Episodes
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Lend us your (severed) ears! This week, we’re jumping back into our Lynch series with a trip to Lumberton, USA, as our beloved Jamie Loftus joins us to chat about 1986’s BLUE VELVET. We’re going deep on the star persona of Kyle MacLachlan, David Sims’ obsession with Dean Stockwell, and David Lynch’s unironic obsession with Americana. How does a movie that deals with such deeply disturbing themes end up being so watchable? That’s that Lynchian magic, baby!
Be sure to listen to Sixteenth Minute (of Fame)
Buy Jamie’s Book: Raw Dog: The Naked Truth About Hot Dogs
Listen to The Bechdel Cast
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We’re taking a break from David Lynch to answer one of the year’s biggest questions - Is Burton Back, Baby? Ummmm…kind of! Grab your “Handbook for the Recently Deceased” commemorative popcorn tin and join us as we attempt to untangle the very messy BEETLEJUICE BEETLEJUICE. Which sequences wowed us with their sparkling ingenuity? Which plotlines would we excise from the script? What song would you possess people to lipsync to and why is it Bloodhound Gang’s “The Bad Touch”? And - the most important question of all - why has David Sims not been publishing movie reviews lately, why wasn’t he at TIFF, and what the hell is going on at the Sims Swamp?
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The sleeper must awaken. The filmography must contain a flop. We’ve arrived at the Planet Arrakis aka the Desert Planet aka DUNE (1984) - David Lynch’s attempt at wrangling Frank Herbert’s space epic into a single studio blockbuster. Did it work? Not really. Do we have fun talking about it? Hell yeah, we do! John Hodgman joins us to talk about all things “spice” - including the infamous glossary of Dune terms handed out in theaters, and a wild anecdote about Peter Berg reading Dune on an airplane. We talk about Lynch’s decision to turn down directing Return of the Jedi, the differences between Lynch’s take on Dune and Denis Villeneuve’s more critically successful version, and David finally gets the chance to let his Fremen freak flag fly by going FULL NERD.
Buy John’s Books
Watch Dicktown on FX/Hulu
Listen to Judge John Hodgman
See Judge John Hodgman on Tour
Subscribe to John’s Substack
Get your Congratulations merch
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We’re getting in touch with our emotions this week, as Alex Ross Perry joins us to talk about Lynch’s deeply-felt, sensitively-rendered 1980 classic THE ELEPHANT MAN. Is this the most “normal” movie in Lynch’s filmography? What does “normal” mean, anyway? As with all Alex episodes, questions are posed and hotly debated, such as: What filmmakers, aside from David Lynch, made their most important work in the later part of their careers? What is the Lynch film that young people vibe with most strongly now? Did Michael Jackson actually attempt to purchase the Elephant Man’s bones? When will the Cinematrix puzzle get rid of the godforsaken “Rotten Tomatoes score” category? What does David Sims have against the famous David Foster Wallace profile of David Lynch?
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In heaven (and in podcasting), everything is fine. Welcome to TWIN PODS: FIRE CAST WITH ME, a series on the films of David Lynch - former Eagle Scout and totally normal human man. With his 1977 debut feature ERASERHEAD, Lynch burst on to the scene somewhat fully formed as an artist, confused by normal social interactions and motivated by a seething hatred of Philadelphia. The last part of that sentence is only partially a joke. Join us as we discuss where Eraserhead fits in the pantheon of first features we’ve covered on Blank Check, where this film ranks in the “Dang Ass Freak” canon, whether we first watched this movie in a basement or on a “night porch,” the stress of parenthood, the origin story of McDonald’s mascot Grimace, and much more. Oh, and obviously - the Lady in the Radiator makes an appearance. You are not hallucinating, she is really there.
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Welp, our Kevin Costner series ends not with a bang, but a whimper. With the pulling of Horizon: An American Saga - Chapter 2 from theaters, we are left to only speculate what the future holds for Costner’s self-funded crazy passion project. What we can tell you is that Chapter 1 doesn’t really feel like its own self-contained movie. Plotlines are established, characters are introduced, and then…Giovanni Ribisi shows up.
Watch Kev on The Rich Eisen Show
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You know the Butcher? That freakin' nutjob that goes around just chopping people up? Well, we’re about to spend nearly three hours talking about him! Join us as we unpack TRAP - the devilishly entertaining new thriller from M. Night Shyamalan, with special insights from our own David Sims, who spent much of this year interviewing Night at his compound in Philadelphia. We’re talking about a bunch of things - dads, serial killers, how much we don’t like going to concerts, the sexy elephant mascot of the New York Liberty, Josh Hartnett’s career arc - when we’re not excusing ourselves to go to the bathroom to uh…check on some apps.
