Episodios
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New to Lipp Media, hosts Heidi & Jessa relive the most cringey moments of their adolescence as they guide listeners through Dolly and Girlfriend Magazines from the late 90s and early 00s. In this episode of My Girlfriend Dolly, Jessa & Heidi read to you from Dolly magazine from July 2002. They discuss joining Lipp Media (OMG!!), 00's it girl Kate Bosworth & Miki cosmetics, read articles I'm Not Afraid To Be A Freak & take the quiz Are You A Grot?
Listen to My Girlfriend Dolly wherever you listen to us!
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For over 1000 years, poetry has remained one of the most important traditions of Persian culture. So when, in the mid-twentieth century, a young woman emerged with a voice that spoke with a whirlwind of desire, a voice yearning with love, intimacy, and insight well beyond her years, the establishment was shaken. With a tumultuous love life that saw her become one of Iran's most controversial and scandalous public figures, Farrokhzād suffered under the glaring public eye. But she was also a mother, a filmmaker, and a visionary. Despite her poetry being banned for more than a decade after the Iranian Islamic Revolution, today she is seen as one of Iran's most revered poets, a woman with the audacity to speak taboos in a revolutionary form.
Join us for the last episode of Season Four as we explore one of the most extraordinary poets of the twentieth century.
Selected References
Dehghan, Saeed Kamali. “Former lover of the poet known as Iran's Sylvia Plath breaks his silence.” The Guardian, Mon 13 Feb, 2017. https://www.theguardian.com/books/2017/feb/12/forough-farrokhzad-iranian-poet-ebrahim-golestan-slyvia-plath
Forugh Farrokhzad: The Rebel Poet of Iran, http://farrokhzadpoems.com/
Forugh Farrokhzad. 2018. https://www.forughfarrokhzad.org/index1.htm
Ghasemi, Parvin, and Farideh Pourgiv. "Captivity, Confrontation, and Self‐Empowerment: identity in Forugh Farrokhzad’s poetry." Women's History Review 19.5 (2010): 759-774.
Hillmann, Michael C., A. Lonely Woman. "Forugh Farrokhzad and Her Poetry." Washington DC: Mage Publishers (1987).
Milani, Farzaneh. "Love and sexuality in the poetry of Forugh Farrokhzad: A reconsideration." Iranian Studies 15.1-4 (1982): 117-128.
Radjy, Amir-Hussein. “Overlooked No More: Forough Farrokhzad, Iranian Poet Who Broke Barriers of Sex and Society.” New York Times, Jan 30, 2019. https://www.nytimes.com/2019/01/30/obituaries/forough-farrokhzad-overlooked.html
Zubizarreta, John. "The woman who sings no, no, no: Love, freedom, and rebellion in the poetry of Forugh Farrokhzad." World Literature Today 66.3 (1992): 421-426.
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As Halloween approaches and we near the end of the spooky season, it's time to delve back into the world of the dark and sinister. And who better to take us there than the queen of mystery, suspense and menace, author Daphne du Maurier.
Du Maurier spent her formative years exploring the windswept coast of Cornwall where her imagination was fired by shipwrecks and derelict mansions, with the ever present backdrop of the ocean churning nearby. Du Maurier would go on to spend most of her life along the rugged Cornish coastline, and it was also here that she set her most enduring work, Rebecca. Published over eighty years ago, Rebecca has never been out of print, and its thrilling and gothic tone still haunts readers today. But Rebecca was only one of a string of successful works for du Maurier, whose short stories and novels have been endlessly dramatised for the big and small screens, continuing to inspire adaptations to this day. But du Maurier herself was also a woman of secrets, and her personal life bled into her fiction, informing the dark and brooding worlds she so often created. So keep a lamp burning in the dark night as we open the pages on the life and work of Daphne du Maurier.
De Rosney, Tatiana. Manderley Forever: A Biography of Daphne Du Maurier. St Martin's Publishing Group, 2017.
Forster, Margaret. Daphne Du Maurier. Random House, 2012.
Horner, Avril & Zlosnik, Sue. Daphne du Maurier: Writing, Identity and the Gothic Imagination. Palgrave Macmillan, 1998.
Pryor, Cathy. 'Venetian tendencies; Daphne du Maurier, born 100 years ago today, kept a dark secret behind the facade of the respectable English wife'. The Independent of Sunday, 13 May 2007.
