and her own “overactive imagination.” She saved herself through an unconventional reading of Moby Dick, a deeply awkward sexual awakening, and entry into the world of political activism as a volunteer in Robert F. Kennedy’s Presidential campaign.
After attending Kennedy’s last stop at the Ambassador Hotel the night of his assassination, Deborah would come to a new reckoning with loss. Ultimately, she would find her own path, and her own way of turning grief into love.About Deborah:
Deborah A. Lott is a writer, editor, and college instructor. Her creative nonfiction has been published widely. Her work has been thrice named as Notable Essays of the Year in Best American Essays, and thrice nominated for a Pushcart Prize.
Her book, Don’t Go Crazy Without Me has been acclaimed by writers Mark Doty, Abigail Thomas, Paul Lisicky, Karen E. Bender, Hope Edelman, among others. She is also the author of the book In Session: the Bond between Women and Their Therapists, which was widely praised for its unprecedented look at boundary and transference dilemmas in psychotherapy. Lott surveyed and interviewed several hundred women in gathering the research for that work. The book continues to be used to train psychotherapists nationwide and appears on multiple consumer websites as one of the top books ever written about the psychotherapy relationship.
Lott serves as a faculty member at Antioch University, Los Angeles, where she teaches creative writing and literature courses, and serves as Editor to Two Hawks Quarterly. Among other courses, she has developed The Trauma Memoir, Lolita and Her Literary Sisters, and Representations of Childhood in Literature.
As an independent editor, Lott has worked with a number of published authors developing articles, web content, books, academic monographs, and other material
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About the Book:
In this intrepid debut essay collection, Melissa Faliveno traverses the liminal spaces of her childhood in working-class Wisconsin and the paths she’s traveled since, compelled by questions of girlhood and womanhood, queerness and class, and how the lands of our upbringing both define and complicate us even long after we’ve left. Part personal narrative, part cultural reportage, TOMBOYLAND navigates midwestern traditions, mythologies, landscapes, and lives to explore the intersections of identity and place. From F5 tornadoes and fast-pitch softball to gun culture, strange glacial terrains, kink party potlucks, and the question of motherhood, TOMBOYLAND asks curious and critical questions about belonging and the body, isolation and community, and what we mean when we use words like woman, family, and home.
About Melissa:
Melissa Faliveno is the author of the debut essay collection, TOMBOYLAND, published by Topple Books in August 2020 and named by NPR, New York Public Library, Oprah Magazine, Electric Literature, and Debutiful as a Best Book of 2020. Her essays and interviews have appeared in Esquire, Paris Review, Bitch, Ms Magazine, Brooklyn Rail, the Millions, Prairie Schooner, and DIAGRAM, among others, and received a notable selection in Best American Essays. Born and raised in small-town Wisconsin and a first-generation college graduate, Melissa holds a BA in English and creative writing from the University of Wisconsin and an MFA in nonfiction writing from Sarah Lawrence College, where she has taught in the graduate writing program and Writing Institute. She was the 2020-21 Kenan Visiting Writer at UNC–Chapel Hill, and beginning in fall 2021 will be a Visiting Assistant Professor of Creative Writing at Kenyon College. She has also taught creative writing to incarcerated men, high school students, and adults, and has led talks, interviews, workshops, and panels about writing and publishing at conferences across the United States and abroad. The former senior editor of Poets & Writers Magazine and producer and cohost of Ampersand: The Poets & Writers Podcast, Melissa was previously an editor at Trails Books, a small nonfiction press focused on Midwestern travel, sports, and culture; and a freelance features writer and columnist for Isthmus, Madison, Wisconsin’s alt weekly. She lives in Brooklyn, New York, where she is the cofounding nonfiction editor of the Black Rabbit Review and a singer and guitarist in the band Self Help, which released its first LP, Maybe It’s You, in Fall 2018. She is represented by Adriann Ranta Zurhellen of Folio Literary.
