Episodes
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For our final main episode of 2024, Louie and Russ look back at all the artists ranked in the Pop Pantheon this year— from Demi Lovato to Frank Ocean to Adele, Tina Turner, Pink and so many more— and, with the help of calls from our dedicated and very passionate listeners, assess whether any tier adjustments need to be made. Did Brat Summer make us overzealous on Charli XCX? Was it cruel to put Hillary Duff in Tier 5? With the blockbuster success of Wicked, has Ari finally made it to Tier 2? All that and more!
We'll be publishing a couple little treats on 12/24 and 1/2 and will be back to our regularly scheduled programming on 1/9 with new weekly episodes!
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In a preview of this week's Pop Pantheon: All Access episode, Russ saw over 20 (!!!) live concerts in 2024. Louie saw a few too. Today, they're getting together to rank them all— from Charli & Troye to Missy Elliott to Tate McRae to Usher to Madonna— from worst to best.
To hear the rest of the this episode plus receive weekly bonus episodes of Pop Pantheon, gain access to our Discord channel and so much more, subscribe to Pop Pantheon: All Access at the Icon Tier. You can also subscribe for the audio only directly in the Apple Podcasts app.
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Last week, Louie, Nora Princiotti, Jason P. Frank & Julianne Escobedo Shepherd counted down their favorite pop songs of 2024 before duking it out to settle on Pop Pantheon's definitive pop songs of the year. This week, Louie is joined by Nora once again along with Rolling Stone's Larisha Paul and Sam Murphy to discuss their favorite albums of the last twelve months and land on Pop Pantheon's Top 5 Albums of 2024.
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In a preview of this week's Pop Pantheon: All Access episode, over on the main feed, we're rolling out our best songs and albums of 2024 by some of the premier pop acts in the world. But what about some of the pop girlies who got.... less attention from mainstream audiences and critics? For our 2nd Annual Top of the Flops, Friend of the Pod Omri Rolan is back to count down the biggest and best flops of 2024 with Russ and Louie.
To hear the rest of the this episode plus receive weekly bonus episodes of Pop Pantheon, gain access to our Discord channel and so much more, subscribe to Pop Pantheon: All Access at the Icon Tier. You can also subscribe for the audio only directly in the Apple Podcasts app.
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Live from Parkside Lounge in New York City, DJ Louie is joined by Hearing Things' Julianne Escobedo Shepherd, Vulture's Jason P. Frank and The Ringer's Nora Princiotti to countdown each of their favorite top ten pop songs of the year, before hashing out the definitive Pop Pantheon Top Ten Pop Songs of 2024.
Check out a Spotify Playlist of Louie, Julianne, Jason & Nora's Favorite Pop Songs of 2024
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Check out Pop Pantheon's Adele Essentials Playlist on Spotify
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In a preview of this week's Pop Pantheon: All Access episode, Tom Breihan is here to talk about Kendrick Lamar's surprise 6th album, GNX, which surprise dropped last week in the wake of his triumph over Drake in their highly publicized battle from this summer. But Tom and Louie also get caught in the broader GNX Nexus, going off on tangents about Drake's future, Taylor and Jack Antonoff's creative collaboration and more.
To hear the rest of the this episode plus receive weekly bonus episodes of Pop Pantheon, gain access to our Discord channel and so much more, subscribe to Pop Pantheon: All Access at the Icon Tier. You can also subscribe for the audio only directly in the Apple Podcasts app.
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Happy Thanksgiving! We're off this week but we wanted to highlight an older episode, a personal fav of Louie's that many of you might have missed. This is our Robyn episode from way back in May 2021— the sixth of Pop Pantheon ever— with the brilliant Jia Tolentino. Not only is it wonderful conversation about one of the greatest pop artists of the modern era. It's where the Niche Legend Pantheon tier was created. A seminal moment in the podcast's history! Enjoy.
Buy tickets to Pop Pantheon: Best Pop Of 2024 LIVE IN NYC on Dec. 2 AND Dec. 3
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In a preview of this week's Pop Pantheon: All Access episode, the film adaptation of the Broadway musical Wicked is a smash hit, raking in $114 million dollars during its first weekend and earning rave reviews from critics and fans alike. One of its two leads, pop diva Ariana Grande, is also earning plaudits in her first headlining film role, even including some serious Oscar buzz.
But while many pop stars have attempted a Hollywood crossover, very few— even those with a successful film or two under their belts— have been able to turn that into a long-term successful film career. Why is that? And will things be different for Ariana?