White, Sophie. 'The menacing Daphne du Maurier'. The Independent, 2 October 2017.
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On the darkest of dark and stormy nights, the teenage Mary Shelley awoke from a nightmare. In her vision she saw a young man, a 'pale student of unhallowed arts', kneeling over his creation. The image inspired one of the most enduring horror works of our time, Frankenstein. But Mary Shelley was not just a mistress of the gothic. Born to one of the most influential proto-feminists of our age, Mary Wollstoncraft, and political radical and anarchist William Godwin, Mary moved in intellectual and artistic circles that would often overshadow her own greatness. But great she was. A woman who suffered and overcame tremendous loss, she was a survivor who spoke to some of the greatest anxieties of her - and our - time. But she was also a travel writer, an editor, a biographer, and feminist activist.
Join us as we steal away in the night to traverse the stormy crossing from England to France and curl up by a fire to hear the tale of the original teen goth, Mary Shelley.
Selected References
Crook, Nora. "Mary Shelley, Author of Frankenstein." A New Companion to the Gothic, edited by David Punter. Chichester, UK: John Wiley & Sons, 2012. 110-22.
Gilbert, Sandra M. “Horror's Twin: Mary Shelley's Monstrous Eve.” The Madwoman in the Attic. 2nd ed., Yale University Press, 2000. 213-247.
Lovejoy, Bess. Mary Shelley’s Obsession with the Cemetery. JSTOR Daily October 3, 2018. https://daily.jstor.org/mary-shelleys-obsession-with-the-cemetery/
Lepore, Jill. The Strange and Twisted Life of Frankenstein. The New Yorker. Feb 12 & 19 2018. https://www.newyorker.com/magazine/2018/02/12/the-strange-and-twisted-life-of-frankenstein
Sampson, Fiona. Frankenstein at 200 – why hasn't Mary Shelley been given the respect she deserves? The Guardian. Jan 13, 2018. https://www.theguardian.com/books/2018/jan/13/frankenstein-at-200-why-hasnt-mary-shelley-been-given-the-respect-she-deserves-
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When it comes to fairy tale tellers, most of us think of the Brothers Grimm, Hans Christian Andersen, or even Charles Perrault. But the names we less frequently associate with the genre are those of women: the writers and weavers of stories that are so often overshadowed by many of their male contemporaries. During the tail end of the 19th century, one such woman was adding her voice to the world of the Fae, crafting stories of talking animals, witches and wizards, pixies, peasants, princes and princesses - all the ingredients we've come to associate with the art of the fairy tale. But Mary de Morgan wasn't afraid to play with these tropes, and the many and varied influences that shaped her life also helped to shape her stories. From growing up participating in the seances and salons of her Spiritualist mother to moving in a circle of artists that included members of the Pre-Raphaelites and the Arts and Craft Movement, Mary was surrounded by inspiration to fuel her creativity, leading her to publish three volumes of fairy tales in her lifetime and to write many other works besides. But it's only recently that de Morgan's stories have come back to the fore, and that she has begun to receive the recognition she so deserves for her contribution to the mystical and magical world of faerie.
Gather round as we cross into fairyland, and discover the life and works of Mary de Morgan.
Carroll, Alicia. ‘The Greening of Mary De Morgan: The Cultivating Woman and the Ecological Imaginary in “The Seeds of Love”’. Victorian Review, vol. 36, no. 2, Fall 2010, pp.104-117.
De Morgan, Mary. On a Pincushion and Other Fairy Tales. Seeley, Jackson & Halliday, 1877.
The Necklace of Princess Fiorimonde and Other Stories. MacMillan & Co., 1880.
Pemberton. Marilyn. Out of the Shadows: The Life and Works of Mary De Morgan. Cambridge Scholars Publishing, 2012.
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Deviant Women is recorded and produced on the lands of the Kaurna People and we pay respect to Elders past, present and emerging.
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In the 1920s, the infancy of aviation, pilots took to the skies to shock and awe their audiences with death dives, barrel-roles, and wing-walking. Within these flying circuses, one performer truly stood out: the Bird Woman, Bessie Coleman. Born to a family of sharecroppers in Texas, Coleman knew that to live her dreams, she'd need to leave the US and its prejudiced segregationist policies and move to France. Here, a place where women were truly excelling at the new art of flying, she grew her own wings and became the first Black woman in history to earn her pilot's licence. At home, she quickly became a sensation, performing daring feats of high-flying acrobatics in her old war-time Jenny. But she was a performer as much on ground as she was in the air, and she wasn't afraid to self-aggrandise, particularly in the effort to increase Black participation in aviation. As flying became a symbol of her own political empowerment, Coleman soon dreamed of establishing a flying school of her own and opening the skies to those who'd been denied such freedoms.
