Episodios
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Jonathan Thompson is Chief Executive of Everyone TV, the organisation that runs free television in the UK.
In this episode Jonathan discusses the launch of the UK's newest streaming platform, Freely, which brings together live and on demand content from the UK's public service broadcasters. We explore what Freely offers, its accessibility, and its role in preserving public service broadcasting. We explore critical issues facing UK television: how to maintain content diversity, attract younger viewers, and ensure public service content remains prominent in an increasingly fragmented digital landscape.
"Somewhere near a third of homes are purely internet TV households."
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Dr. Tom Mills, Chair of the Media Reform Coalition and co-author of the report “Our Mutual Friend: The BBC in the Digital Age”, discusses a detailed proposal for the mutualisation of the BBC—an idea supported by Culture Secretary Lisa Nandy. He explains what it would mean for audiences to become active participants in the Corporation’s governance, how such a model could work in practice, and what it could offer in terms of accountability, representation, and resistance to political interference.
“I think that the bigger risk actually is if the current governance system is maintained and you're under political pressure from the government and from organised interests in society.”
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¿Faltan episodios?
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Fresh from his BAFTA award, Patrick Spence, executive producer for Mr. Bates vs The Post Office discusses how the series was commissioned, why it was a success, how it was funded, the decline of certain TV drama genres, the crisis in the industry, the need of government support: levy vs tax breaks, the impact of tariffs, regional production, the streamers’ role and his upcoming project The Hack.
“If I was offered Mr. Bates vs the Post Office now as a prospective development, I would not take it on."
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Rozina Breen is the CEO and Editor-in-Chief of The Bureau of Investigative Journalism (TBIJ) and formerly head of news at BBC Five Live and BBC North.
A speaker at the recent Sir Harry Evans Investigative Journalism Summit, Rozina discusses the event, the growing challenges facing journalism under the Trump administration, the importance of local and regional journalism, the BBC and the role of partnerships, the importance of fact based reporting and why TBIJ is necessary.
“” The fire has always been there. We just haven't been paying attention.” And my belief is that there are fires in almost every constituency across the UK right now, and investigative journalism in the UK is much needed.”
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@beebwatch.bsky.social
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Jonathan Dimbleby is a veteran British broadcaster known for his long-form interviews on BBC and ITV, and as host of Radio 4’s Any Questions.
In this episode, we discuss his latest book on World War II, the use of a journalistic background in writing history, challenging historical myths, the ‘special relationship’ between the US and Britain, the rise of populism and parallels between current political trends and historical threats to democracy, the critical role of public service broadcasting, the decline of the long-form interview, and why, after an organiser of a meeting of Jews associated with Belsen extended an invitation to Jonathan to speak, “we ended up mutually agreeing that I wouldn't speak at this occasion.”
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Nick Kent is the chief executive and creative director of Oxford Films, which made this week’s BBC Two documentary "Simon Schama: The Road to Auschwitz". We discuss the challenges making an impactful 60 minute documentary which explores the Holocaust's broader historical context, the role of language and visual imagery, ethical considerations in portraying the Holocaust and the importance of public service broadcasting.
“We're living in a time when the BBC is in jeopardy, and what's at stake now is higher, I think, than it's ever been, in terms of what the BBC can provide.”
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James Cridland is the editor of Podnews and a radio futurologist— a writer, consultant, and public speaker on radio’s future. We discuss the BBC’s Annual Plan, its financial challenges, the impending changes to BBC Sounds' international access, the intricate challenges of rights management, potential revenue streams, and the delicate balance between public service broadcasting and commercial imperatives.
“The only change going on here is that we're getting rid of the BBC Sounds app, and you have to use the not-very-good-as-a-replacement bbc.com/audio. So, if you're using a smart speaker or TuneIn, then, reading that paragraph, you would expect that you will still be able to have a listen, which is brilliant. But they've kind of hidden that under a bushel. They only put that on the website last week, but that's a significant thing, if that's what that means.”
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Kirsty Lang began her BBC career in 1986 and worked as the Central Europe correspondent for the BBC World Service and as a reporter on Newsnight. After a stint as The Sunday Times’ Paris correspondent, Kirsty went on to present Channel 4 News. Since 2002, she has been a stalwart of Radio 4, presenting Front Row, Last Word, and Round Britain Quiz.