Read David’s Profile of M. Night
Read Esther’s Article on The Shyamalans
Check out the Saleka merch
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Free-grazers and CR-heads - this is your week. The icon, the legend, the Ringer’s own Chris Ryan joins us to talk about Kevin Costner’s understated 2003 western OPEN RANGE. We’re finally doing a deep-dive on the Taylor Sheridan empire (aka Chris tells us what Mayor of Kingstown is actually about) as we set up the later part of Costner’s career in the run-up to Horizon. We spend a good amount of time lauding the consistent greatness of Robert Duvall and Annette Bening. You can practically hear the relief in our voices when we talk about how this movie is actually quite good! It may or may not be racist against the Irish, but - hey. How great is that chocolate scene?!
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This week’s movie has everything - fake teeth on Giovanni Ribisi, a mule performing Shakespeare, Tom Petty, Kevin Costner’s irresistible sperm…you read that correctly. This film has a major plot line that revolves around Kevin Costner’s sperm. Our beloved Emily St. James joins us to talk about Kevin Costner’s colossal 1997 flop, the post-apocalyptic ode to the US Postal Service - THE POSTMAN. There are parts of this movie that are truly moving. There are other parts of this movie where Kevin Costner and Will Patton wrestle in slow motion. It’s a fascinating text.
Buy Emily’s Book about Lost: LOST: Back to the Island: The Complete Critical Companion to The Classic TV Series
Be on the lookout for Emily’s Novel “Woodworking” out April 2025 - Read more HERE
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In a first for Blank Check, we’re covering a filmmaker who has acted alongside our own Griffin Newman! In our premiere episode covering the directorial career of Draft Day co-star Kevin Costner, we’re unpacking his 1990 Best Picture winner, DANCES WITH WOLVES. Costner as personal mythmaker, Costner as “movie sports guy,” Costner as “hot guy who women all want to sleep with (?)”, Costner as man who decided - at a crucial (and early!) point in his career - to take a huge risk by making a 3-hour epic in an old-fashioned genre. He’s a fascinating figure. Come west with us, listeners, as we discover the frontiers within ourselves and within Lieutenant John Dunbar.
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The first "G" in "Gigli" is pronounced like the "J" in “Jacques,” the second “G” is silent. Rhymes with "really." Now that that’s out of the way - we conclude our Martin Brest series with the turkey of all turkeys. The Bennifer original sin, the project that should have gotten Justin Bartha put in prison. That’s right, folks. We’re talking about one of the canonical “Worst Movies Ever Made” - 2003’s GIGLI. Screenwriter Jen D’Angelo joins us to talk about this fascinating cultural object, and makes a case that Ben Affleck is “good in this movie, actually.” Griffin and David disagree. We’re going to Baywatch!
Read the Variety Article referenced in the episode
Watch Martin Brest’s First Interview in 20 Years
Follow Jen on Instagram
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He’s hot. He’s got frosted tips. He loves peanut butter. His lil swimmers may or may not look like skulls. He’s death, baby! And we’re meeting him this week! Vanity Fair’s Richard Lawson returns to the pod to chat about 1998’s three hour long “symphonic metaphysical romance” MEET JOE BLACK. How does this film play in a post-Succession, “eat the rich” context? How do we feel about the infamous Jamaican patois scenes? What are our memories of the weekend the Phantom Menace trailer came out in theaters? All that and more awaits you on the other side of the bridge.
Read Chad Hartigan’s article on Meet Joe Black
Read Richard’s work at Vanity Fair
Listen to Little Gold Men
Listen to Still Watching
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Warning - this episode contains an ungodly amount of Pacino impressions. Listener discretion is advised.
“Actor’s actor” and local boy from Queens David Krumholtz becomes the second cast member of Oppenheimer and first person immortalized in Griffin’s beloved Disney Emoji Blitz to guest on our Martin Brest series as we talk about 1992’s dire SCENT OF A WOMAN. Would this movie be less terrible if it were at least 40 minutes shorter? What if the original first choice for Lt. Col. Frank Slade - Jack Nicholson - had done this film instead of Pacino? What if we swapped Philip Seymour Hoffman for the charisma vacuum that is Chris O’Donnell? Sadly, we can only imagine these scenarios. Join us for lots of candid Krumholtz anecdotes, a scorching hot take regarding the diner scene in Heat, and more!