So put on your goggles, fire up an old biplane, and take to the skies with us as we explore the daring life of Bessie Coleman.
Bix, Amy. "Bessie Coleman: Race and Gender Realities behind Aviation Dreams." Realizing the Dream of Flight, edited by Virginia P. Dawson and Mark D. Bowle, National Aeronautics and Space Administration, NASA History Division, 2005.
Cochrane, Kira (3 Oct, 2009). Trailblazers: The early women aviators, The Guardian. https://www.theguardian.com/lifeandstyle/2009/oct/03/early-women-aviators
Creasman, Kim. "Black Birds in the Sky: The Legacies of Bessie Coleman and Dr. Mae Jemison." The Journal of Negro History 82.1 (1997): 158-68. Web.
Gils, Bieke. "Bessie Coleman: “The Only Race Aviatrix in the World”." Before Jackie Robinson: The Transcendent Role of Black Sporting Pioneers, University of Nebraska Press, 2017.
Slotnik, Daniel E. (Dec. 11, 2019). Overlooked No More: Bessie Coleman, Pioneering African-American Aviatrix The New York Times https://www.nytimes.com/2019/12/11/obituaries/bessie-coleman-overlooked.html
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Deviant Women is recorded and produced on the lands of the Kaurna People and we pay respect to Elders past, present and emerging.
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In 1919, an autobiography appeared that scandalised polite American society. Chronicling the life and times of a sex worker who went by the pseudonym Madeleine Blair, Madeleine: An Autobiography took to task the puritanical forces that condemned her work and her industry, and laid on the table the story of her life as a so called 'soiled dove'. In her frank and engaging accounts, she outlines the many ups and downs that lead her into the life of a 'painted lady', but adamantly refuses to let anyone view her as a victim. From her time in Montana and Chicago, to her work over the border in Canada, Blair traverses many a bawdy-house of ill-repute, always striving to champion the legitimacy of her profession and to shed light on the world of debauchery in which she moved.
Come with us to the plush parlour rooms and smoking dens of the American north, as we delve into the life of this savvy business woman and entrepreneur, Madeleine Blair.
Blair, Madeleine. Madeleine: An Autobiography. Harper & Brothers Publishers, 1919. https://digital.library.upenn.edu/women/madeleine/madeleine/madeleine.html#intro
Butler, Anne. M. Daughters of Joy, Sisters of Misery: Prostitutes in the American West, 1865-90. University of Illinois Press, 1987.
Erickson, Lesley. Westward Bound: Sex, Violence, the Law, and the Making of a Settler Society. UBC Press, 2011.
MacKell Collins, Jan. Good Time Girls of the Rocky Mountains: A Red-Light History of Montana, Idaho, and Wyoming. TwoDot, 2020.
McMaster, Lindsey. Working Girls in the West: Representations of Wage-Earning Women. UBC Press, 2007.
Morgan, Lael. Wanton West: Madams, Money, Murder, and the Wild Women of Montana's Frontier. Chicago Review Press, 2011.
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Deviant Women is recorded and produced on the lands of the Kaurna People and we pay respect to Elders past, present and emerging.
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After a childhood spent buried amongst the texts of her grandfather's library teaching herself Latin and Nahuatl, Greek rhetoric, and philosophy, it's not surprising that the young Juana was considered a prodigy. So much so that, at just fifteen, she found herself lady-in-waiting to the Vicereine, wife of the Viceroy of New Spain. Court life, however, didn't appeal to young Juana, who, sick of rich and drunken bachelors and their flirtatious ways, craved the space and time to dedicate herself to her studies. So, what was she to do? Join the nunnery, of course! Here, she found the scholarly solace she desired. But when the Bishop of Puebla, one of the most influential men of the New World, publically maligned her for daring to think beyond her sphere, Juana penned a manifesto that would become one of the most important proto-feminist texts in the history of the Americas - if not the world.