We discuss the BBC's financial squeeze, its plans to restrict international access to domestic radio services, the importance of BBC programming as a form of soft power, the broader implications of budget cuts on public service broadcasting, and what it's like to be the quizmaster on Round Britain Quiz.
“Democracy is under threat. It has never been so under threat in my entire lifetime."
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Prof Stewart Purvis is the former content regulator at Ofcom, a former Editor of Channel 4 News and ITN Chief Executive. As the Vice President of the Royal Television Society we discuss: the RTS Awards controversy withdrawing an award for Gaza journalists, Stewart’s experience reviewing BBC Middle East coverage and the fallout from the landmark GB News vs. Ofcom legal case and the ability of foreign governments to influence British broadcasting.
"What's at stake is the future of broadcast journalism. The system is creaking, and we need to decide whether we're going to resolve some of the issues which have arisen."
RTS Awards:
“What I would hope would come out of this was, as soon as we've got some clarity about whether there is any connection at all between what happened at the BBC documentary and the entrance for the RTS awards, and particularly the rightful winners of this special award that those Gaza journalists should get an award.”
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Yasmin Alibhai-Brown describes herself as a "lefty, liberal, anti-racist feminist, Muslim" who was born in Uganda and came to the UK in 1972. She is a journalist, columnist for The i Paper, and commentator. Yasmin is a strong advocate for human rights who supports Israel's right to exist while being critically engaged with its policies. On this week’s podcast we discuss the BBC’s handling of its withdrawn Gaza documentary, the challenges facing independent journalists in Gaza, the lack of critical journalism in the UK compared to Israel, the influence of pro-Israeli groups in the British media and the role of public service broadcasting and its responsibilities.
“Balance is used as a way of not doing its journalism properly. And I love the BBC, but …. I think we need the BBC to become what it says it is: the most trusted outlet. It is no longer that trusted outlet.”
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Richard Ayre is the chair of the UK's independent press regulator, Impress. Before that, he spent about thirty-five years at the BBC as a former controller of editorial policy and deputy chief executive of BBC News, before becoming a member of the BBC Trust. Richard is also a former member of the OFCOM content board. In this week's episode, we discuss BBC's DG Tim Davie and Chair Samir Shah's appearance in front of the Department of Culture, Media and Sport's select committee: the fallout from the Gaza documentary which was pulled after it was discovered the 13-year-old narrator had a family connection to Hamas, future funding models, the World Service, and the possibility of a generational charter.
“There was a meeting between BBC executives and executives of the production company—a face-to-face meeting—to comply this film before it went out, and the BBC didn't press for an answer or didn't get an answer to the question about the connection of the kid's. That's very worrying, and that, I imagine, is where the BBC’s inquiry is now going to unearth some bodies—or people likely to be bodies.”
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Tony Hall was the Director-General of the BBC from 2013 to 2020, during which time the BBC's Royal Charter was last renewed. We discuss the differences between that charter renewal process and the current one, as well as the key issues surrounding the upcoming renewal: a long-term vision, a permanent charter, a new funding model, accountability, and engagement with licence fee payers. We also address the allegations of anti-Semitism within the BBC.
"I have never seen fundamental anti-Semitism in the time I was at the BBC. It's not how people work. Yes, there can be errors. Yes, there can be misjudgements, but fundamental anti-Semitism, or any other fundamental take on life that comes out in the BBC journalism I've never seen, and I don't believe it's there."
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Dan Thomas is the Global Media Editor at the Financial Times who broke the story on Sky News’ strategy and newsroom overhaul. We discuss the strategic decisions facing all the major news organisations as they adapt to changing audience behaviours, regulation of social media, the future of all the public service broadcasters, BBC charter renewal, the BBC’s news operations in the US and digital switch over.
“Sky News have been on the on the sort of watch list, as it were, for some time. They've got what can only be described as an existential crisis, right? And this is not just unique to Sky, it’s applicable to all sorts of linear, traditional broadcasters, but Sky News, they've got a particular problem. People don't really want to watch news on TV anymore, not in the way they used to. And they've had to come up with something.”