Check out David in Lousy Carter
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In a first for Blank Check, Ben Hosley produces an entire episode while handcuffed and under threat of legal action. What else would you expect from a MIDNIGHT RUN episode? The great Alan Sepinwall returns to the pod to talk about Martin Brest’s fantastic cross-country buddy caper, a film that proved that DeNiro could do comedy and that Charles Grodin might be the funniest man alive. We’re talking about the unofficial Larry the Cable Guy sequel (?), the famous casting what-ifs (Cher!), and the magic that went into making this movie so breezy, effortless, and fun. We didn’t how good we had it back in 1988, did we?l
Pre-order Alan’s book, “Saul Goodman V. Jimmy McGill: The Complete Critical Companion to Better Call Saul”
Subscribe to What's Alan Watching
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An indelible synth theme by Harold Faltermeyer. A scene-stealing turn from Bronson Pinchot. A banana in a tailpipe. EDDIE FREAKING MURPHY. It’s no wonder that Martin Brest’s Beverly Hills Cop is one of the most beloved action comedies (and still the highest-grossing R-rated film adjusted for inflation). We couldn’t be more thrilled to have two of the hottest action directors in Hollywood - Bad Boys: Ride or Die’s Adil & Bilall - join us to talk about Brest’s blockbuster second feature, bringing all the expertise from their years spent developing Beverly Hills Cop 4. We’re getting into the Stallone of it all, the Simpson/Bruckheimer of it all, the Judge Reinhold of it all - while also taking some time to unpack the specific nuances that Brest brings as a director (as opposed to Tony Scott’s take on the sequel). And….yes. We talk about BATGIRL.
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After years of citing him as a potential series, we’re finally Brest men. In this inaugural episode of our “Podverly Hills Cast” series, we’re taking a look at Martin Brest’s debut feature, 1979’s understated and deeply enjoyable old man heist film “Going in Style.” James Urbaniak joins us to chat through the beginning of Brest’s career, and the storied personas of George Burns, Art Carney, and Lee Strasberg. Cream cheese and jelly sandwiches on toasted rye for everyone!
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We return to the Wasteland this week with Furiosa, and we’ve got quite the tour guide. Kyle Buchanan - author of Blood, Sweat & Chrome, THE book on the making of Mad Max: Fury Road - joins us as we do a definitive post-mortem on George Miller’s latest. Going up against the reputation of Fury Road was always going to be an uphill battle for the Anya Taylor-Joy starrer, and we go into all the ways in which this film matches, exceeds, or misses the highs of 2015’s action classic. Kyle brings with him plenty of behind-the-scenes details and shrewd observations, and Ben and Griffin bring a visceral report from their 4DX screening. And yes - of course we talk about how Dementus looks just like Guru Pitka.
Read Kyle’s writing at the New York Times
Check out his Oral History of Fury Road as well as his book; Blood, Sweat & Chrome: The Wild and True Story of Mad Max: Fury Road
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Come join the dream parade, folks - we’re talking about Paprika! Mother of the Blankies Emily Yoshida is with us to chat about Satoshi Kon’s final film - a film that FEELS like a swan song especially in hindsight. In this episode, we address the elephant in the room (those Inception comparisons), dive into the serialized story Paprika was based on, and Griffin makes the important connection between Paprika’s “DC mini” device and this being a “BC mini” (series). Plus, we establish 2024 as “The Year of Dreams” (Kon and Lynch on Blank Check!!), and Emily, Ben, and Griffin discuss their experience attending a special screening of Clifford with Martin Short himself.
Check out Shogun on FX and listen to Shogun: The Official Podcast hosted by Emily
Read Emily’s writing on Paprika
Please follow Hollywood Entertainment (the organizers of the Clifford screening mentioned on the episode)for upcoming screenings in LA (including a new residency at Heavy Manners Library), regular streaming programs (accessible everywhere), and a to-be-announced return to New York this fall.
https://www.instagram.com/hollyw00dentertainment
https://www.hollywood-entertainment.com/
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They call them the Godfathers of Tokyo…and we call him the KING of TIKTOK (in an old man newscaster voice) - Reece Feldman joins us to chat about Satoshi Kon’s beautiful Christmas fable about a trio of unforgettable characters on the fringes of society. We talk about how animation is truly a medium and NOT a genre, as evidenced by this film. We talk about Ice Age (another animated movie where outsiders care for a baby). We talk about whether or not David might get roped into watching Ice Age a million times if his daughter finds out about it. And we talk about David’s pitch for a Cheaper by the Dozen spoof called “Cheaper by the Cousin”…?
Follow Reece on his socials: TikTok - Instagram
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Our Satoshi Kon series continues with his 2003 film Millennium Actress, a moving exploration of memory, history, and the magic of da moviesh. Writer Hoai-Tran Bui returns to the pod as we discuss the strange history of Dreamworks’ arthouse animation arm (Go Fish pictures), the luminous screen presence of Setsuko Hara, and the added poignancy this film takes on in light of Kon’s untimely passing. Plus, Griffin publicly addresses the Penny Marshall debacle, and the gang contemplates a version of “Millennium Actor” with Clint Eastwood.
Read Hoai-Tran’s work
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Join our Patreon at patreon.com/blankcheck Follow us @blankcheckpod on Twitter and Instagram! - Show more
