Episodios
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The story behind John Singer Sargent’s iconic painting, Portrait of Madame X, rarely focuses on on the life of its subject, Virginie Amélie Avegno Gautreau. A prominent Parisian socialite known for her striking beauty, Amélie's story before and after Sargent's portrait speaks volumes about attitudes towards women in the elite circles of Belle Époque Paris.
Today's artwork: John Singer Sargent, Portrait of Madame X (1884). Oil on Canvas. Metropolitan Museum of Art.
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George Washington was many things: general, president, family man, and slaveholder. This giant of American history had a complex relationship with the enslaved—and often invisible—laborers who made his achievements possible. But through the art historical record, we can catch glimpses of these individuals and discover how they impacted Washington's life...and legacy.
Today's image: John Trumbull, George Washington (1780). Oil on Canvas. Metropolitan Museum of Art.
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Artist and illustrator J.C. Leyendecker (1874-1951) helped shape modern American visual culture as the mind behind advertising campaigns like the legendary “Arrow Collar Man.” He was also responsible for countless covers for the Saturday Evening Post—one more, in fact, than Norman Rockwell.
Modern biographers also hold that Leyendecker was a gay man. Critics are now asking themselves whether his sexuality permeated into some of his most iconic commercial illustrations.
Today's Image: J.C. Leyendecker, “Record Time, Cool Summer Comfort,” (advertisement for Kuppenheimer menswear) (c. 1920). Oil on canvas. National Museum of American Illustration, Newport.
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I'm on vacation, and I hope you'll get some time away soon, too! Our featured podcast today is one that you'll 100% want to listen to on your summer travels: History Daily.
Each weekday on History Daily, host Lindsay Graham (not the senator) takes you back in time to explore a momentous event that happened ‘on this day’ in history. History Daily is there to tell you the true stories of the people and events that shaped our world—one day at a time.
So if you’re stuck in traffic, bored at work—wherever you are, listen to History Daily to remind yourself that something incredible happened to make that day historic. A co-production from award-winning podcasters Airship and Noiser.
Listen here, or wherever you get your podcasts.
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The internet has been ablaze with hot takes on King Charles III's brand-new royal portrait by British artist Jonathan Yeo. Does it depict a strong, capable monarch? Or one who is overshadowed by the chaotic state of his institution and modern world?
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Adélaïde Labille-Guiard (1749–1803) rose from shopkeeper’s daughter to an official portraitist of the French royal court—only to have her achievements reduced to ash by the Revolution. While she defied societal barriers to build a remarkable artistic career, Adélaïde's legacy was long overshadowed by celebrated portraitist and memoirist Élisabeth Vigée-Lebrun.
Today, we’re joined by Bridget Quinn, author of the first (!!) full biography of the trailblazing artist: Portrait of a Woman: Art, Rivalry, and Revolution in the Life of Adélaïde Labille-Guiard. Quinn offers a fascinating new perspective on the layers of Adélaïde’s life—and her work. We discuss her life, her feminism, her sexuality, and her alleged “feud” with Vigée-Lebrun.
Pick up a copy of Portrait of a Woman here.
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The Chevalier d'Éon (1728–1810) is known as a transgender icon, living the first half of their life as a man, and the second as a woman. Theirs is also a life that is remarkably documented in contemporary artwork. But how much can we conclusively determine about how the Chevalier viewed themselves from their portraits?
Today's Image(s): Alexandre-Auguste Robineau, The Fencing-Match between the Chevalier de Saint-George and the Chevalier d'Éon (c. 1787-9). Oil on canvas. Royal Collection Trust.
And: Thomas Stewart, Chevalier d'Éon, after Jean-Laurent Mosnier (1792). National Portrait Gallery.
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How did the daughter of an African ruler become goddaughter to Queen Victoria? A young black girl named Aina, later called Sarah Forbes Bonetta (1843–1880), began life in West Africa. But she would grow up to become a popular member of Victorian royal circles.
Today's Image: Hannah Uzor, Aina, Sarah Forbes Bonetta Davies (2020). Acrylic & fabric on canvas, 120x80 cm. Osborne House, United Kingdom.
Hannah Uzor on the English Heritage Podcast
Tour Scotland with me! | Tour Germany & Austria with me!
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With the tragic demise of Lady Jane Grey (1537-1554) serving as inspiration for countless works of art, it was hard to select just one to focus our attention on. But I did it, and in this episode, we dive into the short life of England’s Nine Days Queen.
Today's Image: Paul Delaroche, The Execution of Lady Jane Grey (1833). Oil on Canvas. National Gallery, London.
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Join me in traveling this year! Scotland Trip | Germany + Austria Trip
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Amanda is joined on the podcast for this special episode by Jennifer Higgie, author of The Other Side: A Story of Women in Art and the Spirit World.
Uncover the role that spiritualism has played in art, particularly since the dawn of modernism, and delve into the biographies of some trailblazing female artists who were all influenced by the occult.
The first major work of art history to focus on women artists and their engagement with the spirit world, The Other Side is so much more than a retelling of art history. It is an exploration of the ways that the otherworldly has shaped mankind’s (and womankind’s) creative expression.
The Other Side by Jennifer Higgie is available right now, from Pegasus Books.
