Episodes
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I feel like recent music news is often bad news. And I’m a contributor to that. Just last week I wrote a long piece about problems in the music industry that don’t get enough attention. But tomorrow is my 29th birthday. In celebration, I wanted to talk about some great things that are happening.
As a reminder, this is the podcast version of the newsletter Can’t Get Much Higher. Click here to read the newsletter. It contains charts, graphs, and pictures that will color your listening. Click here to listen on Apple or Spotify. For a playlist of every new song that I’ve recommended, click here. For a playlist of every old song that I’ve recommended, click here. If you want to here songs and their answer songs, check out this playlist that I made on Spotify.
This is a public episode. If you’d like to discuss this with other subscribers or get access to bonus episodes, visit chrisdallariva.substack.com/subscribe -
It feels like 99% of music industry press is focused on one of two issues: streaming royalties and the Ticketmaster antitrust case. Of course, these are major issues affecting an untold number of artists. But given that I spend an ungodly amount of time working in, thinking about, and making music, I often come across other pesky problems that get little to no press. This week, I want to give 14 of these issues their due.
As a reminder, this is the podcast version of the newsletter Can’t Get Much Higher. Click here to read the newsletter. It contains charts, graphs, and pictures that will color your listening. Click here to listen on Apple or Spotify. For a playlist of every new song that I’ve recommended, click here. For a playlist of every old song that I’ve recommended, click here. If you want to here songs and their answer songs, check out this playlist that I made on Spotify.
This is a public episode. If you’d like to discuss this with other subscribers or get access to bonus episodes, visit chrisdallariva.substack.com/subscribe -
Missing episodes?
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I don’t curse. Why? Unpacking that would require a podcast in and of itself. Nevertheless, I’ve always been fascinated by cursing. While some of that fascination is due to the fact that I don’t partake in the crass art, a bigger piece of it is driven by how creative humans are with using expletives. This week I want to pick apart some of that creativity in order to answer an important question: When the f*ck did we start putting the word “sh*t” in our songs?
As a reminder, this is the podcast version of the newsletter Can’t Get Much Higher. Click here to read the newsletter. It contains charts, graphs, and pictures that will color your listening. Click here to listen on Apple or Spotify. For a playlist of every new song that I’ve recommended, click here. For a playlist of every old song that I’ve recommended, click here. If you want to here songs and their answer songs, check out this playlist that I made on Spotify.
This is a public episode. If you’d like to discuss this with other subscribers or get access to bonus episodes, visit chrisdallariva.substack.com/subscribe -
I think the adage “Never meet your heroes” is generally good advice. I can’t say for sure, though. I haven’t met many of mine. Except one time. When I was in high school, I had a chance run-in with my greatest musical hero. It made me think that maybe some of our heroes are worth meeting.
As a reminder, this is the podcast version of the newsletter Can’t Get Much Higher. Click here to read the newsletter. It contains charts, graphs, and pictures that will color your listening. Click here to listen on Apple or Spotify. For a playlist of every new song that I’ve recommended, click here. For a playlist of every old song that I’ve recommended, click here. If you want to here songs and their answer songs, check out this playlist that I made on Spotify.
This is a public episode. If you’d like to discuss this with other subscribers or get access to bonus episodes, visit chrisdallariva.substack.com/subscribe -
Clarinet players aren’t sex symbols. I say this with no disrespect for those that play the single-reeded woodwind. But if you asked a random person on the street to name a clarinet player, I suspect most couldn’t come up with one, let alone one known for their good looks. Then again, this isn’t a particular indictment of clarinetists. If you asked that same person to name a sexy musician, I’d bet a large sum of money they’d name a vocalist.
This wasn’t always the case, though. Go back to the 1930s and 1940s, and some of the biggest pop stars didn’t sing. They just played an instrument. This week I want to explore this radical shift.
As a reminder, this is the podcast version of the newsletter Can’t Get Much Higher. Click here to read the newsletter. It contains charts, graphs, and pictures that will color your listening. Click here to listen on Apple or Spotify. For a playlist of every new song that I’ve recommended, click here. For a playlist of every old song that I’ve recommended, click here. If you want to here songs and their answer songs, check out this playlist that I made on Spotify.
This is a public episode. If you’d like to discuss this with other subscribers or get access to bonus episodes, visit chrisdallariva.substack.com/subscribe -
I've got a new song out today. It's called "Late Nite Kicks". In today's podcast, I give you an inside scoop of how my creative process works as we walk through how the song came to be. Listen to "Late Nite Kicks" wherever you stream music.
