Episodes
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Robby Hoffman knows she comes in too hot. But that kind of in-your-face enthusiasm helped her go from being one of ten kids in a Hasidic Jewish family to a burgeoning standup comic and television writer. Robby tells Marc about the challenges of her upbringing, including the socially hazardous way she was publicly outed as a teen. They also talk about her love of Uniqlo, Egg McMuffins, and her writing breakthrough on the children’s show Odd Squad.
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Mo Mandel would like you to enjoy his new comedy special, see him perform live and, if you’re a studio executive, greenlight one of his scripts. But Mo also wants to make sure he doesn’t become too successful, otherwise he’ll lose the sweet deal of essentially being a stay-at-home dad. Mo tells Marc about adapting to his OCD, giving up on self-improvement, and getting sober at the same time he was hosting a show called Barmageddon.
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Filmmaker Billy Corben got an early taste of show business as an aspiring child actor. That aborted career path eventually turned into a new vocation as a maker of documentary films, including celebrated projects like Cocaine Cowboys and The U. Billy and Marc talk about the persistent connection to Florida in Billy’s work and how his latest film, From Russia with Lev, is both a cautionary tale about the dangers of a Trump Administration and a meditation on the quintessential Florida Man.
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The world learned who Robert Patrick was when he showed up as the T-1000 in Terminator 2, but prior to that break out, Robert saw himself as a failed athlete and alcoholic who was lucky to get a chance at success with this acting thing. Robert tells Marc how his personal struggles continued after T2, how being cast in The X-Files and The Sopranos turned things around for him, and how he’s now challenging himself in more productive ways.
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Keith Urban may seem like an outsider who conquered Nashville, but as he tells Marc, he was an outsider in his home country, too. Coming from what he calls an oddball family in Australia who owned American cars and played American country music, Keith’s journey to international superstardom was not without its roadblocks, some due to the industry, some self-inflicted. Keith also talks with Marc about his eleventh studio album, High, and how he didn’t realize it was so personal until the songs were coming out of him.
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Many films in the career of Robert Zemeckis, including his new one called Here, involve some form of time travel. As Robert explains to Marc, nothing does time travel better than movies. Robert talks with Marc about becoming a filmmaker thanks to Jerry Lewis, his partnership with Steven Spielberg, his collaborations with Tom Hanks, and the making of his beloved films like Back to the Future, Who Framed Roger Rabbit?, Forrest Gump and more.
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Al Pacino created indelible memories for generations of moviegoers. But while he was writing his own memoir, Sonny Boy, Al kept coming back to mental scenes of his days in the South Bronx, running around the streets with friends, enjoying the small things in life. Al talks with Marc about his growth as an actor from the stage to the screen, his formative friendship with acting teacher Charlie Laughton, and his career realization that he can only perform in something he relates to. They also go deep into Al’s performances in The Godfather, Dog Day Afternoon, and Scarface.
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Joe Boyd is part of the music industry in so many ways, as a producer, label founder and more, that his new memoir And The Roots of Rhythm Remain also serves as a history of global music, a political roadmap of popular music trends, and an education in traditional music forms. Joe talks with Marc about music as a way of piercing the past, including his own place in moments like Dylan going electric at Newport, Woodstock, and the beginnings of artists like Pink Floyd and Nick Drake.
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Langston Kerman named his new Netflix comedy special Bad Poetry, harkening back to his time as a high school teacher. But as someone with an MFA in poetry, Langston knows enough about the dividing line between the bad and the good in both poetry and comedy, two things which are forever connected in his life. Langston and Marc talk about his days as a teacher, as well as his time in Boston, his trip to China with students, the best comedy clubs in America, and why John Mulaney directed his special.
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Sebastian Stan believes creativity is the best therapy. So even when he's playing an unappealing person, like Jeff Gillooly in I, Tonya or Donald Trump in the new film The Apprentice, Sebastian knows there's always something to learn about humanity through his performances. Sebastian talks with Marc about fleeing from his home country of Romania at a young age, learning from master filmmakers like Jonathan Demme, seeking out unique material like the film A Different Man, and finding out that his portrayal of Bucky Barnes in the Marvel franchise has helped people through tough times.
