Episodios
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Returning to a literary career after a decade of exile, Fyodor Dostoevsky confronted one of the great delusions of secular humanism: that man is ultimately a rational being whose happiness depends on the exercise of self-interest. Characters in his novels The Idiot and Demons were designed to demonstrate that nihilistic self-destruction is the only outcome of such convictions. Father John concludes the episode by showing how nihilism played itself out in the fictional moral collapse of Dostoevsky's protagonist Raskolnikov and the real-life moral collapse of Friedrich Nietzsche.
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In this summary of the second chapter of his book, The Age of Nihilism, Fr. John discusses the early life and faith and incarceration of Russia's great novelist Fyodor Dostoevsky. Unlike his contemporaries--particularly Nietzsche--the novelist found in traditional Christianity the only hope for a Christendom living under the terrible specter of nihilism.
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In this final presentation on the nihilistic philosophy of Nietzsche, Fr. John considers the philosopher's final work, an autobiography entitled Ecce Homo. The book's strange title is discussed in light of Nietzsche's claim to be the West's alternative to Christ. The episode ends with a spiritual and psychological reflection on why, having completed the work, Nietzsche went totally insane.
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In his continued account of Friedrich Nietzsche, Fr. John discusses the megalomaniac philosopher's effort to replace the Gospel with an atheistic "transvaluation of all values."
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Friedrich Nietzsche is in many ways the father of modern nihilism. In this episode, Fr. John describes the philosopher's relationship to the atheism of contemporary utopian Christendom, and how the music of Richard Wagner played a role in leading him toward nihilism. As with previous episodes, this one introduces the listener to some music that is both beautiful and historically important.
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In this episode, Fr. John begins an account of Friedrich Nietzsche by discussing Richard Wagner, a direct influence on the philosopher whose infidelity with women and famous operatic work, The Ring of the Nibelung, helped inspire the coming age of nihilism.
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In this introduction to the final part of Paradise and Utopia, Fr. John reads the prologue to his recently released book, The Age of Nihilism: Christendom from the Great War to the Culture Wars. The episode introduces the nihilistic philosopher Friedrich Nietzsche and the role compositions by Richard Wagner played in his formation. Included are musical excerpts of the latter's famous "Wedding March" and "Ride of the Valkyries."
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Fr. John Strickland gives an overview of his latest book, The Age of Nihilism, available at Ancient Faith Store: https://store.ancientfaith.com/the-age-of-nihilism-christendom-from-the-great-war-to-the-culture-wars
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In this final episode of part three of the podcast, Fr. John Strickland traces the outcome of secular humanism in the case of the Russian Revolution. Though numerous Orthodox Christians warned of the impending disaster facing a post-Christian Christendom, Vladimir Lenin and his Bolsheviks took advantage of discontent caused by the First World War to plunge violently into a project of counterfeit transcendence they called "building socialism."
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In this long-delayed episode (due to work on The Age of Nihilism, available at store.ancientfaith.com/the-age-of-nihilism-christendom-from-the-great-war-to-the-culture-wars), Father John presents the historical origins of liberalism as a modern secular ideology. Atheistic philosophers like Auguste Comte and John Stuart Mill provided the philosophical basis for hope in a secular "kingdom of posterity."
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Fr. John Strickland announces the release of the third volume of his book series. The Age of Utopia: Christendom from the Renaissance to the Russian Revolution (store.ancientfaith.com/the-age-of-utopia) is a companion to the podcast, but, as he notes, contains quite a bit of material that is unique. Here he summarizes some of its content.
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In this second half of his response to a recent review of his books, Fr. John Strickland discusses his use of scholarly sources (The Age of Division required more than three hundred and fifty of them). He also reflects on how criticisms of his sources and his arguments may have been provoked by the unconventional way in which he tells the story of Christendom.
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In this special edition of Paradise and Utopia, Fr. John Strickland responds to a recent review of the first two volumes of his book series. In it, he notes the failure to consider the books on their own terms. He uses the opportunity to elaborate what he considers a healthy vision of Christian historiography, one that supports what many consider the need for a "re-enchantment" of modern culture.
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Most Americans know Tchaikovsky as the composer of the delightful dances contained within the Nutcracker Ballet. As Fr. John Strickland shows, however, there is much more to be heard in their melodies, and little that was delightful about the emotionally agonized life behind them. Using selections from a variety of works, he explores how the romantic agony came for Tchaikovsky in his boyhood and thereafter never departed. Special attention is given to an analysis of the famous Sixth Symphony, nicknamed Pathetique. First performed just days before the composer's abrupt death, the work brings the generation of the romantics to a heart-rending and emblematic conclusion.
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What was the genius of classical music during its nineteenth-century golden age? According to Fr. John Strickland, it was an effort to rescue Christendom's transformational imperative in an age when secularization threatened to sever earth from heaven. No longer influenced by traditional Christianity, great composers like Beethoven exaggerated earthly passions (especially sexual love) to communicate the West's primordial desire for transcendence. But the emotionalism that resulted threatened to take the floor out from underneath them. This episode concludes by analyzing famous works by Schubert and Berlioz which show how transcendence gave way to descent, and how utopian hopes plunged into irreversible spiritual agony.
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The early nineteenth-century romantics pioneered a new way of seeking personal transformation. Following a century in which deism desecrated the world, separating heaven and earth, they wanted to re-enchant the West. But by ignoring traditional Christianity and looking instead to the "God substitutes" of philosophical idealism, they only succeeded in creating a counterfeit experience of transcendent communion.
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In this reflection on an emerging post-Christian Christendom, Fr. John Strickland discusses two ways in which eighteenth-century philosophes—from Voltaire to Thomas Jefferson—worked to subvert the paradisiacal culture of the old Christendom. He explores their use of photic imagery such as "enlightenment" and their introduction of the tripartite utopian model of history consisting of ancient, medieval, and modern periods. He concludes with a brief description of Edward Gibbon's famous and influential work The Decline and Fall of the Roman Empire.
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In this episode, Fr. John Strickland recounts the efforts of three Italian humanists of the quattrocento ("fourteen hundreds") to rescue the dignity of man from the pessimism of Western culture. Departing from traditional Christianity's dignification of man through communion with God, they looked instead to Neoplatonism and there found a model of the fully autonomous human being, Prometheus.
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