Episodios
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Ricci Albenda is an American contemporary visual artist and sculptor. His sculptures harness traditional and idiosyncratic perspectival systems to represent bare architectural spaces that may be feasible, but are never real.
His deep exploration of language and the written word has led him to develop his own fascinating system in which the alphabetical and numerical system are paired with the color wheel.
Albenda has been exhibited extensively, both in the United States and abroad at venues including: The Guggenheim Museum, New York, The Rachofsky House, Dallas, Tel Aviv Museum of Art, Tel Aviv, Institute of Contemporary Art, Boston, Brooklyn Museum of Art, Brooklyn, Castello Di Rivoli, Turin, Museum of Modern Art, New York, MoMA PS1, Queens, Centre Georges Pompidou, Paris, and the New Museum, New York.
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A state of entanglement
Entanglement is a complex state one where no single entity can be said to be separate, or somehow unaffected, by any other present entangled, we cannot consider ourselves without others, act without interacting, speak without being heard. It is a multitude of you, and others, equally present and alive, together.
The rich substrate of the uncanny, eerie spaces between us and the non-human world cannot remain as an aesthetic space, our world cannot bear this self-imposed distance and denial of our inter-twined state of us and others.
Becoming entangled others studio is about moving further into an entanglement with the more-than-human world of us & others. A world where diversity and inter-connectedness are nurtured and engaged.
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Breanna Browning is a media artist and creative director
with studios in Los Angeles, California and her native rural Tennessee.Breanna’s practice merges digital and physical matter through the misuse of technological tools and traditional methods of making. Her background in architecture and speculative fiction allows her to work simultaneously at multiple scales- from the bit to the body, from the landscape to the imaginary. Her varied practice includes image-based works, sculptures, immersive environments, writing, creative direction, films, and audiovisual performances.
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Rooted in legacy, born from technology, Arsnl Art is the exclusive digital platform for Artists Rights Society (ARS) with access to all of its 120k+ member artists from around the globe.
Founded in 1987, ARS is the preeminent copyright, licensing, and monitoring organization for visual artists in the United States. Today, ARS represents over 120,000 artists from around the globe (amongst them Frank Stella, Frida Kahlo, Pablo Picasso, Andy Warhol, Rene Magritte, Henri Matisse, Jenny Holzer, George Condo, Marina Abramovich, etc.) and issues over 100,000 licenses annually.
ARSNL.art
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Los Angeles-based artist John Houck (b. 1977) makes his images through a systematic re-photographing that produces a complex set of relationships between figure and ground and defies a clear understanding of the real and created. In this process, the artist takes a set of objects—often with personal meaning—and captures them multiple times. With each iteration, the objects are repositioned atop of their own images. The resultant work is a kind of photograph of itself, seen through a multitude of perspectives. The unfixed nature of Houck’s compositions is further complicated by the artist’s introduction of painterly mark-making, which he incorporates in both the objects being photographed and the photographs themselves. These actions transform the photograph into a screen through which the composition is gradually developed, examined, and remade.
https://marianneboeskygallery.com/artists/62-john-houck/biography/
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Joshua Citarella is an artist and internet culture researcher based in New York. He writes about Gen Z online political subcultures. Since 2020, he's been writing, podcasting, and live-streaming as a way to crowdfund my research and explore primary sources. The media narratives and academic research around these topics has been disappointing and at times detrimental. I think we need better, more honest narrators to engage in the public discussion.
Joshua's work has been shown in galleries and museums around the world including: Kunstverein in Hamburg, The 34th Ljubljana Biennale, Sotheby's, Ujazdowski Castle Centre for Contemporary Art, Corcoran School of the Arts and Design and many others. He previously taught at the Rhode Island School of Design (RISD) and the School of Visual Arts (SVA). He also served as an outside advisor at Carnegie Mellon and Tufts University.
https://joshuacitarella.substack.com/
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Connie Bakshi is a transmedia artist who blends tech, lore, and ritual to explore what it means to be human in the era of emerging AI. Her first two NFT collections, Ethereal Caress and Birds of Paradise, sold out on OpenSea and reflect an intimate relationship and dialogue with AI.
In Rite of Passage, Connie harnesses AI machine vision to negotiate the relationship between human memory and digital archive, shifting cultural information and representation between different states of reality. The resulting machine permutations are echoes of the originals, connecting human imagination across centuries of time, technology, and culture.
Connie’s previous work includes a generative opera derived from DNA and an LED lighting series based on the ancient craft of Japanese urushi. She won the Red Dot Best of the Best Award for industrial design, the Takifuji Arts Award, has exhibited at SaloneSatellite in Milan, and is an alumnus of NEW INC, New Museum’s incubator for art, technology, and design.
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Daïm is a multi-disciplinary artist with an aesthetically and methodologically diverse practice guided by his mathematical explorations, his lived experience of cultural and linguistic multivalency, and the foundations of his varied childhood studies under the late Jenő Zaszlavik. Since becoming an exhibiting artist in 2015, his achievements include participating in exhibitions at Hungary’s Consulate General to Canada and the Royal Cornwall Museum, being shortlisted as an NFT Awards 2020 finalist, becoming an early Curated Artist on both Art Blocks and UltraDAO, being featured as a Museum of Crypto Art Artist of the Month, as well as curating and participating in the Dakar Biennale 2022 “Forging the Future” exhibition. Daïm is also a collector and a thinker, having most recently authored his cryptoart manifesto “I am a Cryptoartist”, in an attempt to contour the amorphous boundaries and values of the evolving Cryptoart Movement.