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At age 42, a nun named Hildegard von Bingen (1098-1179) decided to heed the command—which she believed came from God—to write down that which she saw and heard. It just so happened that what she saw and heard were visions from Heaven, containing extraordinary sights and sounds that would capture the attention of Popes and Emperors alike for centuries to come.
Today's artwork: Hildegard von Bingen, Self-Portrait frontispiece from Scivias (1142-1152). Ink on parchment. Wiesbaden State Library.
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It may have been easy for Joséphine de Beauharnais (1763-1814) to scoff at the “extraordinary destiny” once promised to her by a fortune-teller. From the Island of Martinique, where she spent her girlhood, to the shadow of the guillotine, where she became a single mother, Josephine likely never would have predicted her remarkable rise to become “more than a queen”—until, that is, she met one Napoleon Bonaparte (1769-1821).
Today's Image: Sir David Wilkie, Joséphine and the Fortune-teller (1837). Oil on Canvas. National Galleries of Scotland, Edinburgh.
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Swiss painter Henry Fuseli (1741-1825) was the man behind one of art history’s most famous spooky paintings: ‘The Nightmare.’ But how much do you actually know about this dream-fuelled Gothic image?
Henry Fuseli, The Nightmare (1781). Oil on Canvas. Detroit Institute of Arts, Michigan.
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Last seen in 1945, the Amber Room is the world’s most valuable missing piece of art, valued as highly as $500 million. Looted by the Nazis after Operation Barbarossa, this “Eighth Wonder of the World” once symbolized peace and unity. Today, it instead represents one of art history’s greatest mysteries.
Today's Artwork: The Amber Room. Catherine Palace/Tsarskoye Selo State Museum and Heritage Site.
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Dr. Kathleen B. Jones joins us on the podcast to discuss not only her new book, CITIES OF WOMEN, but also to dive into the life of literary and artistic icon Christine de Pizan (1364/65-1431).
Listen to our conversation to hear how Christine became not only the first professional female writer in Europe, but also the first person in France to earn a living as a writer, period. Plus, we discuss the ins and outs of medieval manuscript-making, and the parallels between the obstacles faced by professional women in Christine's day and our own.
‘Cities of Women’ is out on September 5, 2023 - get your copy here!
Today's Work: Christine de Pizan, ‘The Book of the Queen’ (Harley MS 4431) (c. 1410-1414). Parchment manuscript. 36.5 x 28.5 cm. British Library, London.
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When historians first made the link between a book of hours at Trinity College, Cambridge and two others belonging to Catherine of Aragon and Anne Boleyn, they weren't just identifying who owned it. Yes, yes - the book was owned by Henry VIII's right-hand-man (for a time, at least): Thomas Cromwell. But this remarkable book has now become the only object from any 16th-century portrait to survive to this day.
What can such an item tell us about the man who owned it, his times, and what he wanted everyone who saw his portrait to know?
Today's artwork(s): Hans Holbein the Younger, Portrait of Thomas Cromwell, Earl of Essex (1532-33). Oil on panel, 30.7 in × 25.2 in. Frick Collection, New York.
AND the 1527 Book of Hours, on display at Hever Castle through November 2023.
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Divorced, beheaded, died... divorced...
A house connected to Anne of Cleves (1515-1557), Henry VIII's fourth wife, is currently on the market! Let's discuss the Grade I listed property and a tidbit of Anne's story in this Art Bite.
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Grant Wood (1891-1942) is probably best known for his double portrait depicting a man and woman on a farmstead - that icon of American painting, American Gothic. But his career encompassed so much more, and was marked by an uncanny ability to weave and deconstruct "American values"—whatever those are.
In The Midnight Ride of Paul Revere, Wood builds us a dreamscape in which we can confront the fables and myths of our national identity head-on. And I'm bringing it to you just in time for Independence Day!
Today's artwork: Grant Wood, The Midnight Ride of Paul Revere (1931). Oil on Masonite. Metropolitan Museum of Art, New York.
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I’m so excited to be bringing you the first of a NEW offering on the Art of History podcast! 🎉
These “Art Bites,” as I’m calling them, will be a casual place to discuss pieces of news that pertain to topics we’ve either discussed on the show, or which activate my art history brain.
Our first Art Bite is centered on an upcoming auction at Sotheby's, where a privately-owned portrait of Katherine Parr will go up for sale in July. Tune in to hear me geek out about the power display going on in this representation of Henry VIII’s sixth and final queen. (We also chat about royal jewelry).
See more on the Old Masters auction and the Coronation auction here.
Today's artwork: Katherine Parr, attributed to “Master John” and dated to the mid-1540s
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Mark Rothko (1903-1970) was at the forefront of a generation of American artists who revolutionized the scene, right down to the way we understand the very essence of the artistic process.
Even as he rejected both the label of Abstract Expressionism and even the idea that his paintings were technical masterpieces, he is nonetheless a “key protagonist” of the Abstract Expressionist movement and a fierce advocate for the artist’s freedom of expression.
Today's Image: Mark Rothko, ‘Untitled (Red over Dark Blue on Dark Gray)’ (1961). Oil on canvas. Berkeley Art Museum, University of California.
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