Chief Film Critic at Vanity Fair and host of the podcast Little Gold Men Richard Lawson joins Louie and Russ to break down Ariana's performance in Wicked and what it portends for her future on the silver screen.To hear the rest of the this episode plus receive weekly bonus episodes of Pop Pantheon, gain access to our Discord channel and so much more, subscribe to Pop Pantheon: All Access at the Icon Tier. You can also subscribe for the audio only directly in the Apple Podcasts app.
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Michael Cragg returns to Pop Pantheon for the second installment in our two-part series on the grande dame of contemporary pop, Adele. Michael and Louie discuss Adele’s sabbatical following her breakout blockbuster success with 21, during which she crafted her comeback album, 2015’s 25. They dissect the album, from the booming piano ballad “Hello” to Adele’s collaboration with big pop producers like Max Martin, and her continued mega success. Finally, they tackle her most recent album, 30, her most experimental yet, and her forthcoming hiatus before ranking Adele in the Official Pop Pantheon.
Buy tickets to Pop Pantheon: Best Pop Of 2024 LIVE IN NYC on Dec. 2 AND Dec. 3
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Check out Pop Pantheon's Adele Essentials Playlist on Spotify
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The New York Times Senior Staff Editor Leah Greenblatt joins Pop Pantheon for the first in a two-part series on the mega diva of her generation, Adele. Leah and Louie explore Adele’s origin story, from her brief MySpace era to her official debut single which she wrote at just 16, “Hometown Glory.” From there they discuss her first album, 2008’s 19, which made her a star in the U.K., and “Rolling in the Deep,” which set the stage for her global takeover. Next, they tackle 21, a breakup album so successful, it was seen as single-handedly saving a struggling music industry struggling to adapt to the digital era.
Tune in next week for part two, covering 25, 30 and Adele’s place in the Official Pop Pantheon.
Buy tickets to Pop Pantheon: Best Pop Of 2024 LIVE IN NYC on Dec. 2 AND Dec. 3
Come to Gorgeous Gorgeous Presents: Y2GAY! The New Year's Eve Party in Brooklyn
Come to Gorgeous Gorgeous LA on Dec. 7 at Los Globos
Check out Pop Pantheon's Adele Essentials Playlist on Spotify
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In a preview of this week's Pop Pantheon: All Access episode, Louie and Russ react to Friday's Grammy Nominations and score their predictions from last week's episode. Then, they play a game of "Step Up, Step Down" about post-Sweat Tour Troye Sivan, Lady Gaga's "Disease", The Weeknd's new era and more.
To hear the rest of the this episode plus receive weekly bonus episodes of Pop Pantheon, gain access to our Discord channel and so much more, subscribe to Pop Pantheon: All Access at the Icon Tier. You can also subscribe for the audio only directly in the Apple Podcasts app.
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Katy Perry's latest album 143 lit the internet ablaze for all the wrong reasons when it dropped earlier this year, mostly because of how wrong it got nearly everything and how hard it underperformed as a result. 143 was a capital-F flop in the classic sense of the term. But what exactly does the moniker "flop" mean when it comes to pop music? What constitutes a true flop? How do pop fans use it? Where did it originate and how has it morphed over time into a term of endearment for diehards, especially queer ones? All that and more in this fascinating conversation.
Buy tickets to Pop Pantheon: Best Pop Of 2024 LIVE IN NYC on Dec. 2 AND Dec. 3
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In a preview of this week's Pop Pantheon: All Access episode, America is making it's most critical decision this week: who will be nominated for Grammys! Louie and Russ each share their predictions for which of your favs (and less favs) will get nominated in the Big Four categories ahead of the official announcement this Friday Nov. 8.
To hear the rest of the this episode plus receive weekly bonus episodes of Pop Pantheon, gain access to our Discord channel and so much more, subscribe to Pop Pantheon: All Access at the Icon Tier. You can also subscribe for the audio only directly in the Apple Podcasts app.
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Variety’s Steven J. Horowitz returns to Pop Pantheon to unpack the maddeningly underrated Kelis, who spent most of her career ahead of the curve and helped to carve out a new lane for alt-pop stardom in the 2000s. Louie and Steven dig into Kelis' origin story, from meeting The Neptunes as a teenager to her debut, 1999’s futuristic pop fantasia Kaleidoscope. From there, they unpack her success across the pond with 2001’s Wanderland and 2003’s ultra eclectic and masterful Tasty, which produced her biggest US hit and signature song, “Milkshake.” Next, they cover Kelis’s first foray away from The Neptunes with 2006's Kelis Was Here, her dance pop cult classic, 2010's Flesh Tone, and her final album, 2014’s soul-influenced Food. Lastly, Louie and Steven break down Kelis' niche pop legacy and rank her in the Official Pop Pantheon.