As a reminder, this is the podcast version of the newsletter Can’t Get Much Higher. Click here to read the newsletter. It contains charts, graphs, and pictures that will color your listening. Click here to listen on Apple or Spotify. For a playlist of every new song that I’ve recommended, click here. For a playlist of every old song that I’ve recommended, click here. If you want to here songs and their answer songs, check out this playlist that I made on Spotify.
This is a public episode. If you’d like to discuss this with other subscribers or get access to bonus episodes, visit chrisdallariva.substack.com/subscribe -
Over the last few weeks, there has been an explosive beef between hip-hop stalwarts Drake and Kendrick Lamar. What started out as a standard tit-for-tat has devolved into a volleying of nuclear bombs, accusations of predatory behavior, domestic violence, and absentee parenting flying with abandon. If you want a summary of a situation that is starting to require way too much time to follow, I recommend these pieces from Stereogum and Pitchfork. Nevertheless, this back-and-forth got me thinking about how hip-hop diss tracks are really part of a larger, less defamatory tradition.
As a reminder, this is the podcast version of the newsletter Can’t Get Much Higher. Click here to read the newsletter. It contains charts, graphs, and pictures that will color your listening. Click here to listen on Apple or Spotify. For a playlist of every new song that I’ve recommended, click here. For a playlist of every old song that I’ve recommended, click here. If you want to here songs and their answer songs, check out this playlist that I made on Spotify.
This is a public episode. If you’d like to discuss this with other subscribers or get access to bonus episodes, visit chrisdallariva.substack.com/subscribe -
One of my favorite newsletters is Dan Epstein's Jagged Time Lapse. In each edition, Epstein captures how music intersects with our lives in unexpected ways, how it can send us hurtling through space and time, how it can be both magical and mundane. This week, Epstein brings one of his stories to Can't Get Much Higher. If you enjoy it, make sure you subscribe to Jagged Time Lapse.
As a reminder, this is the podcast version of the newsletter Can’t Get Much Higher. Click here to read the newsletter. It contains charts, graphs, and pictures that will color your listening. Click here to listen on Apple or Spotify. For a playlist of every new song that I’ve recommended, click here. For a playlist of every old song that I’ve recommended, click here.
This is a public episode. If you’d like to discuss this with other subscribers or get access to bonus episodes, visit chrisdallariva.substack.com/subscribe -
Beyoncé announcing the lead single to her latest album Cowboy Carter in a Verizon commercial during the Super Bowl reminded me of how intertwined music and commerce have become and how selling out isn’t an idea anymore. This week we try to figure out what happened to selling out.
As a reminder, this is the podcast version of the newsletter Can’t Get Much Higher. Click here to read the newsletter. It contains charts, graphs, and pictures that will color your listening. Click here to listen on Apple or Spotify. For a playlist of every new song that I’ve recommended, click here. For a playlist of every old song that I’ve recommended, click here.
This is a public episode. If you’d like to discuss this with other subscribers or get access to bonus episodes, visit chrisdallariva.substack.com/subscribe -
In 2023, only 36% of recorded music revenues in Japan came from streaming. 55% came from physical sales, the large majority of which was from CDs. This week we explore why CDs remain so popular in Japan.
As a reminder, this is the podcast version of the newsletter Can’t Get Much Higher. Click here to read the newsletter. It contains charts, graphs, and pictures that will color your listening. Click here to listen on Apple or Spotify. For a playlist of every new song that I’ve recommended, click here. For a playlist of every old song that I’ve recommended, click here.
This is a public episode. If you’d like to discuss this with other subscribers or get access to bonus episodes, visit chrisdallariva.substack.com/subscribe -
Last week, Rolling Stone magazine published an article about Suno AI, a startup that allows you to generate two-minute songs from a text prompts. I was playing around with this music-generation tool and was both blown away and scared. It made making music way too easy. It made me wonder if that ease was an issue.
As a reminder, this is the podcast version of the newsletter Can’t Get Much Higher. Click here to read the newsletter. It contains charts, graphs, and pictures that will color your listening. Click here to listen on Apple or Spotify. For a playlist of every new song that I’ve recommended, click here. For a playlist of every old song that I’ve recommended, click here.
