Episodios
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For one of us, this is where it all began. You leave me breathless⊠ahhhhhâŠ. Thatâs from a different movie though.
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If youâd like to watch ahead for next weekâs film, we will be discussing and reviewing Olivia Neergaard-Holm, Jon Nguyen, and Rick BarnesâDavid Lynch: The Art Life (2016)
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This week we return to the Shohei Imamuraâs âPigs, Pimps, and Prostitutesâ collection with his âentomological studyâ of one womanâs lifelong struggle for survival and purpose in a cruel modern world. Style, ambiguity, and shock mark this as a classic Imamura story.
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If youâd like to watch ahead for next weekâs film, we will be discussing and reviewing Jean-Luc Godardâs Breathless (1960).
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¿Faltan episodios?
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Legendary 1980s/90s Hong Kong/Hollywood action auteur John Woo sets an early pace for his legendary career with a period-kung fu movie about two swordsman-buddies caught in the midst of a bloody revenge plot between warring clans. Spoiler alert: there's a martial arts master whose style is "asleep."
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If youâd like to watch ahead for next weekâs film, we will be discussing and reviewing Shohei Imamura's The Insect Woman (1963).
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From the clanky jangle of that first Tom Waits song to that jangly clank of the last Tom Waits song, you know you are in for a treat. Jim Jarmusch pops back up on the show with his humanist anthology of five stories set in cabs, each taking place in a different city on the same night. Winona, Gena, Giancarlo, Armin, Rosie, Isaach, uh.. Beatrice, Roberto, and ⊠Matti? Look he went truly international with his cast, so I canât name them all off the top of my head.
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If youâd like to watch ahead for next weekâs film, we will be discussing and reviewing John Wooâs Last Hurrah for Chivalry (1991).
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Cat, piano, well, watermelon, mirror, bananas. You know, you're basic horror movie formula. Director Nobuhiko Obayashi spins a eerily formulaic but wildly unanticipate-able story of teens. And death.
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If youâd like to watch ahead for next weekâs film, we will be discussing and reviewing Jim Jarmusch's Night On Earth (1991).
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What says âMerry Christmasâ more than a sexy tale of infidelity and alienation set against the backdrop of soviet invasion and oppression? In the Criterion Collection? Not much. Join us as we discuss Phillip Kaufmanâs adaptation of Milan Kunderaâs novel of Prague Spring and its aftermath, starring some distractingly beautiful people.
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If youâd like to watch ahead for next weekâs film, we will be discussing and reviewing Nobuhiko Obayashiâs House (1977).
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Itâs Orson Welles! Itâs Shakespeare! Everyone involved is at the top of their game! Filmed across continents on location! It was a labor of love 3 years in the making! Yep. No problems here. None at all. No need to investigate furtherâŠ
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If youâd like to watch ahead for next weekâs film, we will be discussing and reviewing Phillip Kaufmanâs The Unbearable Lightness of Being (1988).
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Albert & Allen Hughes take a stab at the classic tale of the American twentieth century with a star-studded cast and a sweeping narrative starting in the Bronx of 1968, the bloody jungles of Vietnam, back to a changed America, and then⊠an iconic 90s heist scene?
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If youâd like to watch ahead for next weekâs film, we will be discussing and reviewing Orson Wellesâ Othello (1952).
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David Lynchâs follow-up to one of the most disturbing and lovingly crafted pieces of auteur cinema ever made is⊠an Oscar-bait biopic? Sure: he brazenly assaults Victorian (and maybe even a few modern) sensibilities by frankly visualizing the appearance and living conditions of a young man cast from polite society. And, yeah-yeah, who are the REAL monsters, amiright? But more that this, Lynch taps into is own dark dreamscape, to poke at the less obvious, but deeply felt, horrors of the industrial age.
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If youâd like to watch ahead for next weekâs film, we will be discussing and reviewing Albert & Allen Hughes Dead Presidents (1995).
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This week, itâs Moonstruck. Thank God: itâs Moonstruck.
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If youâd like to watch ahead for next weekâs film, we will be discussing and reviewing David Lynchâs The Elephant Man(1980).
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If you throw everything at the wall (romance, screwball comedy, noir thriller, globe-trotting action) you will ALMOST predict one of the great disasters of the twentieth century. This coincidence is inevitably repeated a ton on the IMDb trivia page. But spare yourself from being spoiled and just watch Frank Borzageâs charming tale of star-crossed lovers set against a backdrop of 1930s Hollywood glamour.
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If youâd like to watch ahead for next weekâs film, we will be discussing and reviewing Norman Jewisonâs Moonstruck (1987).