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Connie Chung’s consummate professionalism and journalistic rigor worked against her as she put together her new memoir. Her impulse is to report the facts, but her editors told her she needed to include other things this time, like feelings and emotion. But as Marc finds out, Connie was able to thoroughly explore not only her past, but her family, her husband Maury Povich, and the world-changing news stories she covered as a reporter and later co-anchor of the CBS Evening News.
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It’s all a combination of old and new for Kaitlin Olson. She’s just finishing up shooting the first season of her ABC detective series High Potential and is now about to begin shooting the seventeenth season of It’s Always Sunny in Philadelphia. Kaitlin and Marc talk about the show that changed her life, not only because of the steady work it provided but because it’s also where she started a family. They also talk about her teenage head injury, the Pacific Northwest, therapy, the Groundlings, and her recurring role on Hacks.
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Kathleen Hanna’s life and career exist at the nexus of punk rock, outsider art, photography and feminism. Now that she’s been able to put it all into her memoir, Rebel Girl, Kathleen talks with Marc about her upbringing in the Pacific Northwest, the music scene in Olympia, Washington, her time fronting the bands Bikini Kill and Le Tigre, her solo projects, her activism, and much more. She also explains the underground riot grrrl movement and the space it created for women in rock music.
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Marvel fans around the world know Elizabeth Olsen as The Scarlet Witch, but Elizabeth says she has a different alter ego inside of her— that of an elderly New Yorker living on her own in the big city. Elizabeth talks with Marc about this fantasy and how it has something to do with a lifelong desire to avoid the trappings of fame. They also talk about Elizabeth becoming a Dead Head for her latest film, His Three Daughters, and how the two of them have a lot in common when it comes to food and health concerns.
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As a kid, Jason Ritter felt a lot of pressure as the son of a beloved actor who audiences felt like they knew personally. He didn’t feel pressure from his parents, but rather pressure from the world, believing he had to live up to being John Ritter’s son. Jason talks with Marc about how that insecurity, as well as his struggle to find his own identity, led directly to an acting career but also caused him mask his emotions with alcohol. They also talk about the limits of research, Matlock, and Jason’s wife Melanie Lynskey.
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While putting together his new memoir, Eric Roberts developed a fuller understanding of his life as an actor. As someone whose parents did not help him establish a sense of self, his journey through various roles and personality types was part of figuring out who he was. Eric and Marc compare notes on revelations about parents and Eric looks back on some of the roles that made him who he is, including his most recent performance in The Righteous Gemstones which is his favorite of his career.
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Hundreds of WTF guests have show business origin stories, but nobody has one like comedian Ali Macofsky, whose impulsive phone call to Ryan Seacrest live on the radio when she was seven years old got the ball rolling on her career. Ali tells Marc about this event and all the other spontaneous decisions in her early life that led to a failed audition for Hannah Montana, solitary trips to The Laugh Factory, teenage alcoholism, and eventual sobriety.
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She may have won an Oscar for her first film role, but Lupita Nyong’o spent the early part of her life hiding her desire to be an actor. Lupita tells Marc about growing up under autocratic rule, living in a country where creative voices were suppressed, and learning how to speak out even when it’s risky. Lupita also explains why she followed up 12 Years a Slave with Star Wars and how A Quiet Place: Day One helped cure her fear of cats. (Check out Lupita’s new podcast Mind Your Own, launching September 19, and her new animated film The Wild Robot, in theaters September 27.)
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It took Chris Robinson a long time to accept being a rock and roll frontman. Even at the height of The Black Crowes’ success, he just thought they were just a group of dudes from Atlanta playing roots music. Now reunited with the band and touring again after releasing their ninth album, Chris tells Marc why it took time and perspective to realize he liked being the guy on lead vocals. Chris also tells Marc about the influence of bands like The Faces and Humble Pie, how he was discouraged from being a singer when he was a kid, and how he healed the rift with his brother and bandmate Rich.
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Drew Lynch never planned on being a comedian. But his pursuit of an acting career got derailed by a traumatic brain injury that left him with a stutter and no career prospects. Drew tells Marc the reason he decided to get on stage and put together a standup act, a decision that made him a finalist on America’s Got Talent and helped him land a recurring guest stint on Marc’s IFC series. Drew also talks about his self-consciousness over his early breaks in comedy and why humility has become a necessary ingredient in his life.
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