Follow Melissa:
Twitter: @melissafaliveno
IG: @mlfaliveno
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About the Book:
An eight-year-old trauma victim is enlisted as an underground courier, rushing frozen organs through the alleys of Eastern Europe. A young janitor transforms discarded objects into a fantastical, sprawling miniature city until a shocking discovery forces him to rethink his creation. A brazen child tells off a pack of schoolyard tormentors with the spirited invention of an eleventh commandment. A wounded man drives eastward, through tears and grief, toward an unexpected transcendence.
About Lidia:
Lidia Yuknavitch’s writing spans expectations and genres. Her national bestselling novel, The Book of Joan was named as a 2017 top 100 notable books in the New York Times Book Review, and her national bestselling novel, The Small Backs of Children was the winner of the 2016 Oregon Book Award's Ken Kesey Award for Fiction as well as the Reader's Choice Award. The Misfit's Manifesto, a book spawned from her Ted Talk The Beauty of Being A Misfit, is inspiring readers across the globe. Her widely acclaimed memoir The Chronology of Water was a finalist for a PEN Center USA Award for creative nonfiction and winner of a PNBA Award and the Oregon Book Award Reader's Choice. She also wrote the novel Dora: A Headcase and and a critical book on war and narrative, Allegories Of Violence.
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About the Book:
From internationally bestselling Argentine author Pedro Mairal and Man Booker International-winning translator Jennifer Croft, the unforgettable story of two would-be lovers over the course of a single day.
Lucas Pereyra, an unemployed writer in his forties, embarks on a day trip from Buenos Aires to Montevideo to pick up fifteen thousand dollars in cash. An advance due to him on his upcoming novel, the small fortune might mean the solution to his problems, most importantly the unbearable tension he has with his wife. While she spends her days at work and her nights out on the town-with a lover, perhaps, he doesn't know for sure- Lucas is stuck at home all day staring at the blank page, caring for his son Maiko and fantasizing about the one thing that keeps him going: the Uruguayan woman he met at a conference several months back and who he is longing to see on his day trip to Montevideo.
The surprising, moving story of this incredibly impactful day in Lucas' life, The Woman from Uruguay is both a gripping narrative and tender, thought-provoking exploration of the nature of relationships. An international bestseller published in twelve countries, it is the masterpiece of one of Latin America's most beloved writers.About Pedro:
Pedro Mairal is a professor of English literature in Buenos Aires. In 1998 he was awarded the Premio Clarín and in 2007 he was included in the Hay Festival's Bogotá 39 list, which named the 39 best Latin American authors under 39. Among his novels are A Night with Sabrina Love, which was made into a film and widely translated, and The Woman from Uruguay, which was a bestseller in Latin America and Spain and has been published in twelve countries.
About Jennifer:
Jennifer Croft is the recipient of Fulbright, PEN, MacDowell, and National Endowment for the Arts grants and fellowships, as well as the inaugural Michael Henry Heim Prize for Translation and a Tin House Workshop Scholarship for her novel Homesick, originally written in Spanish. She holds a PhD from Northwestern University and an MFA from the University of Iowa. She is a founding editor of The Buenos Aires Review and has published her own work and numerous translations in The New York Times, The Los Angeles Review of Books, VICE, n+1, Electric Literature, Lit Hub, BOMB, Guernica, The New Republic, The Guardian, The Chicago Tribune, and elsewhere.
Follow Pedro:
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Sharyn Skeeter is a writer, poet, novelist, and educator. She was fiction/poetry/book review editor at Essence and editor in chief at Black Elegance magazine. She's taught at Emerson College, University of Bridgeport, Fairfield University, and Gateway and Three Rivers community colleges. She participated in panel discussions and readings at universities in India and Singapore. Sharyn Skeeter has written and published magazine articles. Her poetry and fiction are in journals and anthologies. She lives in Seattle where she's a member of the board of trustees of ACT Theatre. Dancing with Langston was published by Green Writers Press in October 2019.