Donaway, Elizabeth. A Baroque Drama: Sor Juana Inés de la Cruz’s Crisis in Seventeenth-Century New Spain, 2019. Hanover Univesity. Thesis. https://history.hanover.edu/hhr/19/HHR2019-donaway-sorjuana.pdf
Merrim, Stephanie. “Sor Juana Inés de la Cruz”. Encyclopædia Britannica, 2020. https://www.britannica.com/biography/Sor-Juana-Ines-de-la-Cruz#ref959
Merrim, Stephanie, ed. Feminist perspectives on Sor Juana inés de la cruz. Wayne State University Press, 1999.
Paz, Octavio. Sor Juana, or, the traps of faith. Harvard University Press, 1988.
Schuessler, Michael. “Reply to Sor Philotea”. Enyclopedia.com, 2019. https://www.encyclopedia.com/arts/culture-magazines/reply-sor-philotea
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In the deep, dark forests of Russia, where danger lurks in the liminal spaces, you might just find the unusual abode of one of folklore's most fascinating characters: the incomparable Baba Yaga. With her hooked nose, her bedraggled hair and her wrinkled skin, this hag of hags appears in her strange mode of transport, ready to aid or to hinder, depending on how much you keep your wits about you. With roots in the early Slavic pantheon of gods and goddesses, Baba Yaga has changed through the centuries, playing different roles for different listeners, and slowly crystallising into the ultimate fairy tale witch.
Arm yourself with your magic charms and keep your tongue sharp as we cross the threshold into the domain of talking creatures and mystical powers to stoke the fires and spin a tale or two of Baba Yaga.
Afanasev, Aleksandr. Russian Fairy Tales. Guterman, Norbert (ed.). Pantheon Books, 1973.
Baba Yaga: The Wild Witch of the East in Russian Fairy Tales. Intro & Trans by Forrester, Sibelan. University of Mississippi Press, 2013.
Johns, Andreas. Baba Yaga: The Ambiguous Mother and Witch of the Russian Folklore. Peter Lang, 2004.
Tatar, Maria. Off with Their Heads!: Fairy Tales and the Culture of Childhood. Princeton University Press, 1993.
Warner, Marina. No Go the Bogeyman: Scaring, Lulling and Making Mock. Vintage Book, 2000.
Zipes, Jack. The Irresistible Fairy Tale. Princeton University Press, 2012.
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In 1919, into the heart of the burgeoning Harlem Renaissance, Norma Miller was born. As a child, she would watch the likes of Duke Ellington and Ella Fitzgerald play to the hopping crowds of the Savoy Ballroom, the majestic heart of Harlem and the birthplace of swing. At just 12, she was plucked from the street outside its doors and so began a career that would take her around the globe as one of the world's foremost swing dancers - and all before she turned 18. So put on a record and lace up your dancing shoes, because we're swinging out from the sprung-wood floors of the Savoy to the slippery decks of British liners and the beaches of Rio as we follow the life of Norma Miller, Queen of Swing.
McFadden, Robert D. “Norma Miller, Lindy-Hopping ‘Queen of Swing,’ Is Dead at 99”, New York Times, May 6, 2019, https://www.nytimes.com/2019/05/06/obituaries/norma-miller-dead.html
Miller, Norma. Swingin'at the Savoy: the Memoir of a Jazz Dancer. Temple University Press, 1996.
Spring, Howard. "Swing and the Lindy Hop: dance, venue, media, and tradition." American Music (1997): 183-207.
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May Contain Traces Of Soy is a new show on Lipp Media, a network celebrating the voices of women and the LGBTQ+ community. Join host Rochelle Lindquist on her journey down a plant-based path as she pursues a more zero-waste existence.
In this episode, Rochelle discusses women's health, period stigma and period poverty with Katie Norbury from Share the Dignity and Get Papped. They also discuss the importance of going zero-waste with your monthly flow, getting the fold right with your menstrual cup and the freedom of period pants.
Listen to May Contain Traces Of Soy wherever you listen to us!
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During the 1960s, the world was in the grip of enormous ideological change. In Australia, there was public outcry against the Vietnam War and growing support for equal pay for women, free education, fair wages, and the abolishment of the White Australia Policy. There was also growing support for radical changes to the rights, or lack thereof, afforded to Indigenous Australians. Helping to drive this movement was a woman who was intimately familiar with what it felt like to face racial discrimination. The daughter of a slave "blackbirded" from the South Sea Islands in the 1880s, Faith Bandler was inspired by the injustices she saw around her to co-found the Aboriginal-Australian Fellowship, and soon began the long fight that would eventually lead to a monumental referendum in 1967. But the referendum was only one part of a bigger whole, and in her latter life, Bandler continued to fight for those who were oppressed, eventually turning her attention towards her cultural roots in Vanuatu.