This is a public episode. If you’d like to discuss this with other subscribers or get access to bonus episodes, visit chrisdallariva.substack.com/subscribe -
A few weeks ago, I met somebody who named their newborn daughter Lennon. That’s odd, I thought to myself. Given that the name Lennon is derived from the surname of John Lennon, I assumed it would generally be used for newborn boys. I decided to download some data to find out. Lennon, it seems, used to be more popular among newborn boys. Now, it’s mostly used for newborn girls. But in order to figure this out, I had to download 150 years of naming data from the Social Security Administration. I dove into that data to see what else I could learn about how pop culture influences names.
As a reminder, this is the podcast version of the newsletter Can’t Get Much Higher. Click here to read the newsletter. It contains charts, graphs, and pictures that will color your listening. Click here to listen on Apple or Spotify. For a playlist of every new song that I’ve recommended, click here. For a playlist of every old song that I’ve recommended, click here.
This is a public episode. If you’d like to discuss this with other subscribers or get access to bonus episodes, visit chrisdallariva.substack.com/subscribe -
Have you ever disliked an artist because you thought their music was dishonest? Maybe they were pretending to play an instrument that they couldn’t really play. Maybe they were doctoring up their vocals with pitch correction and effects. This week we dive deep into the idea of musical honesty to learn that it has no objective meaning. Whether you listen to folk or EDM or rock or anything, you’ve been fooled by recorded music.
As a reminder, this is the podcast version of the newsletter Can’t Get Much Higher. Click here to read the newsletter. It contains charts, graphs, and pictures that will color your listening. Click here to listen on Apple or Spotify. For a playlist of every new song that I’ve recommended, click here. For a playlist of every old song that I’ve recommended, click here.
This is a public episode. If you’d like to discuss this with other subscribers or get access to bonus episodes, visit chrisdallariva.substack.com/subscribe -
This week’s story comes from George Ball, a recent graduate with a love for all things music and data. Ball recently came across the fact that Avril Lavigne released her hit song “Girlfriend” in multiple languages, including Mandarin, Spanish, and German, among others. He uses Lavigne’s translations as a jumping off point to dive into the past and future of artists singing in different tongues.
As a reminder, this is the podcast version of the newsletter Can’t Get Much Higher. Click here to read the newsletter. It contains charts, graphs, and pictures that will color your listening. Click here to listen on Apple, Spotify, or Substack. For a playlist of every new song that I’ve recommended, click here. For a playlist of every old song that I’ve recommended, click here.
This is a public episode. If you’d like to discuss this with other subscribers or get access to bonus episodes, visit chrisdallariva.substack.com/subscribe -
Over the last decade, many popular publications have claimed that music festivals are getting more similar. I decided to look at 12 of the biggest festivals to investigate. As a reminder, this is the podcast version of the newsletter Can’t Get Much Higher. Click here to read the newsletter. It contains charts, graphs, and pictures that will color your listening. Click here to listen on Apple, Spotify, or Substack. For a playlist of every new song that I’ve recommended, click here. For a playlist of every old song that I’ve recommended, click here.
This is a public episode. If you’d like to discuss this with other subscribers or get access to bonus episodes, visit chrisdallariva.substack.com/subscribe -
Inspired by a fan question about tons of young artists dying in the 1960s and 1970s, I try to understand if that was when the most actually did die. As always, you can click here for the written version of this podcast. The written version contains charts, pictures, and graphs to color your understanding of the topic. For a playlist of every new song that I’ve recommended, click here. For a playlist of every old song that I’ve recommended, click here.
This is a public episode. If you’d like to discuss this with other subscribers or get access to bonus episodes, visit chrisdallariva.substack.com/subscribe -
In 2024, The Recording Academy pushed that it was the year of women at the Grammys. This week, we decide to investigate that claim, along with sharing a fascinating anecdote about Johnny Mercer and Sadie Vimmerstedt. As always, you can find the written version of this podcast here. It contains images, graphs, and charts to color this discussion. For a playlist of every new song that I’ve recommended, click here. For a playlist of every old song that I’ve recommended, click here.
This is a public episode. If you’d like to discuss this with other subscribers or get access to bonus episodes, visit chrisdallariva.substack.com/subscribe -
Last week, was the 65th anniversary of Buddy Holly’s death. Inspired by that sad anniversary, I want to talk a bit about the tragedy of dying young. Please note that this is the audio companion to my newsletter. For the written version of this episode, click here. For a playlist of every new song that I’ve recommended, click here. For a playlist of every old song that I’ve recommended, click here.
This is a public episode. If you’d like to discuss this with other subscribers or get access to bonus episodes, visit chrisdallariva.substack.com/subscribe
