Episodes
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Watch out for creepy dudes trying to take your picture! In this episode, Jonny and Aileen talk about the film, Woman of the Hour. In 1970s Los Angeles, as a wave of murders makes headlines, a young aspiring actress and a serial killer cross paths during an episode of The Dating Show. Jonny and Aileen also discuss Costa Rican actor Daniel Zovatto, infamous serial killer Rodney Alcala and self defense tips.
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In the final "Tenemos Visitas" segment, Jonny and Aileen are joined by Mikey Peralta Jr. to talk about the film El Hombre del Saco. A mom and her 3 kids move to a small town where they discover that the area is being hit by a wave of child disappearances. The children of the town have a theory: it's el Hombre del Saco… whose myth originates in that same town. The trio also talks about the real crime that inspired the legend and the Uruguayan writers, Juma Fodde and Ignacio Garcia Cucucovich.
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Time for a knock off Freddy Kruger from Mexico! Jonny and Aileen, joined by Jeffrey Cranor from Random Number Generator Horror Podcast no 9, watch Trampa Infernal. A group of teenagers intend to hunt a bear and are stalked by a masked madman Vietnam veteran. The pals also talk about Mexican actress Edith Gonzalez and Mexican comedy actor Charly Valentino.
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In another special Tenemos Visitas episode, Jonny and Aileen are joined by hosts of podcast, White People Won't Save You, Jordan Clark and Cameron Mason. They all chat about Brazilian film, As Fábulas Negras. In this horror anthology, a group of kids embarks in a macabre adventure, full of characters from popular Brazilian folklore. They also discuss the origins of some Brazilian fables, and one of the anthology's directors, Petter Baiestrof.
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It's October y tenemos visitas! Jonny and Aileen welcome the hosts of the podcast, Espooky Tales to chat about El Prófugo. A voice actress faces an identity crisis, convinced her body is being overtaken by intruders from her dreams. The group also discusses Argentinian writer and director Natalia Meta and Argentinian actresses Érica Rivas and Cecilia Roth.
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Get your black and white face paint out because Jonny and Aileen talk about the Chilean found footage film, Invoking Yell. Three young women venture into the woods to shoot a demo tape for their Black Metal band. However, things take a sinister turn as they document their disturbing and unorthodox process of recording paranormal phenomena. Jonny and Aileen also discuss the genres within Black Metal, Chilean Black Metal bands and Chilean actress, Macarena Carrere.
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Celebrate the beginning of Latinx Heritage Month with Jonny and Aileen as they talk about the film, American Carnage. After an executive order is issued to arrest the children of undocumented immigrants, the newly detained youth are offered an opportunity to have their charges dropped by volunteering at a rest home. But something isn’t right about that place… Jonny and Aileen also discuss VP Kamala Harris and Donald Trump's immigration policies, writers and director of the film, The Hallivis Brothers, and Colombian music group Bomba Estéreo.
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Have you heard of "horror edging"? Jonny and Aileen talk about the found footage film, Horror in the High Desert 3: Firewatch. As a wildfire bears down on the opposite side of the state, Oscar Mendoza takes advantage of the distraction and journeys to Northeastern Nevada in search of missing outdoorsman Gary Hinge's last known whereabouts. Jonny and Aileen also discuss actor Marco Parra, director Dutch Marich and Skinwalkers.
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Boils! Machine gun legs! BBQ! All this and more when Jonny and Aileen talk about Robert Rodirguez's Planet Terror. After an experimental bio-weapon is released, turning thousands into zombie-like creatures, it's up to a rag-tag group of survivors to stop the infected and those behind its release. Jonny and Aileen also discuss actors Freddy Rodriguez and Danny Trejo, as well as producer Elizabeth Avellán.
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It's time to DIY in Uruguay! Jonny and Aileen talk about Ricardo Islas' Las Cenizas de Crowley. In this low budget film, the vampire Crowley resuscitates three years after his death, when three young women practice a series of sadistic rituals. Jonny and Aileen also discuss the ocultist Aleister Crowley and some behind the scenes facts!