Join us as we grab our placards and take to the streets to celebrate Bandler's contribution to the crucial work towards equality that continues in this country today.
Bandler, Faith, & Fox, Len. The Time Was Ripe: A History of the Aboriginal-Australian Fellowship (1956-69). Alternative Co-operative, 1983.
Heimans, Frank. Australian Biography. Faith Bandler. National Film and Sound Archive of Australia, 1993. https://www.nfsa.gov.au/collection/curated/australian-biography-faith-bandler-0
Lake, Marilyn. Faith : Faith Bandler, Gentle Activist. Allen & Unwin, 2002.
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Born into The United States' last days of slavery, Ida B. Wells was raised to fight. The daughter of two politically active entrepreneurs, she wanted to raise herself and her siblings into the middle class. But while emancipation may have passed into law, new structural barriers emerged to keep women like Wells out - out of the economy, out of the political system, and out of first class train carriages. When a conductor tried to force Wells into the smoking car on a ride from Memphis to Nashville, Wells took a stand. The event launched a writing and activist career that would see her tackle some of the greatest injustices of her age - and ours. Her reports, Southern Horrors and The Red Record, laid bare the horror of lynchings in the South and she would go on to found a number of Civil Rights organisations - some of which survive today. She was also a suffragist unafraid to call out the movement for its lack of Black representation - an intersectional feminist well before her time!
DuRocher, Kristina. Ida B. Wells: Social Reformer and Activist. 2017. Routledge Historical Americans.
Dickerson, Cailtin. “Ida B. Wells: Took on Racism in the Deep South with Powerful Reporting on Lynchings.” New York Times. 9 March 2018. https://www.nytimes.com/interactive/2018/obituaries/overlooked-ida-b-wells.html
Join us to discover more about one of the most influential figures of the Civil Rights Movement, a woman whose work lives on in those continuing the fight for Black Lives Matter today.
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Saint, mystic, Mamma. Activist, author, Doctor of the Church. These are some of the ways that the young Catherine di Benincasa would come to be remembered. After receiving visions of Christ when she was only a child, Catherine devoted herself to religious sacrifice, compelled by the knowledge that God had bigger plans for her. When her life of penitence and privation led her to join the Dominican Order, her piety soon began to earn her a following. And as news started to spread of the small miracles that surrounded her – like her levitation during prayer and her ability to restore the deathly ill – the church was ready to sit up and pay attention. The growing belief in Catherine's holiness gave her remarkable access to the inner sanctum of the patriarchal Catholic church, even to the Pope himself. But her spiritual devotion would eventually led to her demise, as her lifelong commitment to fasting and starvation ultimately took its toll on her.
Join us as we return to 14th century Europe, far away from the battlefields of France to the solitude and reflection of Catherine of Siena.
Bell, Rudolph M. Holy Anorexia. The University of Chicago Press, 1985.
Cavallini, Guiliana. Catherine of Siena. Bloomsbury Publishing, 2005.
Egan, Jennifer. ‘Power Suffering’. The New York Times, 1999 https://archive.nytimes.com/www.nytimes.com/library/magazine/millennium/m2/egan.html
Luongo, F Thomas. The Saintly Politics of Catherine of Siena. Cornell University Press, 2006.
Walker Bynum, Caroline. Holy Feast and Holy Fast: The Religious Significance of Food to Medieval Women. The University of California Press, 1987.
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At the beginning of the Hundred Years' War, well before Joan of Arc led her army, another French woman was making men tremble. On the volatile English channel, Jeanne de Clisson was seeking vengeance. The target of her wrath was none other than the King of France, Phillip VI, himself. As leader of the Black Fleet, she carved a name for herself as a violent and unwavering leader, unafraid to hack the heads from her enemies with a swing of her trusty axe. But it wasn't always this way. Born into nobility, Jeanne was destined for a very different kind of life. So what kind of callousness could have turned this mother of seven to a life of treachery?
Grab your axe and join us as we discover the violent lives and violent ends of Jeanne de Clisson, The Lioness of Brittany, and the noblewomen who led and took up arms in the War of the Breton Succession.