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Rob Crilly is the Chief US Political Correspondent for The Daily Mail who has covered Donald Trump since his bid for the presidency in 2015. Part of the White House press corp and regularly travelling with the president, Rob offers unique insights into Trump’s personality, communication style, and the impact Trump has had on American politics and journalism. We discuss the challenges of covering the Trump presidency with his disregard for facts, the Trump’s administration’s efforts to sideline traditional media for “new media”, the lack of opposition and Trump’s relationship with Keir Starmer.
“He's extraordinarily personable, and maybe it comes from his background as a property mogul, and he's essentially a salesman, but he sort of knows how to put people at their ease.”
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Peter Kosminsky, the renowned British film and television director who recently directed the much-acclaimed Wolf Hall, discusses his career journey—from being sacked by the BBC Plays department to finally becoming a successful documentary-maker and filmmaker. He describes the creative process behind Wolf Hall, the challenges British filmmakers face in securing funding from streaming services for projects focused on British subject matter, and his proposal for a UK cultural fund, financed by a levy on streaming service subscriptions, to support the production of high-quality British dramas.
On his Grenfell project:
"Are we really saying that British television is incapable of making a drama about this critical subject to a British audience, because a bunch of American streamers don't think it's interesting enough to finance?"
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Adjoa Andoh is one of Britain's most celebrated actors, with an extensive career spanning stage, screen, and radio. She has appeared in iconic TV series like Doctor Who and Netflix’s Bridgerton, as well as making her Hollywood debut in Clint Eastwood's Invictus.
In this episode we discuss the importance of radio drama, concerns about the significant cuts to radio drama production, the potential impact on the creative industries eco system, and the value of public service broadcasting.
"We're sort of the frog being boiled slowly. We're slowly losing things, and then you're suddenly aware there don't seem to be as many plays on, but you're not quite sure how; and this is terrible."
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This week we’ll be hearing from some of our nation’s greatest actors Bill Nighy and Adjoa Andoh on why they think the BBC should reverse the proposed cut to BBC Radio 3's sole drama slot and why they are seeking reassurances that there will be no reduction in the amount of drama on Radio 4. Make sure you don’t miss out on this episode which will be published later this week.
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David Lloyd is a veteran of the local radio industry, with over 40 years of experience in roles at LBC, Virgin Radio, and the BBC. He also brings regulatory expertise from his time at the UK Radio Authority, now part of Ofcom. Today, he's a broadcaster and co-founder of Boom Radio, a relatively new UK station catering to baby boomers.
In this episode, we discuss the state of BBC local radio, including the details of Lloyd's complaint about BBC Radio Devon's failure to adequately cover the 2024 riots. We also explore the potential role of alternative providers and the impact of the BBC's proposed spin-off service on Lloyd's own station, Boom Radio.
“I think the BBC can do a lot better on the resources available, even as reduced. They've still got £120 million now furnishing a lot of very part-time radio stations—that's a lot of money. In other hands, that could actually deliver some incredible local radio, which, yes, is the BBC the right person to be running local radio if it really takes them that much money to deliver it poorly?”
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David Elstein was the head of programming at BskyB, the director of programmes at Thames Television, before launching Channel 5 as its chief executive in 1997. Since then, he has chaired innumerable boards and organisations including the British Screen Advisory Council and Open Democracy. David was part of the last Conservative government's inquiry into the BBC’s future funding model, which was later scrapped by Labour.
In this episode, we discuss the idea of ‘mutualisation’ of the BBC, the effects of government policies on public service broadcasting, funding models, access and content concerns, BBC efficiency, and the “fantasy economics” in BBC annual reports. We also examine the impact of tax breaks on the UK’s creative industries.
“Instead of funding public service content, we've funded high end content made for the American producers in our studios. We are now kind of contract labour for Warner Brothers, Paramount and Fox. I mean, it's mad.”
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Sir Richard Eyre, the renowned theatre and film director, who has served as a BBC Governor, shares his concerns over the cuts to radio drama programming, the broader challenges facing the BBC's cultural remit, the tensions between the BBC's public service mission and commercial pressures, and role of the BBC in nurturing and sustaining the UK's cultural landscape.
"I would say the BBC is the most important cultural organisation in the world, and the Director-General of the BBC should be standing up, saying that, and putting his heart and soul and practical application into making sure that the BBC lived up to that proclamation. Well, they don’t, and they’ve pitifully ignored the arts. They've cut the arts department in television, and now, they're cutting drama on in radio."
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