About the Book:
Carrie, a business manager who always wanted to be a dancer, has two commitments today. She made a promise to her late father to move Cousin Ella, a former Paris café dancer, from her condemned Harlem apartment to a safe place. She’s also committed to catch a flight to Seattle with her husband for his new job. But Cousin Ella resists leaving the apartment where she’s had salons with Langston Hughes. She also has a mysterious gift that she wants Carrie to earn. If she does, a revelation about Carrie’s father and his cousin Langston Hughes will change her life.
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Melissa Febos is the author of the critically acclaimed memoir, Whip Smart (St. Martin’s Press 2010), and the essay collection, Abandon Me (Bloomsbury 2017), which was a LAMBDA Literary Award finalist, a Publishing Triangle Award finalist, an Indie Next Pick, and was named a Best Book of 2017 by Esquire, Book Riot, The Cut, Electric Literature, Bustle, Medium, Refinery29, The Brooklyn Rail, Salon, The Rumpus, and others. Her second essay collection, Girlhood, was published by Bloomsbury on March 30, 2021. A craft book, Body Work, will be published by Catapult in 2022.
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Judith is a writer who lives in Baltimore, MD, and was born and raised in Africa. She graduated from the University of Cape Town with a BA in Drama and History of Art, working as a professional actor before becoming the arts editor for SAfm at the South African Broadcasting Corporation. Judith joined WBJC shortly after immigrating to the United States in the late 1990s.
She holds an MFA in Creative Writing & Publishing Arts from the University of Baltimore, and is the author of Beyond the Baobab, a collection of essays about her immigrant experience. Her new book, Old New Worlds, is available from Green Writers Press.
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Rowena Alegría is Chief Storyteller for the City & County of Denver, founder and director of the Denver Office of Storytelling and the citywide storytelling and cultural preservation project I Am Denver. A 2019 Jack Jones Literary Arts Fellow, a 2019 Vermont Studio Center Fellow and a 2018 Writing by Writers Fellow, Alegría earned an MFA in Fiction from the Institute of American Indian Arts and is a member of Sandra Cisneros’ Macondo Writers Workshop. A career journalist, communications executive and speech writer, she is writing a novel that plays with form and the history of the Southwest.
https://rowenaalegria.com/
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It was a joy to sit down with Meredith O'Brien to talk about her COVID-era memoir, UNCOMFORTABLY NUMB. We explore her experiences with a Multiple Sclerosis diagnosis through her lens of investigative journalism. In our conversation, she uncovers the all-too-prevalent patriarchal notion that women don't know their bodies as she struggles to get her diagnosis.
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A Boston area writer, Meredith has authored four books and co-authored one, including Mr. Clark’s Big Band, which won an Independent Publisher Book Award and was a finalist for a Foreword Reviews INDIES Award. She teaches journalism at Northeastern University, where she also serves as a writing coach.
Uncomfortably Numb: a memoir (Wyatt-MacKenzie Publishing, 2020), author
This medical memoir traces the moment Meredith first experiences what she later learns is a multiple sclerosis symptom, through the two-year diagnostic process, and, ultimately to the other side where she had to make an uneasy peace with the incurable and chronic disease of the central nervous system.
Buy it: The book can be purchased on Amazon and Barnes & Noble.
Signed copies can be purchased through Tatnuck Booksellers of Westborough, MA. Email them at: [email protected]. Ask your local bookstore to carry it!
Connect with Meredith:
Facebook
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Twitter
Website
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Dance of the Sugar Plum Fairy by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/
Source: http://incompetech.com/music/royalty-free/index.html?isrc=USUAN1100270
Artist: http://incompetech.com/
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TW: Violence, Rape, Drugs
David Heska Wanbli Weiden: a name as poetic as his prose and as his book is necessary for us right now. Listen in as we discuss his earth-shattering debut novel, WINTER COUNTS. We talk about Indigenous rights, decolonization, characterization, and how fiction writing has the potential to change policy.
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David Heska Wanbli Weiden, an enrolled member of the Sicangu Lakota nation, is author of the novel WINTER COUNTS (Ecco/HarperCollins, 2020). WINTER COUNTS is a New York Times Editors’ Choice, and has been selected as an Amazon Best Book of August, Best of the Month by Apple Books, a main selection of the Book of the Month Club, and was an Indie Next Great Reads pick.