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When wealthy American socialites Florence and Edward Deacon moved to the vibrant playground of Paris in 1879, they had come to join the artists and intellectuals of the haute bohème. Born into this world of decadence, their daughter Gladys would soon have her childhood shattered by a shocking scandal that pitted her mother and father against each other for the rest of their lives. Despite this, Gladys would go on to be educated in the best schools, growing into an intelligent, witty, and beautiful young woman. After reading about the marriage of an American railroad heiress to an English Duke, Gladys decided that she too should find herself such a man.
Across Europe, Gladys's feminine wiles attracted the crème de la crème of society, from painters, sculptors and poets to princes and kings. In 1902, a shift to London serendipitously found her moving in the same circles as the English Duke of her childhood crush, and Gladys finally had the world in the palm of her hand. But when her desire to become even more beautiful led her to make a horrifying mistake, Gladys turned away from the limelight, and the once shining star retreated to the shadows.
So join us as we - yet again! - journey to the fabulous and frivolous world of the Belle Époque to examine the life of a woman who would eventually go from the dizzying glamour of high society to the quiet and solitary life of a recluse.
Michael Mosley: A History of Surgery - Fixing Faces. Season 1, Ep. 4, BBC, 2008.
Vickers, Hugh. 'What happened to Gladys Deacon, Duchess of Marlborough?' BBC Oxford. 17 February, 2011. http://news.bbc.co.uk/local/oxford/hi/people_and_places/history/newsid_9398000/9398406.stm
Vickers, Hugo. The Sphinx: The Life of Gladys Deacon - Duchess of Marlborough. Hachette, 2020.
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In the 1960s, vice-admiral Erik af Klint opened a crate of art. It had been left to him by his aunt with strict instructions that it should remain sealed for some twenty years after her death. What Erik found was a remarkable cache of work that would throw into question everything we believe about the beginning of abstract art. You see, five years before Kadinsky and Mondrian began their forays into abstractionism, a Swedish woman named Hilma af Klint had received a special commission: to create a remarkable collection of work that would adorn a spiral temple. But who was this great benefactor? It was no businessman or high-ranking official, but rather the High Master Amaleil, who communicated the missive to af Klint in a séance she held regularly with her closest friends, a collective of women known as 'The Five'. Af Klint went on to create an extraordinary body of boldly colourful, geometric and highly symbolic art, all guided by the spirtual masters with whom she regularly communed.
So light some candles and settle in as we delve into the fascinating world of Theosophy, Rosicrucianism and Hilma af Klint's astonishing proto-abstractionism!
Af Klint, Johann and Hedvig Ersman. “Inspiration and Influence: The Spiritual Journey of Artist Hilma af Klint” Guggenheim. 11 October, 2018, https://www.guggenheim.org/blogs/checklist/inspiration-and-influence-the-spiritual-journey-of-artist-hilma-af-klint
Ferren, Andrew. “In Search of Hilma af Klint, Who Upended Art History, But Left Few Traces” The New York Times. 21 October, 2019. https://www.nytimes.com/2019/10/21/travel/stockholm-hilma-af-klint.html
Schjeldahl, Peter. “Hilma af Klint’s Visionary Paintings”. The New Yorker. 18 October, 2018, https://www.newyorker.com/magazine/2018/10/22/hilma-af-klints-visionary-paintings
Smith, Roberta. “’Hilma Who?’ No More”. The New York Times. 11 October, 2018. https://www.nytimes.com/2018/10/11/arts/design/hilma-af-klint-review-guggenheim.html
Utkan Özden, Hatice. “What Did the High Masters Tell Hilma af Klint?” border_less.https://www.border-l-e-s-s.com/new-page-63
Yao, John. “Hilma af Klint, Outlier for the Ages”. Hyperallergic. 25 November, 2018, https://hyperallergic.com/472426/hilma-af-klint-paintings-for-the-future-solomon-r-guggenheim-museum/
Notable Exhibitions:
The Spiritual in Art: Abstract Painting 1890–1985, Los Angeles County Museum of Art, Los Angeles, USA. November 23, 1986 – March 8, 1987.
Hilma af Klint: Paintings for the Future, Solomon R. Guggenheim Museum in New York, USA. October 12, 2018 – April 23, 2019
If you want to support Deviant Women, follow us on:
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Deviant Women is recorded and produced on the lands of the Kaurna People and we pay respect to Elders past, present and emerging
Hosted on Acast. See acast.com/privacy for more information.