Buy tickets to Pop Pantheon: Best Pop Of 2024 LIVE IN NYC on Dec. 2 AND Dec. 3
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In a preview of this week's Pop Pantheon: All Access episode, Louie and Russ are here to fight about Lady Gaga's new single, "Disease", the first offering from her forthcoming album, "LG7". They then dive into Addison Rae's new single "Aquamarine" and ponder Halsey's latest record, The Great Impersonator, which dropped last Friday.
To hear the rest of the this episode plus receive weekly bonus episodes of Pop Pantheon, gain access to our Discord channel and so much more, subscribe to Pop Pantheon: All Access at the Icon Tier. You can also subscribe for the audio only directly in the Apple Podcasts app.
Grab Tickets to Pop Pantheon's Live Show in NYC where we'll be counting down the best pop music of 2024 with Nora Princiotti, Larisha Paul & Sam Murphy.
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We put out a call for our audience's most unpopular pop opinions: hot takes you have that no one else seems to agree with but you know in your heart to be true. And boy, did we get some! Rolling Stone's Larisha Paul joins Louie and Russ to field unpopular pop opinions about I Am... Sasha Fierce, Charli XCX, Glee Cast Versions, Speak Now, Britney's talents, Ed Sheeran and so much more. And in the process, they each reveal some fairly unpopular pop opinions of their own...
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Shaad D’Souza returns to Pop Pantheon for the conclusion of our three-part series on Charli XCX. Shaad and Louie unpack Charli’s 2020 lockdown album, the DIY How I'm Feeling Now, and 2022’s Crash, which ditched the outré experimentation of her PC Music era in favor of open gestures at the pop charts. From there, they discuss Charli’s return to the Hot 100 with “Speed Drive” and her most recent record, brat, which fuelled her unexpected rise from Niche Legend to the most talked about pop star in the world. Finally, they reassess Charli XCX’s place in the Official Pop Pantheon.
Check out Pop Pantheon's Charli XCX Essentials Spotify Playlist
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In a preview of this week's Pop Pantheon: All Access episode, Brat Summer becomes Brat Autumn as Charli XCX drops a completely reimagined version of her blockbuster album from earlier this year, Brat and it's Completely Different but Also Still Brat. Reanna Cruz joins Louie and Russ to break down Charli's latest addition to the Bratoverse and how it transcends the pitfalls of the cliche modern pop superstar remix, providing new twists, depth and dimension to the OG material with an all-star lineup from across the music world including Ariana Grande, Lorde, Addison Rae, Bladee, ShyGirl, Troye Sivan, Billie Eilish & more.
To hear the rest of the this episode plus receive weekly bonus episodes of Pop Pantheon, gain access to our Discord channel and so much more, subscribe to Pop Pantheon: All Access at the Icon Tier. You can also subscribe for the audio only directly in the Apple Podcasts app.
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Senior Editor at Pitchfork Anna Gaca returns to Pop Pantheon for the second in our three-part series on Charli XCX. Anna and Louie look back on Charli’s early link-ups with "hyperpop" innovator Sophie, starting with 2016’s Vroom Vroom EP, which began Charli's pivot from an also-ran on the pop charts into the genre’s savviest alternative auteur. From there, they chart her adventurous new creative direction, her work with frequent creative partner A.G. Cook on her 2017 mixtapes, the sugar-rush Number 1 Angel and the critically-beloved Pop 2. Finally, they discuss Charli's scrapped third studio album, XCX World, her failure to launch commercial singles in the U.S. and her 2019 self-titled album Charli.
Join us next week for our third and final part in the series, which will cover Charli’s output from 2020’s How I’m Feeling Now through brat.
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In a preview of this week's Pop Pantheon: All Access episode, Lady Gaga turned heads with her debut film role, her Oscar-nominated turn in 2018's A Star is Born, and many thought she might defy history and become the rare pop diva who successfully pivots to Hollywood. But since then, her track record has been spotty at best. Despite her performance being singled out as a bright spot, her next film, 2021's House of Gucci, got a mixed reaction at best. And now her third effort Joker: Folie à Deux, released last week, is being pegged as one of the biggest comic movie flops of all time, critically and commercially. With more duds than hits in her filmography, what's Gaga's future as a film star? Louie, Russ and Variety's Daniel D'addario discuss.
To hear the rest of the this episode plus receive weekly bonus episodes of Pop Pantheon, gain access to our Discord channel and so much more, subscribe to Pop Pantheon: All Access at the Icon Tier. You can also subscribe for the audio only directly in the Apple Podcasts app.
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