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Amir H. Fallah received his BFA in Fine Art & Painting at the Maryland Institute College of Art and his MFA in painting at the University of California, Los Angeles. He has exhibited extensively in solo and group exhibitions across the United States and abroad. Selected solo exhibitions include the Museum of Contemporary Art in Tucson; South Dakota Art Museum, Brookings SD; Schneider Museum of Art, Ashland OR; San Diego ICA; and the Nerman Museum of Contemporary Art, Overland KS.
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Magnus Resch, Ph.D., is one of the world’s leading art market economists. He is a bestselling book author, University Professor and serial entrepreneur. He founded Gymondo.de (exit), Magnusclass.com, Larryslist.com and Magnus.net, the Shazam for art. Leonardo DiCaprio is an investor and advisor to the company. Magnus lectures at Yale University, published in Science, the world’s leading academic journal, and has written seven books on the art market, including three bestsellers.
Magnus holds a Ph.D. in economics and studied at Harvard, the London School of Economics and the University of St. Gallen. His career has been portrayed in a Harvard Business School case study and in various articles, including the New York Times, WSJ, Vanity Fair and the Financial Times. He is a regular speaker at conferences about the future of the art market, NFTs, Blockchain and investing in art. Magnus lives in NYC.
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Carla Gannis is a transmedia artist based in Brooklyn, New York. She produces works that consider the uncanny complications between grounded and virtual reality, nature and artifice, science and science fiction in contemporary culture. Fascinated by digital semiotics, Gannis takes a horror vacui approach to her artistic practice, culling inspiration from networked communication, art and feminist histories, emerging technologies and speculative design.
Gannis’s work has appeared in exhibitions, screenings and internet projects across the globe. 2022 projects include “Welcome to the wwwunderkammer,” at the Pérez Art Museum Miami and “The Elevated Line” at Ryan Lee Gallery, New York, NY. A regular lecturer on digital art and extended reality, in March 2019 Gannis was a speaker at the SXSW Interactive Festival on the panel “Human Presence and Humor Make Us Better Storytellers.” Publications that have featured Gannis’s work include The Creators Project, Wired, FastCo, Hyperallergic, The Wall Street Journal, The New York Times, El PaÍs and The LA Times, among others. In 2015 her speculative fiction was included in DEVOURING THE GREEN:: fear of a human planet: a cyborg / eco poetry anthology, published by Jaded Ibis Press.
Gannis holds a BFA and MFA in Painting from the University of North Carolina at Greensboro and Boston University, respectively. Currently, she is Industry Professor at New York University (NYU) in the Integrated Design and Media Program, Department of Technology, Culture and Society, Tandon School of Engineering. She is also a Year 7 Alum of NEW INC, in the XR: Bodies in Space track, New York, NY.
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- from The Daily Mail UK. 12.06.22
"Two artists were forcibly removed from Miami Art Basel after milking a woman's breast and selling it for $200,000.Artists OONA and Lori Baldwin staged an impromptu exhibit after their planned performance Milking the Artist was deemed 'too controversial.'
In front of a crowd of 300, the two artists milked OONA's breast, which appears to be prosthetic, and auctioned it off.
The first glass of milk sold for 50 Ethereum - which is equal to $64,000 - and the second glass sold for 158 Ethereum, or $200,000, before the two artists were forcibly removed from the premises.
In a video, obtained by TMZ, OONA, dressed in black, yelled at the crowd: 'Do I need to be dead for this art to be valuable? Is this not art? Why does this make you so uncomfortable? Do I have to be naked?
'Is this not art? Does a breast need to be in a painting or a sculpture to be valuable?'
Baldwin, dressed in all-white, started the bid at $10,000 and it eventually went all the way up to $200,000.
In a close-up video, posted to both artists' Instagram accounts, show them milking the breast as people filmed.
The two artists claimed Art Basel 'fetishizes' female breasts before they started their performance."
see also: http://milkingtheartist.art/
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performer writer director
Lori Baldwin is a Berlin-based performance artist who uses dark humour and glamour to challenge commonly held ideas about power, gender, endings, eroticism, and death.
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Sophia Garcia is the founder of ARTXCODE, a platform dedicated to supporting the algorithmic arts community through exhibitions, special projects and private sales.
Specializing in generative art sales on the Ethereum blockchain using NFTs and advising artists, collectors and institutions.
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https://www.breezyart.io/https://www.breezyart.io/Twitter:
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Eleonora Brizi is a digital and crypto art curator previously based in New York, Rome and Beijing, now indefinitely living in the Metaverse.
She graduated and specialized in contemporary Chinese art and later started her new path dedicated to art and technology in New York, combining her knowledge of the art world with the need – of the art itself – to speak the language of the time, where the current dialogue is digital and technical.
Before landing in the world of art and tech, Eleonora spent six years in Beijing, China, where she worked for four years as an assistant to artist Ai Weiwei and two years as a representative in China under the curator Jerome Sans. In 2018, she studied blockchain technology and its application to art in New York. Here, following her art curator career in China, she became very active in the flourishing crypto-creative community, curating, promoting, and participating in many Crypto Art pioneer projects.
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Victoria Campobello, alias VXN was born in Buenos Aires, Argentina. Her work combines 3D software and sculpture in bodies and scenes that are deconstructed and transformed. A hybrid of techniques, motifs and languages where an intricate play of forms within forms creates both figurative and abstract aesthetic languages, which are otherwise unrelated. She imagines the flow of nature, organic growth, sexuality and cyberspace and captures the alienation of mind from body in the Internet age.
Space becomes distorted as humans try to find a place to dwell. The perception of the geometry that surrounds it is constantly constructing or deconstructing a different reality, where we are all trying to create our sense of place. Graphics, nature-inspired textures, and futuristic worlds feature the work of Victoria Campobello, aka VXN. Abstract configurations of amorphous shapes co-exist in highly textured images that blend into three-dimensional space.
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