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Brand new on Lipp Media, All Bases Covered is a weekly podcast helping you navigate the beauty industry to cut through the bullsh*t. Lauren, Lisa and Alex use their backgrounds in beauty, science and business to cover all bases in discussing the latest beauty news, trialing new products, breaking down ingredients and plenty more.
In this episode, the girls discuss animal testing & China - can the people’s favourite brand stay true to themselves or are they selling their ethics for money?
Subscribe wherever you listen to us!
Hosted on Acast. See acast.com/privacy for more information.
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By the turn of the twentieth century, the fight for women's suffrage in the United Kingdom had already been raging for nearly forty years. Suffragists everywhere had been calling for changes that would allow women the right to become part of the political life of the nation, but their pleas had persistently been denied. Frustrated and angered, a new generation of activist women rose up, and the suffragette was born. With the motto 'deeds, not words', these fierce women were through asking nicely and, turning to militant tactics, they literally put their lives on the line to demand change. Among them was a woman who rarely escaped attention. With her modified tricycle for mobility, Rosa May Billinghurst threw herself into the fray alongside her sisters, suffering at the hands of mobs of angry men and a cruel and ruthless legal system. Ultimately they would be successful, but in a world where so many rights are still for the few rather than for all, their struggle for equality resonates as deeply today as it did over a hundred years ago.
So get ready to take to the streets (not literally! Stay home! Stay safe!) and join us as we venture into the protest marches and picket lines of suffragette city!
Andrews, Maggie, & Lomas, Janis. Hidden Heroines: The Forgotten Suffragettes. Crowood Press Ltd, 2018.
Purvis, June. ‘The prison experiences of the suffragettes in Edwardian Britain’, Women's History Review, 4 (1995), 103–33.
Trueman, H. ‘Billinghhurst, (Rosa) May (1875-1953). Oxford Dictionary of National Biography. 2004.
Van Wingerden, Sophia A. The Women's Suffrage Movement in Britain, 1866-1928. Palgrave McMillan, 2002.
If you want to support Deviant Women, follow us on:
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Facebook @deviantwomenpodcast
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Deviant Women is recorded and produced on the lands of the Kaurna People and we pay our respect to Elders past, present and emerging.
Hosted on Acast. See acast.com/privacy for more information.
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For one last Women’s History Month celebration, we teamed up with Steph and Andrea from ‘All the Shit I’ve Learned Abroad’ to share tales of our favourite travel heroines. All four of us are avid solo female adventuresses, but perhaps we wouldn’t be if it wasn’t for the women who paved the way. From Isabelle Eberhardt’s cross-dressing nomadic life in North Africa, to Aloha Wanderwell’s seven-year road trip, Robyn Davidson’s solo trek through the Australian desert, and Jeanne Baret’s circumnavigation of the world, these are some of the most bad-ass, intrepid and inspiring women around. So strap on your metaphorical boots and imagine the world outside your window in this special bonus episode.
And, if you want some travel reading to keep you occupied or distracted – whichever you need in these times, we’ve got you covered!
Robyn Davidson (1980) Tracks: A Woman's Solo Trek Across 1700 Miles of Australian Outback. Vintage.
Isabelle Eberhardt (1995) Prisoner of Dunes. trans. by. Sharon Bangert. Peter Owen Publishers. London & Chester Springs PA.
Isabelle Eberhardt (2003) Nomad: The Diaries of Isabelle Eberhardt. ed. by. Elizabeth Kershaw. Interlink Books (first published in English as The Passionate Nomad: The Journals of Isabelle Eberhardt, 1987, Virago Press)
Isabelle Eberhardt (2003) In the Shadow of Islam. trans. by. Sharon Bangert. Peter Owen Publishers. London & Chester Springs PA.
Jeff Moag (2019) Jeanne Baret The First Woman to Sail Around the World Was a Cross-Dressing Botanist, Adventure Journal
Aloha Wanderwell (1939, re-released 2016) Call to Adventure! True Tales of the Wanderwell Expedition, Nile Baker Estate & Boyd Production Group Publishing
Additional essayists/writers mentioned: Rebecca Solnit, Joan Didion, Mary Shelley, Simone de Beauvoir, and Virginia Woolf
If you want to hear more from Steph and Andrea’s adventures, check them out wherever you listen to podcasts! www.podfollow.com/shitabroadpod
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@DeviantWomen
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@deviantwomenpodcast
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@deviantwomenpodcast
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