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¡Chicos, Chicos, Chicos! Jonny and Aileen talk about the Mexican sequel Vacaciones de Terror 2: Cumpleaños Diabólico. Julio now quietly runs an antique shop when a chance encounter and a child’s birthday party brings him face to face with la muñeca diabólica and the nightmare begins again! Jonny and Aileen also talk about Mexican singer and actress, Tatiana and the differences of Halloween and Dia de los Muertos.
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Be gay, do crime. Jonny and Aileen talk about the Mexican film, Muerte en la Playa. A disturbed young man begins murdering those around him who he sees responsible for his trauma while trying to overcome his own homosexual desires. Jonny and Aileen also discuss the glamorous actress Sonia Infante, director Enrique Gómez Vadillo, and actor Andres Bonfiglio.
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And 5, 6, 7, 8! Jonny and Aileen talk about the French film, Climax, directed by Argentino Gaspar Noé. Members of a dance troupe rehearsing in an abandoned school, drink a drug-laced sangria that causes their jubilant rehearsal to descend into a dark and explosive nightmare. Jonny and Aileen also discuss director Gaspar Noé and this movie's filming process, LSD, and Ballroom Culture.
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*Trigger Warning* The pandemic will be discussed! Jonny and Aileen talk about Argentinian short film, Eva. The pandemic that occurred years ago turns the nation into a religious society. Jonny and Aileen also discuss Argentinian director Gonzo Llorente and how the Covid 19 pandemic affected Argentina.
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Jonny and Aileen talk about the film, based on the novel of the same name, Distancia de Rescate. The charged relationship between two moms, one a visitor and the other a local, reveals a looming environmental catastrophe and a tale of broken souls. Jonny and Aileen also discuss Peruvian director and co-writer, Claudia Llosa, Argentinian co-writer and author of the novel, Samanta Schweblin, and the possible link of growing health problems in Argentina to pesticides.
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We're in for a sensory ride! Jonny and Aileen talk about the Mexican film, Desaparecer Por Completo. After visiting a crime scene, a callous tabloid photographer falls prey to a mysterious affliction. Jonny and Aileen also discuss director Luis Javier Henaine, actor Harold Torres, and el mercado Sonora.
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Jonny and Aileen are sent back to their youths once again with the Brazilian film, Mate-Me Por Favor. In the neighborhood of Barra da Tijuca in Rio de Janeiro, a wave of murders plague the area. What starts off as a morbid curiosity for the local youth slowly begins to spoil away at their lives. Jonny and Aileen also discuss director Anita Rocha da Silveira, the murder case of Brazilian actress Daniela Perez, and the music genre, Funk Carioca.
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In this special ¡Uy Que Horror! episode, Jonny and Aileen discuss watching The First Omen. A young American woman is sent to Rome to begin a life of service to the church, but encounters a darkness that causes her to question her faith. They are also joined by writer and director of the film, Arkasha Stevenson, for a conversation on Brazilian legend Sonia Braga, Arkasha's horror influences in the film and the importance of body horror.
The First Omen comes out Friday, April 5th.
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Our candles are flickering! Jonny and Aileen watch the Argentinian horror short, Detrás de la Puerta. Milagros performs a ritual to speak one last time with her dead father. She has to ask him for a favor, but doesn't know that calling the dead can bring terrible consequences. Jonny and Aileen also talk about Argentinian director Andrés Borghi and his brother and musical composer, Pablo Borghi.
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It's time for another Carlos Enrique Taboada film! Jonny and Aileen watch El Libro de Piedra. Sylvia has an imaginary friend. When strange things begin happening to her family and governess, they begin to fear Sylvia’s friend may not be imaginary after all. Jonny and Aileen also discuss the Mexican actors involved like Marga López, Norma Lazareno, Aldo Montí and Joaquín Cordero.
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