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Get ready for another action-packedâŠYasuhiro Ozu movie? Well, at least compared to his other masterpieces. Buckle up for this bracingly gentle study of a middle-aged married couple as they lightly bicker and tell harmless lies to one another all in service of slowly coming to understand and maybe even love each other. Hope you survive the experience!
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If youâd like to watch ahead for next weekâs film, we will be discussing and reviewing Frank Borzageâs History is Made at Night (1937).
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Two unlikely kindred souls find purpose and companionship as they wander through the cross-continental 1970s in search of a sense of⊠just a little stability. Wim Wenders sets the tone for his career as a quiet student of humanity with a big ol heart.
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If youâd like to watch ahead for next weekâs film, we will be discussing and reviewing Yasuhiro Ozu's The Flavor of Green Tea Over Rice (1952).
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Is this the one where Keanu takes a bunch of future drugs? I mean that DOES sound kind of like a Cronenberg movieâŠ. No wait! Itâs the head exploding one. Except that maybe, just maybe, this early 80s psychic thriller offers a whole lot more than just exploding heads. But donât worry: if you really like exploding heads, this film still has you covered.
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If youâd like to watch ahead for next weekâs film, we will be discussing and reviewing Wim Wenders Alice in the Cities (1974).
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Soviet cinema at its most⊠spiritual? Iconoclast director Sergei Parajanovâs deeply personal exploration of the cultural echoes found in the life of 18th-century Armenian troubadour/monk Sayat-Nova uses manuscript-inspired tableaux vivants, exquisite staging, and a profoundly rich symbolic vocabulary to sneak this one past the censors. Sort of.
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If youâd like to watch ahead for next weekâs film, we will be discussing and reviewing David Cronenbergâs Scanners (1981).
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Content warning: this film contains depictions of suicide.
Come check out Mike and Charlie realizing exactly what theyâve gotten themself into AFTER watching this movie and getting about halfway through our discussion about it. Yukio Mishima and Domoto Masakiâs rich confrontation of Noh-style staging with richly visualized sensuality propels a short film about a married coupleâs suicided following a failed coup-dâetat in 1936 Japan.
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If youâd like to watch ahead for next weekâs film, we will be discussing and reviewing Sergei Parajanovâs The Color of Pomogranates(1969).
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Kansas. The Great Salt Lake. Peaches Christ. Michael Varrati. Abandoned carnival. Am I listing the components of an unlikely-to-happen but likely-to-be-wild road trip? Or is it the perfect formula for a really fun episode where two of our favorite guests return to discuss the weirdly atmospheric ultimate-indie horror film?
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If youâd like to watch ahead for next weekâs film, we will be discussing and reviewing Yukio Mishima and Domoto Masakiâs Patriotism or The Right of Love and Death (1966).
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Directing duo Arie and Chula Esiri tell two separate stories of would-be Nigerian emigrants navigating through a dehumanizing world that uses poverty and debt to perpetuate a cycle of exploitation that cares little for dignity and decency. Beautifully shot on film on location in Lagos, Mofe and Rosa each strain towards a better life.
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If youâd like to watch ahead for next weekâs film, we will be discussing and reviewing Herk Harveyâs Carnival of Souls (1962).
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Look: if for some reason you DONâT want to watch Richard E. Grant rant about the entrenched conspiracy between the wretchedly corrupt spheres of big business and government in the form of consumer advertising, then I guess this isnât the movie and podcast episode for you. And if you still arenât interested once you learn that itâs a HandMade Films production reuniting Grant with director Bruce Robinson? What if I were to say that thereâs a mustachioed boil growing out of the side of Grantâs neck spouting late-stage capitalist drivel? No? Then thereâs not hope for you. Not that thereâs any hope for any of us. But you wonât be able to see a fun movie.
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If youâd like to watch ahead for next weekâs film, we will be discussing and reviewing Arie & Chuko Esiriâs Eyimofe: This Is My Desire (2020).
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Balancing on the razor-thin edge between the pedantic âwhat would REALLY happen if a guy kept slowly shrinking?â with âsure nerd, but letâs still make it a fun storyâ, Jack Arnold directs a domestic drama, a survivalist story, and everything in between as he questions foundational questions of existing in his classic science fiction tale. Perceptions of safety, masculinity, and the infinite shift and fade in this allegory of manhood in the modern age.
Join our Patreon and support the podcast!
Join the Random Acts of Cinema Discord server here!
*Come support the podcast and get yourself or someone you love a random gift at our merch store. T-shirts, hoodies, mugs, stickers, and more!
If youâd like to watch ahead for next weekâs film, we will be discussing and reviewing Bruce Robinsonâs How To Get Ahead in Advertising (1988).
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