Weiden is also the author of the children’s book SPOTTED TAIL (Reycraft, 2019), a biography of the great Lakota leader and winner of the 2020 Spur Award from the Western Writers of America. He’s published in the New York Times, Shenandoah, Yellow Medicine Review, Transmotion, Criminal Class Review, Tribal College Journal, and other magazines. He’s the fiction editor for Anomaly, journal of international literature and arts, and he teaches creative writing at the Lighthouse Writers Workshop in Denver, the MFA program in Writing and Publishing at Vermont College of Fine Arts, and the low-residency MFA program at Western Colorado University.
He received his MFA in Creative Writing from the Institute of American Indian Arts, his law degree from the University of Denver Sturm College of Law, and his Ph.D. from the University of Texas at Austin. He’s an alumnus of VONA, a Tin House Scholar, a MacDowell Fellow, a Ragdale Foundation resident, and received the PEN/America Writing for Justice Fellowship. He’s an active member of the Mystery Writers of America, International Thriller Writers, Western Writers of America, and the Wordcraft Circle of Native Writers. He’s Professor of Native American Studies and Political Science at Metropolitan State University of Denver, and lives in Colorado with his two sons.
His last name, Weiden, is pronounced “Why-den.” Heska Wanbli is pronounced “Heh-ska Wahn-blee.” His nation, the Sicangu Lakota, is pronounced “See-chon-goo Lah-coat-ah.
Website
Twitter
Facebook
Instagram
WINTER COUNTS Playlist
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Listen in as Sarina Prabasi and I discuss the political state of the nation, the effects of COVID-19 on small businesses like Buunni Coffee, the joy and rage of motherhood, and more.
Find and follow Sarina Prabasi:
Website
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Buunnii Coffee Twitter
Purchase The Coffeehouse Resistance: Brewing Hope in Desperate Times by Sarina Prabasi:
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Another simple, free way to support the show is by leaving a star-rating and most importantly writing a short review on Apple Podcasts telling the masses what you think about the show. Thank you!
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Listen in as the wonderful Michele Filgate and I discuss her anthology WHAT MY MOTHER AND I DON'T TALK ABOUT (Simon & Schuster, 2019) on Mother's Day. And Italy, a lot of conversation about Italy. Beyond that, we tackle immense loss, mother figures, the editing process, and more.
Currently, Michele is an M.F.A. student at NYU, where she is the recipient of the Stein Fellowship. Her work has appeared in countless publications including The Washington Post, The Los Angeles Times, The Paris Review Daily, Tin House, The Rumpus, Salon, and O, The Oprah Magazine. She teaches creative writing at NYU and is the founder of the Red Ink series.
Find links to her work here:
http://www.michelefilgate.com/
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For my 17th episode, I sat down with brilliant Denver-based poet Andrea Rexilius. Andrea is the author of Sister Urn (Sidebrow, Spring 2019), New Organism: Essais (Letter Machine, 2014), Half of What They Carried Flew Away (Letter Machine, 2012), and To Be Human Is To Be A Conversation (Rescue Press, 2011), as well as the chapbooks, Séance (Coconut Books, 2014), and To Be Human (Horseless Press, 2010). Her creative and critical writing is featured in the following anthologies: Anne Carson: Ecstatic Lyre (U of Michigan P), The Volta Book of Poets (Sidebrow Books), Sixty Morning Talks: Serial Interviews with Contemporary Authors (Ugly Duckling Press), and Letter Machine Book of Interviews (Letter Machine Editions). She is Core Faculty in Poetry, and Program Coordinator, for the Mile-High MFA in Creative Writing at Regis University. She also teaches in the Poetry Collective at the Lighthouse Writers Workshop in Denver, Colorado.
This episode is very dear to my heart, as Andrea entered into a space of such vulnerability and openness around the life and death of her sister Andrea Erki. We explore loss and grief, the entanglements of living, and the ways in which poetry can create a language of connection where no words could do so before.
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